Launching a New Journal: Women and Social Movements in the United States, 1600–2000

This article traces the founding and development of an online journal, Women and Social Movements in the United States, 1600–2000 (WASM), which Sklar & Dublin began editing in 2003. A quarterly journal, a database, and a website, WASM publishes edited collections of primary documents and full‐text sources that focus on the history of women and social activism in the United States. The journal’s editors discuss their experience in launching the journal and reach out to scholars in the UK to expand the transnational and comparative dimensions of the project.     

Rebel masculinities of star/director/text: James Dean,Nicholas Ray,and Rebel Without a Cause

Director Nicholas Ray is arguably most familiar to cinema culture as the American test case for la politique des auteurs, the influential mode of film criticism formulated at the French magazine Cahiers du Cinéma after World War II. Ray was elevated to the status of film ‘author’ for a consistency of vision and style associated with rebellion. Yet, he was known in the film industry as an ‘actor's director,’ both for his background in theater and for bringing Lee Strasberg's ‘The Method’ to Hollywood after it had gained considerable cachet at the Actors Studio in New York since the 1930s. Although Ray was relatively unknown among the movie-going public, his films were (and still remain) recognizable for their male stars, including James Dean, Robert Mitchum, and Humphrey Bogart. In this essay, I look at his most famous film, Rebel Without a Cause (1955 Rebel Without a Cause, 1955. Film. Directed by Nicholas Ray. USA: Warner Bros. [Google Scholar]), to argue that Ray's reputation as a rebel auteur was as much the product of highbrow auteurist film criticism as the mass cultural persona of ‘rebel male hero’ that the film's star James Dean cultivated. As an actor, Dean was promoted at the vanguard of an innovative and experimental new performance style. Further, his star-performance text reveals a construction of masculinity that the film asks us to view as socially rebellious, which is retroactively linked to Ray. Both the film and the popular press form Dean's image constituted by his self-fashioned sense of authenticity, his non-normative sexuality, his highly publicized death, and the identification with an alternative family structure his role invites.     

The Deathly Sleep of Frederic Leighton's Painted Women

In this article, the author argues that, towards the end of his life, Frederic Leighton (president of the Royal Academy from 1878 to 1896) became increasingly preoccupied with painting sleeping and entranced women as a way of simulating death. In turn, death in Leighton's art comes to look like pleasured sinking into unconsciousness accompanied by an irreversible bodily dissolution, which is registered in the multiplying of the ‘endless folds’ in the figures’ drapery. The author analyses key examples of paintings by Leighton of sleeping and sleepy women—namely, Cymon and Iphigenia (1884), The Garden of the Hesperides (1892) and Flaming June (1895)—within the context of late Victorian anxieties around sleep and its resemblance to death. In these works, Leighton twists and elongates the sleeping women's necks and limbs to make them appear dangerously serpentine, while increasing the activity of the drapery to register both the meanderings of the subconscious and the dissolution of the body. The drapery disorganizes classical form, taking on the appearance of liquid, hair and melted wax.     

Voices from the feminine margin: Izumi Shikibu and the nuns of Kumano and Seiganji

Kara Walker's 2005 multimedia creation, Song of the South, marks an important transitional moment in Walker's critical artistic practice, described in this essay as a ‘performative turn’. A close study of the work reveals Walker's increasing attentiveness to engage with the viewer's presence as well as incorporating her own personal and collective experiences as an African-American woman with even greater intimacy than in her previous projects. These elements, combined with Walker's use of filmic interventions and her own body as both a represented image and live performer, result in the production of a richly layered and provocative work of art. Song of the South reflects Walker's continued ability to exacerbate the stinging wounds of history while challenging us to address the trauma of the past as manifested in today's societal ills.     

