Misogyny,Dionysianism and a new model of Greek tragedy

The subject of misogyny in Greek culture is widely recognized as of capital importance in understanding our attitude towards women as well as the general culture context within which that attitude is framed. Yet despite the obvious importance of this subject there has been little attention given to the way misogyny in fifth‐centry Athens was an integral part of its greatest art form, the tragic drama. Only when a model of tragedy is developed which accounts for the typological opposition between the male “tragic hero” and Dionysus will it be possible to understand how women function within this particular literary genre as the essential “other” of repressive male consciousness.     

‘A sort of Rathmines version of a Dior design’: Maeve Brennan,Self-Fashioning and the Uses of Style

This article explores the politics of style in the writing of Maeve Brennan. Brennan's concern with style, subjectivity and power is strikingly visible in her short stories and ‘Talk of the Town’ essays for the New Yorker. While in some of her short stories published in the New Yorker in the 1950s, Brennan seems to offer an extended critique of dandyism, elsewhere in her writing self-fashioning takes on an altogether more positive value and is steeped in the political as well as literary commitments of her work. The article argues that Brennan's interest in the politics of style, both personally and in her writing, is informed by the different strategies she deployed as an Irish woman writer establishing her place amongst a New York literary elite in the mid twentieth century.     

Buwumu: Redefining Black Beauty and Emancipating the Hottentot Venus in the Work of Oforiwaa Aduonum

A number of the women who worked in the Lowell textile mills during the mid-nineteenth century wrote of their experiences. The best known of these, The Lowell Offering often idealized the conditions of factory life and failed to reflect the “rights” and “wrongs” of the operatives. However, some of the records pay tribute to the spirit of co‐operation that existed among the women workers.     

Transnational Reception: Nordic Women Writers in Fin de Siècle Finland

Abstract

This article investigates the transnational and translingual reception of Nordic women’s writing (among authors writing in Swedish, Norwegian, and Danish) in a multilingual country, Finland, around the turn of the nineteenth and the twentieth century. This contribution is a component of our work for the international Joint Research Project, Travelling TexTs. We concentrate on the presence of Nordic women’s writing in various languages in fin de siècle Finland by investigating a library collection from that time. We look at the complexities in the reception of Nordic women’s writing in translation in Finland, making use of the concept of the Nordic dimension of translation history, and introducing the notion of intranational reception. We emphasize the role of women translators as cultural transmitters, and the intertwining of national and transnational (or, even, in today’s terms, feminist) agendas. We also investigate the reception of Nordic women’s texts in the press of that time, by examining both literature written for adults and literature for girls. Working with large-scale digitized sources has enabled us to examine the question of reception broadly.     

‘How the Modern Girl Attains Strength and Grace’: the Girl's Own Paper,sport and the discipline of the female body, 1914–1956

In the first half of the twentieth century there was a great deal of debate about increasing female participation in sporting activities, and changes to the female sporting body and the way in which it was displayed. Magazines for girls played a key role in the construction of the female body, and in mediating for their readers a range of diverse views on the meaning, purpose and benefits or dangers of female physical culture. This article explores the way in which one periodical, the Girl's Own Paper (GOP), disseminated those discourses and allowed its readers to explore different viewpoints. It argues that the way in which GOP presented sport for girls and women was contingent upon the age of the intended readership, and that the coverage of sport within the paper reached a peak in the 1930s when the target readership was aged 12 to 16.     

Reflective Interplay Between Self and Other: Textual/Sexual Space and the Cultural Meanings of AIDS in Hervé Guibert's To the Friend Who Did Not Save My Life

