In-Between: Genre and Gender Hybridity,and Pirkko Saisio's Novel Punainen erokirja

This article discusses intersections of genres and genders and their theorization in the contemporary literary scene and suggests a queer reading of a short-listed contemporary Finnish novel, written by the well-known author and theatre figure Pirkko Saisio. The aim of the article is to present feminist genre theories, influenced by Bakhtinian conception of genres, Foucauldian and Butlerian theorizations of genders and sexualities, and the critical discussions in queer studies. The article reads Saisio's novel as a demonstration through an adaptation of a theoretical concept, namely genre hybridity, combined with another concept adaptation, gender hybridity. The article concludes by suggesting that although the novel can be seen as a representative of an entirely new literary genre, that is queer literature, it works in its historical context better as a hybrid genre that refuses monolithic genre locations, and this way comes closer to the theoretical concept of the constantly hybrid, transgressing and boundary-breaking queer.     

revolutionary voices: Nordic women writers and the development of female urban prose 1860–1900

In 1795, Mary Wollstonecraft's travels to Scandinavian cities gave her new perspectives on the English and Continental bourgeois cultures with which she was acquainted. Her notions of the city as a source of inspiration for self-knowledge and knowledge of the world are echoed in the epistolary writings of the Norwegian author Camilla Collett (1813–1895) and the novels of her countrywoman Amalie Skram (1846–1905). Collett and Skram were both frequent visitors to different European capital cities, and incorporated their impressions and experiences of these cities. This resulted in innovative texts, with the individual in a new, modern environment, the city, as one of the central themes. For Collett, who can be regarded as a city correspondent avant la lettre, the city was also a yardstick for cultural progress. In her novels, Skram used the European city as a sort of laboratory of the modern era. Nevertheless, Collett's and Skram's ‘city texts’ are not the ones that have ensured that these two authors found their way into the literary canon. Collett became famous as the author of the first Norwegian feminist novel, whereas Skram is known as a Norwegian naturalist. Until recently, the prose texts in which Collett and Skram processed their urban experiences were either not discussed in Norwegian literary historiography, or were labelled as contributions to the morality debate that raged in Scandinavia at the end of the nineteenth century. In this article, I shall propose that Collett and Skram contribute to a distinctive yet unrecognized genre – female urban prose – which proffers new modes of thinking and writing about women's experience of contemporaneous bourgeois culture.     

Transnational Reception: Nordic Women Writers in Fin de Siècle Finland

Abstract

This article investigates the transnational and translingual reception of Nordic women’s writing (among authors writing in Swedish, Norwegian, and Danish) in a multilingual country, Finland, around the turn of the nineteenth and the twentieth century. This contribution is a component of our work for the international Joint Research Project, Travelling TexTs. We concentrate on the presence of Nordic women’s writing in various languages in fin de siècle Finland by investigating a library collection from that time. We look at the complexities in the reception of Nordic women’s writing in translation in Finland, making use of the concept of the Nordic dimension of translation history, and introducing the notion of intranational reception. We emphasize the role of women translators as cultural transmitters, and the intertwining of national and transnational (or, even, in today’s terms, feminist) agendas. We also investigate the reception of Nordic women’s texts in the press of that time, by examining both literature written for adults and literature for girls. Working with large-scale digitized sources has enabled us to examine the question of reception broadly.     

Elusive Women Authors in Norwegian Nineteenth-Century Reading Societies

Abstract

Which women authors were read at the ebb of the nineteenth century and around the start of the twentieth? Research on historical readership groups reveals a strikingly different picture from the one transmitted through literary histories and textbooks. Empirical data from the catalogues of Norwegian reading societies from this period form the basis of the proposed conclusions. From a feminist, scholarly point of view, it is doubly interesting to investigate the fate of female authors among female readers; hence, the main emphasis is on the book collection of the women’s reading society based in Oslo from 1874. The collections of other societies, whether male or open to both sexes, are consulted for comparison. Although the material is Norwegian, the results turn out to be comparable to those seen in other countries, not least Finland. The data presented here serve to modify the received canon of European literary history, and to invite future revisions in the reception of female authorship and of women’s place in world literature.     

