‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.     

‘Merely Birds of Passage’: Lady Hariot Dufferin’s travel writings and medical work in India, 1884–1888

This article examines the travel writings and medical work in India of Lady Hariot Dufferin, Vicereine of India between 1884 and 1888. Lady Dufferin accompanied her husband, the Viceroy Lord Dufferin, through various social and political engagements in India, and carved her own niche in colonial and post‐colonial history as a pioneer in the medical training of women in India. The article examines her travel writings on India and explores the nature of her complicity in the Raj, as well as the gendered nature of the separate public role she created for herself in relation to her ‘zenana work’ in providing medical care for the women of India. The author suggests that, through her work, Lady Dufferin challenges and extends the theoretical paradigms of post‐colonialist and feminist critiques of empire.     

Woman to Woman: Australian Feminists’ Embrace of Radio Broadcasting, 1930s–1950s

This article demonstrates the crucial importance of the radio medium in the post-suffrage era as a space in which women could expand their sphere of influence and enact their responsibilities as citizens. It challenges previous scholarship which has argued that during the early decades of radio women were confined to the world of the everyday and the domestic. In the interwar years, Australian feminist organisations were quick to take advantage of the still-developing radio medium, which they used to publicise their activities to mass audiences. One such organisation was the United Associations (UA), founded in Sydney in 1929 by Jessie Street and Linda Littlejohn. Perth feminist Irene Greenwood was introduced to radio broadcasting as a member of the UA in the 1930s, and she later drew on these media skills and her extensive feminist networks to create her own innovative and interactive radio program in Western Australia, Woman to Woman (1948–1954). Correspondence between Greenwood and her audience shows that the program provided women from diverse backgrounds with the opportunity to engage publicly with significant political debates, to create a new imagined community of listeners, to communicate across geographical and class boundaries, and to become media producers themselves.     

‘The Woman was a Stranger’: childbirth and community in eighteenth-century England*

On 17 December 1766 James Field stood accused at the Old Bailey of the ‘wilful murder of a new born child, by casting it into a tub of water’. The case was exceptional in many ways—not only was the accused male but he and his family had removed themselves from the network of neighbourly interactions that characterised lower status life in this period. As a result, the court's deposition statements record ideas of belonging and community with unusual clarity. Using Field as a case study, this article explores the involvement of the local community in the experience of childbirth in the eighteenth century. It will argue that childbirth had an active role in the creation of neighbourhood, and momentarily captured shifting eighteenth-century understandings of community.     

‘Blackberrying in the Sun’? Modernism and the Ageing Woman in Rhys’s Good Morning,Midnight, Woolf’s Mrs Dalloway and Sackville-West’s All Passion Spent

Jean Rhys, Virginia Woolf and Vita Sackville-West break with tradition in re-envisioning the aging woman. No longer content with representing the forlorn dowager or the redundant females of Gaskell’s Cranford, these writers challenge earlier representations while also confronting modernism itself. Instead of focusing on youth, they ‘make it [modernism] new’ by carefully detailing the various ways ageism and sexism make us ‘the other’, as they speak out against the interlocking oppressions of ageism and sexism. Whereas Rhys underscores what it means to be an impoverished, aging woman, Woolf and Sackville-West shift their concerns to the ways in which their characters come to terms with aging. For Woolf, there is both a sense of mourning and a sense of celebration as Clarissa attempts to unite her world through her ‘offering’ of parties that ‘defy’ the Gods. In contrast, Sackville-West’s dutiful Lady Slane claims her independence for the first time in her life, as she refuses the ways in which her children infantilize her.     

A view of the observable: A positivist ‘understanding’ of Agrarian Society and political protest in colonial India 1

The great uprising of 1857 in India was once discussed predominantly in terms of the debate, military mutiny or war of independence. Twenty years ago S.B. Chaudhuri pointed to something of the complexity and range of the rising in his ‘Civil Rebellion in the Indian Mutinies 1857–59’ (1957). Some recent writers have seen in the events of the period a classic example of a peasant war. Now, in a new book, ‘The Peasant and the Raj. Studies in Agrarian Society and Peasant Rebellion in Colonial India’ (Cambridge 1978), E. T. Stokes concludes that ‘1857, like 1848 in Europe, remains a date to conjure with’ (p. 139). Stokes's judgements on the rebellion and its context bid fair to becoming the new orthodoxy. Like all orthodoxies they have a good deal of force in them. At the same time they are loaded with implications, some of them perhaps not fully foreseen, that bear careful examination.     

‘Quality’, Cinema and the ‘Superior Woman’ Persona: understanding women’s film criticism in post‐war Britain (1945–59)

Criticism was a particularly buoyant area of film culture in Britain during the post‐war period, a regular feature in newspapers, periodicals, magazines, and BBC radio programmes. What has not been widely recognised is the central role that women played as critics of film at this time, and where their interests differed from those of their male peers. This article recovers the contribution made by women film critics, arguing that middle‐class writers such as C. A. Lejeune and E. Arnot Robertson adopted a form of ‘distanced amusement’ with regard to themes of sentimentality and romance (associated with low‐brow female pleasures). This strategy permitted them to engage with the broader cultures of film‐watching, commenting on subjects such as female crying and character identification, and recognising cinema‐going as a pleasurable activity for women, subjects which male critics did not discuss. These findings expand knowledge about film criticism in the post‐war period and reconfigure received understandings of film culture to account for women’s gendered contribution to the critical field.     

