Mémoire de la violence: du Congo des rébellions au Zaïre des pillages

The author looks into the chain of political violence, as well as into political discourse about past violence, experienced by ordinary Congolese from Independence up to the present. According to him, every major outburst of political violence underwent a discursive recuperation by Congolese/Zairian politicians and produced its own social memory. The Zairian state political culture of violence, blended with people’s experience of every day violence (economic and social), explains the generalisation of violence during the 1990s civil wars and lootings of all major and medium-sized cities.     

La généalogie imaginaire de la littérature algérienne francophone

This article contends that French language is both the perfect tool for the expression of one’s own identity and the instrument of knowledge that has shut down all possible other ones in Algeria. The works of Rachid Boudjedra (1969) and Yacine Kateb (1966) illustrate the highly ideological dimension of Algerian literature. By debunking the very idea of French literature, their novels fight back the concept of cultural imperialism. Yet, I think that the conflict between ideology and literature did not appear recently, after the colonial wars of independence, but was already underlined at the birth of French language as a national idiom in the writings of an author such as François Rabelais.     

Art et artisanat en Afrique Noire: Problèmes d'une définition différentielle

In 1977, John Lonsdale published a review of William R. Ochieng's study APre-Colonial History of the Gusii of Western Kenya in the Kenya Historical Review. Entitled “When did the Gusii (or any other group) become a ‘Tribe’?”, the ten-page article was less a book review and more a treatise on the practice of history in Africa. Taking Lonsdale's question as a point of inspiration, this article provides a critical rethinking of the theories of “tribe”, ethnicity and identity politics that continue to dominate African scholarship by examining the particular case of the Luyia in western Kenya. Through the seemingly incongruous and stubbornly diverse accounting of Luyia political community, this study suggests that histories of ethnic identity remain trapped by their own constructivist logic, elevating the “inventors” of traditional accounts at the expense of the plural and dissenting voices that characterise the multiple forms of political imagination practised across Africa that, while diverse, continue to rely on the idiom of the “tribe”.     

Sémiotique et rhétorique de la duplicité dans la peinture de Bernard Baïfang

The Art of Bernard Baifang finds its strength in the subtlety with which this contemporary painter represents abstractions. Using figures of speech, he translates duplicity into images, a moral perversion that has become endemic in many African countries. A semiotic and rhetorical study of the figurations of duplicity in Feymania and La cité rouge reveals that the achievement of these paintings inspired by the experience of daily life in Cameroon is part of a subversive approach based on a cathartic conception of art.     

Du Zaïre au Congo: la Vierge du Désarmement et la guerre de libération

Observing the religious movement that has developed around two young visionaries who claim to be in communication with the Virgin Mary, the author analyzes the political meaning of the messages they claim to receive from her. His interpretation is based on interviews with the visionaries’ followers but above all on the life story narrated by the main visionary, here reproduced in its entirety. He uses this material to show how, with the change from Mobutu’s declining power to Kabila’s new power, the attitudes of Kinshasa’s population evolved.     

Burundi: des identités ethnico-politiques forgées dans la violence

Taking the recent political situation as background, the author examines the rhetoric of political propaganda in Burundi. By considering several texts, both written (newspaper articles, politicians’ statements, political leaflets) and oral (speeches and radio declarations), of which long excerpts are reproduced, the author is able to demonstrate that all parties call for violence in Burundi, regardless of political side. The Other, whoever he may be, is systematically denied the right to exist; meanwhile, the exercise of violence appears as a means of delimiting the space belonging to each group. This in turn legitimates and generalizes daily use of violence.     

Kongo–Lisbonne : la dialectique du centre et de la périphérie dans l'Église kimbanguiste

In 2009, as the Pope visited Angola, the Portuguese Kimbanguists prepared themselves to receive Simon Kimbangu Kiangani, the spiritual Chief of the Church (living in the Democratic Republic of Congo). According to Kimbanguists themselves, Lisbon is as marginal to Europe as Bethlehem was to the Roman Empire or N'kamba was to the Belgian Congo when, respectively, Jesus Christ and Simon Kimbangu were born. While they are not active proselytizers and do not use “reverse mission” arguments, Kimbanguists insist that Europe hosts a vast amount of “marginalized” people in need of a fresh spirituality. Analysing the Lisbon event, in this paper the authors discuss the dialectics between “centre” and “periphery” (N'kamba and Portugal) and suggest that the Kimbanguist religion must be simultaneously regarded as a mechanism by which Africans reaffirm a presence in the diaspora as well as being a means to orient efforts aimed at reinforcing their spiritual centre in Africa.     

“La bibliothèque coloniale”, la propriété intellectuelle et la romance du développement en Afrique

One asks oneself vigorously about the conditions of the construction of knowledge relative to the African continent as well as to its way of thinking. The influence of V.Y. Mudimbe in this regard is immense. The major categories of anthropology are examined, even called into question, and most notably the ethnic groups. As pertinent as they may be, these analyses return to the library and to the system of representation that the continent invents and raise it to a paradigm of difference par excellence. It is important, beyond the scholarly discourse, to take a look at the relationship of ordinary people with libraries. Broadcasters, for example, comment candidly on the work of one artist-musician or another. Appropriation implies the related right: “droit d'auteur(e)”, copyright or “Urheberrecht”. Anyone who fails to comply becomes a pirate. What, therefore, is the meaning of to modernise the author, the work, the copyright or the pirate not in language inherited from Western law but in that of the citizen or the average villager?