Politics Materialized: Rethinking the Materiality of Feminist Political Action through Epigenetics

The ‘new’ of new materialism should not be read as current feminism's distancing from or disavowal of the legacy of previous feminist movements. This past cannot be left behind as it is enfolded—both conceptually and materially—and reconfigured as feminism's current theorizing and political action. This article argues that this cultural inheritance is at the same time corporeally manifested in the biology of feminist bodies. Such a contention is inspired by Karen Barad's argument that concepts, ideas and other social phenomena are specific physical arrangements materialized through apparatuses. Barad insists that the relationships between the social, political and discursive and physical matter are not relations of externality. Instead, there is a complex entanglement where the differences between the cultural and the physical are matters of making separate rather than there being two radically separate realms. Barad's claims are supported by epigenetic research into the intergenerational health effects of the experience of social stigma. The results of this research suggest that an individual's environment, both physical and social, current and historical, manifests in biology at the molecular level. So politics, then, is a truly material practice which is at the same time constitutive of its practitioners. New materialism's history of feminist action and theorization can never be excluded from current practices of feminism but neither can it determine them in advance. Politics and feminism are particular, contingent, material histories, with each practitioner reconfiguring her or his specific biological and social materialization as their present-day political and feminist actions.     

A CELEBRATORY FEMINIST AESTHETICS IN POSTFEMINIST TIMES

In 2011, something surprising happened in terms of Australian feminist cultural memory: a celebratory feminism arrived in the shape of the hugely popular ABC television mini-series, Paper Giants: The Birth of Cleo. Eschewing dour social realism for a stylish and ludic narrative, Paper Giants uses the story of the women's magazine Cleo to tell the story of Australian women's liberation. This essay analyses the components of the mini-series' celebratory feminist aesthetics, examining the ways in which it mobilises feminist tropes to speak an intelligible feminist language in postfeminist times. Further, I detail how women's liberation becomes central to the national historical narrative underpinning the programme.     

Ignorance,Injustice and the Politics of Knowledge

Abstract

Since the early 1980s, feminist epistemology has developed into a vibrant area of inquiry which challenges many of the taken-for-granted assumptions of traditional, mainstream theories of knowledge to work towards developing theories and practices that close a persistent gap between theories of knowledge and knowledge that matters to people in real situations. Here I will examine some of the more startling recent developments in feminist epistemology, where—perhaps improbably—epistemologies of ignorance and questions about epistemic injustice have made significant contributions to feminist knowledge projects. Together and separately, they expose the extent to which knowing is a political activity, while maintaining that it can avow its political involvement without dissolving into facile assertions that ‘might is right’.     

A Quest for Feminist Space and Time

Abstract

This article offers an investigation of practical and political aspects of new materialism on the basis of texts accepted for publication in Women: A Cultural Review. The authors emphasize various political strategies that appear in the collected essays; above all they stress the practical aspects of theory itself. Theory as praxis is a concept inspired by contemporary philosophers such as Georges Canguilhem, Gilles Deleuze, Michel Foucault and Donna Haraway. It can also be the basis for a politics of location and it highlights the importance of being situated in specific sociocultural, historical, local and geographical contexts. The authors raised the question of the potential alliances between their specific, Polish context and the possibility of participating in and creating a broader feminist movement, which proves to be possible thanks to a variety of perspectives that are considered important and worth considering in new materialism. In the article, the Polish Kongres Kobiet (‘Women's Congress’) initiative is presented as a platform for feminist activity which combines various kinds of political, social and cultural interests, concerns and goals. Along with the importance of space for feminist politics, the authors consider time as a crucial constituent of feminist activism. Both rethinking the past—tradition, heritage, history—and directing reflection towards the future hopes, possibilities, politics and theories, constitute important characteristics of the new materialism approach. The authors conclude by introducing the notion of the ‘politics of squatting’, which serves as a metaphor for a feminist quest for space and time.     

