‘Magdalens and moral imbeciles’: Women's homes in nineteenth-century New Zealand

The potential for women's charitable work in nineteenth-century New Zealand was restricted by colonial women's initial isolation from each other and involvement in domestic life, and also by early government assumption of responsibility for welfare. Rescue work provided one of the few outlets for women's voluntary charity, and reflected the sanction given to women's role as a moral, civilising force in colonial society. It illustrates women's role in the development of social work, the limitations of this role in nineteenth-century New Zealand, and modifications to it in the space of three decades. The arguments used to justify women's involvement in rescuing ‘fallen’ members of their own sex were similar to those used in the later nineteenth-century, when women activists sought wider involvement in public life. It is argued that a power based upon moral influence was narrow in scope and ultimately restrictive in the New Zealand context.     

Depoliticising the personal : A feminist slogan in feminist therapy

One of the great insights of second wave feminism was the recognition that “the personal is political.” Many feminist psychologists (both practitioners and researchers) claim a strong commitment to this slogan and attempt to implement it through their theory and practice. This article explores four interpretations of “the personal is political” in feminist psychological writing. It is argued that far from achieving radical feminist goals, psychological interpretations serve: (1) to personalise the political, translating social, economic, and ecological concerns into individual psychological matters; (2) to foster revolution “from within” at the expense of political change in the outside world; (3) that insofar as it aims uncritically to “validate women's experience,” it ignores the social and political factors which shape experience; and (4) that the concept of “empowerment” depends upon a radical split between the “personal” and the “political”. In sum, it is concluded that femenist acknowledgement that the personal really is political means rejecting psychology.     

from the uterus to the brain: images of hysteria in nineteenth-century Mexico

Scientific interest in hysteria began in Mexico at the end of the 19th-century, as the medical profession expanded. The Mexican doctors studied madness, drawing on what was confidently regarded as a firm basis of epistemological knowledge. Using modern physiology they entered a discussion that had begun some time before in Europe. Encountering hysteria, an illness presumed to be caused by ‘over-civilization’, they searched for a universal definition. The doctors tried to impose a unifying concept onto the diverse symptoms of hysteria, and, although imitating European ideas, the discourse became distinctive in its attempts to relate hysteria to science and modernity so that all three would make sense. My interest in this article is the feminine; not a reconstruction of the relationship that medicine established between hysteria and the feminine, but a search for a space within the discourse that deconstructs identity and stereotypes. The feminine appears when the coherence of medical discourse is ruptured and when, to explain the illness, the doctors stop attempting to define it. This eventually occurs when the medical discourse considers the subject as unidentifiable and deceptive.     

feminist ‘selves’ and feminism's ‘others’: feminist representations of Jamaat-e-Islami women in Pakistan

In Pakistan, as in many other societies, politico-religious movements or so-called Islamist fundamentalist movements are becoming an important site for women's activism as well as the harnessing of such activism to promote agendas that seem to undermine women's autonomy. This has become a concern for a growing feminist literature which from a variety of political and theoretical positions seeks to understand and explain the subject-position of Muslim women as politico-religious activists. This paper attempts a deconstructive reading of texts by leading Pakistani feminist scholars as they attempt the difficult process of steering between fundamentalism and Orientalism in their accounts of ‘fundamentalist’ women in the political ideological space of Pakistan.     

Eve Drewelowe: feminist identity in American art

Eve Drewelowe (1899–1988) was an American artist who attended the University of Iowa, where she received a BA in Graphic and Plastic Arts in 1923. During these early years when university art programs were being established, Drewelowe became the first person to receive an MA in art from the University of Iowa; one of the first people to receive such a degree in the United States. Drewelowe reinvented herself throughout her life and her artwork reflects a current knowledge of modern styles that emerged in the twentieth century. Drewelowe exhibited under the name Eve Drewelowe Van Ek shortly after her marriage in 1924 until the early 1950s, when she chose to resume using only her own surname. During the three intervening decades, her signature varies from one artwork to the next. In some instances, the artist later rubbed out or painted over the ‘Van Ek’ with little attempt to conceal the change, leaving a visual indicator of the artist's identity struggles. Her personal papers also reflect the challenges she faced reconciling public expectations of her role as the wife of a university dean with her profession as an artist. This essay considers the ways Drewelowe performed her identity as an artist in order to maintain her personal autonomy against the backdrop of the male dominated social and artistic world.     

The public and the private in architecture: A feminist critique

Hanna Arendt's discussion of public and private derives more or less intact from Aristotle and forms a principal philosophical basis for mainstream architectural theory exemplified in the writings of Kenneth Frampton. An eminent architectural historian, teacher, and critic, Frampton proposes that the discipline of architecture is in crisis today because of an unprecedented enphasis on ‘the life-bound values of animal laborans,’ and because ‘it is largely divested of culturally valid institutions for its embodiment,’ which institutions, he suggests, find their archetypes in the agora of the ancient polis. The author criticizes Frampton's position from the perspective of feminist philosophy, based on Elshtain and Pitkin, and advocates some reformulation of the traditional hierarchical relationship between the two domains. The last section of the article locates architectural work within this feminist perspective: in programme, precedents, and formal expression. ‘The Ethical Polity’ provides a potential vehicle for architectural exploration predicated on the restructuring of public and private.