Tracing the voice: Pandita Ramabai's life through her landmark texts

‘The silence of a thousand years is broken’ exulted Rachel Bodley's introduction to Pandita Ramabai's feminist manifesto The High‐caste Hindu Woman, which was published in 1887 and sold 9,000 copies internationally within a year.1 Rachel L. Bodley, ‘Introduction’ in Pandita Ramabai, The High‐caste Hindu Woman (Maharahstra State Board of Literature and Culture) Bombay, 1887, reprinted 1977, pp. i–xix (reference p. i). The 1888 reprint of the book in the United States mentions that it is the ‘tenth thousand’. View all notes Its author was instantly made into an icon in Western countries from the United States to Australia, to linger on in their collective memories, even as she was relegated to ‘silence’ in the social histories and discourses of India. This conundrum, pivotal to an understanding of her life and, I submit, rooted in her feminism, is still to be addressed. The numerous and informative biographies of Ramabai (23 April 1858–5 April 1922) have been located within two distinct paradigms: one projects her life, sometimes almost hagiographically, as a triumphant expression of the Christian impulse;2 Ramabai's Christian biographies in English include S.M. Adhav, Pandita Ramabai (The Christian Literature Society) Madras, 1979; Bodley, ‘Introduction’; Rajas K. Dongre and Josephine F. Patterson, Pandita Ramabai: a Life of Faith and Prayer (The Christian Literature Society) Madras, 1963; Nicol McNicol, Pandita Ramabai (Association Press) Calcutta, 1926; and Padmini Sengupta, Pandita Ramabai Saraswati: Her Life and Work (Asia Publishing House) Bombay, 1970. Her best‐known Marathi Christian biography is Devadatta Tilak, Maharashtrachi Tejaswini Pandita Ramabai (Nagarik Prakashan) Nashik, 1960. View all notes and the other valorises her advocacy of women's education while sidestepping the issue of religion.3 Ramabai's Hindu (or non‐Christian) biographies include Tarabai Sathe, Aparajita Rama (D.P. Nagarkar) Pune, 1975, and K.S. Thackeray, Pandita Ramabai (V.R. Baum) Mumbai, 1905 (both in Marathi); and A.B. Shah, ‘Introduction’ in A.B. Shah (ed.), The Letters and Correspondence of Pandita Ramabai (Maharashtra State Board of Literature and Culture) Bombay, 1977, pp. xi–xxxvi (in English). View all notes Both elide her feminism. Recent feminist scholarship on Ramabai has impressively interwoven multiple disciplinary and ideological strands, but tended to focus either on her passage to Christianity,4 Susan Glover, ‘Of Water and of the Holy Spirit’, unpublished PhD thesis, University of Sydney, 1995; Gauri Viswanathan, ‘Silencing Heresy’ in Outside the Fold: Conversion, Modernity and Belief (Oxford University Press) Delhi, 1998, pp. 118–52. View all notes or her reverse gaze at the West during international travels.5 Antoinette Burton, ‘Restless Desire’ in A. Burton, At the Heart of the Empire: Indians and the Colonial Encounter in Late‐Victorian Britain (University of California Press) Berkeley, 1998, pp. 72–109; Inderpal Grewal, ‘Pandita Ramabai and Parvati Athavale’ in I. Grewal, Home and Harem: Nation, Gender, Empire, and the Cultures of Travel (Duke University Press) Durham, NC and London, 1996, pp. 179–229. Kumari Jayawardena, ‘Going for the Jugular of Hindu Patriarchy’ in Vicki L. Ruiz and Ellen Carol DuBois (eds), Unequal Sisters, 3rd edition (Routledge) New York and London, offers a variation on Ramabai's interaction with American women, in terms of American aid to her educational project in India and its inherent tensions. View all notes The parameters of her life and of her feminism have rarely been clearly outlined.6 I have tried to do this in Meera Kosambi, ‘Introduction’ in M. Kosambi (ed.), Pandita Ramabai through Her Own Words: Selected Works (Oxford University Press) Delhi, 2000, pp. 1–32; and Meera Kosambi, ‘Returning the American Gaze: Situating Pandita Ramabai’s American Encounter' in M. Kosambi (ed.), Pandita Ramabai's American Encounter: ‘The Peoples of the United States’, 1889, M. Kosambi (trans.) (Indiana University Press) Bloomington, 2003, pp. 1–46. View all notes In this article I propose to analyse her feminism by tracing her multiple ideological trajectories mainly through a discussion of some of her landmark writings, and then indicate the problematic of her representation of the highly troped ‘oppressed Indian woman’.     