From ‘Tramp Stamps’ to Traditional Sleeves: A Feminist Autobiographical Account of Tattoos

ABSTRACT

In this article I use a feminist autobiographical approach to present my ‘tattoo narrative’ as a gendered, embodied account in which I map out key moments in my life over two decades through the images inscribed on my skin. Specifically, I examine how my bodily modifications have magnified the social responses to my body as a woman. For example, as a teenager, I acquired a naval piercing and trendy ‘feminine’, discretely located tattoos to satisfy a heterosexual male gaze. In contrast, as a woman in my late thirties, my tattoos satisfy a different purpose. They are larger, bolder, and more ‘masculine’ in line with the evolution of my feminist politics. However, as an academic, the social responses to my tattoos are more complex. In class defined social spaces such as the university where I work, my tattoos cause trouble because they challenge gendered and classed norms for femininity. I conclude by calling for women to engage in autobiographical writing about bodily modification as a critical feminist political act.     

She's old enough to be a beautiful young boy: Sarah Bernhardt,breeches roles and the poetics of aging

This essay argues that Sarah Bernhardt's choice to play young male roles late in her career served as a radically anti-agist feminist response to the limiting and often demeaning professional and social opportunities afforded aging women. While scholarship has attended to Bernhardt's cross-dress roles through the lens of gender, this essay highlights her “breeches” roles, in particular Hamlet and L’Aiglon as cross-age and cross-gender. By examining “aging” as the contextual mode by which gender functioned, we open up new terrain with which to examine and appreciate Bernhardt's significance in the scope of theatre history, women's history and aging studies. In the title roles of Hamlet and L’Aiglon, Berhnardt assumed youth and male-ness on stage, which both highlighted her offstage socially perceived deficits (aged and female) and challenged the designation of those identities as deficient; performance threw into flux what had been assumed static. And the public responded. Far from honoring the assumed cultural hetero-normative contract that aging women acquiesce public visibility, Bernhardt's breeches roles (re)constructed her body as female (from aging/sexless) and demanded audience members’, male and female, desiring gaze.     

Postmaternal Times and Radical Feminist Thinking

ABSTRACT

Linking the postmaternal to postfeminism as products of late twentieth-century neoliberal capitalism, postmaternal thinking is defined in this article by its historical time period, from the early 1980s onwards, and by its legacy of radical feminist thinking which was critical in messing up traditional understandings of maternity. This is demonstrated through research and resources related to the women’s peace movement, with specific reference to the women-only peace camps at Greenham Common (U.K.) and Pine Gap (Australia). The intellectual legacies of these complex and compelling debates around the social practices of maternity, the politics of family, collective domesticity and activism are often occluded in social memory, as Stephens argues in Confronting Postmaternal Thinking (2011). This paper extends Stephens’ working definition of postmaternity to argue for an interconnected structural social analysis of postmaternal times, and contests modernist categories of knowing to consider postmaternity as postmodernist in its multiple and shifting array of politics. In this way postmaternity becomes a time in which maternity is open to redefinition through a proliferation of meaning and possibilities, and this is demonstrated by concluding in the form of a manifesto.     

American Dance Pioneer Martha Graham and the Ghosts of Feminism

Abstract: The essay explores the mutual haunting between American modern dance pioneer Martha Graham and feminism. This troubling arises from the confusion between what can be considered the predominantly feminist character of Graham's life and work coupled with Graham's outright rejection of a feminist consciousness. The author suggests that this ambivalent situation allows for an ever increasing complex but fruitful discussion of Graham's possible feminist identifications and their effects. The essay first argues for the performanative force of ‘doing’ a feminist identity as a foil for Graham's public written reputation of feminism. It then charts both the changing cultural and social beliefs of and about women in the twentieth century alongside Graham's specific geographical, social, cultural and historical placement in that history and its possible impact on her processes of identification. The essay then makes a close contextual reading of one of Graham's works of the early 1930s, Primitive Mysteries (1931), to illustrate its radical conception of the female body both at the time of its premiere and over subsequent reconstructions. The author finishes by arguing that the question of Graham's feminism is an important one because it remains unanswered.     

theorizing ‘African’ female genital cutting and ‘Western’ body modifications: a critique of the continuum and analogue approaches

