The Warnock report: The politics of reproductive technology

The Warnock Report (the report of the Committee of Inquiry into Human Fertilisation and Embryology, requested by the government of Great Britain) is a crucial text in the discourse on reproductive technologies. This paper is an investigation of the Report to find out exactly what is being said about women's bodies. I explore the relationship between the state and science, between ideology and technology, and the attempt of the Warnock Inquiry to construct a meaning of technology practice.After a brief introduction, the scope of the report is considred in part I. Part II discusses the Inquiry's treatment of infertility and the family. It includes sections on artificial insemination, invitro fertilisation, egg donation and surrogacy. The analysis reveals the Inquiry's preoccupation with the meaning of motherhood and social control of breeding. Women as women are not a presence in the discourse. Part III covers the Report's consideration of scientific research. I show that genetics is an inextricable part of research associated with artificial reproduction and that there exists an undercurrent eugenic meaning of genetics in the discourse on reproductive technology. An epilogue ties together the main points of my analysis.In short, what the text of the Report revealed was that the state and science require that women's bodies be available to serve the patriarchal nuclear family and the needs of scientists. The state empowers science because politicized technologies can be utilized by the state to intervene in population control. This is the logic behind eugenics and the policing of women's sexuality via reproductive technologies.     

The call of the wise baby in Chaplin's The kid

In this study we seek to understand the gendered dynamics of bearing witness, remembering, and mourning in contemporary Israeli society by examining the performative practices of one protest movement, Women in Black (WiB). Our focus is on the Haifa chapter of the movement, whose vigils we observed over a seven-year period. After a brief overview of the literature regarding national remembering and commemoration in Israel, the formation of WiB and its place in Israeli political life and discourse, we move to our analysis of the vigil. We argue that by analyzing WiB's vigil as a performance, we are able to complicate the discussion concerning women, performance and remembrance in general and in Israel in particular. We find that through their performance WiB disrupts the current “economy of memory” in Israel; by remembering and performing that which many would like to remain forgotten – the occupation which followed the 1967 War and its consequences – it engages in a project of “transformative remembering,” which disturbs its audience's equanimity and forces it to review its past.     

The agony of ecstasy

Taste Dissonance Flavor Escape seeks to establish and explain the following assertions: that there is an irreducible relationship between blackness, criminality and the aesthetic; that escape-in-confinement is a fundamental audio-visual motif for black expressive culture; that this motif is essential to modernity and to modernism in their broadest conceptions insofar as it instantiates a relationship between the history of race and the history of cinema. This complex of assertions revolves around the stilled, fugitive performance of a little girl.