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1.
Weaving together the key themes of subjectivity, Europe, and affects, this article argues that the work of Luisa Passerini constitutes a paradigmatic shift in understandings of contemporary European history, culture, and politics. During the 1990s, Passerini's focus shifted from the history of fascism and memory to the study of ideas and experiences of Europeanness. She reclaimed Europeanism as a research topic for cultural history in order to articulate a critique of Eurocentrism. The coherence of her overarching thematic scope was safeguarded by a constant emphasis on subjectivity. Understanding the correlation between the theoretical privileging of the notion of intersubjectivity and the nurturing of collaborative, transgenerational, and transnational academic practices is thus very important for contextualizing Passerini's historiographical contribution. During the last three decades, Passerini has developed a historiographical framework that crosses many disciplinary boundaries and incorporates practices of teaching, learning, and researching into an integrated mode of producing historical knowledge.  相似文献   

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With the publication of six volumes of Subaltern Studies (1982–89), under Ranajit Guha's general editorship, South Asian social and political history, centred round the struggles of the subaltern classes of South Asia under colonial rule, and of the peasantry in particular, was poured into an entirely new historiographical mould. The intellectual foundation for this exciting project was laid in Guha's three major works published during the previous two decades. The historiography of the Indian peasantry, cast in this new mould, constitutes not only a formidable challenge to the dominant mainstream orientations of the metropolitan liberal and natonalist elite historians but has also opened a new frontier of understanding of the dynamics of peasant insurrections which is of significance for the future and for peasant societies in general.  相似文献   

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Health norms have changed over the past three decades, imposing more responsibility for health onto the individual. There are gendered implications of these changes which, when combined with increasing anti-aging pressures, have the potential to intensify the disciplinary relationship women have with their bodies. This paper, based upon interviews with 14 women, examines the impact of dominant health and anti-aging discourses on women's body practices, including exercise, makeup, clothing and diet, and ongoing construction of gendered subjectivity. Findings suggest that the women in this study are motivated to do particular body practices because of their concern with having a healthy and youthful ‘looking’ body. The women's stories reveal that anti-aging and health discourses function to reinforce normative bodily demands of femininity and consequently to intensify disciplinary control of their bodies. While the pressure to fight the appearance of aging is not new, the increasing association of aging with ill health, even illness, in conjunction with the promotion of health has implications for women's relationship with their bodies and sense of self.  相似文献   

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《Labor History》2012,53(4):523-541
Some observers have identified a common pattern in developing countries whereby unions are transformed from a political force valued for their contribution to the struggle for independence to a state-sponsored ‘tool of development’. A less well-explored question concerns the harnessing of labour historiography to justify such transitions. As this article shows, Suharto's New Order (1966–98) undertook a conscious and purposeful rewriting of Indonesian labour history in support of a single vehicle of labour representation organized around a narrative of the dangers of political unionism and designed to control and harness the industrial workforce in the name of economic development.  相似文献   

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This paper will discuss Edna Millay's influence on Anne Sexton, with particular reference to issues such as gender politics, femininity, performativity, and the female body. Through close comparative readings of some of the two women's most representative poems, I analyze, firstly, how Millay's outspokenness and daring self-presentation as a woman writer facilitated Sexton's handling of material that was previously considered unacceptable for poetry and, secondly, how Sexton expanded the scope of women's writing in a manner that paid tribute to the earlier poet's innovation. My paper maintains that Millay's repeated attempts to explore gender and interrogate the concept of ‘authentic’ femininity anticipated Sexton's overtly feminist works. Ultimately, I am arguing that, despite the literary climate of the 1960s (which urged the rejection of poets like Millay) and despite her own ambiguous feelings for the earlier poet, Sexton eventually recovered Millay as an important literary predecessor for her generation, consistently imitated her artistic posturing, performance strategies, and self-presentation, and finally acknowledged her unique contribution to women's writing.  相似文献   

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ABSTRACT

Religious concepts and themes are central to many of Mary Wollstonecraft’s writings, yet rarely feature within popular representations of her life, work and legacy today. This paper examines the forgetting of Wollstonecraft’s religiosity in light of the broader narratives that western feminism circulates about its past and present, focusing particularly on the historiographical practices and temporal tropes that construct feminism as a quintessentially secular project. It also considers the potentially transformative impact that unforgetting Wollstonecraft’s religiosity could have within feminist historiography and politics in the present, in terms of parochializing the political certitude of secular feminism and the politics of division conducted in its name.  相似文献   