Making links between different embodied cultural practices has become increasingly common within the feminist literature on multiculturalism and cultural difference as a means to counter racism and cultural essentialism. The cross-cultural comparison most commonly made in this context is that between ‘African’ practices of female genital cutting (FGC) and ‘western’ body modifications. In this article, I analyse some of the ways in which FGC and other body-altering procedures (such as cosmetic surgery, intersex operations and 19th century American clitoridectomies) are compared within this feminist literature. I identify two main strategies of linking such practices, which I have termed the ‘continuum’ and ‘analogue’ approaches. The continuum approach is employed to imagine FGC alongside other body-altering procedures within a single ‘continuum’, ‘spectrum’ or ‘range’ of cross-cultural body modifications. The analogue approach is used to set up FGC and other body-altering practices as analogous through highlighting cross-cultural similarities, but does not explicitly conceive of them as forming a single continuum. Two key critiques of the continuum and analogue approaches are presented. First, because these models privilege gender and sexuality, they tend to efface the operation of other axes of embodied differentiation, namely race, cultural difference and nation. As such, the continuum and analogue approaches often reproduce problematic relationships between race and gender while failing to address the implicit and problematic role which race, cultural difference and nation continue to play in such models. This erasure of these axes, I contend, is linked to the construction of a ‘western’ empathetic gaze, which is my second key critique. The desire on the part of theorists working in the West to establish cross-cultural ‘empathy’ through models that stress similarity and solidarity conceals the continuing operation of geo-political relations of power and privilege.     

Gender,ethnicity and feminism: an intersectional analysis of the lived experiences feminist academic women in UK higher education

Studies have begun to explore how those women academics committed to social justice, namely feminist academics, are navigating the increasingly managerial Academy. To understand how these multiple social identities, including gender and ethnicity, interact and intersect, this paper adopts an intersectional approach to understanding the heterogeneity of women’s experiences in academia. Five focus groups with feminist academics (n = 6–10 in each focus group) reveal concerns of hampered career progression as a consequence of being female and openly feminist. Some ethnic minority academics felt that they were forced to choose between a feminist identity or that of their ethnic background. For some women, their feminist identity provided opportunities for challenging dominant practices. The paper concludes that the heterogeneity of feminist academics’ experiences within academia is under-researched and that the lens of intersectionality helps to illuminate this. This paper advances understanding of multiple identities at work, though demonstrating that intersectionality can lead to the accumulation of advantage as well as disadvantage in relation to social identities such as gender and ethnicity, and a political identity such as feminist.     

A Letter Sent,Waiting to be Received: Queer Correspondence,Feminism and Black British Art

Abstract

This article examines what the published letter does as a form that is both intimate and public, and how it is particularly resonant when dealing with the silences and absences around queer and feminist artist of colour histories. Connections are made between three letters published in feminist and queer journals and books, written for readers who may include the writers’ loved ones, friends, contemporaries, and future readers. These three letters are contained within the following publications: Surviving Art School (2016) by the group Collective Creativity, a QTIPOC artist group who made the publication as part of a wider project examining the history of Black British Art (members are: Evan Ifekoya, Raisa Kabur, Rudy Lowe and Raju Rage); a special issue of FAN (Feminist Arts News) edited by Lubaina Himid and Maud Sulter in 1988, the precursor to the more well-known collection Passion, edited by Sulter in 1990; ending with Himid's recent reflections on her curation in the 1980s through a series of ‘Letters to Susan’ published in the 2011 catalogue for the exhibition Thin Black Line(s) at Tate Britain. Through close examination of these examples, this article explores the particularities of the letter form, asking if it allows feminist and queer artists of colour to present their experiences in a manner that encourages all their readers to take part in the conversation, whilst prioritizing calls for other people of colour to respond. The article proposes that the published letter form keeps feminist histories alive and creates a counterpublic that speaks to and for a community that is imagined as both geographically and temporally diffuse.     

Contemporary Women’s Autofiction as Critique of Postfeminist Discourse

ABSTRACT

While commentaries on the phenomenon of postfeminism have centred on its manifestations in media and popular culture, this article highlights the potential of literature for extending existing debates within postfeminist studies. I argue that the emergence of contemporary women’s autofiction offers the possibility of a literary response to the individualising narrative of a neoliberal and postfeminist sensibility. I advance this contention via an analysis of two texts: Sheila Heti’s How Should A Person Be? (2012) and Jenny Offill’s Dept. of Speculation (2014). Their writing practice is resolutely political because it employs the confessional mode, as indebted to the emancipatory roots of the feminist movement, to reflect on the enduring marginality of female artistic identity. By foregrounding the inherently provisional nature of their being, both texts emphasise that the search for a viable artistic consciousness and experiments in artistic method are as crucial as the final product itself, especially when the definition of woman as artist still remains contested. I thus locate the existence of these texts in a wider social imaginary conducive for feminist organising. In this respect, the rising popularity of contemporary women’s autofiction may offer strategies crucial for remediating an otherwise diminished feminist politics of the present.     