Reflections on a course on ‘women and literature’

The authors outline the place of their course in a Polytechnic Humanities Degree and show how, concentrating primarily upon the novel and a line of women novelists from Jane Austen to Doris Lessing, new perspectives upon literary criticism and literary history in relation to society and culture are opened up. Teaching methods and attitudes are discussed in relation to the re-evaluation of the role of women as readers and critics, as well as authors. The success of the course, in terms of the interest it has aroused among students in women authors and feminist criticism is discussed, together with the effects of open recognition of differences of emphasis and point of view between the two tutors responsible for it. The authors express their confidence in the course as undermining a harmful acceptance of the idea of a single established literary tradition, which ‘happens’ to be dominated by white, male authors and critics, thus opening the way for students to appreciate how, as Adrienne Rich puts it, ‘there is another story to be told’.     

An Interview with Ahlam Mosteghanemi

Ahlam Mosteghanemi was the first Algerian woman writer to publish a novel in the Arabic language. Her work is therefore very significant in the context of Arab women's writing and feminism. Her novels express a unique understanding of social and political events, and convey the impact of these events on individuals by combining love stories with political and social history, fused together in present time. The interview examines Ahlam Mosteghanemi's novels and the impact of colonization and post-colonization on Mosteghanemi, her writing, Algeria and the Algerian people. Mosteghanemi's decision to write in Arabic and the themes of her novels are directly informed by the Algerian war of independence and as such can be seen both as a statement of independence from the Eurocentric homogenization of language and discourse, and as a feminist political statement. The interview seeks to deconstruct the widespread image of feminist literature as a genre that attempts to explore the female experience through an unnuanced binary focus on the opposition between the male and female within a patriarchal society. The interview pays particular attention to the rich symbolism of Mosteghanemi's novels. Even in the English translation there is a strong sense of the historical and geographical reality of Algeria, an ancient country repeatedly invaded by colonizing forces, and struggling again in the modern world to establish an independent identity. The interview looks at some of the significant themes raised by Mosteghanemi in her novels. In addition to this, the interview pays particular attention to the issue of translation in Mosteghanemi's novels and to her attitudes towards her readership.     

Gender,Care, and the Normalization of Violence: Similarities between Occupational Violence and Intimate Partner Violence in Finland

According to the statistics, violence against women is quite common in Finland, particularly in partner relationships and in care work. The present article looks at the similarities in the ways in which victims of occupational violence in care work and victims of intimate partner violence understand their experiences of violence. The commonalities among interpersonal relations are highlighted in order to offer new insights to the analysis of gender in research on occupational violence. Drawing on empirical data and research literature on the experiences of violence of Finnish women, this article suggests that minimization, naturalization and legitimization of the encountered violence is typical for women in care work as well as for quite ordinary women in their intimate relationships.

The article identifies gendered ideals of caring as an area overlapping and in disjunction with violence at work and at home. These contribute to the ways in which women tend to belittle the impact of violence targeted at them in both these spheres of life. Women are traditionally assumed to be responsible for taking care of others and for maintaining interpersonal relations. In the Finnish context, the responsibility for care is associated with an assumption of endurance that Finnish women show even in violent situations. However, the complexities involved in the phenomenon of interpersonal violence give rise to a need of conceptualizing gender in a more multi‐faceted manner than as a binary opposition between men and women. While analysing the gendered meanings of care we should bear in mind the dynamic nature of gender as a process of signification.     

