Susannah Izzard and Nicola Barden,eds. Rethinking Gender and Therapy: The Changing Identities of Women.. Philadelphia: Open UP, 2001

Alice Walker, by Maria Lauret (New York: St. Martin's P, 2000).

Power, Race, and Gender in Academe: Strangers in the Tower?, edited by Shirley Geok‐Lin Lim and María Herrera‐Sobek (New York: The Modern Language Association of America, 2000).

Migrant Daughter: Coming of Age as a Mexican American Woman, by Frances Esquibel Tywoniak (Berkeley: U of California P, 2000).

Just Anger: Representing Women's Anger in Early Modern England, by Gwynne Kennedy (Carbondale: Southern Illinois UP, 2000).

Spirited Lives: How Nuns Shaped Catholic Culture and American Life, 1836–1920, by Carol K. Coburn and Martha Smith (Chapel Hill: U of North Carolina P, 1999).

States of Conflict: bender, Violence and Resistance, edited by Susie Jacobs, Ruth Jacobson and Jennifer Marchbank (London and New York: Zed Books, 2000).

The Hysteric's Guide to the Future Female Subject, by Juliet Flower MacCannell (Minneapolis: U of Minnesota P, 2000).

The Sounds of Feminist Theory, by Ruth Salvaggio (Albany: State U of New York P, 1999).

Literary Feminisms, by Ruth Robbins (New York: St. Martin's P, 2000).

Women and Faith: Catholic Religious Life in Italy from Late Antiquity to the Present, edited by Lucetta Scaraffia and Gabriella Zarri (Cambridge: Harvard UP, 1999).

Disarming the Nation: Women's Writing and the American Civil War, by Elizabeth Young (Chicago: U of Chicago P, 1999).

Dancing in the Street: Motown and the Cultural Politics of Detroit, by Suzanne Smith (Cambridge: Harvard UP, 1999).

Swinging Single: Representing Sexuality in the 1960s, edited by Hilary Radner and Moya Luckett (Minneapolis and London: U of Minneapolis P, 1999).

Maneuvers: The International Politics of Militarizing Women's Lives, by Cynthia Enloe (Berkeley: U of California P, 2000).     

Empire in Question: Reading,Writing, and Teaching British Imperialism,Antoinette Burton

Hawthorne and Women: Engendering and Expanding the Hawthorne Tradition, by John L. Idol, Jr. and Melinda M. Ponder. Amherst: U of Massachusetts P, 1999.

Regions of Identity: The Construction of America in Women's Fiction, 1885–1914, by Kate McCullough. Stanford: Stanford UP, 1999.

Golden Cables of Sympathy: The Transatlantic Sources of Nineteenth‐Century Feminism, by Margaret H. McFadden. Lexington: The UP of Kentucky, 1999.

Unruly Tongue: Identity and Voice in American Women's Writing, 1850–1930, by Martha J. Cutter. Jackson: UP of Mississippi, 1999.

Toni Morrison: A Critical Companion, by Missy Dehn Kubitschek. Westport, CT: Greenwood Press, 1998.

Contentions Traditions: The Debate On Sati in Colonial India, by Lata Mani. Berkeley: U of California P, 1998.

The Victorian Spinster and Colonial Emigration: Contested Subjects, by Rita S. Kranidis. New York: St. Martin's P, 1999.

Strange Secret Peoples: Fairies and Victorian Consciousness, by Carole G. Silver. New York and Oxford: Oxford UP, 1999.

Performing Gender and Comedy: Theories, Texts and Contexts, edited by Shannon Hengen. Studies in Humor and Gender. 4. Amsterdam: Gordon and Breach, 1998.

Transforming Shakespeare: Contemporary Women's Re‐Visions in Literature and Performance, edited by Marianne Novy. New York: St. Martin's P, 1999.

Singlewomen in the European Past, 1250–1800, edited by Judith M. Bennett and Amy M. Froide. Philadelphia: U of Pennsylvania P, 1999.     

