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何晓园 《广东青年干部学院学报》2010,24(1):48-52
陈子昂诗中的议论在初唐诗人中是十分典型的,他的五古成就最高,风格慷慨悲壮,雄浑苍凉。善用比兴寄托,词旨幽深。他的议论往往以理胜情,以气胜辞。五律少,但律中有古,似浑金璞玉,笔力雄浑,开少陵之先。 相似文献
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杨景春 《广东青年干部学院学报》2007,21(3):89-95
诗歌的用色是不能不讲究的。杜甫特别善于运用色彩这种绚丽的视觉语言,很注意色调的运用,他的诗本身就是五色缤纷的世界,用形象事物特有的光彩来描述人生旅途的见闻和感慨。在杜甫诗歌中,色彩又是意境创造的重要方式,也是理想人格的有效载体。杜诗色彩的运用极富特点,有着完整的、成熟的、自成体系的用色技巧。后代诗人在用色方面大多只是继承了杜甫的手法,而没有能在体系上全面超过他。这与杜甫"语不惊人死不休"的写作追求是分不开的。 相似文献
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Judith Richardson 《Women's Studies: An inter-disciplinary journal》2013,42(2):207-210
On or About December 1910: Early Bloomsbury and Its Intimate World, by Peter Stansky. Cambridge: Harvard University Press, 1996. Beyond the Homefront: Women's Autobiographical Writing of the Two World Wars, edited by Yvonne M. Klein. London: Macmillan Press, 1997. From Acting to Performance: Essays in Modernism and Postmodernism, by Philip Auslander. New York: Routledge, 1997. Writing as Resistance: Four Women Confronting the Holocaust, by Rachel Feldhay Brenner. University Park: The Pennsylvania State University Press, 1997. The Culture of Wilderness: Agriculture as Colonization in the American West, by Frieda Knobloch. Chapel Hill: The University of North Carolina Press, 1996. Postmodern Fairy Tales: Gender and Narrative Strategies, by Cristina Bacchilega. Philadelphia: University of Pennsylvania Press, 1997. Sex, Nation, and Dissent in Irish Writing, edited by Eibhear Walshe. New York: St. Martin's Press, 1997. Beauty's Body: Femininity and Representation in British Aestheticism, by Kathy Alexis Psomiades. Stanford: Stanford University Press, 1997. Sexualities in Victorian Britain, edited by Andrew H. Miller and James Eli Adams. Bloomington: Indiana University Press, 1997. The Literary Biography: Problems and Solutions, edited by Dale Salwak. Iowa City: University of Iowa Press, 1996. 相似文献
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Jooyoung Park 《Women's Studies: An inter-disciplinary journal》2013,42(4):467-497
Fury jams the gullet and spreads poison, but, as soon as I start to write, dissipates, f lows out into the figure of the letters: writing as therapy? (Journals 255) 相似文献
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