The New Miss India: Popular Fiction in Contemporary India

Miss New India is the title of a 2011 novel by Indian-born (now American-based) Bharati Mukherjee, which tells the story of a young woman who leaves her small-town home and family to find work in a call centre in the information technology city of Bangalore. The call centre is emblematic of a ‘new India’, in which educated young people seize the possibilities of a global labour market. This is a generation for whom colonialism is ancient history, a generation who have grown up in the aftermath of economic liberalization in India. Chetan Bhagat refers to this generation as ‘Young India’ and has written a series of best-selling novels that feature ambitious young men in the ‘new India’. There is, however, an emerging genre of similar narratives written by women and addressed to a female readership. This article discusses a range of contemporary Indian women’s popular novels and argues that, while Bhagat and his male heroes may embrace globalization and the market, the narratives written by women are more nuanced in their celebration of economic liberalization. The novels dramatize the tensions between tradition and modernity, family and independence, and suggest that these are particularly fraught for young Indian women. These texts pick up on the discourses of contemporary journalism about ‘Young India’, within the generic form of the romance, but their resolutions are repeatedly uneasy and suggest that the ‘new India’ is not an entirely comfortable space for the new Miss India.     

The ‘Wrongs’ of Women: Sex and Sexuality in Irish American Women's Writing

A key trait distinguishing the writing of Irish American women from that of their male counterparts is a strong feminist bent often expressed in stories featuring sex and sexuality. In ignoring these characteristics, Irish studies scholars have disregarded a trait established by Irish women writers in oral traditions as early as 600 and in written English since 1685. Much of this material was categorized as the ‘Wrongs of Woman’, a phrase used to describe stories about physical and sexual abuse. These same themes can be traced in the writing of Irish American women since the late nineteenth century. By focusing on these ‘wrongs’, Irish American women have not only carried on the tradition begun by their foremothers; they have also battled patriarchal bonds on three fronts: religion, which created such bonds; society, which reinforced them; and politics, which tries to recreate and re-impose them. A complete understanding of Irish American writing therefore depends on recognizing and adding the contributions of these women to the definition of the literature. This essay defines that cohort, then provides a historically contextualized examination of their literary attempts to address the ‘wrongs’ of women inflicted by religion, society and politics from 1899 to the present. In so doing, this discussion demonstrates the role played by Irish American women writers in promoting, protecting and perpetuating the rights of women in the United States and around the world.     

Masculinity and the Dance of the Dragon: Reading Lovelace Discursively

The exploration and examination of the construction of masculinity is increasingly emerging as an integrated part of the study of gender in society in general, and in the Caribbean in particular. We are constantly in search for new sources of material which tell us about the ways in which men construct their masculinity in Caribbean society. In this paper I draw on the imagery and ideas provided by the literary text. I interrogate the novel The Dragon Can't Dance, written by Trinidadian novelist Earl Lovelace. The writer uses the metaphor of the dragon, the costume donned by the main protagonist Aldrick in the yearly Carnival masquerade, as a mask which disguises the need for Aldrick to confront his own masculinity under poor, urban conditions in Trinidad. In the struggles and confrontations between urban working-class men and women in the community of Calvary in Trinidad, the novelist teases out the different constructions of masculinity in the various characters he portrays. I explore the novel, focusing particularly on the ways in which this construction is embedded in the struggles over issues of identity, ethnicity, reputation and honor. While the novelist is clearly able to read into the mind of the male in society, his renditions of the female are not so incisive. However, this is not a shortcoming as the women, though not as well-rounded characters in the novel, play key roles in the definition and shaping of masculinities. This reading of the novel illustrates that the literary text suggests itself as a critical site for further explorations of the illusive data on gender and especially that on masculinity.     

