Reassembling Gender: On the Immanent Politics of Gendering Apparatuses of Bodily Production in Science

Abstract

Arguing that new feminist materialist work has insufficiently attended to how gender is differently materialized and embodied in practices with non-human others, this article examines ethnographically what genderings come to matter in the knowledge-making practices of mass spectrometry and peer review in a Czech research laboratory. The article returns to Donna Haraway's analytics of the ‘apparatus of bodily production’ and its extension by Karen Barad as a productive device for tracing the situational making and unmaking of gender in specific human–technology assemblages and the sedimenting histories of such intra-actions. Through a triple movement of disassembling, contextualizing and reassembling particular embodiments, the author brings unstable, implicit and absent genderings, and their affective textures, affordances and valuations to the fore, including the corporeal orientations associated with enterprising adrenalin-driven masculinity and denigrated forms of embodiment such as shame and defeat. The article shows how these (de)genderings render present tensions and exclusions in prevailing apparatuses of knowledge production and pose questions of responsibility.     

Catherine Breillat's Romance and Anatomy of Hell: Subjectivity and the Gendering of Sexuality

French filmmaker Catherine Breillat has consistently challenged viewers to consider the ways women negotiate sexual freedom in light of numerous forces of repression. This essay considers how Breillat's depiction of women's sexuality in Romance and Anatomy of Hell simultaneously evokes abjection and empowerment. Specifically, we consider Breillat's contrast between her female protagonists and male protagonists, her treatment of women and their bodies as infused with desire yet struggling towards sexual subjectivity, and the avenues available to women to define themselves outside of hegemonic masculinity. We argue that Breillat's provocative portrayals provoke consideration of the problems inherent in hegemonic female sexuality while also offering hopeful alternatives to sexual expression, sexual freedom, and changing definitions of power and pleasure.     

Gendering transnational radio: women listeners and the BBC Empire and Overseas Services, 1932–1967

ABSTRACT

The BBC World Service, today a respected broadcaster on the global stage, had its origins in the BBC Empire Service of the 1930s. Shortwave radio broadcasts from London explicitly targeted isolated white men in the geographically dispersed British colonies and dominions, with the intention of strengthening them in their imperial endeavours. BBC staff positioned women at the margins of programming and scheduling decisions. Yet for some women listeners radio was a crucial constitutive element of their multi-sensory empire (and post-empire) experience. This paper draws on the BBC Written Archives collection to explore the neglected topic of gender in relation to international broadcasting, focusing on how white women ‘exiles’ and settlers used and understood radio in their daily lives from the 1930s to the 1960s. BBC Overseas broadcasting, as the Empire and later General Overseas Services, provides a fruitful channel into further exploration of the gendered nature of the transnational domain, illustrating women's agency in the complex webs of empire.     

Sacred Belonging: Writing,Religion and Community in H.D.'s Second World War Novels

Abstract: This article considers two works from H.D.'s Second World War writing: The Gift and The Sword Went Out to Sea. In these texts, H.D. situates herself in the context of diverse intimate communities: her spiritualist circle, her partnership with Bryher, her family and previous generations of Moravians. These communities ground her personal vision of writing as a spiritual exercise that will bring healing to both the individual psyche and the wider society ravaged by war. The significance of community is such that when she becomes isolated, desolation and breakdown follow. The restoration of communication and community through vision and writing leads to healing and a particular understanding of religious modernism as a unity of spiritual and material, transcendent and ordinary.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

Popular Discourses on the Neurotypical Woman: Conformity,Authority and Post-War Femininities

Commentary on Asperger's Syndrome both within and outside of the neurodiversity movement relies heavily on the dichotomy between the socially skilled neurotypical or normal mind and the socially inept, but possibly brilliant, autistic other, who is usually male. These discourses often position neurotypicals—particularly neurotypical women—as an oppressive social force that hinders the individuality of men with Asperger's Syndrome as they impose compulsory sociality—the normative behavior associated with ‘social skills’ or the ability to understand and conform to the dominant behaviors and attitudes. At the same time, many women who have been diagnosed with high-functioning autism also regard neurotypical women as arbiters of conformity who gain cultural authority by imposing dominant norms and values. The popular construction of the neurotypical woman is based on long-standing gender stereotypes rooted in post-war discourses about normative femininity. More recently, difference feminism has revived these generalizations by suggesting that women think and act according to a feminine epistemology based on feeling rather than reason. Both the neurodiversity movement and the larger cultural mainstream continue to promote retrograde forms of female power based on a distortion of the empathetic and relational qualities commonly associated with women.