The article considers how the temporal distance has affected the cultural meanings of AIDS from the 1980s to the first decade of the twenty‐first century. It investigates the literary forms of the AIDS novel/autobiography, focusing on Hervé Guibert's novel To the Friend Who Did Not Save My Life (orig. A l'ami qui ne m'a pas sauvé la vie). Hervé Guibert (1955–1991) was France's leading AIDS novelist and photographer; he wrote a series of autobiographical novels following his own diagnosis in the late 1980s. Through a reading of the novel, the article shows how the connection between time and space (reflected through the concept of queer space) undermines the conventional narrator‐author relationship and extends the limits of normative autobiographical/fictional writing. The analysis also focuses thematically on the mental and physical social spaces available for sexually non‐normative victims of the AIDS epidemic. The article explores the role played by representations of queer spaces in the process of resisting the norms of both sexuality and textuality. In so doing, I argue that new reparative meanings and interpretations of this once highly “stigmatized sexual past” can be found, in relation both to the discussion of queer theories and to public reconsiderations of the cultural memories of the AIDS era.     

Reconfigurings of Non-violence as a Matter of Sustainability and Response-ability

In this paper, we explore non-violence and the responsibility for non-violence inspired by Karen Barad’s work on the material–discursive notion of response-ability. Our analysis, by way of thinking with theory, is based on a careful engagement with the life of one woman, Lena, as told by her in writing and interviews between the years 2007 and 2015. Based on her talk about violence and non-violence in her life, we produced three stories of non-violence “in-becoming”. Through these stories, our aim is to shed light on non-violence as relational; that is, how it is reconfigured in the complex entanglements of bodies, things, abstractions, and histories and how these different entanglements enable an ethically sustainable response for non-violence. In the end, by foregrounding relationality, response, and sustainability, we argue that nurturing sustainable non-violence could be enriched by expanding the focus from individual agency or collective action to the co-constituted conditions of possibilities for response-ability.     

Authenticity of self‐expression: Reinterpretation of female independence through the writings of simone de beauvoir

Based on the autobiographical writings of Simone de Beauvoir, this paper reinterprets the concepts of “dependency” and “independence” with respect to women's experiences. De Beauvoir, considered a strong and independent woman, continuously struggled for emotional independence, a struggle which she conceived as being against the need that drove her “impetuously toward another person”. However, a careful examination of de Beauvoir's inner voice as it is reflected in the subtext of her autobiographical writings, suggests that her true struggle revolves around a desire for authentic expression of her feelings and needs — rather than for separation from others.

As an adolescent de Beauvoir was caught between the expectations of her parents and her own needs, remaining the “dutiful daughter” at the expense of being false to her own self. This pattern of dependency reappears in her adult life, when she seems to be incapable of validating her feelings of jealousy and anger in her relationship with Sartre. Her means of coping with this problem is by giving it a literary expression, hence, she seems to gain a sense of freedom and independence by giving her repressed feelings an authentic outlet.

The re‐reading of de Beauvoir's autobiography in a new light of feminist criticism reveals a concept of dependency different from the need to rely on, receive help from, and be influenced by another. When one examines the meanings of dependency and independence through the female language of connectedness and women's values of care and involvement, the essential meaning of dependency shifts from the lack of self‐reliance to suppression of self‐expression, and from struggles for separation to struggles for one's personal truth and for authenticity in one's relations with others.     

‘A Little Tragedy of Two Races and Two Traditions’: gender and nationality in the historical fiction of Hilda Vaughan

This article discusses the representation of gender and nationality in the historical fiction of Hilda Vaughan, a Welsh woman writing in English during the early twentieth century. It offers a detailed discussion of her second novel, Here are Lovers (1926), but also makes reference to other texts. These texts are located within the historical context of the interwar period when nationality was a key issue for both feminist campaigners and emerging Welsh nationalist politics. The article draws upon the theoretical work of Williams and Foucault and argues that Vaughan's fiction offers a particularly sustained exploration of the gendering and classing of national identity.     

Feminist Theory and that Critical Edge

The purpose of this article is to provoke much‐needed discussion on the uses by feminists, in particular feminist political scientists, of the language of discourse, discourses and discursive. The terms, it argues, have become ubiquitous, with considerable confusion about intended meanings. A particular concern is the growing tendency among some feminist political scientists to use “discourse” as shorthand for ways of talking about an issue. Critical to sorting through different meanings of discourse, it argues, is the question of subject “agency”—the extent to which subjects can use discourses or are constituted by them. As a way forward the article advances a dual‐focus agenda that builds bridges across discourse traditions; identifying both the ways in which interpretive and conceptual schemas delimit understandings, and the politics involved in the intentional deployment of concepts and categories to achieve specific political goals.     

