Feminist Literary Theory and the Law: Reading Cases with Naomi Schor

This article brings together feminist literary theory and law by approaching a number of U.S. Federal cases on sex equality in light of the work of the renowned feminist literary critic Naomi Schor, and shows that literary theory constitutes an under-explored resource for feminist legal critique. Schor’s writings constitute a sustained rumination on the relationship between reading and feminism. Drawing on writings on language and the body by key French feminist theorists, Schor advances a method of interpretation which she terms, provocatively, ‘clitoral reading’, and which focuses on the place of details relating to women’s bodies and desires within literary and cultural discourses. In the course of her career, she analysed texts from domains as diverse as literature, philosophy, visual art, the history of fashion, and photography. I will demonstrate that her work can make a valuable contribution to legal studies by using it as an interpretative lens to re-examine U.S. Federal court judgments.     

Cindy Sherman in a New Millennium: Fashion,Feminism, Art and Ageing

ABSTRACT

If feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of ‘fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context.     

Fashionable ‘Formation’: Reclaiming the Sartorial Politics of Josephine Baker

ABSTRACT

This article historicises Josephine Baker’s use of fashion in terms of contemporary black stage performers, particularly Beyoncé Knowles-Carter’s evolving black feminist politics. It examines Beyoncé’s references to Baker as an inspiration for her own black feminist art and argues that they offer an opportunity to re-examine Baker’s legacy in our own contemporary moment. Using Beyoncé’s arguments about Baker as a starting point, the article examines Baker’s fashions and costumes and argues that she used them to manipulate her relationship to the models of white supremacy that attempted to structure her identity and relationship to the public sphere. Using contemporary black feminist criticisms of respectability politics, it argues that Baker’s fashions produced a politics of disrespectability, where clothing and body worked together to carve out space for black feminist experimentation. By constantly changing the terms through which her audiences and the public read her, Baker carved out a subjective space where she could become in relation to her clothes without restraining herself to the identity categories normatively allotted to black women.     

The spectacle of politics: Wendy Davis,abortion, and pink shoes in the Texas ‘fillybuster’

Despite important inroads, women’s marginalization in the public sphere is still very real. From a feminist theoretical perspective, and informed by Guy Debord’s conceptualization of the society of spectacle, this study examines local and national newspaper coverage of Wendy Davis’s filibuster to block an abortion-restricting bill in the Texas State legislature in 2013. Qualitative and quantitative assessments show that gender was particularly encoded and marked in the mediated discourse, with reports focusing on Davis’ personal life and giving her celebrity status. The filibuster became a political spectacle that reified dominant gender values and norms.     

Theorising The Everyday

This article reflects on the gender politics integral to theories and cultural histories of the everyday in the contemporary Humanities and (to a lesser extent) Social Sciences. Since the 1990s feminist scholars have observed the gender bias integral to many canonical twentieth-century theories of the everyday. In spite of these observations, I suggest that much everyday life theory and recent studies that map a cultural and intellectual history of the everyday continue to reflect this gender bias. I suggest that one possible reason for this is women’s historical exclusion from the realm of theoretical discourse broadly conceived, and propose that in order to trace alternative critiques and histories of the everyday feminist scholars need to look to alternative modes of cultural and discursive production—for example, literature, the essay and art—through which to trace implicit and explicit analyses of the everyday by women. The second part of the article turns to the work of the twentieth-century photographer Dorothea Lange as a case in point. While Lange’s work has never been discussed in studies of the everyday, the concept underpins her practice and her work offers some suggestive points of comparison to approaches to the everyday both in Lange’s time and in contemporary theory. Focusing on her little-known essays ‘Documentary Photography’ and ‘Photographing the Familiar’ and some of her images of rural California during the Depression years, I examine her account of the role of the ‘familiar’ and everyday to the social, aesthetic and ethical potential of documentary photography as a medium at the time.     

the narrative reproduction of white feminist racism

White women’s racism has been the topic of many critiques, discussions and conflicts within British feminist theory and politics over the last fifty years, driven by women of colour’s insistence that white feminists must take on board the significance of race in order to stop perpetuating racism. Yet still today, feminist academia and activism in Britain continues to be white-dominated and to participate in the reproduction of racism and whiteness. This article examines the role of dominant historical narratives of feminism in enabling this reproduction, arguing that there is a direct correlation between how the feminist past is constructed in relation to race and racism and how feminist theory and politics are articulated in the present. Focussing on three contemporary feminist texts that address feminism itself as a subject, it highlights three techniques used in these texts that, it is argued, are commonly employed in the narrative reproduction of white feminist racism. These are: (1) the erasure of the work of British feminists of colour; (2) white feminist co-option of work by feminists of colour; and (3) the narration of feminist theory and politics as having ‘moved on’ from racism. These techniques lead to evasion of the topic of white feminist racism, both historically and in the present. They also reinforce the construction of British feminism as a story that belongs to white women. The article argues that in order to work towards ending white supremacy, white feminists must relinquish control of the feminist narrative and stop moving on from the topic of white feminist racism.     

