dystopia,gerontology and the writing of Margaret Atwood

Old age and visions of the future are inherently bound with one another, and the realms of dystopian fiction provide scope for a gerontological focus within contemporary literature. A theme that is now being revisited in speculative fiction, this paper aims to assess the role of the elderly within Margaret Atwood’s dystopian tales, specifically looking at the role of gerontology in her collection of short stories Stone Mattress: Nine Wicked Tales (2014). I argue that Atwood utilises the dystopian narrative in order to address broader social issues that stem from immobility and declining virility. Focussing on Atwood’s feminist politics and representations of the elderly woman in the dystopian narrative, this paper proposes that older women in Atwood’s fiction seek to move beyond the asexual, immobile and matronly gerontological stereotype that is often portrayed in literature. Instead, the elderly, and in particular elder women, adapt to their environment, often becoming figures of their community. They are aware of sexual desires and look to move within and beyond societal constraints, utilising the realms of cyberspace in order to forge their own identity. The role of the elderly in a distinctly dystopian narrative allows for a new utopian strategy to be constructed.     

创新是新建企业建会工作的不竭动力

随着改革力度的加大 ,经济结构的调整和完善 ,公有制实现形式的多样化和非公有经济的迅猛发展 ,一方面新建企业不断增加 ,职工队伍不断壮大 ,另一方面工会会员人数却不断减少。新建企业工会组建工作既面临着极其难得的发展机遇 ,同时也面临着极为严峻的挑战。如何适应新形势 ,迎接新挑战 ,尽快把广大职工组织到工会中来 ,为实现党的十五届五中全会提出的“十五”奋斗目标而发挥工人阶级主力军作用 ,答案只有一个 ,就是必须创新。     

Relating feminisms,nationalisms and imperialisms: Ireland,India and Margaret Cousins's sexual politics

Abstract

From 1907 to 1913 Margaret Cousins was one of the most prominent leaders of the Irish Women's Franchise League, the most militant of the various Irish suffragist groups. A Theosophist, Cousins left Ireland in 1913 for Theosophical headquarters in Madras, spurred by her commitment to “the cause of womanhood the world over”. Throughout the 1920s and 1930s Cousins played a central role in certain forms of Indian feminist and cultural nationalist movements. This article attempts to sketch some of the ways in which Cousins's class and imperial situation provoked and limited her feminist ideology.     

The Psychological World of the Gay Teenager:Social Change,Narrative, and “Normality”

This paper examines the application of concepts of normal adolescence pioneered by Offer and colleagues to the study of gay and lesbian youth. Adolescent development among this population demonstrates remarkable historical variability along the lines of generation-cohort, revealing the utility of a life-course approach to the study of normal adolescence. Concepts of normal adolescence appear to shift with changing narratives of identity for sexual minority youth. We contrast two narratives of gay youth identity development that have emerged since the inception of substantive research programs on gay adolescence: (1) the narrative of struggle and success that came to dominate the literature in the 1980s and 1990s and (2) the narrative of emancipation that has emerged from the work of Savin-Williams and others who argue for a recognition of the diversity of adolescent development for this population. In relating this contrast to Offer’s seminal contributions to the study of adolescence, we suggest that the most normative feature of human development, particularly during adolescence, is its connection to discourses of identity through the formation of personal narratives that anchor the life course and provide meaning to conceptions of self-development. The example of shifting narratives of gay youth identity development is meant to exemplify this characteristic feature of human development. William Rainey Harper Professor of Social Sciences, The College, the Departments of Comparative Human Development, Psychology, Psychiatry and the Committee on Interdisciplinary Studies in the Humanities, The University of Chicago. For nearly two decades he collaborated with Dan Offer as the director of the University’s component of the Adolescence Training grant shared jointly with Michael Reese Hospital and Directed by Dan Offer. His recent work focuses on the interplay of history and social change in the study of lives over time. Advanced doctoral student in the Department of Comparative Human Development. His work examines the cultural psychology of adolescence and emerging adulthood, with a focus on identity and narrative. His earlier work with former student of Dan Offer, Maryse Richards, focused on the study of ethnicity, context, and normal adolescence. Most recently, he has been studying culture and normal adolescent development among Israeli and Palestinian youth. In 2007 he will be appointed an Assistant Professor of Psychology at the University of California-Santa Cruz.     

Women Poets on the Left: Lola Ridge,Genevieve Taggard,Margaret Walker. Nancy Berke. Gainesville: UP of Florida, 2001.

Nancy Berke offers a cogent and convincing argument to include radical women poets within the canonical texts of modernist poetry. Unlike the broad overview texts commonly used in academic settings, Berke's Women Poets on the Left places Lola Ridge, Genevieve Taggard, and Margaret Walker within the context of the political and social histories that shaped their lives and consciousness. This work complicates poetic analyses, challenges white male dominance in the field, and provides a critical feminist take on poetry produced by women on the left during the twenties and thirties. Moreover, Berke's inclusion of Margaret Walker, whose work falls between two critical periods, the 1940s and 1960s, contextualizes how the poetry of activist women provides multivalent perspectives and demonstrates a continuum of radical modernist poetry in the United States.     

Fact,fiction and method in the early history of social research: Clementina Black and Margaret Harkness as case-studies

The development of social science research methods by women reformers in the late nineteenth and early twentieth centuries is a largely buried history. This article examines the work of Clementina Black and Margaret Harkness, two British reformers who conducted many social investigations using a wide range of research methods. They also crossed genres in writing fiction, which was an accepted method at the time for putting forward new ideas about social conditions. Black and Harness were part of a vibrant network of women activists, thinkers and writers in late nineteenth century London, who together contributed much to the growing discipline of social science and to imaginative forms of writing about social issues.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.