FROM PEDAGOGY TO ACTIVISM

Accepted as a pro-woman organisation, Singapore's longest established women's association, the Association for Women's Action and Research (AWARE), has operated for 25 years under the watchful eye of the authorities in Singapore. Despite its systematic interventions on behalf of women, it never enjoyed a high national profile. In March 2009, however, all this changed. A right wing religious group staged a take-over and brought AWARE to the attention of the nation. This article details how a group of current and past students of our feminism module at the National University of Singapore moved from classroom learning to spontaneous active response when AWARE faced this challenge.     

FROM OBAMA TO ABBOTT

Abstract This article analyses how politicians' use of emotion is gendered. Key Australian, US and UK politicians studied include Obama, George W. Bush, Hillary Clinton, Cameron, Rudd, Abbott and Gillard. Emotions analysed range from fear to compassion. A particular focus is placed on issues of masculinity; however, the implications for constructions of both femininity and masculinity will be considered, including arguments that female politicians face particular problems in utilising emotion, for example, in projecting an image of being both tough and compassionate. It will be argued that it is not just that politicians' use of emotion intersects with issues of gender but that particular gendered identities are a key vehicle via which emotion is deployed. Consequently, the analysis contributes new insights to both the literature on the politics of emotion and the literature on masculinity and gender.     

FROM RESCUE MISSIONS TO DISCIPLINE

This paper maps a shift in emphasis in the representation of Muslim women in Western discourse from that of victims in need of Western rescue to that of active participants in Islamism and the ‘Islamisation’ of the West. Muslim women activists have developed an articulate response to representations that depict them as passive victims, emphasising that many women undertake their religious practices (in particular, those relating to dress) by ‘choice’ and play an active role in resisting patriarchal practices imposed in the name of their religion. Their responses to representations of Muslim women as perpetrators of Islamic extremism who must be disciplined into acquiescing to Western/Enlightenment/secular norms, however, are still evolving.     

THE SINS OF THE SON

Masculine sentimentality played an important role in Australian culture in the 1930s and 1940s, as in other places where plaintive country music songs attracted a passionate following. Using ‘Australia's Singing Cowboy’ Tex Morton as a case study, we show that this sentimentality became part of both the bush tradition and country music in Depression- and Second World War-era Australia, associated with the bushworker or rugged ‘lone hand’. This sentimentality was deeply problematic from a feminist perspective, as indeed was Morton's personal life. It romanticised what he called ‘the sins of the son’; that is, the lone hand's inability to do right by those he loved. It also glamorised his tears and self-pity, treating them as signs of his hardy masculinity. Given the significance of this form of sentimentality both in Australia and elsewhere over the rest of the twentieth century, feminist scholars of popular culture and historians of gender and the emotions need to pay more attention to country music songs about errant sons and lovers from the 1930s and 1940s.     

IN THE BEST INTERESTS OF THE (SILENCED) CHILD

The rhetoric of the ‘best interests of the child’ frequently emerges in public and political debates concerning the changing nature of family and society. This article explores how the rhetoric was invoked in recent same-sex marriage debates in Australia. We analyse the public submissions to the 2009 Australian government inquiry into same-sex marriage to reveal the ways in which the abstract figure of ‘the child’ was deployed. It became evident that heteronormativity was privileged and upheld primarily through the discourse of children's best interests. Concern about the well-being of children raised by lesbian and gay parents was the pivotal argument by those who opposed same-sex marriage. Heteronormativity was reproduced through the claim that same-sex parenting is harmful to children and thus heterosexuality was positioned as the only ‘safe’ place for parenting. A small number of the submissions in support of same-sex marriage also based their arguments on the best interests of the child. Typically, these submissions positioned lesbian and gay parents as ‘just like’ heterosexual parents and in doing so they produced an idealised homonormative couple. This unwittingly reinforces heterosexuality through the construction of an ‘acceptable’ domesticated homosexuality, based on adherence to heteronormativity, which effectively marginalises other family forms and sexual behaviours. We argue that the rhetorical power of the ‘best interests’ argument relies on the absence of the voices of actual children raised by lesbian and gay parents and that this silencing has harmful consequences for these children.     

FRAMING THE VICTIM

This paper analyses the (re-)presentation of rape complainant testimony on three Australian television programs which investigate the issue of football and sexual assault. The ways in which the testimony is framed—the use of others’ narrations, ‘expert’ testimony, and conventional film techniques such as music and editing—are critical in determining whether the woman's words are likely to be believed. Although the framing process is fraught, and complainants are frequently objectified and the authority of their words undermined, there is nevertheless great potential for the framing of a complainant's narrative to lend it truth-value and present it as believable.     

RETHINKING THE CREATIVE SPACE

Anything painted has a particular beauty when seen in a looking glass, provided it be free from faults; and it is wonderful how every defect in the picture will therein show more considerable. (Leon Battista Alberti, quoted in Kahr 1976 Kahr, Madlyn Millner. 1976. Velasquez: The art of painting, New York: Harper & Row.  [Google Scholar], 176, n. 74)     

THE MIRAGE OF MERIT

This paper takes a hard look at merit and the ideal academic, twin concepts that have been accorded short shrift by the scholarly literature. For the most authoritative positions, the ideal displays all the hallmarks of Benchmark Man. Despite the ostensible ‘feminisation’ of the academy, the liberal myth that merit is stable, objective and calculable lingers on. As a counterpoint to the feminisation thesis, it is argued that a re-masculinisation of the academy is occurring as a result of the transformation of higher education wrought by the new knowledge economy. In response, the ideal academic has become a ‘technopreneur’—a scientific researcher with business acumen who produces academic capitalism. This new ideal academic evinces a distinctly masculinist hue in contrast to the less-than-ideal academic—the humanities or social science teacher with large classes, who is more likely to be both casualised and feminised.     

REFLECTIONS ON THE WAIF

The term ‘thinspiration’ is used within the pro-anorexia (pro-ana) community to classify images of slenderness that represent aspects of anorexic experience and/or idealise extreme to emaciated slender bodies. This paper discusses thinspiration via an analysis of 1990s grunge culture and its stylisation of subjective crisis. By reflecting on some of the meanings associated with British fashion's figure of ‘the waif’, it argues that images of extremely slender bodies presented in pro-ana thinspiration menus can be located within a discursive field where distress is a problematic signifier of subjective agency and power. It suggests that although some strategies of the pro-ana community are aligned with the feminist challenge to the dominant gaze and its demand for slender femininities, some images of anorexic distress, such as those found in the category of ‘real girl’ thinspiration, have the potential to reproduce oppressive representational strategies and sustain a view in which damage to women's bodies is promoted as a source of identity. As thinspiration is produced largely online and by women themselves, this paper calls for a renewed focus on the debate about the impact of slender ideals not only on women as consumers but also as producers of images.