‘Politics’ and Academic Feminist Theorising: Reflections on Women's Studies in Asia

When invited by the organisers of the Asia-Pacific Non-governmental Organisation (NGO) Beijing+10 Forum to make a brief presentation on the question of academic feminists and the de-politicisation of feminist theorising, I asked myself: What politics? What feminist theorising? Then I remembered how close the links were between the history of feminism in academe—particularly in the form of Women's Studies—and the women's movement.2 Vina Mazumdar, ‘Whose Past, Whose History, Whose Tradition? Indigenising Women's Studies in India’, paper prepared for the International Conference on Women's Studies in Asia, Seoul, 18–21 October 2000 published in Asian Journal of Women's Studies, vol. 7, no. 1, 2001, pp. 133–53; Carol Sobritchea, ‘Imaging the Future of Asian Women's Studies and Feminist Scholarship’, paper prepared for the International Conference on Women's Studies in Asia, Seoul, 18–21 October 2000; and Tita Marlita and E. Kristi Poerwandari, ‘Indonesian Women's Movement throughout History: 1928–1965’, paper prepared for the International Conference on Women's Studies in Asia, Seoul, 18–21 October 2000, are recent narratives of the development of Women's Studies and its ties to the women's movement in India, the Philippines, and Indonesia, respectively. View all notes Ah, that politics!     

Editorial voices

Jack Smith is an artist on the margins of official narratives of art of the 1960s. This essay attempts to read his works as a means of questioning the challenges posed to normative readings of the work of culture, by presenting ideas about queer performance. Smith's almost hysterical identification with Maria Montez, a 1940s film siren, is privileged in my reading. Her key film, Cobra woman, turns on the image of a wound that will not heal. In this essay, I read the wound as signaling the breaches in our attempts at full communication, and compare this state of being to the idiosyncratic form of the camp effect, which functions as a kind of hieroglyph, or broken sign. Read through Maria Montez, the ‘failures’ of Smith's practice are explored in order to invogorate the seemingly exhausted discourse on camp, as well as to pose a critique of the ways in which certain bodies are failed by dominant culture.     

‘The Worst Job in the World’: Reform,Revolution, and the Secret Rebellion in Florida's Cane Fields

Governments around the world are embracing guestworkers as a flexible labor force. The untold story of 1960s-era strike wave among Caribbean sugarcane cutters in Florida shows how the longest-running US guestworker program – the H2 Program – has functioned. The program, which began in 1942 and continues today, provided Florida's sugarcane industry with its sole source of harvest field labor, and became all the more important in the 1960s as the Cuban Revolution and the embargo that followed it caused Florida's industry to expand exponentially. Expropriated Cuban sugar moguls adopted the labor practices pioneered by the US Sugar Company, importing mostly Jamaican peasant farmers as temporary workers and deporting those who refused to accept their terms. Federal efforts to mitigate growers' exploitative practices only encouraged worse labor abuses. Cane cutters defended themselves with frequent strikes but deportations made insurgency's gains ephemeral.

‘No ebery ting wha got sugar a sweet’.

Jamaican proverb 1 1. Frank Cundall 1924 Cundall, Cundall. 1924. Jamaica in 1924: A Handbook for Visitors and Intending Settlers with Some Account of the Colony's History, Kingston, Jamaica: The Institute of Jamaica.  [Google Scholar]: 56].      

Landscape,revolution and property regimes in rural Havana

This article explores landscape as an expression of political change. It focuses on the radical transformations in landholding after 1959 and post-1989. Given that landscape is understood as a socio-cultural and political process rather than – as geographers commonly treat it – a cultural image fixed in place [Hirsch, 1995 Hirsch, Eric. 1995. “Landscape: Between Place and Space”. In The Anthropology of Landscape: Perspectives on Place and Space, Edited by: Hirsch, E. and O'Hanlon, M. Oxford: Clarendon Press.  [Google Scholar], this analysis examines how the political changes in Cuba are made manifest in Havana's rural landscape. It also looks at the ontological relationship to landownership particularly during the Special Period, and focuses on how property is conceptualised by smallholding peasants who belong to agrarian co-operatives.     