the reinvention of feminism in Pakistan

This article argues that there has been a significant turn in the discourse of feminist politics in the Islamic Republic of Pakistan. The author suggests that the rise of a new feminism – rooted in Islamic discourse, non-confrontational, privatized and personalized, whose objective is to ‘empower’ women within Islam – is not a post-9/11 development but rather a result of unresolved debates on the issue of religion within the progressive women's movement. It has been due to the accommodation of religion-based feminist arguments by the stronger secular feminist movement of the 1980s that paved the way for its own marginalization by giving feminist legitimacy to such voices. The author argues that the second wave of feminism may have become diluted in its effectiveness and support due to discriminatory religious laws, dictatorship, NGO-ization, fragmentation, co-option by the state and political parties in the same way as the global women's movement has. Yet it has been the internal inconsistency of the political strategies as well as the personal, Muslim identities of secular feminists that have allowed Islamic feminists to redefine the feminist agenda in Pakistan. This article voices the larger concern over the rise of a new generation of Islamic revivalist feminists who seek to rationalize all women's rights within the religious framework and render secular feminism irrelevant while framing the debate on women's rights exclusively around Islamic history, culture and tradition. The danger is that a debate such as this will be premised on a polarized ‘good’ vs ‘bad’ Muslim woman, such that women who abide by the liberal interpretation of theology will be pitted against those who follow a strict and literal interpretist mode and associate themselves with male religio-political discourse. This is only likely to produce a new, radicalized, religio-political feminism dominating Pakistan's political future.     

Compulsory heterosexuality and psych/atrophy: Some thoughts on lesbian feminist theory

The patriarchal features of psychiatric practice have received scant attention by feminists today. This paper presents a critique of psychiatry and places this critique within lesbian feminist theory. Drawing on Mary Daly's ideas as elaborated in her ‘ovular’ work Gyn/Ecology (1979), the methodology I use is an unearthing of feminist meanings and an exposition of feminist practices which are necessary to understand the role of Psych/Atrophy vis à vis lesbianism today. I argue that for lesbians, as for all women, self-healing is a feminist process which exists in opposition to psychiatry's functioning as the primary male, social injunction to heal souls. With a view to challenging this psychiatric conception of healing souls, we are able to create five specific strategies which direct Lesbian energy to a more creative view of ourselves as women. Discarding the sexual label (1); resisting ‘reversal’ (2); erasing the Victim Role (3); working towards social change and not individual solutions (4) and delivering themselves through the ‘Amazonian Asylum’ (5), lesbians will help to work for lesbian liberation. These strategies will help them/us not only to create new images of themselves/ourselves as women, but also to challenge the heterosexist structure of society upon which psychiatric practice is based.     

Wounding and Healing: dealing with difference in Christian narratives of migrant women in East London since the 1980s

Setting oral histories conducted with a group of female Christian migrants to East London from various backgrounds and different stages in the life cycle alongside interviews with male migrants and non-migrant women, this article seeks to explore the relationship between gender, mainstream religious affiliation and the negotiation of the migratory experience. Informed by mimetic and feminist theory on religious subjectivities, the article focuses on the preoccupation with sacrifice and healing which emerges from these life stories and highlights the ways in which the emotional realities of pain, separation and suffering also give rise to powerfully reconceptualised, individual faith resources and creative strategies for claiming agency within familial, vocational and religious settings. Through a focus on domestic life, work and church leadership within ‘mainstream’ Christian churches, this article complicates assumptions about the nature and historical trajectory of ‘traditional’ religious organisations, and interweaves migrant women's experience closely with that of other members of their church communities. Through these ‘moving stories’, gender forms an integral part of these women's spiritual narratives and is constitutive of their articulation and negotiation of their faith, migration and inculturation.     

