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Abstract: Over the course of this article, the author argues that ethics and the erotic are interrelated. The author also contends that the way subjectivities are constructed has a strong impact on the development of the ethical and the erotic character of these same subjectivities. Against this backdrop, the author postulates that envisioning or creating oneself as a grotesque subject promises to facilitate one's own development into a moral and erotic human being by triggering a process of inner estrangement that enables one to recognize the otherness within oneself. This analysis is based mainly on Mikhail Bakhtin's grotesque as presented in his Rabelais and His World (1965). This self-introspection serves as the basis for an ethical eroticism through which one shall transform oneself into a fully fledged moral and sensual subject. In formulating this argument, the author draws on Simone de Beauvoir's own attempt to link the erotic to the ethical. As will be seen, the same principle that stands at the heart of a phenomenological ethics also steers the author's phenomenological conception of the erotic. The principle in question is carnal intersubjectivity-bodies that penetrate one another and merge, yet never lose themselves in the other's carnality. Put differently, they remain non-objectified subjects. The grotesque subject is presented as a figuration that helps shed light on the way the subject has been conceived by, above all, phenomenological and postmodern theorists. The author then explores some of the ethical ramifications of this conceptualization. Drawing on these insights, the author fashions an ethical eroticism that derives from a grotesque subjectivity.  相似文献   

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The question of the possibility of an anti-foundationalist approach to ethics has come to the forefront in recent discussions in the humanities. Two questions dominate these discussions. The first is how we can define agency, the necessary ground of ethical action apart from a transcendental subject. The second is how we can define a secure foundation for ethical judgements without universals. A relativistic ethics seems, by definition, futile. I take up both of these questions here with reference to the work of Judith Butler. I argue that in her post-Gender Trouble work Butler has defined an agent, an ‘I’, that is neither a social dupe nor a transcendental subject but, rather, both discursive and material. This ‘I’ provides the basis for Butler's turn to ontology as well as her analyses of vulnerability, precarity and cohabitation. These conceptions form the basis of her ethical position. I examine Butler's central argument that the material/ontological facts of human life necessitate the equal treatment of all human beings. In conclusion, I question whether Butler's position provides a sufficient basis for an antifoundational ethics. I argue that Butler is headed in the right direction but has not yet achieved her goal.  相似文献   

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In this article, I interrogate how the UK government constructs and manipulates the idiom of the vulnerable female, trafficked migrant. Specifically, I analyse how the government aligns aspects of its anti-trafficking plans with plans to enhance extraterritorial immigration and border control. In order to do this, I focus on the discursive strategies that revolve around the UK??s anti-trafficking initiatives. I argue that discourses of human trafficking as prostitution, modern-day slavery and organised crime do important work. Primarily, they provide the government with a moral platform from which it can develop its regulatory capacity overseas. It is not my intention to suggest that the government??s anti-trafficking plans are superficial, and that extraterritoriality is the sole driver. On the contrary, I argue that complex interrelationships exist and while the government??s interest in protecting vulnerable women from sexual exploitation may seem to be paramount, I assert that in fact it intersects with other agendas at key points. I consider how government action to protect vulnerable women in trafficking ??source?? and ??transit?? countries such as development aid and repatriation schemes relate to broader legal and political concerns about protecting the UK from unwanted ??Others??.  相似文献   

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This paper contributes to the recent discussions about new materialism. It has been claimed that feminists should bring biology and the physiology of bodies into their analyses. Here, however, an ontological question is asked about these objects of study. The paper focuses on sex hormones. In feminist studies, the “sexing” of the so-called sex hormones is questioned (Fausto-Sterling 2000), and in the spirit of new materialism they are also rethought as provocations and global fluids that question any previously perceived constancy of individual bodies (Birke 2003; Roberts 2007). This paper draws upon these previous studies in order to propose a posthumanist performative approach to sex hormones, and continues by arguing for a further radicalization of their ontology. Karen Barad's notion of indeterminacy—meaning that the nature of an “entity” can be determined only within a specific research apparatus—is utilized. This paper thus explores whether sex hormones can, in some apparatuses, “enact” not only chemical processes, but also material-discursive processes, even affects.  相似文献   

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Through an analysis of Simone de Beauvoir's final novel Les Belles Images (1966), this article examines how a 1960s French technocratic class dealt with individual and collective traumas, particularly how they placed their faith in an undying hope in the future while simultaneously ignoring the horrors of wartime violence. The article contends that Beauvoir's novel is a story of not remembering—or, more specifically, attempting to forget—Algeria and all the conflict signified to the average French citizen, including decolonization, torture, racial difference and political tumult. Analysis rests on the novel's representation of its protagonist Laurence, who had been shaken to the core after reading a newspaper article about a (likely Algerian) woman tortured to death, ultimately causing a nervous breakdown that forever altered her interactions with her family and fellow technocrats. Gender and nationality also figure centrally in this examination of the broader role that images—not only belles images—played in the construction of French national identity at this historical moment.  相似文献   

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《Child & Youth Services》2013,34(2):331-346
A full profession includes roles in both direct and indirect career functions for its members. As the field of child and youth care has developed, career paths for practitioners primarily focusing on indirect functions have been proposed. This chapter proposes a career trajectory in clinical work that allows for increasingly responsible, complex and autonomous practi~a s ,the ,practitioner becomes more mature and experienced both personally and professionally. Actualization of both career path options should contribute towards the retention of practitioners, and to the long term advancement of child and youth care as a profession.  相似文献   

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