Homework

This article explores how plays in the 1890s engaged with an aspect of evolutionary theory that had become particularly vexed—namely, the idea of gender essentialism: whether motherhood was the true calling for women; whether the bond with the infant was inevitable and instinctive; whether, as Shaw's teleological, progressive vision would have it, the woman's evolutionary role was to be the ‘life force’, selecting the superior mate for the continued improvement of the species. Considering this question can deepen our understanding of the interaction between science and literature in this period, and also usefully complicate the narrative often told about the figure of the New Woman in drama. Two plays of this period address particularly well the question of what is ‘natural’ maternal behaviour: James A. Herne's Margaret Fleming (first staged in 1890) and Elizabeth Robins and Florence Bell's Alan's Wife (first staged and published in 1893).     

Ada's Piano Playing in Jane Campion's The Piano

Since the late eighteenth century, when the piano first became available for the private home, numerous female characters in literature have demonstrated their skill on the instrument. In nineteenth-century British novels, the prevalence of piano-playing women reflected the contemporary social expectation that middle-class women display some level of competence on the instrument. Yet representations of women pianists in twentieth-century films such as Jane Campion's The Piano (1992 Campion. Jane, dir . The Piano . Australian Film Commission/CiBy 2000/New South Wales Film and Television Office , 1992 .  [Google Scholar]) reflect a persistent Romantic fascination with women's piano playing as a means of expressing authentic inner emotion, especially sexual passion. In this paper I provide an overview of existing historical scholarship on the significance of the piano in nineteenth-century British and colonial culture. In light of this cultural history, I examine Campion's feminist reworking of the Romantic ideal of the artist. Judith Butler's model of performative subjectivity enables us to see the constructed nature of the Romantic ideal of individual self-expression as deployed in The Piano. In Campion's film, Ada's pianistic performance functions as a literal metaphor for the constitution of her subjectivity in the Butlerian sense. Moving beyond a critique of the Romantic model of artistic self-expression, however, I read the central violent conflict of the film as a specifically Victorian collision between genteel feminine and Romantic models of musical performance, the locus of which is the body of the piano-playing woman—Ada.     

Authenticity,intersubjectivity and the ethics of changing sex

This paper examines how specific concepts of the self shape discussions about the ethics of changing sex. Specifically, it argues that much of the debate surrounding sex change has assumed a model of the self as authentic and/or atomistic, as demonstrated by both contemporary medical discourses and the recent work of Rubin (2003 Rubin, H. (2003). Self-made men: Identity and embodiment amongst transsexual men. Nashville: Vanderbilt University Press. [Google Scholar]). This leads to a problematic account of important ethical issues that arise from the desire and decision to change sex. It is suggested that by shifting to a properly intersubjective and performative model of the self, we can better understand (1) the diagnosis of transsexuality; and (2) issues of success, failure and regret with regard to changing sex. The paper also reveals the important implications this shift has for how the relationship between medical practitioners and transindividuals is understood. The paper concludes by showing how the model of the self as authentic can individualise identity and thus downplay or overlook the tight intertwinement between self and other. A properly intersubjective, performative concept of the gendered self places other people at the centre of both an individual's attempt at self-transformation and the ethical issues that arise during this process.     

Grrl explorers of the World Wild Web

Scholars in feminist rhetorical theory and linguistics have documented ways in which online environments reinstate patriarchal forms of control, leading to the continued online victimization of women. In this article, young women's resistance to a narrative of victimization is seen through the lenses of a feminist reconstructionist perspective and a gender diversity perspective (Foss, Foss and Griffin 1997 Foss Sonja Griffin Cindy Foss Karen. 1997 Transforming rhetoric through feminist reconstruction: A response to the gender diversity perspective. Women's Studies in Communication, 20 117 35  [Google Scholar]; Condit 1997 Condit Celeste M. 1997 In praise of eloquent diversity: Gender and rhetoric as public persuasion. Women's Studies in Communication, 20 91 116  [Google Scholar]). The author finds that grrls are best understood within a gender diversity perspective on rhetoric (Condit 1997 Condit Celeste M. 1997 In praise of eloquent diversity: Gender and rhetoric as public persuasion. Women's Studies in Communication, 20 91 116  [Google Scholar]; Butler 1990 Butler Judith. 1990 Gender Trouble. Feminism and the Subversion of Identity. 1st ed. New York Routledge [Google Scholar], 1997 Butler Judith. 1997 Excitable Speech: A Politics of the Performative. New York Routledge [Google Scholar]). Grrls appropriate the frontier metaphor and engender masculine talk to communicate resistance and change. The author concludes that the rhetoric of young women broadens the scope of feminist rhetorical criticism and calls for a re‐visioning of feminist rhetoric.     