Understanding Women in Scotland

This article explores obstacles to understanding the history and contemporary experiences of women in Scotland, and to the development of feminist research in Scotland. It is argued that explanations which invoke Scottish male chauvinism and misogyny alone are insufficient, and that the marginalization of women in Scotland is produced both by male domination within Scotland, and by English cultural and political hegemony within the UK. The article comments on the relationship of the concept of ‘Britishness’ to that of ‘Scottishness’ (and other identities within the UK) and illustrates how the frequent confusion of ‘British’ with ‘English’ serves to obscure Scottish experience. It is also argued that the place of Scotland within the British state has led to the creation of an institutional framework that disadvantages women, and a system of government that excludes women. This implies that feminist debates on the state in Britain require a specific focus on the form of the British state, and in the context of constitutional change in particular this is important for the development of future strategies. It is argued that the double marginalization of women in Scotland is not just a problem in relation to the development of feminist research, but is also a political problem in that it contributes to a degree of alienation from feminism in England. The article concludes by arguing for the necessity of recognition of difference, but also for dialogue, as the basis for feminist alliances in different parts of the UK.     

‘Killing Ourselves is Not Subversive’: Riot Grrrl from Zine to Screen and the Commodification of Female Transgression

This article draws on material from the Riot Grrrl Collection at New York University's Fayles Library to examine the culture of ‘zine’ production in riot grrrl communities in the United States during the 1990s. After investigating the relationship between the political issues and aesthetic strategies explored by riot grrrl literary producers, the author analyses the points of tension arising within the movement, which become illuminated by zines’ revelatory confessional modes, or what Mimi Thi Nguyen has called riot grrrl's ‘aesthetics of access’. The author subsequently enquires after the implications for riot grrrl politics of understanding experiences of oppression and transgressive behaviour as cultural commodities. Finally, the author goes on to trace the commodification of the transgressive feminist gesture in mainstream popular culture and contemporary online feminist activism in the United States.     

Museums and Feminist Matters: Considerations of a Feminist Museology

This article speaks to a post-human feminist museology. It argues that considerations of a feminist museology would benefit from engaging with post-human feminist dialogues currently unfolding within academia. Dynamic political landscapes and global circumstances challenge dualist paradigms. Theorizations of museums are not exempt from these challenges. Critiques of androcentricity indicate that feminist theorizations have never fully centred on “the human”, but always already contextualized how we affect the world, and how the world affects us. Discussions in this article follow Barad’s agential-realist theorization of the material-discursive practices that shape our understandings in and of the world, and Haraway’s notion of diffraction that engages the material and re-tools recordings of object histories as entangled human and non-human processes that can be taken apart and reassembled, making different possibilities possible. The article demonstrates that museological alternatives that emerge from conversations about entanglements not only aim to move beyond the paradigms they have been circling within for so long, but towards a re-thinking of museology and cultural heritage museums. Thus, considerations of a feminist post-human museology re-imagine museums as entangled becomings that make different possibilities possible.     

International Feminism and Empire‐Building between the Wars: the case of Viola Smith

This article examines US Trade Commissioner Viola Smith’s role in the furtherance of the American empire between World Wars I and II. As a Foreign Service Officer in Shanghai, China on behalf of the Department of Commerce and through her activism as an international feminist in the Pacific region, Smith perpetuated the imperialist project. As Trade Commissioner, she implemented trade policy in lucrative China that helped to economically enrich the USA. Likewise, as an international feminist, Smith injected Western superiority to the international feminist sphere through her work for peace and women’s rights in the Pacific.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.     

Contemporary Women’s Autofiction as Critique of Postfeminist Discourse

ABSTRACT

While commentaries on the phenomenon of postfeminism have centred on its manifestations in media and popular culture, this article highlights the potential of literature for extending existing debates within postfeminist studies. I argue that the emergence of contemporary women’s autofiction offers the possibility of a literary response to the individualising narrative of a neoliberal and postfeminist sensibility. I advance this contention via an analysis of two texts: Sheila Heti’s How Should A Person Be? (2012) and Jenny Offill’s Dept. of Speculation (2014). Their writing practice is resolutely political because it employs the confessional mode, as indebted to the emancipatory roots of the feminist movement, to reflect on the enduring marginality of female artistic identity. By foregrounding the inherently provisional nature of their being, both texts emphasise that the search for a viable artistic consciousness and experiments in artistic method are as crucial as the final product itself, especially when the definition of woman as artist still remains contested. I thus locate the existence of these texts in a wider social imaginary conducive for feminist organising. In this respect, the rising popularity of contemporary women’s autofiction may offer strategies crucial for remediating an otherwise diminished feminist politics of the present.     