In Brief

Margaret Cavendish, The Convent of Pleasure and Other Plays, edited by Anne Shaver (Baltimore and London: The Johns Hopkins UP, 1999).

Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle, by Rhonda Garelick (Princeton: Princeton U P, 1998).

Television, History, and American Culture: Feminist Critical Essays, edited by Mary Beth Haralovich, and Lauren Rabinovitz (Durham and London: Duke UP, 1999).

Soft Canons: American Women Writers and Masculine Traditions, edited by Karen L. Kilcup (Iowa City: U of Iowa P, 1999).

The Suppression of Salt of the Earth: How Hollywood, Big Labor, and Politicians Blacklisted A Movie in Cold War America, by James J. Lorence (Albuquerque: U of New Mexico P, 1999).

Working Hard and Making Do: Surviving in Small Town America, by Margaret K. Nelson, and Joan Smith (Berkeley: U of California P, 1999).

Women's Reading in Britain: A Dangerous Recreation, by Jacqueline. Pearson (Cambridge: Cambridge U P, 1999).

Regine Pernoud, and Marie‐Veronique Clin, Joan of Arc: Her Story, revised and trans, by Jeremy duQuesnay Adams (New York: St. Martin's P, 1999).

Design and Feminism: Re‐Visioning Spaces, Places, and Everyday Things, edited by Joan Rothschild (New Brunswick: Rutgers U P, 1999).

Feminism and Cultural Studies, edited by Morag Schiach (Oxford: Oxford U P, 1999).

Southern Mothers: Fact and Fictions in Southern Women's Writing, edited by Nagueyalti Warren, and Sally Wolff (Baton Rouge: Louisiana State UP, 1999).     

In Brief

Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919–1945, by Alice Gambrell. Cambridge: Cambridge University Press, 1997.

Favored Strangers: Gertrude Stein and Her Family, by Linda Wagner‐Martin. New Brunswick: Rutgers University Press, 1997.

Damned Women: Sinners and Witches in Puritan New England, by Elizabeth Reis. Ithaca: Cornell University Press, 1997.

Making Worlds: Gender, Metaphor, Materiality, edited by Susan Hardy Aiken, Ann Brigham, Sallie A. Marston, and Penny Waterstone. Tucson: The University of Arizona Press, 1998.

Dwelling in Possibility: Women Poets and Critics on Poetry, edited by Yopie Prins and Maeera Shreiber. Ithaca: Cornell University Press, 1997.

Constructing the Little House: Gender, Culture, and Laura Ingalls Wilder, by Ann Romines. Amherst: University of Massachusetts Press, 1997.

Mary Magdalene: Beyond the Myth, by Esther De Boer. London: Trinity Press International, 1997.

Feminism and the Politics of Reading, by Lynne Pearce. London: Arnold, 1997.

Irish Women's Letters, compiled by Laurence Flanagan, with an introduction by Edna O'Brien. New York: St. Martin's Press, 1997.

Frankenstein's Daughters: Women Writing Science Fiction, by Jane Donawerth. Syracuse: Syracuse University Press, 1997.

Mourning Sex: Performing Public Memories, by Peggy Phelan. New York: Routledge, 1997.     

Poems: The swimmer; Aphrodite,your curly hair; Wedding dress; The frog prince

On or About December 1910: Early Bloomsbury and Its Intimate World, by Peter Stansky. Cambridge: Harvard University Press, 1996.

Beyond the Homefront: Women's Autobiographical Writing of the Two World Wars, edited by Yvonne M. Klein. London: Macmillan Press, 1997.

From Acting to Performance: Essays in Modernism and Postmodernism, by Philip Auslander. New York: Routledge, 1997.

Writing as Resistance: Four Women Confronting the Holocaust, by Rachel Feldhay Brenner. University Park: The Pennsylvania State University Press, 1997.

The Culture of Wilderness: Agriculture as Colonization in the American West, by Frieda Knobloch. Chapel Hill: The University of North Carolina Press, 1996.