Haunted by the Lady Novelist: Metafictional Anxieties about Women's Writing from Northanger Abbey to The Carrie Diaries

This paper argues that the development of the identity of the professional woman writer as a ‘lady novelist’ in the mid-eighteenth century has had a lasting and detrimental impact on the status of women's writing that lingers through to the present, particularly in the critical discourse surrounding chick lit. The first part of this paper discusses the figure of the lady novelist and traces her centrality to criticisms of women's writing from the eighteenth century through to the twenty-first. The second part of this paper then examines the haunting presence of the lady novelist in the metafictional works of seven representative women writers: Jane Austen's Northanger Abbey (1818), Elizabeth Barrett Browning's Aurora Leigh (1856), Louisa May Alcott's Little Women (1868), L. M. Montgomery's Anne of Green Gables (1908), Betty Smith's A Tree Grows in Brooklyn (1943), Fay Weldon's The Life and Loves of a She-Devil (1983), and Candace Bushnell's The Carrie Diaries (2010). By drawing a through-line that connects these texts, I argue for a renewed understanding of the ways in which Western women writers from the eighteenth century to the present are unified by a pervasive anxiety about being a ‘lady novelist’.     

Introduction

Amongst recent debates about whether it is preferable to campaign for gender mainstreaming or diversity mainstreaming this paper makes the case that both proposals involve fields of contestation. Either reform, it argues, could be taken in anti‐progressive directions. Hence, we redirect attention to the processes and practices that give an initiative content and shape, which we call the politics of “doing”. The argument here is that the actual “doings” involved in producing reform initiatives are key sites for social change. Hence, in order to produce reforms responsive to the needs and wishes of diverse groups of women, attention ought to be directed to ways of making those “doings” inclusive and democratic. Specifically we highlight the importance of privileging the views of marginalized women in any such policy deliberations and respecting their perspectives on the usefulness of appeals to identity. We introduce the concepts of “coalitions of engagement” and “deep listening” to generate discussion around these contentious issues.     

The nonarrival of black freedom (c. 12.6.84)

This article seeks to mark the twentieth anniversary of the publication of Saidiya V. Hartman’s Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America through a series of meditations on questions of time, embodied performance, the political concept of emancipation, and Oliver L. Jackson’s painting, Untitled 12.6.84, which graces the cover of this seminal work. This effort to recall Hartman’s argument regarding the nonevent of emancipation moves in the service of developing an understanding of the nonarrival of black freedom as a conceptual frame for addressing the recursive and untimely dimensions of black self-making. Ultimately, this article argues that Scenes of Subjection allows us to glimpse the making of worlds within the historical archive that fall outside of the normative horizons and expectations of political emancipation. Neither durable nor everlasting, neither verifiable nor guaranteed, such worlds take shape and dissolve within the mysterious rapport between the “could be” and the “not yet” and leave traces on the broken flesh of the black body.     

Agrarian doctrines of development: Part I

Doctrines of development are understood through a distinction between intentional development and the immanent process of capitalist development. Agrarian doctrine consists of proposals, usually associated with official policy, to undertake agrarian schemes of development based on small‐farm, household production. The intention is to compensate for mass unemployment, urban poverty and the threat of rural emigration. This article gives a historical account of two cases of agrarian doctrine. The first, that of nineteenth‐century Quebec following self‐government in 1848, illustrates the intention of land colonisation schemes to prevent emigration from French Canadian territory to the United States. In the second case, that of twentieth‐century Kenya, schemes of household production were developed in the face of the emergence of mass unemployment; their promotion, especially after political independence in 1963, accompanied the development of indigenous capitalism. The social trusteeship of development is the key to understanding agrarian doctrine. The article concludes by showing why agrarian doctrine underlies the ‘decentralised despotism ‘ at the heart of Mahmood Mamdani's recent book, Citizen and Subject, and is an integral part of the historical roots of contemporary advocacy of decentralised rural development.     

