Technocrats and Tortured Bodies: Simone de Beauvoir's Les Belles Images

Through an analysis of Simone de Beauvoir's final novel Les Belles Images (1966), this article examines how a 1960s French technocratic class dealt with individual and collective traumas, particularly how they placed their faith in an undying hope in the future while simultaneously ignoring the horrors of wartime violence. The article contends that Beauvoir's novel is a story of not remembering—or, more specifically, attempting to forget—Algeria and all the conflict signified to the average French citizen, including decolonization, torture, racial difference and political tumult. Analysis rests on the novel's representation of its protagonist Laurence, who had been shaken to the core after reading a newspaper article about a (likely Algerian) woman tortured to death, ultimately causing a nervous breakdown that forever altered her interactions with her family and fellow technocrats. Gender and nationality also figure centrally in this examination of the broader role that images—not only belles images—played in the construction of French national identity at this historical moment.     

‘If Not Yourself,Who Would You Be?’: Writing the Female Body in Agatha Christie's Second World War Detective Fiction

The mystery writer Agatha Christie (1890–1976) has long been understood as a best-seller who could negotiate the demands of the marketplace, but who never tried to engage with political or social issues. Formulaic, linguistically simple and dependent on stereotypes, her books have a reputation as ‘animated algebra’—retreats from reality. This essay rethinks Christie's political significance, with reference to selected texts published during the Second World War. During the crucial war years, Christie published murder mysteries prolifically, mostly set in country houses or holiday resorts. Apparently escapist settings, however, gave her space to explore problems facing women at a time when men had been displaced to the battlefield. The majority of Christie's victims in these texts are women and, more than usual, the plots revolve around identifying or misidentifying corpses. In the two novels explored here—Evil Under the Sun (1941) and The Body in the Library (1942)—Christie considers women as victims in commercial and domestic narratives. In both cases, women trade identities with each other in death: for example, a schoolgirl dresses up for a Hollywood screen test, only to be killed, her body swapped with a glamorous dancer's to obscure the time of death. In life and in death, characters read women as combinations of bodies and cosmetics. Far from avoiding reality, Christie engaged with concerns of the day. Her detective fiction rarely references war directly, but there is a running commentary on domestic and commercial spheres, and women's roles, as victims, within these.     

Laughing Medusa: Feminist Intellectuals at the Millennium

The role of the intellectual is traditionally gendered masculine, and women are excluded from consideration. Contemporary discussions of the 'death of the intellectual' noticeably make no reference to feminist intellectuals. On the other hand, women in academia have been reluctant to adopt the role of public intellectual as conventionally defined. There is an anxiety about the contemporary place of the intellectual, and about the necessity for the distinction made by some feminists between theory and practice, the intellectual and the activist, and where this might lead. In exploring the role of feminist intellectuals over the last two centuries, three paradigms of the feminist intellectual are proposed for consideration: Cassandra (the prophetess cursed with disbelief), for example Florence Nightingale; the feminist Messiah (the exceptional female saviour who would sacrifice herself to change women's lives), for whom the exemplar is Margaret Fuller; and the Dark Lady (the token woman in a community of men), such as de Beauvoir, Mary McCarthy and Susan Sontag. Indeed, Camille Paglia's rivalry with Sontag lends itself to being interpreted as evidence of her current desire to occupy this 'dark lady' role. In conclusion, after discussing contemporary, late twentieth-century feminism (Natasha Walter, Elizabeth Wurtzel, gurrl power, 'women behaving badly'), the role of Margaret Thatcher in changing perceptions of women's capacity for political power is proposed for celebration. Finally, there is Cixous's image of the feminist intellectual as the laughing Medusa, who turns men to stone, but turns laughter on herself.     

Towards a Grotesque Phenomenology of Ethical Eroticism

Abstract: Over the course of this article, the author argues that ethics and the erotic are interrelated. The author also contends that the way subjectivities are constructed has a strong impact on the development of the ethical and the erotic character of these same subjectivities. Against this backdrop, the author postulates that envisioning or creating oneself as a grotesque subject promises to facilitate one's own development into a moral and erotic human being by triggering a process of inner estrangement that enables one to recognize the otherness within oneself. This analysis is based mainly on Mikhail Bakhtin's grotesque as presented in his Rabelais and His World (1965). This self-introspection serves as the basis for an ethical eroticism through which one shall transform oneself into a fully fledged moral and sensual subject. In formulating this argument, the author draws on Simone de Beauvoir's own attempt to link the erotic to the ethical. As will be seen, the same principle that stands at the heart of a phenomenological ethics also steers the author's phenomenological conception of the erotic. The principle in question is carnal intersubjectivity-bodies that penetrate one another and merge, yet never lose themselves in the other's carnality. Put differently, they remain non-objectified subjects. The grotesque subject is presented as a figuration that helps shed light on the way the subject has been conceived by, above all, phenomenological and postmodern theorists. The author then explores some of the ethical ramifications of this conceptualization. Drawing on these insights, the author fashions an ethical eroticism that derives from a grotesque subjectivity.     