Mainstream Sexualization and the Potential for Nordic New Feminism

Processes of sexualization mark a wide range of popular and high‐cultural representations in media and culture. This trend has led to academic and public feminist debate. In this article I argue that the common polarization between the repressive and the subversive potential of sexualized representations fails to understand processes of sexualization as forms of mainstream cultural experimentation. Since the mid‐90s we have witnessed the emergence of a new feminist cultural wave in the Nordic countries, embracing post‐feminist modes and popular culture that re‐politicizes feminist questions in controversial ways. I argue that this development and the Nordic context of state feminism and gender equality ideals pose a challenge to analyses of sexualization as exclusively part of commercial colonization, anti‐feminist backlash and de‐politicization. I will present a case that exemplifies the discussion of sexualization by the critical reception of the Norwegian young feminist anthology with the title Rosa Prosa. Om jenter og kåthet [Pink Prose. On girls and horniness] (2006). The ideological and aesthetic hybridity of the texts poses a problem for the critics who denounce the book's feminist potentials.     

Campus Feminisms

Drawing from a long history of feminist writing grounded in personal reflection and informal dialogue between feminist thinkers, Cobb and Godden-Rasul present an email-based conversation with Jess Lishak, the outgoing Women’s Officer at the University of Manchester Students’ Union (2014–2016). The conversation draws on Cobb and Godden-Rasul’s experience as feminist academics engaged in critical institutional practice through such initiatives as editing the Inherently Human blog, organising the Inspirational Women of Law exhibition, and participating in university working groups on campus-based harassment and violence. In asking Lishak to reflect on her journey to feminism and her experiences of activism, the conversation ranges over such issues as personal influences and experiences, strategies for securing institutional support, encouraging student engagement with feminism, and campaigning tactics. The conversation developed out of a “Campus Feminisms” event in March 2016, which explored the rise of exciting new grassroots single-issue campaigns and political mobilisations by students in higher education, and was organised by Cobb and Godden-Rasul at Newcastle University, UK. Undergraduate and postgraduate students shared their personal struggles and achievements in bringing feminist ideas and campaigns to their university campuses. Lucy Morgan, the Gender Equality Officer at Newcastle University Students’ Union, offered inspiring reflections on her efforts to reinvigorate the ‘F’ word, in the face of simultaneous student apathy and backlash. Many of these campus-based mobilisations have demanded better institutional responses to sexual violence against women. At around the same time, Cobb was beginning a new role as the co-chair of the University of Manchester’s first Task & Finish Group on Sexual Violence and Harassment on Campus. This followed Universities UK’s decision to create a taskforce to consider options for improving institutional responses to student safety. In the process, Cobb crossed paths with Lishak, who had been appointed a member of the UUK Taskforce in light of her path-breaking students’ union work addressing violence against women. Since Lishak was an exemplar of this new feminist wave in higher education, one that was still inadequately understood by feminist academics despite often working side-by-side within the same institutions, the authors embarked on this conversation in order to better understand the relationship between academic and student feminist activism on campus. As Lishak makes clear in her own reflections, there is nothing inevitable about the synergies between these movements, but there is potentially a great deal that could be achieved through their closer engagement.     

Repairing rifts or reproducing inequalities? Agroecology,food sovereignty,and gender justice in Malawi

ABSTRACT

This Malawi study examines whether agroecology can be effectively used by smallholders to address food sovereignty. We build on the concept of the metabolic rift, arguing that repairing this rift includes social relations. Agroecological methods can be important strategies, but are labour and knowledge intensive, and require addressing power dynamics within and beyond households in order to address food sovereignty. The case study included participatory methods of dialogue, experimentation and horizontal learning to foster change. We argue that feminist concepts of intersectionality and participatory praxis are central to mobilizing agroecology to build food sovereignty and work to transform social relations.     