Postmodern Fairy Tales: Gender and Narrative Strategies, by Cristina Bacchilega. Philadelphia: University of Pennsylvania Press, 1997.

Sex, Nation, and Dissent in Irish Writing, edited by Eibhear Walshe. New York: St. Martin's Press, 1997.

Beauty's Body: Femininity and Representation in British Aestheticism, by Kathy Alexis Psomiades. Stanford: Stanford University Press, 1997.

Sexualities in Victorian Britain, edited by Andrew H. Miller and James Eli Adams. Bloomington: Indiana University Press, 1997.

The Literary Biography: Problems and Solutions, edited by Dale Salwak. Iowa City: University of Iowa Press, 1996.     

Lynette D. Myles. Beyond Borders: Female Subjectivity in African American Women's Narratives of Enslavement

Women and Economics: A Study of the Economic Relations Between Men and Women as a Factor in Social Evolution, by Charlotte Perkins Gilman, introduction by Michael Kimmel and Amy Aronson. Berkeley: University of California Press, 1998.

Woman Suffrage 6? Women's Rights, by Ellen Carol DuBois. New York: New York University Press, 1998.

The Madwoman Can't Speak: Or Why Insanity Is Not Subversive, by Marta Caminero‐Santangelo. Ithaca: Cornell University Press, 1998.

Common Science? Women, Science, and Knowledge, by Jean Barr and Lynda Birke. Bloomington: Indiana University Press, 1998.

The Great Silent Army of Abolitionism: Ordinary Women in the Antislavery Movement, by Julie Roy Jeffrey. Chapel Hill: The University of North Carolina Press, 1998.

Feminism and its Fictions: The Consciousness‐Raising Novel and the Women's Liberation Movement, by Lisa Marie Hogeland. Philadelphia: University of Pennsylvania Press, 1998.

The Gender of History: Men, Women, and Historical Practice, by Bonnie G. Smith. Cambridge and London: Harvard University Press, 1998.

Dissing Elizabeth: Negative Representations of Gloriana, edited by Julia M. Walker. Durham and London: Duke University Press, 1998.     

Mother,maiden and the marriage of death: Women writers and an ancient myth

Writing Women's Communities: The Politics and Poetics of Contemporary Multi‐Genre Anthologies, by Cynthia G. Franklin. Madison: University of Wisconsin Press, 1997.

For Women and the Nation: Funmilayo Ransome‐Kuti, by Cheryl Johnson‐Odim and Nina Emma Mba. Urbana: University of Illinois Press, 1997.

Dangerous Territories: Struggles for Difference and Equality in Education, edited by Leslie G. Roman and Linda Eyre. New York: Routledge, 1997.

Gender And Material Culture: The Archaeology Of Religious Women, by Roberta Gilchrist. New York: Routledge, 1997.

Minding The Body: Women And Literature In The Middle Ages, 800–1500, by Monica Brzezinski Potkay and Regula Meyer Evitt. New York: Twayne Publishers, 1997.

Consuming Subjects: Women, Shopping, and Business in the Eighteenth Century, by Elizabedi Kowaleski‐Wallace. New York: Columbia University Press, 1997.

Recreational Terror: Women and the Pleasures of Horror Film Viewing, by Isabel Cristina Pinedo. Albany: SUNY Press, 1997.

From the Beast to the Blonde: On Fairy Tales and Their Tellers, by Marina Warner. New York: The Noonday Press, Farrar Straus and Giroux, 1996.

English Sexualities, 1700–1800, by Tun Hitchcock. New York: Routledge, 1997.     

In Brief

Hawthorne's Fuller Mystery, by Thomas R. Mitchell. Amherst: University of Massachusetts Press, 1998.

New Latina Narrative: The Feminine Space of Postmodern Ethnicity, by Ellen McCracken. Tucson: The University of Arizona Press, 1999.

Dos Passos and the Ideology of the Feminine, by Janet Galligani Casey. Cambridge: Cambridge University Press, 1998.