Frontiers of imagination: Feminist worlds

New Feminist scholarship in diverse disciplines, including the social sciences, suggests a distinctive female reality which finds itsbesr literary expression in contemporary speculative fiction by women. Feminist utopias, in particular, delineate alternative societies in which ‘female’ values predominate. In novels by Marge Piercy, Doris Lessing, Ursula Le Guin and many other women, readers may discover holistic and dynamic worlds different from both our current reality and the patriarchal tradition of utopian speculation. When women imagine the ‘good society’, dualistic divisions, often ranked hierarchically in current power structures, tend to disappear, Feminist speculative fiction heals such schisms as those between male and female, matter and spirit, public and private rights, ends and means, even technology and ecology. Although these ‘utopias’ are not perfect, nor intended to be, their depiction of more balanced and integrated societies affords a fresh perspective on traditional political and cultural problems. Ultimately, then, the newly released female imagination may provide us not only a fascinating literature but substantive directions for actual change.     

Fagerholm Goes Oprah: Minor Literature,Global Market,and Gender in Literary Exchange

Abstract

In this article, I study the journey of the Finland-Swedish author Monika Fagerholm’s (b. 1961) novel The American Girl to the pages of O, The Oprah Magazine. This event, here called “Fagerholm goes Oprah”, offers an illustrative example of the global movements of literature today, and of the ongoing negotiation of relations between local and global, the Nordic countries and the USA, minor literature and the global market. The article describes the different phases of the transmission of this novel, studies the means by which a novel from a minor body of literature transgresses its geo-linguistic position and, in this specific case, demonstrates the role of gender. In this way, the novel not only creates fictive, transnational spaces for its female characters and readers, but it also enters and contributes to a network of female agents in widely different geographical and cultural contexts. The event “Fagerholm goes Oprah” is a sign of the ongoing globalization of the literary field, but its reception also reveals the presence of an opposing tendency: the continuing significance of localization in literary exchange. All in all, the novel and its reception illustrate the many strategies used to create a connection between two different cultures, and also display the importance of various cultural currents in the transmission of the novel, such as feminism and Nordic Noir.     

Challenging the Biological: The Fantasy of Male Birth as a Nineteenth-Century Narrative of Ethical Failure

In Jane Eyre, Charlotte Brontë portrays a fully realized heroine who challenges society's and fiction's conventional roles for women. In order to broaden her heroine's role, Brontë had to go beyond the genres open to her — the novel of manners, the Gothic, and the governess novel — to establish a new genre: the feminist fairytale. In establishing this genre, Brontë pinpoints Jane's specifically female dilemma: how to achieve intimacy and still maintain independence.

At once beautiful and terrible, sustaining and destructive, fire is the perfect element to convey a sense of Jane's often conflicting desires. Brontë carefully establishes hearth fires as an index to how included and “at home” Jane feels. Similarly, Brontë uses metaphors of self‐sacrifice and immolation to indicate times when Jane feels her independence is being threatened.

The hearth fires and the metaphorical fires are overshadowed by the “big” fires in the novel, but their consistent, unobtrusive use allows Brontë to reinforce her theme in the simple details of the story and to maintain an attention to craft that is too often undervalued or ignored.     

Women In the Cut of Danger: Female Subjectivity,Unregimented Masculinity and the Pleasure/Danger Symbiosis from the Gothic Romance to the Erotic Thriller

Abstract: Through a comparison between Daphne du Maurier's 1938 novel Rebecca and Susanna Moore's 1995 novel In the Cut, this article considers the extent to which Franco Moretti's theory of the inevitable dissolution of literary genres is true, with specific regard to the genre of the gothic romance. In evaluating both novels' treatment of female subjectivity, unregimented masculinity and the symbiotic relationship between sexual pleasure and mortal danger, this article investigates the degree to which a contemporary novel such as In the Cut, which is generally acknowledged to be an ‘erotic thriller’, is heavily indebted to the gothic romance and may therefore be interpreted as a continuation of this more traditional genre, and, conversely, the means through which Moore's novel exhibits an overt and defiant resistance to the gothic romance, thereby signifying the dissolution of this particular genre within twentieth-century women's writing.     

