Woman to Woman: Australian Feminists’ Embrace of Radio Broadcasting, 1930s–1950s

This article demonstrates the crucial importance of the radio medium in the post-suffrage era as a space in which women could expand their sphere of influence and enact their responsibilities as citizens. It challenges previous scholarship which has argued that during the early decades of radio women were confined to the world of the everyday and the domestic. In the interwar years, Australian feminist organisations were quick to take advantage of the still-developing radio medium, which they used to publicise their activities to mass audiences. One such organisation was the United Associations (UA), founded in Sydney in 1929 by Jessie Street and Linda Littlejohn. Perth feminist Irene Greenwood was introduced to radio broadcasting as a member of the UA in the 1930s, and she later drew on these media skills and her extensive feminist networks to create her own innovative and interactive radio program in Western Australia, Woman to Woman (1948–1954). Correspondence between Greenwood and her audience shows that the program provided women from diverse backgrounds with the opportunity to engage publicly with significant political debates, to create a new imagined community of listeners, to communicate across geographical and class boundaries, and to become media producers themselves.     

A Woman’s Work is… Unfinished Business: Justice for the Disappeared Magdalen Women of Modern Ireland

In this article I explore one core feature of contemporary campaigns for justice for Ireland’s Magdalen women concerning their deaths and disappearances, which continue to be denied by a State that has only recently started to acknowledge civilian deaths in other contexts such as armed conflict. I examine the treatment of the disappeared and deceased Magdalen women in the economic and political context of the Irish use of religious institutions and consider the significance of this regime for women’s citizenship in the postcolonial nation-building processes of the twentieth century. I aim to illustrate the connections between gender, violence and citizenship that are implicated in outcomes for justice for Magdalen survivors and victims, as well as conceptions of Irish women’s citizenship in general. In this discussion I consider the Magdalen campaigns for justice as significant for the individual women and families involved, as well as the entire nation’s conception of self as represented in history.     

Neither worker nor housewife but citizen: BBC’s Woman’s Hour 1946–1955

This article investigates BBC radio’s Woman’s Hour in the post-war period. It explores Woman’s Hour’s focus and insistence on educating women listeners about their role as citizens, and the tensions this caused particularly between broadcasters and different groups of women. The article documents the programme’s development of public and outward looking items, such as the reporting and covering of current affairs, public debates and national politics, women’s party political conferences, and further introducing women MP’s to the microphone. This gave the programme a public and arguably political dimension. The article thus places Woman’s Hour within the broader historiography of the women’s movement in this period, and illuminates the changing role and expectation of women, particularly the middle-class housewife.     

Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal

During the late nineteenth century, the British-born Australian physician Harriet Clisby became involved in the vibrant social reform circles of Boston, Massachusetts. Her ‘Sketches of Australia’, a journalistic series of travel writings, were published in the reform-oriented Woman’s Journal in 1873. This series provides insight into the discursive construction of Australian colonial society in a transnational context. Thematically, the ‘Sketches’ explored questions of geography, culture, class, labor, ethnicity, race, and gender, often embracing popular scientific discourses about race and universalist visions of women’s rights. While such perspectives were common among Anglophone social reformers of the era, Clisby also portrayed Australia as a multiracial nation of immigrants rather than as a collection of white settler colonies. By making colonial Australia accessible for a specifically American readership, the ‘Sketches’ also established a sense of a budding international relationship between Australia and the United States prior to the twentieth century.     

‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.     

Battered Women’s Experiences of the Criminal Justice System: Decentring the Law

This article takes up Smart??s suggestion to examine the way the law works in practice. It explores the context of current criminal prosecutions of domestic violence offences in Queensland, Australia. This article argues that legal method is applied outside the higher courts or ??judge-oriented?? practice and that the obstacles inherent to legal method can be identified in the practices of police, lower court staff, magistrates and lawyers. This article suggests that it may be difficult to deconstruct legal method, even by focussing on law in practice, and as a result it may be difficult to successfully challenge law??s truth claims in this way. The analysis of criminal prosecutions of domestic violence offences reported here supports Smart??s earlier findings that women and children who seek redress through the criminal justice process find the process at best ambivalent and at worst, destructive. However, the article also shows how, in the Queensland context, women sometimes find their way to feminism and personal empowerment by going to law.     

‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s)

Feminist scholarship has invested attention in popular culture as a terrain upon which understandings of feminism are circulated, contested and explored. This is particularly so in the contemporary moment in which feminism appears to have achieved a new ascendency. But whilst popular culture and feminism are recognised as inextricably enmeshed, there remains the implicit or explicit assumption in feminist scholarship that popular media culture could do ‘better’, and that there is a more ‘authentic’ form of feminism waiting to find representation. In response to this context, this article undertakes an analysis of Twitter responses to Celebrity Big Brother: Year of the Woman (2018) in order to explore the ways in which a popular media text provides an arena for the negotiation of popular feminism. Rather than positioning reality TV and celebrity culture as a site of ‘ideological ruin’ for feminism, this article explores how CBB is discussed in relation to feminism as popular television, and the ways in which this may offer affordances and limitations. The article concludes that feminist media scholars need to give due attention to the complexities of popular feminism as articulated by popular media culture.     