The World Wars Through the Female Gaze, by Jean Gallagher. Carbondale: Southern Illinois University Press, 1998.

The Play of Reason: From the Modern to the Postmodern, by Linda Nicholson. Ithaca: Cornell University Press, 1999.

Sex and Sexuality in Early America, edited by Merril D. Smith. New York: New York University Press, 1998.

Kate Chopin's Private Papers, edited by Emily Toth and Per Seyersted, associate editor, Cheyenne Bonnell. Bloomington: Indiana University Press, 1998.

Sex and Citizenship in Antebellum America, by Nancy Isenberg. Chapel Hill: University of North Carolina Press, 1998.

Women and the Rise of the Novel, 1405–1726, by Josephine Donovan. New York: St. Martin's Press, 1999.

Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible, by Celia R. Daileader. Cambridge: Cambridge University Press, 1998.     

Which way to the barricades?

Ann Curthoys, For and Against Feminism. A Personal Journey into Feminist Theory and History (Allen & Unwin) Sydney, 1988; Elizabeth Wilson, Hidden Agendas. Theory, Politics, and Experience in the Women's Movement (Tavistock) London & New York, 1986; Charlotte Bunch, Passionate Politics. Feminist Theory in Action (St. Martin's Press) New York, 1987.     

Dréed's drag kinging of race,sex, and the queering of the American racial machine‐désirante

Help Wanted, written by Franz Xavier Kroetz, translated by Gitta Honegger, directed by JoAnne Akalaitis, presented by Mabou Mines at Theatre for the New City, New York City, February and April, 1986.

The Women Here Are No Different, by Nancy Beckett, directed by Jenny O'Hara, presented by 13th Street Repertory Company, New York City. (attended on 8.27.86).

The Early Girl, by Caroline Kava. Directed by Munson Hicks. Circle Repertory Theatre.

Crowsfeet Dance Collective, Performance Space 122, New York City. June 1986.

This Is For You, Anna/A Spectacle of Revenge, directed by June Guralnick; created by The Anna Project (initiated at the Nightwood Theatre in Toronto), Suzanne Odette Khun, Ann‐Marie MacDonald, Patricia Nichols, Banuta Rubess, Maureen White; performed by members of The Women's Ensemble Theatre: Mia Kanazawa, Alonia King, Judith Pucci, Debbie Smith.

Rate It X, produced by Lynn Campbell, Claudette Charbonnear, Paula de Koenigsberg and Lucy Winer. OMT Productions Inc and Channel 4 of London, 1985. NYC Film Forum 1987. Distributed by Interama Inc.

Interview with Filmmaker Marken Gorris, conducted by Katheryn White with Helma Klooss at the Barbizon Plaza Hotel in New York City during Holland Film Week at Carnegie Hall Cinema, Spring, 1986.

Sex &; Dance Series, Dance Theatre Workshop (DTW) and P.S. 122, October‐November, 1986.

L.O.W. in Gaia, by Rachel Rosenthal. The Kitchen. New York City.

Books

Interviews With Contemporary Women Playwrights, by Kathleen Betsko and Rachel Koenig. New York: Beech Tree Books, 1987. 480 pp. Index.

Feminist Theatre: An Introduction to Plays of Contemporary British and American Women, by Helene Keyssar. London: MacMillan Modern Dramatists, 1984. 223 pp. Bibliography and index.

The public forum

A Report on the Women's Preconvention of the National Educational Theatre Conference, Tisch School of the Arts and the Gallatin Division, New York University, August 15–16, 1986.

Founding Mothers: Contemporary Dance as a Canon for Women's Studies, Department of Dance in collaboration with the Women's Studies Program and the Research Center for the Arts and Humanities, University of Maryland, College Park.

The Third Annual Women in Theatre Festival, Boston, March 20–29, 1987.     

Book reviews

Sylvia Plath's sources

Sylvia Plath: Method and Madness, by Edward Butscher, New York, Seabury Press, 388 pp. $15.95.

