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Middle- and upper-class Jewish women enjoyed less equality within their faith communities than Christian counterparts. They were represented in every strand of the suffrage movement, and in 1912 formed the Jewish League for Woman Suffrage (JLWS), modelled on similar Christian leagues. A study of the origins of the JLWS, and its relations with parallel organisations, shows religious difference to have been no barrier, and even conducive to, cross-denominational collaboration. The JLWS confounded (largely male) communal expectations that it would not influence London's East End, and would exacerbate prejudice against Jews. Post-1918, Jewish women were denied the level of equality within their faith congregations achieved by their Christian peers.  相似文献   

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ABSTRACT

This article discusses the Women's Party, founded by Emmeline and Christabel Pankhurst in November 1917 at a time when Britain was still fighting in World War One. It examines the origins and aims of the Women's Party which, with the slogan ‘Victory, National Security and Progress’, conflated the winning of the war with the women's cause. It is contended that global politics on the world stage as well as local politics at home shaped the agenda of the Women's Party in many differing ways.  相似文献   

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In the early 1970s Japan witnessed the emergence of a new women’s liberation movement that put forward an unprecedented gendered critique of Japanese post-war society. Known as ūman ribu (woman lib) or simply ribu (lib), this movement appeared at a historical time when the numerical increase in cases of mothers who killed their own children prompted the news media to describe maternal filicide as a dramatic social phenomenon. This article explores ribu’s engagement with the increased public visibility of mothers who kill. It contends that the solidarity and support the movement demonstrated for these criminalised mothers radically challenged idealised notions of motherhood, maternal love and the sanctity of the mother–child bond, and deeply questioned the post-war nuclear family as the cornerstone of society. The article investigates the revolutionary potential of ribu’s preoccupation with murderous mothers by framing it in the context of the movement’s call for consciousness transformation and for the pursuance of a more genuine relationality, and it gestures towards an understanding of what might be at stake in reading maternal filicide through the interpretative grid of a revolutionary agenda.  相似文献   

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Tahltan territory of northern British Columbia has been flooded with some of the largest industrial extractive projects in the world. One critical point of conflict is centered on how Canada legislates and regulates access to lands without regard to Indigenous sovereignty. This article illustrates the centrality of gender to such struggles. It argues that historic forms of dispossession paved the way for these contemporary threats to Indigenous territories. It offers a case study on how an aspect of colonial policy—the trapline registration system established in early twentieth-century Canada—prioritized white trappers and registered Indian traplines in ways that were at odds with Tahltan matriarchal systems of governance and land management. Despite colonial attempts to undermine the Tahltan’s relationship to their land and to reorder it according to gender norms, Tahltan women have adamantly revitalized and exercised their matriarchal authority to fulfill their role as protectors of lands and water.  相似文献   

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The article is based on research carried out in 1998-99 which involved interviewing United Kingdom based women who had been responsible for introducing degree courses in women's studies into British universities and polytechnics. The interviews are records of the memories of those women as they look back on a political moment when they were engaged in collective attempts to transform the academic curriculum. Personal memories are placed alongside accounts and debates which appeared in printed sources, such as books and newsletters from the British Women's liberation movement from 1970 onwards. The article also reflects on the process in which past events and personal memoirs move from stories to histories, enter the archive, and begin to acquire the status of history.  相似文献   

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Anti-caste movements in India have a long history. Cultural heritage became and remains a site of political contestation by excluded communities searching for identity and equality, and gender remains at the core of their engagements. The meanings underlying the more homogenous term of ‘Dalit’ used today are part of a historical process of self-definition. Moreover, diverse Dalit countercultures suggest varied social domains in which Dalit communities are located. South Asian historiographies have been critiqued as denying histories and historical agency to Dalits. Yet Dalit studies have developed epistemologies, bringing articulations and ideas from the margins to the centre of writings on history, leading to debates around caste that have transformed notions of politics. This paper draws from one such trajectory through a nonlinear narrative, juxtaposing the intergenerational contexts of engagements: my mother Dakshayani’s political and life experiences, as narrated in her autobiography (1912–1978), and my own experience in the Dalit women’s and other movements in the 1980s and 1990s. While my experience saw the onset of liberalisation and the emergence and growth of ‘new social movements’, the context of Dakshayani’s narrations is the Pulaya (agrestic slave caste) community in the early 1900s in Cochin, a community in the process of transforming itself. Both narratives highlight how radical traditions within the Dalit women’s movement over time have consciously and critically addressed anti-caste movements, social reform, the state, peoples’ movements and the nation within a conceptual framework of equality, liberty and non-discrimination.  相似文献   