Women have servants and men never eat: issues in reading gender,using the case study of mass-observation's 1937 day-diaries

Abstract

The category ‘gender’ has become axiomatic to feminist analysis: analysing the dynamics and outcomes of gender has come to be seen as constituting ‘what academic feminists do’. Within feminist analysis, gender is positioned as ana prioricharacteristic of social life; and gender is also analytically privileged as the most salient characteristic of people and social situations. Both assumptions are challenged. This article argues instead that gender is not a discovery, something innately ‘there’ in social life, but is rather to be understood as an invention, an imposed analytic category of great utility for academic feminism, but also one which creates as many analytic troubles as it solves. The article problematises thea prioriand privileged status of gender within feminist analysis by discussing various interpretational issues involved in analysing a set of day-diaries written by women and men for Mass-Observation in 1937, in particular focusing on reading and writing as interpretational acts which are often treated as analytically transparent. Here, however, this epistemological bracketing is suspended, and instead both are scrutinised in analytical detail. Although the argument is discussed in relation to these specific historical materials, it is argued that the same epistemological issues arise in relation to the analysis of all kinds of research materials, whether historical or present-day, for reading and writing are the crucial elements of interpretation, and interpretation is itself central to feminist as to all other analysis.     

From Sancitity to Screening: Genetic Disabilities, Risk and Rhetorical Strategies in Wrongful Birth and Wrongful Conception Cases

This analysis scrutinises the rhetorical strategies used by judges in wrongful life and wrongful birth actions as evidence for the assertion that the judicial reading of public policy in such cases has undergone a significant shift which is likely to accelerate as genetic knowledge grows and health care resources shrink. The implications of the predicted move towards increased genetic testing of prospective parents are traversed in relation to feminist analyses of the impact of genetics on reproductive technology. These are viewed as forming a nexus with the current social constructions of disability and the contemporary cultural preoccupation with risk, in a context of the increasing commercial importance of genetic information. It is argued that women cannot make free and informed choices about genetic testing and pregnancy unless legal and social mechanisms which protect those choices are in place. This revised version was published online in August 2006 with corrections to the Cover Date.     

Is thin a feminist issue?

Anorexia nervosa and similar disorders preponderate in women and therefore seem particularly suited to feminist models of understanding. Boskind-Lodahl (1976) and Orbach (1979, 1982) have put forward similar views on the subject, and their work is well known.This article explores the assumptions behind the Boskind-Lodahl/Orbach hypothesis, and argues that the most fundamental of these lies in a problematic distinction between the concepts of nature and culture. Some implications of the hypothesis are discussed with emphasis on the extent to which these authors normalize anorectic behaviour. The question is raised as to whether this normalizing approach may be read as legitimating symptoms. Feminist, anthropological, and other writing is used to examine the potential for alternative models of understanding anorexia nervosa which do not rely on a nature/culture split and which address the issue of the social function of anorectic symptoms. These models point towards a more general concern in feminist theory with the relationship between culture and psychological disorder.     

White pregnant bodies on the Australian beach: a visual discourse analysis of family photographs

In this paper, I discuss a group of photographs that feature a place intrinsically related with Australian women’s photographic memories of pregnancy – the beach. Building on feminist interdisciplinary studies of family photography, I argue that family photographs of pregnancy contribute to alternative ways of knowing and interpreting the Australian beach landscape and the entangled social relations and interactions within these spaces. Data are drawn from a set of 34 pregnancy photographs that were taken at the beach in [Tasmania] between 1945 and 2013 and collected as part of a larger, ongoing mixed methods research project involving the analysis of 236 Australian family photographs of pregnancy. In this paper, I conduct a visual discourse analysis of three categories of beach pregnancy images including (1) the family holiday photograph, (2) the bikini photograph and (3) the ‘natural’ pregnant body/landscape photograph to enable a more precise account of how personal and cultural memories of the Australian beach intersect. In the concluding discussion, I suggest that the beach is a critical site for deepening sociological and feminist understandings of the production and expression of pregnant identities and Australian national identity.     

Feminist Scholarship and the Public Realm in Postcolonial Australia

Abstract

This paper explores the connections of feminist scholarship in the social sciences with political struggles and institutions. The creation of bases for a feminist knowledge project is outlined and its uses in challenging sexist culture and in developing agendas of reform are explored. The impact of neoliberalism and the significance of Australia's location in the global periphery for the shape of the public realm and the character of feminist research are discussed. The resource represented by feminist scholarship across the global South for understanding contemporary forms of patriarchy is emphasised.