Chapters in a Mythology: The Poetry of Sylvia Plath. by Judith Kroll. Harper & Row, New York. 303 pp. $12.50.

Victorian Pudding

Women and Marriage in Victorian Fiction. New York: Oxford University Press, 1976. Pp 223.

Out of obscurity

The Woman and the Myth: Margaret Fuller's Life and Writings, by Bell Gale Chevigny, The Feminist Press, 1976.

Celebratory scholarship

The Authority of Experience: Essays in Feminist Criticism, edited by Arlyn Diamond and Lee R. Edwards, University of Massachusetts Press, 1977.

The Lay of the Land, by Annette Kolodny.

A Literature of Their Own. by Elaine Showalter

The Feminization of American Culture, by Ann Douglas     

Catherine Cl ment and Julia Kristeva. The Feminine and the Sacred. Trans. Jane Marie Todd. New York: Columbia University Press, 2001

And the Mirror Cracked: Feminist Cinema and Film Theory, by Anneke Smelik. London: Macmillan Press, 1998.

Simone de Beauvoir: A Critical Reader, edited by Elizabeth Fallaize. London and New York: Routledge, 1998.

Voice of the Living Light: Hildegard of Bingen and Her World, edited by Barbara Newman. Berkeley: University of California Press, 1998.

Women Preachers and Prophets Through Two Millennia of Christianity, edited by Beverly Mayne Kienzle and Pamela J. Walker. Berkeley: University of California Press, 1998.

Margaret Cavendish and the Exiles of the Mind, by Anna Battigelli. Lexington: The University Press of Kentucky, 1998.

Cracks in the Pedestal: Ideology and Gender in Hollywood, by Philip Green. Amherst: University of Massachusetts Press, 1998.

The Women and War Reader, edited by Lois Ann Lorentzen and Jennifer Turpin. New York: New York University Press, 1998.

Surrealist Women: An International Anthology, edited by Penelope Rosemont. Austin: University of Texas Press, 1998.

The Knotted Subjed: Hysteria and its Discontents, by Elisabeth Bronfen. Princeton: Princeton University Press, 1998.

Ventures into Childland: Victorians, Fairy Tales, and Femininity, by U.C. Knoepfimacher. Chicago: The University of Chicago Press, 1998.     

Liberated Alice: Dodgson's female hero as domestic rebel

Sally Patterson Tubach. Memoirs of a Terrorist. Albany, N.Y: State University of New York Press, 1996.

Kenneth L. Holmes, ed. Covered Wagon Women: Diaries and Letters from the Western Trails, 1850. Lincoln: University of Nebraska Press, 1996.

Linda Schelbitzki Pickle. Contented Among Strangers: Rural German‐Speaking Women and Their Families in the Nineteenth‐Century Midwest. Urbana: University of Illinois Press, 1996.

Brigitte Georgi‐Findlay. The Frontiers of Women's Writting: Women's Narratives and the Rhetoric of Westward Expansion. Tucson: University of Arizona Press, 1996.     

Stelarc's post‐evolutionary performance art: Exposing collisions between the body and technology

Performance

The Tarnished Angels and The Elizabethan Phrasing of the Late Albert Ayler. Choreographed by Karole Armitage. Performed by The Armitage Ballet Scenery by David Salle. Brooklyn Academy of Music, November 1987.

Eden. Choreographed by Maguy Marin. Performed by Compagnie Maguy Marin (Creteil, France). Brooklyn Academy of Music, Next Wave Festival, October 20–22, 1987.

Elena's Aria. Choreographed by Anne Teresa de Keersmaeker. Performed by Rosas. Brooklyn Academy of Music, Next Wave Festival November 3–8, 1987.

Blue Scene Grey. Written, directed and designed by Linda Mussmann in collaboration with Claudia Bruce; music by Semih Firincioglu. Time &; Space Limited production, New York, October, 1987.