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《Labor History》2012,53(5):415-428
ABSTRACT

This article studies women’s participation in the struggle against the dictatorship in Spain (from 1960 to 1975). Drawing on life stories of women activists from el Marco de Jerez, it examines their repertoires of actions, their frames, and the lack of recognition from both academic and political spheres. A Gramscian approach and the perspective of hegemonic masculinity contribute to explain how women organized, how represented their collective action, and why their memories have been silenced. The theoretical approach has helped to identify relations of hegemony within feminist studies and political movement.  相似文献   

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The women’s liberation movement was the impetus for the founding of new institutions of psychological and mental health care for women in the late 1970s and 1980s. This article draws upon the archive of one such site, based in Islington, North London, to explore the ways that members of the movement interacted with local politics and were attentive to racial and economic oppression. It demonstrates that consciousness-raising groups and feminist magazines made women’s distress visible and that this visibility led to the development of feminist critiques of mainstream psychiatric care. The critiques of mainstream provision laid the ground for grassroots interventions into women’s mental healthcare in the community.  相似文献   

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In recent years, women’s and gender historians have paid attention to the dissonance between the grand narratives of European women’s history and the history and experiences of marginal regions and countries. This article discusses the challenge of writing women’s history from the margins—Iceland—into the framework of the grand narratives of European women’s and gender history. It is argued that this framework grounded in theories of progress and modernisation is too narrow, offering little space for different or marginal voices from rural societies. Using the case study of the ‘ordinary’ woman Sigríður Pálsdóttir (1809–1871), the article argues that more voices from the margins and different histories, broaden our understanding of the multi-vocal and multi-levelled history of women in Europe.  相似文献   

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Criticism was a particularly buoyant area of film culture in Britain during the post‐war period, a regular feature in newspapers, periodicals, magazines, and BBC radio programmes. What has not been widely recognised is the central role that women played as critics of film at this time, and where their interests differed from those of their male peers. This article recovers the contribution made by women film critics, arguing that middle‐class writers such as C. A. Lejeune and E. Arnot Robertson adopted a form of ‘distanced amusement’ with regard to themes of sentimentality and romance (associated with low‐brow female pleasures). This strategy permitted them to engage with the broader cultures of film‐watching, commenting on subjects such as female crying and character identification, and recognising cinema‐going as a pleasurable activity for women, subjects which male critics did not discuss. These findings expand knowledge about film criticism in the post‐war period and reconfigure received understandings of film culture to account for women’s gendered contribution to the critical field.  相似文献   

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The Freewoman has commonly been read as an example of New Woman periodical publishing, through its focus on women's sexuality and autonomy from men. The journal appears to offer a more daring, twentieth-century and modern ‘new woman’, more willing than even her 1890s counterpart to embrace free unions or sexual experimentation. The Freewoman's extraordinary discussions of sexuality have tended to distract historians' attention from other elements of the debates it engendered. In particular, the political argument found within its pages has received insufficient attention; the journal tends to be misread as a socialist publication. Placing the journal as part of the New Woman narrative lends itself to an alternative view of the political subject of The Freewoman; the New Woman focus on individuality, autonomy and creative genius plays an important part in the distinctive political debates found within the journal. Although the suffrage struggle dominated Edwardian feminist activism, many Freewoman contributors rejected the vote entirely. In aperiod when new liberal or Fabian conceptions of an increasingly interventionist state appeared to sit comfortably with feminist demands for a more inclusive and socially responsible state, The Freewoman took an anti-statist stance. Rejecting the common suffragist metaphor of the state as the home writ large, Freewoman contributors saw the state as machine-like. The author explores the motivations for these positions, and the development of an individualist-feminist, or even egoist stance. Specifically, she outlines contributors' rejection of militant suffrage activism, and their contestation of the citizen as a rights-holding and consenting political subject, and maps the alternative political structures suggested within The Freewoman, and the manner in which concepts of individuality found within New Woman discourse served to construct a disturbingly elitist and even coercive feminist politics.  相似文献   