Frances Wright: The other woman of early American feminism

This paper focuses on Frances Wright, the first woman to lecture publicly in the U.S. to “promiscuous” audiences, those audiences composed of both sexes united in a public place. Despite her achievement, Wright has been ignored in historical analyses of nineteenth‐century feminist rhetoric, I argue that historians have avoided Wright because she differs radically from those feminists who directly succeed her. As the Other Woman of the women's movement, Wright practiced a rhetoric imbued with the ideals of the Enlightenment and Owenite socialism. She publicly interrogated the cult of domesticity and demanded equal rights for women at a time when gender anxiety was Intense. Wright caused a furor and provided a negative example for later nineteenth‐century feminists, most of whom developed “womanly” strategies of accommodation. I conclude that it is precisely because of her otherness that Wright is important, historically significant because she was marginalized and silenced within the feminist movement.     

Popular literature in seventeenth‐century England

This article is an extended review of Margaret Spufford's Small Books and Pleasant Histories, an account of the English chapbook. It argues that while Spufford has made an interesting attempt to penetrate the world of seventeenth‐century English popular culture, she is, in the final analysis, unsuccessful. Spufford's account of the chapbook is compared with recent work on other popular literary forms, and it is suggested that Small Books and Pleasant Histories does not always ask the right questions.

Small Books and Pleasant Histories. Popular fiction and its readership in seventeenth‐century Englandby Margaret Spufford. London: Methuen, 1981. Pp. xxi + 275, Index; £14.95 (hardback).     

Feelings are “patterns in the weave of our life” 1 – not a basis for a feminist epistemology

Feelings (or “emotions”) have frequently been debated in feminist theory. A large part of this discussion can be considered to aim at a “rehabilitation of the emotions”. However, when feminist theorists make epistemological claims concerning “emotions”, i.e. what philosophy of mind calls “mental states”, we run a grave risk of ending up in subjectivism and thus of reiterating the “private access fallacy” of traditional epistemology. Starting from the feeling of shame (a paradigm for a socially constructed feeling), this article makes a Wittgensteinian reading of “emotions” which offers an alternative to the atomistic, mentalistic and episodical view of mainstream philosophy of mind. Wittgenstein's thrust against foundationalism, his conceptual remarks about “inner experiences”, his anti‐behaviourism and his emphasis on the primacy of action, are all concordant with the social constructionism of the slogan “The personal is political”.     

‘Girls who arouse dangerous passions’: women and bathing, 1900-39

Abstract

This article focuses on the struggle by women to achieve unsegregated access to beaches and swimming pools in Britain from the beginning of the twentieth century until the start of the Second World War against a background of bureaucratic regulation. Through a variety of sources that contrast official material with the mood within popular culture, it exposes the clash of patriarchal prudery against changing public opinions. It poses questions on the notions of female modesty and emancipation as women's swimwear reflected changing perceptions of the female body and explores conflicting discourses of glamour and sex versus health and efficiency.     

Mythical enjambment in The Hungry Woman: nation,desire, and Cherríe Moraga’s utopic turn

In her play The Hungry Woman: A Mexican Medea (2001), Cherríe Moraga makes use of a technique I call “mythical enjambment”: the insertion of a myth, story, or cultural context into another where it “doesn’t belong,” a willful act of making the unexpected out of the expected. Moraga utilizes mythical enjambment to illuminate how mythologies become entrenched and perpetuate harmful ideologies. Interrupting the traditional aesthetics of Western theater by drawing attention to the ways queer women of color are erased from the narrative, Moraga also challenges the absence of queer women of color from the Chicano movement by embedding her play within some of the most dearly held myths of Chicana/o culture. Ultimately, the use of mythical enjambment gestures toward the utopic and revolutionary potential of theater. The Hungry Woman shatters myths on multiple, intersectional levels: from the critical gaze of interpretive authority to the myths that cohere Chicana/o identity along masculinist and heterosexist lines.