Once Again in Chicago: revisioning women as workers at the Chicago Woman’s World’s Fairs of 1925–1928

The ‘woman doctor question’ was a title given to the public debates that erupted in early twentieth-century New South Wales (Australia) over the employment of women doctors in general hospitals. Two wellqualified women, Drs Susie O'Reilly and Jessie Aspinall, were rejected from hospital residencies in Sydney, which led a wide variety of groups and individuals to mobilise in print, not only to denounce the specific rejections but also to challenge the gendered thinking that underpinned them. The arguments and rhetoric of the newspaper debates turned on notions of ‘appropriate’ women's work, the gendered world of hospitals, and assumptions about the gendered nature of medical practice itself. Public discussions of the ‘woman doctor question’ provide a rich source for historians, although for some reason they have been previously overlooked. While the rejection episodes have long formed part of the mythic world of pioneering women in Australia ‘having been seized upon by early historians as vivid examples of women's professional disadvantage’, the deeper cultural meanings and consequences embedded in these debates have been neglected. This article investigates the course of the debates and why they were so passionately contested. Examining the rhetoric used during ‘all this fuss’ (as one participant dismissively phrased it) highlights the significance of the gendered body for the ways in which medical practice was perceived, and ultimately, for how medicine was practised.     

Anna Kavan’s Ice and Alan Burns’ Europe After the Rain: Repetition with a Difference

Abstract

While Anna Kavan’s work has been largely ignored by critics, the responses of those who have noticed her have been dominated by two assertions. First, many of those wishing to assert her importance and power have seen her work as sui generis, the result of her isolation from the surrounding literary culture. Second, numerous feminist critics have seen her work as reproducing the worst effects of patriarchal domination. This article, through a reading of Kavan’s final novel, Ice (1967), challenges both of these assessments of Kavan. It suggests that, if we notice and try to account for the similarities between Ice and a novel published two years earlier, Alan Burns’ Europe After the Rain (1965), Kavan’s novel can be read as challenging patriarchal domination through a bold and innovative reworking of the reader’s ‘suspension of disbelief’.     

‘Quality’, Cinema and the ‘Superior Woman’ Persona: understanding women’s film criticism in post‐war Britain (1945–59)

Criticism was a particularly buoyant area of film culture in Britain during the post‐war period, a regular feature in newspapers, periodicals, magazines, and BBC radio programmes. What has not been widely recognised is the central role that women played as critics of film at this time, and where their interests differed from those of their male peers. This article recovers the contribution made by women film critics, arguing that middle‐class writers such as C. A. Lejeune and E. Arnot Robertson adopted a form of ‘distanced amusement’ with regard to themes of sentimentality and romance (associated with low‐brow female pleasures). This strategy permitted them to engage with the broader cultures of film‐watching, commenting on subjects such as female crying and character identification, and recognising cinema‐going as a pleasurable activity for women, subjects which male critics did not discuss. These findings expand knowledge about film criticism in the post‐war period and reconfigure received understandings of film culture to account for women’s gendered contribution to the critical field.     

‘Us Girls Won’t Put One Another Away’: relations among Melbourne’s prostitute pickpockets, 1860–1920

Larceny from the person, or pickpocketing, was the most common form of indictable crime committed by female offenders in turn-of-the-century Melbourne. It was an offence particularly likely to appear within the criminal careers of recidivist female offenders. Female pickpocketing, however, was notoriously difficult to prosecute. The usual differences found in trial outcomes for men and women were exacerbated by the specific contexts in which such robberies occurred, that is in the context of solicitation or sex work. This not only meant victims were reluctant to prosecute, but that women’s offending often took place within criminal subcultures that fostered interpersonal relationships between women that served to support them throughout the commission of the crime and during the trial process.     

Mythical enjambment in The Hungry Woman: nation,desire, and Cherríe Moraga’s utopic turn

In her play The Hungry Woman: A Mexican Medea (2001), Cherríe Moraga makes use of a technique I call “mythical enjambment”: the insertion of a myth, story, or cultural context into another where it “doesn’t belong,” a willful act of making the unexpected out of the expected. Moraga utilizes mythical enjambment to illuminate how mythologies become entrenched and perpetuate harmful ideologies. Interrupting the traditional aesthetics of Western theater by drawing attention to the ways queer women of color are erased from the narrative, Moraga also challenges the absence of queer women of color from the Chicano movement by embedding her play within some of the most dearly held myths of Chicana/o culture. Ultimately, the use of mythical enjambment gestures toward the utopic and revolutionary potential of theater. The Hungry Woman shatters myths on multiple, intersectional levels: from the critical gaze of interpretive authority to the myths that cohere Chicana/o identity along masculinist and heterosexist lines.