Transnational Reception: Nordic Women Writers in Fin de Siècle Finland

Abstract

This article investigates the transnational and translingual reception of Nordic women’s writing (among authors writing in Swedish, Norwegian, and Danish) in a multilingual country, Finland, around the turn of the nineteenth and the twentieth century. This contribution is a component of our work for the international Joint Research Project, Travelling TexTs. We concentrate on the presence of Nordic women’s writing in various languages in fin de siècle Finland by investigating a library collection from that time. We look at the complexities in the reception of Nordic women’s writing in translation in Finland, making use of the concept of the Nordic dimension of translation history, and introducing the notion of intranational reception. We emphasize the role of women translators as cultural transmitters, and the intertwining of national and transnational (or, even, in today’s terms, feminist) agendas. We also investigate the reception of Nordic women’s texts in the press of that time, by examining both literature written for adults and literature for girls. Working with large-scale digitized sources has enabled us to examine the question of reception broadly.     

劳动合同形式探析

我国《劳动法》规定劳动合同应当书面订立,但现实中不签订书面劳动合同形成的事实劳动关系大量存在。放松对劳动合同的形式要求,将口头合同形成的事实劳动关系纳入劳动法范围并加以倾斜性的保护,引导劳动关系当事人特别是用人单位签订书面劳动合同,是一个符合合同本意,理性和现实的选择。而最重要的是这一选择符合劳动法的根本立法宗旨,有利于对劳动者的保护,协调、稳定劳动关系。     

An Interview with Ahlam Mosteghanemi

Ahlam Mosteghanemi was the first Algerian woman writer to publish a novel in the Arabic language. Her work is therefore very significant in the context of Arab women's writing and feminism. Her novels express a unique understanding of social and political events, and convey the impact of these events on individuals by combining love stories with political and social history, fused together in present time. The interview examines Ahlam Mosteghanemi's novels and the impact of colonization and post-colonization on Mosteghanemi, her writing, Algeria and the Algerian people. Mosteghanemi's decision to write in Arabic and the themes of her novels are directly informed by the Algerian war of independence and as such can be seen both as a statement of independence from the Eurocentric homogenization of language and discourse, and as a feminist political statement. The interview seeks to deconstruct the widespread image of feminist literature as a genre that attempts to explore the female experience through an unnuanced binary focus on the opposition between the male and female within a patriarchal society. The interview pays particular attention to the rich symbolism of Mosteghanemi's novels. Even in the English translation there is a strong sense of the historical and geographical reality of Algeria, an ancient country repeatedly invaded by colonizing forces, and struggling again in the modern world to establish an independent identity. The interview looks at some of the significant themes raised by Mosteghanemi in her novels. In addition to this, the interview pays particular attention to the issue of translation in Mosteghanemi's novels and to her attitudes towards her readership.     

Gender Differences in Peer and Parental Influences: Body Image Disturbance,Self-Worth,and Psychological Functioning in Preadolescent Children

The connections between body image disturbance and psychological functioning have been well established in samples of older adolescent girls and young women. Little is known, however, about body image in younger children. In particular, little is known about possible gender differences in preadolescent children. The current study explored self-reported body image disturbance and psychological functioning in relation to peer and parental influences in 141 elementary school-aged girls and boys aged 8–11. Results suggest that girls are more concerned about dieting and are more preoccupied with their weight than are boys. Girls also reported a greater drive for thinness and a higher level of family history of eating concerns than did boys. Correlations suggested that girls' experiences of body image concerns (body dissatisfaction, bulimia, and drive for thinness) were related to a number of factors (such as family history of eating concerns, peer influences, teasing, depression, and global self-worth) whereas boys' experiences of body image concerns were related to fewer factors. On the basis of these findings, the assessment and treatment of body image concerns in preadolescent children (especially girls) are of great importance. Implications for intervention and prevention programs are discussed.     

适应新形势的要求塑造工会领导者的新形象

工会领导者形象是工会领导者内在素质和外显行为的综合体现 ,它体现着工会组织的性质和基本职责 ,直接影响到职工群众对工会组织的认识、评价和态度。伴随我国的劳动关系和工会工作的领域、重点、方式的深刻变化 ,要求工会领导者塑造好代表维护者、组织引导者、支持合作者、学习进取者的形象     

工会形象与形象塑造

工会形象是工会在长期的社会实践过程中留给人们的印象和看法.近些年来,社会各界对工会的评价褒贬皆有,中国工会尚未树立起完美的社会形象.近期工会组织的职工队伍调查显示,职工对所谓自己利益“代表者”工会的工作也仅仅给了个“及格”分数,离真正“职工之家”的要求还有很大差距.工会组织应充分认识到重塑形象的重要性,并采取强有力措施,履行好基本职责,切实维护职工群众合法权益,唯有如此才能重新获得职工群众的信任.     

对劳动合同制度若干问题的探讨

我国《劳动法》及有关劳动合同制度的法律法规是在1994年、1995年制订的,本身具有一定的局限性,加上我国市场经济体制日渐完善和加入世贸组织,现行的劳动法律法规已经不适应市场经济的发展要求。本文通过对劳动合同制度中常见的若干问题进行分析和探讨,指出现行劳动法律规定的一些缺陷,并对其修改提出一些建议。     

提高内在素质:塑造工会干部新形象的必要条件

新形势下塑造工会干部新形象是发展社会主义市场经济、维护职工权益对工会工作者的内在要求。塑造工会干部新形象,必须着眼于内在素质的提高,主要包括思想政治素质和职业道德水平、维权责任意识、与工会工作相关的业务知识,其中,思想政治素质是塑造工会干部新形象的思想基础和灵魂。