Dress Suits to Hire. Written by Holly Hughes in collaboration with Lois Weaver and Peggy Shaw. Performed by Lois Weaver and Peggy Shaw. Women's Interart Center, New York, through January 16, 1988.

Improvisations by Simone Forti and Pooh Kaye. 2nd Annual Festival of Women Improvisers, Kraine Gallery, New York City, October 10, 1987.

Blood on the Saddle. Choreographed by Jennifer Monson in collaboration with Zeena Parkins. Danspace, New York City, November 7, 1987.

Active Graphics II and Tangled Graphics. Choreographed by Pooh Kaye. Performed by Eccentric Motions. The Kitchen, New York City, December 5, 1987.

US. Written by Karen Malpede. Directed by Judith Malina. Co‐production of Theater for the New City and Living Theatre. New York, December 1987‐January 1988.

Film

The Golddiggers. Written by Sally Potter, Lindsay Cooper, and Rose English; directed and edited by Sally Potter; music by Lindsay Cooper; Rose English, art director and assistant editor; Babette Mangolte, lighting camera. Released 1983; New York premiere February, 1988.

Books

Technologies of Gender: Essays on Theory, Film, and Fiction, by Teresa de Lauretis. Indiana University Press, 1987.

Women Making Music: The Western Art Tradition, 1150–1950, edited by Jane Bowers and Judith Tick Chicago and Urbana: University of Illinois Press, 1986.

The public forum

On the Road: Voices of Bay Area Women in Performance. Performed, compiled, edited and produced by Anna Deavere Smith. West Coast Women in Theatre Conference, in conjunction with Julian Theatre, San Francisco, January 8–10, 1988.

Electra: An International Festival of Experimental Performance by Women.Double Edge Theatre, Boston, January 8–24, 1988.     

Reviews

Lyndall Ryan (ed.), ‘Secret Women's Business: The Hindmarsh Island Affair’, Special issue of Journal of Australian Studies (University of Queensland Press) Brisbane, no. 48, May 1996.

Gisela Kaplan, The Meagre Harvest: The Australian Women's Movement 1950s～1990s (Allen & Unwin) St Leonards, 1996.

R. Emerson Dobash, Russell P. Dobash and Lesley Noaks (eds), Gender and Crime (University of Wales Press) Cardiff, 1995.

Deborah Oxley, Convict Maids: The Forced Migration of Women to Australia (Cambridge University Press) Melbourne, 1996.

Elizabeth Grosz and Elspeth Probyn (eds),’ Sexy Bodies: The Strange Carnalities of Feminism (Routledge), London and New York, 1995.     

Reviews

Imaginary Company

Jennifer Scanlon, Inarticulate Longings: The ‘Ladies’ Home Journal’, Gender, and the Promises of Consumer Culture, London: Routledge, 1995, £40, £12.99 (pbk.).

Penny Tinkler, Constructing Girlhood: Popular Magazines for Girls Growing Up in England, 1920–1950, London: Taylor &; Francis, 1995, £38, £12.95 (pbk.).

Reading for Wifehood

Kate Flint, The Woman Reader, 1837–1914, Oxford: Clarendon Press, 1993, £25.

Literary Companions

Betty Rizzo, Companions without Vows: Relationships among Eighteenth‐Century British Women, Athens, GA and London: University of Georgia Press, 1994, $55.00.

Women's History Repeats Itself

Rene Denfeld, The New Victorians: A Young Woman's Challenge to the Old Feminist Order, London: Simon &; Schuster, 1995, £16.99.     

Peru: Letters from Shepherds’ union bulletin

Peasants And Poverty, A Study of Haiti by Mats Lundahl. London: Croom Helm; New York: St Martin's Press; 1979. Pp. 699; £19.95

Rural Sociology in the Soviet Union. Its History and Basic Concepts by Terence M. Cox: London: C. Hurst &; Co., 1979. Pp. 106, £7.50.