Learning and teaching to care for young people

“What is youth work, and what are the best ways to teach someone to be a high quality youth worker?” This is a thorny and contested question that many scholars (Emslie, 2013 Emslie, M. (2013). Toward a youth work profession. Child and Youth Services, 34, 125–138.[Taylor &; Francis Online] , [Google Scholar]; Fusco &; Baizerman, 2013 Fusco, D. &; Baizerman, M. (2013). Professionalization deconstructed: Implications for the field of youth work--guest editors' comments. Child and Youth Services, 34, 85–88.[Taylor &; Francis Online] , [Google Scholar]; Magnuson &; Baldwin, 2014 Magnuson, D. &; Baldwin, C. (2014). In defense of professionalism: A response to Fusco and Baizerman. Child and Youth Services, 35, 4–15.[Taylor &; Francis Online] , [Google Scholar]; Starr, Yohalem &; Gannett, 2009; Walker &; Larsen, 2012 Walker, K. &; Larsen, R. (2012). Youth worker reasoning about dilemmas encountered in practice: expert-novice differences. Journal of Youth Development, 7(1), 5–23. [Google Scholar]) and directors of higher education programs in youth work (VanderVen, 2015 VanderVen, K. (2015, March 24-25). Advancing child and youth work through professional preparation: Proceedings of the summit on higher education in child and youth work at the University of Pittsburgh. Milwaukee, WI: The Association for Child &; Youth Care Practice. Retrieved from: http://www.acycp.org/advancing-child-and-youth-work-through-professional-preparation [Google Scholar]) have been asking as youth work has emerged as a field of higher education study in the U.S. and other countries. Although there are many positions within the professionalization debate, most agree about the importance of better defining a knowledge base that describes youth work (Emslie, 2013 Emslie, M. (2013). Toward a youth work profession. Child and Youth Services, 34, 125–138.[Taylor &; Francis Online] , [Google Scholar]). This base includes defining both content knowledge and context-dependent practices. For instance, Walker &; Gran (2010 Walker, K. &; Gran, C. (2010). Beyond core competencies: Practitioner expertise as a critical component of quality. St. Paul, MN: University of Minnesota Extension Center for Youth Development. [Google Scholar]) distinguish between competencies, which are discrete skills and content knowledge, and competence, which is the practice of knowing how to apply multiple skills and knowledge in particular situations and contexts. She writes that competence, “... is the knack for doing youth work skillfully, gracefully; for doing the right thing at the right time...While most of us know it when we see it, as a field we don't have a very reliable way of identifying it, let alone intentionally producing it” (p. 3). In this article, I name and describe one youth work practice, caring for, towards developing reliable ways that youth work professionals can engage and develop competence in learning and teaching to care for young people.     

“Mad Agnes” Ebbsmith: Revolutionary Roles and Reconfigured Relationships in A. W. Pinero's the Notorious Mrs. Ebbsmith

In The Notorious Mrs. Ebbsmith, Arthur Pinero's use of the “fallen woman” plot is an unusual one, with implications for the 1890s “New Women's” agenda that have continuing relevance today. Linking gender issues to national, religious, and class issues, Pinero examines the limitations of advocacy rhetoric and personal exemplification in promoting social change, and he uses the often puzzling action of the play to explore the possibility of viable alternatives.     

Caring consumption as marketing schema: representations of motherhood in an era of hyperconsumption