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《Labor History》2012,53(5):594-606
This article examines a new area of women's leisure; women's participation in work-related sport. The growth and development of industrial welfare in Scotland in the interwar period will be discussed. Within broader studies, Stephen Jones, Helen Jones and Melling have all indicated that there was a growth in industrial welfarism in Britain from the turn of the twentieth century. This development of welfarism, which included provision of educational classes, pensions and medical support, increasingly also encompassed a variety of sports and physical activities. By looking at case studies, developments in provision across a range of industries will be examined. This discussion will draw on a wide range of sources from a variety of women's employment, from factories to clerical positions and from the retail sector to the civil service. This article will examine the types of sporting opportunities open to women through their workplaces, including organised welfare schemes and independent employee-led activities. Moreover, it will explore working women's experiences of these activities and the ways in which they chose to participate in sport.  相似文献   

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This article examines women's efforts to induce miscarriage in Ireland (the Irish Free State, Éire, and the Republic) from 1900 to 1950. It demonstrates that, when possible, Irish women avoided surgical procedures, preferring instead to consume pills, potions, and purgatives to cause abortion. Irish women viewed emmenagogues and abortifacients as more natural than surgery and in keeping with women's traditions; these substances, they understood, had been used for centuries to restore menstruation and return the female body to normalcy and health. Overall, it was control—control over the methods of abortion and control over what they put into their own bodies, as well as autonomy when it came to managing their own reproductive health—that mattered most to Irish women seeking to terminate unwanted pregnancies. Irish women's abortion efforts expose their resolve to manage their reproductive lives and thus remind us how they sometimes rejected the dictates of the conservative twentieth-century state-Church consensus, bypassing legislation and negotiating religious cultural norms.  相似文献   

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The period between 1922 and 1960 is often characterized as one of social and cultural stagnation in Ireland. Irish fiction was dominated by an avant-garde writing in exile and the local dominance of the short story. Attention to the non-canonical fiction of women during the period, however, reveals a literature that exceeds this paradigm. Meaney focuses on two novels, The Troubled House by Rosamond Jacob and As Music and Splendour by Kate O’Brien, which both feature women as artists. This figure provides in both cases a mode of combining a commitment to narrative realism with a self-reflexive exploration of the role of art, thus evading the fictional polarities of the period. The woman artist as fictional character also offers an opportunity to explore the relationship between gender, sexuality, politics and art. The linkage between sexual dissidence and aesthetic freedom is a persistent trope of modernism in the Irish context, even if it is often critically submerged under the figure of exile. Both The Troubled House and As Music and Splendour might be considered to be supplements to Irish modernism in the Derridean sense, ‘an originary necessity and an essential accident’. Through the figure of the woman artist, both of these marginal novels transgress the configurations of gender at the heart of that modernism’s aesthetic project. Both link transgressive sexuality with artistic production. In doing so they posit a very different relationship between sexuality, aesthetics and politics.  相似文献   

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Between 1933 and 1939, around 20,000 Jewish, ‘non-Aryan’ or politically active refugee women from Germany, Austria and Czechoslovakia entered Britain on domestic service permits. Their immigration, mostly organised by women in the British voluntary sector, served as a moral response to the humanitarian crisis caused by Fascism in Europe, and a practical response to the ‘servant crisis’ in Britain as working-class women increasingly rejected domestic labour. This paper considers the practical and emotional relationships around domestic service and argues that the acceptance of refugee women into the metropolitan British home was conditional on the tacit expectation they could fill the vacancy left by the working classes, becoming British through their labour.  相似文献   

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