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During adolescence dramatic physical changes take place which the individual must incorporate into his or her evolving body image. The impact of different school environments on this incorporation process is explored using data on 225 White females from a longitudinal study. Differences in physical characteristics between early, middle, and late developers were assessed each year. The effects of pubertal timing on satisfaction with body image dimensions and self-esteem were then explored for sixth- and seventh-graders within different school environments. Reference group theory was used to examine three alternative hypotheses. Early versus late onset of menarche had different effects on certain aspects of satisfaction with body image, depending on the school environment. Results support the strength of the cultural ideal of thinness for women, but no other hypothesis had consistent support. The findings indicated the need to consider a multiplicity of factors in relation to specific body image dimensions.This study has been funded by NIMH grant R01 MH-30739 and a grant from the William T. Grant Foundation. In addition, the work of the second author has been supported by a Research Development Award from the National Institute of Mental Health, #2 K02 MH-41688.Received his Ph.D. from the University of Minnesota. Current research interests include stress and coping in adolescence, the role of social relationships in problem behavior, and the effects of different school contexts.Received her Ph.D. from Columbia University. Research interests include the social and psychological effects of puberty and sex differences in adolescence.Received M. A. in clinical child psychology from Ohio State University. Main interests are developmental aspects of body-image and research on personality disorders.  相似文献   

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This paper investigates the dilemma that has been projected upon Indian female dancers' bodies by contemporary Indian audiences when female desire occupies the centrality of a performance and projects the female body as sexual, articulate and independent of the discipline and propriety of classicism. Locating this dilemma in the nationalist construction of Indian womanhood and femininity as ‘chaste’, this paper adopts Victor Turner's notions of liminal and liminoid phenomenon and Brechtian defamiliarization technique as a feminist strategy to construct a framework within which the contemporary Indian dancer can reclaim her sexuality in performance. To investigate the complex nationalist trope of chaste Indian womanhood, and to analyse the subversion of this trope by placing agency on the female body as sexual, I locate my argument in the discussion of The Silk Route: Memory of a Journey by Kinaetma Theatre, UK, which was performed in Kolkata in August 2004.  相似文献   

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Sisterhood and After: The Women's Liberation Oral History Project, illuminates the impact of women's movements in the UK in tracing the life histories of key UK-based activists and intellectuals, but it more directly eludicates the biographical consequences of activism. This, I suggest, has a different but also important value, not simply in terms of understanding the impact on the many individuals who do become life-long activists, but as a contribution to cultural memories that show how gender relations can be different and better. In this respect, oral history projects can be part of a process of feminist influence that goes beyond the more measurable aspects of campaigns.  相似文献   

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Theories of resistance have informed ethnographic research over the last two decades. Researchers have been concerned to document the significance of counter-cultural acts of resistance and have highlighted intersections of class, gender and “race” within the processes of resistance. However, questions of sexuality have been largely silenced. This paper focuses on the experiences of six women who identify themselves as lesbian and attempts to assert the importance of sexuality within debates on resistance and accommodation. The experiences of these women reveal that lesbians are willing and able to use a conscious collage of bodily signifiers to resist the discourse of compulsory (hetero)sexuality. The “continuum of resistance” illuminated in this paper can encompass both the lesbian who wears her sexuality on a t-shirt and the lesbian who “passes” in a heterosexual frock.  相似文献   

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Recent scholarship on sati has stressed the fact that the ‘problem’ of sati is that the problem extends far beyond and begins far before the act itself. One of the things that lies prior to and post the act is language, yet sati is an act that stands in a curious relationship to language. I will examine the relationship between the physical act of sati and the language that surrounds it: the ‘story’ prior to the act which gives the act its meaning; the act itself which stands in an ironic relationship to the story – I will argue that the act is in fact possible only because it displaces the original story, so that every act of becoming sati presents itself not as a radical act in experience, but as an ‘acting out’ of the original story. It is in this acting out of a displaced story, that the boundary between the physical act and language becomes obscured and the body doing the act begins to occupy a liminal position, as it itself begins to function as a language – a language, which in its aspect of an ‘acting out’ obscures its own act. Lastly, I will consider the implications of the symbolic language of sati for the contemporary woman.  相似文献   

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This article aims at revealing the patriarchal pattern that has dominated Turkish political thought in the 20th century. I analyse the construction of woman's identity in the writings of three prominent thinkers of the early-republican era (1923–1945); namely, Ahmet A?ao?lu, Peyami Safa and Zekeriya Sertel. The thinkers are deliberately chosen since each represents challenging political dispositions vis-à-vis the others. Ahmet A?ao?lu is a liberal-nationalist, Peyami Safa is a well-known conservative thinker and Zekeriya Sertel is a leftist. However, despite the differences between and/or opposing foundations of their approaches all the three thinkers agree that there is a universally valid woman nature, attested by women's reproductive function, and approach the ‘woman issue’ on the basis of this assumption. The thinkers also argue that participation of women in public sphere inevitably results in their masculinization. Moreover, they distinguish between femininity and womanhood and offer their ideal models of womanhood. Although one can trace differences among the models, all converge on the concept of ‘nation's motherhood’ as the most significant feature of ideal womanhood. The main argument of the article is that women's subordination in the Turkish context is reinforced by the wide acceptance of these assumptions, and is further reproduced by the exclusion of the construction of gender typologies in the studies on Turkish political thought for a considerably long time.  相似文献   

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