What can representations of women's ‘caring consumption’ (Thompson 1996 Thompson, C., 1996. Caring consumers: gendered consumption meanings and the juggling lifestyle. Journal of consumer research, 22, 388–407. Available from: http://www.jstor.org/stable/2489789.[Crossref], [Web of Science ®] , [Google Scholar]) reveal about broad cultural understandings of the nature of motherhood? We study Canadian television advertisements to gain insight into the production of cultural schemas and the reproduction of beliefs about gender and motherhood. Employing an inductive qualitative analysis of portrayals of mothers and women who are not depicted as mothers, we find that the defining feature of mothers' consumption is a unidimensional depiction of control and caring for others, presented as self-evidently gratifying and fulfilling, in the absence of competing consumption goals. Mothers' identity emerges solely from successful consumer choices that benefit others. Such unidimensional representations of consumption stand in contrast to the consumption of women who are not depicted as mothers, who are found to engage in hyperbolic and indulgent consumption targeted towards self-gratification. We thus provide novel empirical data which show that depictions of consumption in mothers and in women not depicted as mothers are extreme in nature. Our findings provide support for, and elaborate on, the concept of ‘caring consumption’ by helping to make sense of media representations appearing within the conjunction of the contemporary marketing context of hyperconsumption, and the parenting/gender context of intensive mothering. By examining extreme consumption in television advertisements, we gain insight into features of maternal consumption ideals that may not be observable in everyday instantiations, such as the lack of mothers' consumption for self-benefit.     

"No Make-Believe Class Struggle": The Socialist Municipal Campaign in Los Angeles, 1911

Seeking to establish a base for organizing California farmworkers, the National Farm Labor Union (NFLU) between 1948 and 1950 led a strike against DiGiorgio Fruit Corporation, the state's preeminent farming operation. Featuring several new developments—among them huge car and truck caravans of strikers that were described as ‘the world's longest picket line’ and a secondary boycott of DiGiorgio products that inaugurated a tactic that would later become a cornerstone of the farmworker movement—the strike was the first substantial challenge to California growers since the collapse of the farmworker movement a decade earlier. While these aspects are often mentioned by historians, there is another less understood but more profound dimension to the strike that revolves around a documentary film Poverty in the Valley of Plenty. Angered by its portrayal in the film, DiGiorgio won a libel case against the NFLU, suppressed the film, forced the union to withdraw and destroy all surviving prints, and for the next generation sued anyone caught showing Poverty in the Valley of Plenty. A watershed in labor and legal history, this tactic extended the law of libel from printed words to images. Presenting a fuller and more complete exploration of this critical chapter in the evolving relationship between photography, farmworkers, and labor organizing, this essay explores the way DiGiorgio eliminated unfavorable visual information, curbed First Amendment rights of free speech, augmented vigilante raids and accusations of communism as tactics of farmworker union smashing, undercut the NFLU's boycott, and substituted an entirely fictitious and benign picture of life and labor at its Bear Mountain ranch. Not until the Delano grape strike 25 years later did farmworkers succeed in finally getting their picture across to the public and using it to develop a boycott that turned the tables on California agriculture.     

Between particularism,universalism and transversalism. Reflections on the politics of location of European feminist research and education

Against the background of the intense cross‐national networking activities, which have characterized feminist research and education in Europe since the beginning of the 1990s, the article discusses politics of national and regional location. Illustrated by a discourse analysis of three Europe‐based feminist research journals with an explicitly marked international scope, it is pointed out that it seems to be a difficult task to avoid the pitfalls of universalism, on the one hand, and particularism, on the other. The three selected journals are: Feminist Theory, The European Journal of Women's Studies, and NORA, Nordic Journal of Women's Studies. Along the lines of Yuval‐Davis (1997 Yuval‐Davis Nira 1997 Gender & Nation London Sage  ), the article argues for a feminist approach to European networking, which should be based on a dialogic and transversal feminism. The assessments of the politics of location of the three journals are, moreover, inspired by the notion of transnational feminism, developed within the context of post‐colonial feminism (Grewal and Kaplan 1994 Grewal, Inderpal and Kaplan, Caren, editors 1994 Scattered Hegemonies: Postmodernity and Transnational Feminist Practices Minneapolis University of Minnesota Press  ; Kaplan, Alarcón and Moallem 1999 Kaplan Caren Alarcón Norma Moallem Minoo 1999 Between Women and Nation: Nationalisms, Transnational Feminisms, and the State Duke University Press  ). The article has two main sections. First, it discusses tenacious universalisms, using examples from the journal Feminist Theory. Afterwards it proceeds to a complementary pitfall – that of particularism. Examples are here drawn from NORA and The European Journal of Women's Studies. In conclusion, some guidelines are suggested that might usefully be taken into account when engaging in European feminist activities such as publishing journals, organizing conferences and networks etc.