Peasant Farming in Muscovy by R. E. F. Smith. Cambridge: Cambridge University Press, 1977. Pp. xii + 289, 11 plates. £10.50

Rural Rebels: A Study of Two Protest Movements in Kenya by A. Wipper, Nairobi, London, New York: Oxford University Press, 1978. Pp. xiv + 363. £7.25.

Food Aid and the Developing World by Christopher Stevens, London: Croom Helm, 1979. Pp. 224. £9.95

Research in Economic Anthropology: a research annual Volume 2, edited by George Dalton. Connecticut: Jai Press Inc., 1979, Pp. xi + 390.     

Reviews

Certain Fragments: Contemporary Performance and Forced Entertainment By Tim Etchells, 1999. New York: Routledge

Up Your Ass Written by Valerie Solanas, Directed and Presented by George Coates, Performance Works at P.S. 122, New York City, February 7–25th, 2001

Siren Songs: Representations of Gender and Sexuality in Opera Edited by Mary Ann Smart. Princeton: Princeton University Press, 2000.

The Garden An installation by Paul McCarthy, Dietch Projects, New York City

39 MICROLECTURES: in proximity of performance by Matthew Goulish, London: Routledge, 2000     

Under the analphabête series

Theatre

Speech (The Predicament of Three Women in the Nuclear Age), written and directed by Avram Patt, Theatre for the New York City, October 1983, New York City

Fen, by Caryl Churchill directed by Les Waters, London Joint Stock Theatre Group's production presented by Joseph Paff at the Public Theatre, New York City

Top Girls, by Caryl Churchill, directed by Max Stafford‐Clark, Royal Theatre Court production presented by Joseph Papp at The Public Theatre, New York City

Sophie, by comedienne Judy Sloan, October 1983, at the Gay Women's Alternative, New York City.

Awake Sleeping Heart, a collage for five women based on the life, journals and paintings of the Mexican artist Fri‐da Kahlo, conceived and directed by Emma Missouri, October 1983, Northampton, Massachusetts

Antigone Too: Rites of Love and Defiance, written and directed by Martha Boesing for At the Foot of the Mountain, August 1983, at the People's Center, Minneapolis, Minnesota

Orgasmo Adulto Escapes from the Zoo, by Dario Fo and Franca Rame, performed by Estelle Parsons at the Public Theatre, New York City, Fall 1983.

Dance

Celebration of Traditional Cultures, La Mama Annex, November 11–13, 1983.

History, An American Dream, by Anne Bogart, St. Mark's Church, October, 1983.

Vamot A Andar (Let's Get Going), Wallflower Order and Grupo Raiz, October, 1983, Symphony Space, New York City

Testimonies, New York City Political Dancers, Merce Cunningham Dance Studio, August 1983.

Set and Reset, Trisha Brown and Company, Brooklyn Academy of Music, October 1983.

Books

The Amazing Decade: Women and Performance Art in America 1970–1980, edited by Moira Roth. Los Angeles: Astro Ariz, 1983. 149 pp., bibliographies. Cloth: $25.00; paper: $12.50

Woman and Spirituality by Carol Ochs. Totowa, New Jersey: Rowman and Allanheld, 1983. 144 pp., notes, bibliography, index. Cloth: $16.95

Women In Music: An Anthology of Source Readings from the Middle Ages to the Present, edited by Carol Neuls‐Bates. New York: Harper &; Row, 1982. 332 pp., selected bibliography, index, illustrations. Cloth: $18.50

American Women Composers Before 1870 by Judith Tick. Ann Arbor, Michigan: UMI Research Press, 1983. 233 pp., appendix, notes, bibliography, index. Cloth: $44.95

Louise Farrenc, 1840–1875 by Bea Friedland. Ann Arbor, Michigan: UMI Research Press, 1980. 177 pp., appendices, notes, bibliography, index. Cloth: $49.95

Mourning Dress: A Costume and Social History by Lou Taylor, Boston: Allen &; Unwin, 1983. 287 pp., appendices, chapter notes, select bibliography, index. Cloth: $24.50

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