‘A Woman’s Place …’: Male Representations of University Women in the Student Press of the University of Liverpool, 1944–1979

Deciphering the manner in which women have been, and continue to be, represented in society is an integral element of a feminist critique. This article explores male representations of university women as presented in the student press of the University of Liverpool between 1944 and 1979. It is suggested that university women were represented as ‘other’ and stereotyped in a negative manner in the years 1944 to 1959. Furthermore, they were presented as unattractive, unwelcome, and in most cases at university to find a husband. The years 1960 to 1979 signified a shift with regard to the representation of university women; however, continuity with the earlier period was retained in the visual imagery of female students and the way in which ‘careers’ were presented as distinctly male. University women remained part of the ‘male gaze’ and were, ultimately judged on the basis of their sexual attractiveness to the derision of their intellectual abilities.     

The ‘Ins’ and ‘Outs’ of Women’s/Gender Studies: a response to reports of its demise in 2008

In the spring of 2008, fuelled by the impending demise of the undergraduate Women’s/Gender Studies programme at London Metropolitan University, a series of public statements proclaimed the death of Women’s/Gender Studies. This article constitutes a response to these statements. Taking a broadly European view of the state of Women’s/Gender Studies, it argues that the discipline has established a research infrastructure, mainstreamed its undergraduate curricula and its pedagogical underpinnings, and continues to attract research funding and significant numbers of postgraduate students. It finally suggests that the ‘fate’ of disciplines is not teleological but iterative.     

Recruitment and coercion in Japan’s far north: evidence from colonial Karafuto’s forestry and construction industries, 1910–37

In 1905, Karafuto (Southern Sakhalin) became Japan’s second formal colony and the most sparsely populated territory in the Japanese empire. Despite its peripheral location and small population the colony was of important economic value, boasting considerable natural resources such as marine products, coal, oil and timber. This combination of richness and remoteness meant that enterprises in the colony faced an acute labour shortage. This paper examines the ways that enterprises operating in Karafuto sought to circumvent this problem by analysing the recruitment, management and maintenance of labour in Karafuto’s forestry and construction industries. It is found that a degree of coercion emerged at worksites in the colony, as management struggled to hold onto its workforce for the entirety of a project; however, coercion was not the norm and was strongly associated with specific recruitment grounds. Utilizing contemporary social research, colonial newspaper reports, oral testimony and other sources this paper finds that recruits from further afield were more likely to be involved in incidents of abuse than those in close proximity to Karafuto. Local connections, strength in numbers and mutual dependence of workers from these areas and Karafuto-based recruiters for work/labour served to reduce levels of conflict between the two parties.     

‘The Assembly Line and Cars Come First’: Labor Relations and the Demise of Nissan Car Manufacturing in Australia

This article examines the fate of Nissan's plant in Melbourne, Australia, which the company closed in 1992. Studies of Japanese car plants that were set up in overseas markets have generally been positive, outlining how these firms were able to thrive by setting up flexible or lean production methods. In Australia, however, the company was unable to establish lean production and executives complained bitterly about union resistance to non-traditional production methods. The plant was also dogged by poor worker morale and high turnover. This is the first study of Nissan's Australian plant and it shows that not all Japanese transplants were successful.     

‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s)

Feminist scholarship has invested attention in popular culture as a terrain upon which understandings of feminism are circulated, contested and explored. This is particularly so in the contemporary moment in which feminism appears to have achieved a new ascendency. But whilst popular culture and feminism are recognised as inextricably enmeshed, there remains the implicit or explicit assumption in feminist scholarship that popular media culture could do ‘better’, and that there is a more ‘authentic’ form of feminism waiting to find representation. In response to this context, this article undertakes an analysis of Twitter responses to Celebrity Big Brother: Year of the Woman (2018) in order to explore the ways in which a popular media text provides an arena for the negotiation of popular feminism. Rather than positioning reality TV and celebrity culture as a site of ‘ideological ruin’ for feminism, this article explores how CBB is discussed in relation to feminism as popular television, and the ways in which this may offer affordances and limitations. The article concludes that feminist media scholars need to give due attention to the complexities of popular feminism as articulated by popular media culture.     

‘Lovers of liberty’?Prostitution and the Politics of Choice in Emma Donoghue’s Slammerkin

This article explores the way in which Emma Donoghue’s novel Slammerkin (2000) reflects long-standing feminist debates surrounding prostitution. We argue that not only does Donoghue’s portrayal of prostitution resist the pro versus anti dichotomy in which feminist perspectives on sex work are so often narrowly situated, but Slammerkin also foregrounds the complexity with which the politics of choice intersects with women’s decision to sell their bodies.     

‘Reading and writing our own tongue’: The examples of Elin Wägner and Karin Boye

Using Virginia Woolf's Three Guineas as a framework, this essay analyses two political novels by Swedish women writers: De fem pärlorna by Elin Wägner (1882–1949) and Kallocain by Karin Boye (1900–1941). One novel deals with an allegorical European country in a post- or interwar period, the other with a dystopian World State in the next century, yet the presence of autobiographical elements and contemporary allusions has tended to dominate the critical discussions. Focusing on symbolism and on mythical and ritual patterns, my analysis is concerned with the novels as works of art. Both novels are found to be permeated by the rhythms of death and rebirth: and it is the handling of this pattern in combination with the emphasis, in both books, on the significance of the author ‘writing [her] own tongue’ (Woolf) that makes these novels into characteristically female refutations of patriarchal society in general and of war in particular.