Seed laws,certification and standardization: outlawing informal seed systems in the Global South

A series of relatively new seed laws are becoming novel mechanisms of accumulation by dispossession in agriculture. Many researchers have argued that intellectual property rights (IPR) laws that apply to living materials dispossess people of seeds by privatizing germplasm. What these authors have not addressed is the role that non-IPR-related seed laws play in the seed enclosure. I argue that we should pay more attention to the implications of seed laws and regulations that do not deal directly with IPR issues, because they are also being used to outlaw practices that are necessary for the functioning of informal seed systems. As a result, they are setting the stage for the further erosion of seed sovereignty and are becoming an additional threat to an already waning agro-biodiversity, with direct consequences for farmers’ livelihoods. These seed laws establish certification requirements and quality standards for the marketing and/or exchange of seeds. I use the example of contemporary Colombian seed politics to illustrate how and why certification requirements and quality standards are currently being introduced throughout the Global South. I draw on insights from the standards literature in order to explain the power, limitations and consequences of these laws.     

Literary Journey from North to South: The Reception of Nordic Women Writers,Their Books and Ideas in the Slovenian Literary System

This article discusses the previously unresearched reception of Nordic women writers in the Slovenian cultural space. The first part presents the early reception of Nordic women writers in the nineteenth century up until the First World War. It analyses both the passive reception (the presence of books by Nordic women writers in library catalogues, references in the press and in egodocuments) as well as the active reception (literary influence). The second part of the article details the case study of Sigrid Undset’s reception, which is very intense and is still ongoing today (the most recent translation is from 2015). Through the methods and approaches of translation, intercultural, polysystem, and gender studies, this article explores the impact of Nordic women writers in the Slovenian literary polysystem and the influence of gender in the reception process. The article concludes that the writings of Nordic women writers brought representations of women’s lives to the Slovenian cultural space. Moreover, this has been of great interest for the Slovenian reading audience since female characters rarely serve as protagonists in Slovenian literature (except in some works written by Slovenian women writers). Slovenian feminists regarded Nordic women writers as role models and legitimized their own feminist demands by quoting the works of Nordic women writers and by referring to their successful writing careers. Therefore, the writings of Nordic women writers fill in a gap in Slovenian literature and supplement and enrich it.     

Misogyny,Dionysianism and a new model of Greek tragedy

The subject of misogyny in Greek culture is widely recognized as of capital importance in understanding our attitude towards women as well as the general culture context within which that attitude is framed. Yet despite the obvious importance of this subject there has been little attention given to the way misogyny in fifth‐centry Athens was an integral part of its greatest art form, the tragic drama. Only when a model of tragedy is developed which accounts for the typological opposition between the male “tragic hero” and Dionysus will it be possible to understand how women function within this particular literary genre as the essential “other” of repressive male consciousness.     

Breaking the Silence: Gender Mainstreaming and the Composition of the European Court of Justice

Why has it taken so long for member states to appoint women to the Court of Justice? Despite having won relatively significant policy instruments for equal treatment at work and high levels of legislative representation, women in the European Union have been slow to extend the demand for gender mainstreaming to courts. Prior to 1999, the Court of Justice had had one woman member until Ireland appointed Fidelma Macken in late 1999, and Germany appointed Ninon Colneric and Austria appointed Christine Stix-Hackl Advocate General in 2000.The 1995 U.N. meeting in Beijing was a catalyst for the demand for balanced participation of women and men in decision-making processes within the E.U., and it coincided with Sweden, Finland and Austria joining and championing the cause of gender equality. In 1999, the Commission published a report on women in the judiciary and women lawyers began to organize across Europe. After tracing the appointment process, I review the European Parliament's role in championing women on the Court and consider recent developments. Courts, particularly supranational and federal courts, are representative institutions even if their representative function differs from legislatures. Non-merit factors have always been a factor in judicial appointments and thus the demand for women on the bench is not a terrible deviation from merit. An all male bench is no longer legitimate.