‘talk about a cunt with too much idle time’: trolling feminist research

Given the growing popularity of online methods for researchers and the increasing awareness of the levels of harassment and abuse directed at women online—especially women expressing feminist views—it is critical that we address the implications of online abuse for feminist researchers. Focussing on an often hidden yet significant part of our methodological decisions and recruitment, this paper details the online abuse levelled by men’s rights activists against a research project on women’s experiences of men’s stranger intrusions in public space. It argues for the need to locate such experiences within a violence-against-women frame, extending the concept of a continuum of sexual violence. Such an extension renders visible the added labour of ‘safety work’, which forms an invisible backdrop to the methodological decisions of many feminist researchers.     

Women and Mental Health A Feminist Review

This article contextualizes some of the more specifically focused articles in this Special Issue of ‘Women and Mental Health’ by reviewing general historical and political currents structuring contemporary discussions around questions of models, treatment and provision for women within British mental health services. We highlight some particularities of the current British context (in relation to other national scenes) in terms of the forms and expressions of feminist activity around mental or emotional distress. While not absolute mirrors of each other, resonances between general trends in feminist debates and organizational forms within feminist mental health work give rise to a wide spectrum of sites of intervention. We discuss some of the conditions that gave rise to these forms of (visible) feminist intervention within mental health service provision, focusing particularly on women's counselling and therapy services, and we offer an analysis of the range and conceptual tensions within which such interventions may be situated, including contested perspectives on power and empowerment. We also consider ways in which women's political activity around mental health issues is likely not to be noticed as such, given women's prototypical positions as patients and practitioners. We end by identifying what we see as current challenges for feminist activism around distress and its links with the conditions of women's lives and oppression more generally, not only as instances of more general tensions and challenges within contemporary feminisms, but also as offering an arena of opportunity for broader alliance and coalition-building.     

‘Lovers of liberty’?Prostitution and the Politics of Choice in Emma Donoghue’s Slammerkin

This article explores the way in which Emma Donoghue’s novel Slammerkin (2000) reflects long-standing feminist debates surrounding prostitution. We argue that not only does Donoghue’s portrayal of prostitution resist the pro versus anti dichotomy in which feminist perspectives on sex work are so often narrowly situated, but Slammerkin also foregrounds the complexity with which the politics of choice intersects with women’s decision to sell their bodies.     

‘The Message Is in the Book’: What Virago's Sale in 1995 Means for Feminist Publishing

This article examines the UK publisher Virago, the world's largest women's imprint and the best known of the second-wave feminist publishing houses that sprang up during the 1970s and 1980s. Feminist publishing remains a peculiarly unacknowledged and underexamined aspect of feminist history, but one that had real influence and effect. This article gives a historical account of Virago, noting its intention to enact feminist politicking through the act of publishing books. The author looks at the effect Virago had on the industry more widely, on literary culture and on attitudes to women. The author also examines changing formulations of feminism and how these were reflected—or not—through Virago's published output. The author then moves on to her central proposition: that Virago's sale in 1995, rather than marking the death of feminist publishing (as was stated in media comment at the time), was in fact the point at which it was saved. Virago's move into Little, Brown, coinciding with the rise of an increasingly commodified consumer culture, the conglomeration of the book industry and more pluralized expressions of feminism, allowed it to continue to work as a publisher of women's writing while none of its contemporaries survived. The author looks in detail at the changes post-1995 within the book industry, within feminism and in wider culture, as well as at Virago. The author asks whether Virago still has value as a ‘feminist’ imprint and how it has sought to remain vital and relevant.     

Feminist Political Science and Feminist Politics

Abstract

This article moves away from issues of the impact of women and feminist scholarship on political science to examine the relationship of feminist political science to a political constituency. It traces the trajectory of feminist political science from its close relationship with women's movement activism in the 1970s to the highly professionalised disciplinary subfield of today. It highlights some of the dilemmas resulting both from professional imperatives and from the norms of research excellence stemming from new forms of research governance. It finds that feminist political science has been pushed towards addressing an international community of scholars in a language inaccessible to local publics. But it finds that despite such pressures, feminist political science has still sought to produce work that is of direct relevance to achieving women's movement goals, whether within public policy or within political institutions broadly conceived. While it may no longer be speaking the same language, it is still seeking to identify the obstacles to change and the possibilities for transformation. This can be seen particularly clearly in the area of research on the intersection of electoral systems, quotas and party structures. Yet even here tensions can emerge, as with the concept of ‘critical mass’, perceived by activists as a crucial discursive tool but problematised by feminist scholars.