Finding fresh evidence

Fresh Evidence, New Witnesses: Finding Women's History, edited by Margaret Allen, Mary Hutchinson, Alison Mackinnon. (South Australian Government Printer), Adelaide, 1989.     

‘Politics’ and Academic Feminist Theorising: Reflections on Women's Studies in Asia

When invited by the organisers of the Asia-Pacific Non-governmental Organisation (NGO) Beijing+10 Forum to make a brief presentation on the question of academic feminists and the de-politicisation of feminist theorising, I asked myself: What politics? What feminist theorising? Then I remembered how close the links were between the history of feminism in academe—particularly in the form of Women's Studies—and the women's movement.2 Vina Mazumdar, ‘Whose Past, Whose History, Whose Tradition? Indigenising Women's Studies in India’, paper prepared for the International Conference on Women's Studies in Asia, Seoul, 18–21 October 2000 published in Asian Journal of Women's Studies, vol. 7, no. 1, 2001, pp. 133–53; Carol Sobritchea, ‘Imaging the Future of Asian Women's Studies and Feminist Scholarship’, paper prepared for the International Conference on Women's Studies in Asia, Seoul, 18–21 October 2000; and Tita Marlita and E. Kristi Poerwandari, ‘Indonesian Women's Movement throughout History: 1928–1965’, paper prepared for the International Conference on Women's Studies in Asia, Seoul, 18–21 October 2000, are recent narratives of the development of Women's Studies and its ties to the women's movement in India, the Philippines, and Indonesia, respectively. View all notes Ah, that politics!     

OUT OF THE COMMUNITY

This paper looks at the establishment of Women's Studies programs in selected Australian universities. It highlights the resistance to Women's Studies as an academic knowledge by some feminists outside of the academy as well as non-feminists within the academy. This paper argues that connections to the Women's Liberation Movement and the difficulties encountered by feminists when introducing Women's Studies into the academy made some feminists suspicious of the value of theory for feminism, especially in relation to a political agenda.

Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. (Austen, Persuasion ([1818] 1946)     

MARRIAGE ‘AMONG THE MURKANS’

Abstract Stella Miles Franklin (1879–1954) is best known for contributions to a uniquely Australian literary tradition. However, during her American years (1906–1915) when she worked in Chicago with the National Women's Trade Union League, Franklin wrote much unpublished fiction in the New Woman literary genre common to early-twentieth-century US women's traditions. This paper focuses on two such little-known unpublished stories: ‘Uncle Robert's Wedding Present’ (1908) and ‘Teaching Him’ (1909), discussing ways their entanglements with questions of marriage and economics are grounded in Franklin's work and personal life and in the intellectual influences that shaped her writing.     

Stevie Smith's Myth-Kitty

Abstract

Although Stevie Smith's poetry is in many ways very close to the laconic and less-deceived tone characteristic of Philip Larkin, there is one aspect of her work in which she differs strikingly from him and from the general features of Movement poetry: that is, in her use of what Larkin, in his 1956 ‘statement on poetry’, contemptuously called a ‘common myth-kitty’. In this chapter, I attempt to examine the treasures of Stevie's myth-kitty, not merely with the aim of distancing Smith from the Movement, but of reassessing her relationship with modernism and other poets of the generation which came to prominence in the 1930s, in particular, W. H. Auden. Smith's closest connection with modernism has often been seen to be her use of a stream-of-consciousness technique, as deployed in Novel on Yellow Paper—a technique which is inevitably compared to and dismissed as inferior to that of Virginia Woolf. Instead, I will put forward the claim that Smith's relationship to modernism should also be seen in her use of intertextuality, in the classical and other mythic fragments which, despite considerable differences of tone, place her work in the same tradition as James Joyce, Ezra Pound and T. S Eliot. I attempt to demonstrate how she draws on this ‘myth-kitty’, especially ?n her poetry, focusing on her treatment of female mythical figures, and argue that the key figure in Smith's oeuvre—the counterpart and equivalent of Eliot's Tiresias—is the figure of Persephone on her journey to the underworld.     

Australian Women's History

Living Feminism: the impact of the Women's Liberation Movement on three generations of Australian women CHILLA BULBECK, 1997 Melbourne: Cambridge University Press. xxii + 279 pp., A$29.95, ISBN 9 780521 465960     

Histoire/histoires: special issue in honour of claire duchen

Claire Duchen died on 15 March 2000 after a long and very brave struggle with ovarian cancer. She died aged 45, but already with an established reputation as a leading scholar of French feminism. As Siân Reynolds wrote in her obituary for The Guardian newspaper, Claire was central to a global network of feminist scholars as a writer, translator, research coordinator, and for over 10 years, from 1987–1997, regional editor for Africa and Europe of Women's Studies International Forum. Her particular areas of specialism, in which she published widely were French Studies, especially French feminisms on which she published two well-known books, Women's Studies, and contemporary French and European Women's History, on which she published her last book this year.² She was respected as a scholar and valued as a colleague and a friend by many women and men around the world.     

Tracing two generations in twentieth century Indian women's education through analysis of literary sources: selected writings by Padmini Sengupta

ABSTRACT

This article uses literary sources written by Padmini Sengupta, 1906–1988 (daughter of Kamala Satthinadhan, 1880–1950, educator, writer, and editor of the Indian Ladies’ Magazine) to map two generations of women in India from reformist backgrounds and their education and writing. Padmini's biography of her mother, The Portrait of an Indian Woman, 1956, is analyzed at length. Here, Sengupta offers at once a memoir of her own growing years and a biographical portrait of her mother Kamala Satthianadhan. Supplementing this analysis is an examination of how women's education is represented in Sengupta's novel Red Hibiscus, 1962. Padmini wrote many works of a non-fictional and biographical nature. In analyzing her writing, we also understand better how Indian women writers representing their own educational trajectories in the print and public sphere shortly after Indian independence lay the groundwork for the later development of women's history and Women's Studies in India.     

Reviews

Lyndall Ryan (ed.), ‘Secret Women's Business: The Hindmarsh Island Affair’, Special issue of Journal of Australian Studies (University of Queensland Press) Brisbane, no. 48, May 1996.

Gisela Kaplan, The Meagre Harvest: The Australian Women's Movement 1950s～1990s (Allen & Unwin) St Leonards, 1996.

R. Emerson Dobash, Russell P. Dobash and Lesley Noaks (eds), Gender and Crime (University of Wales Press) Cardiff, 1995.

Deborah Oxley, Convict Maids: The Forced Migration of Women to Australia (Cambridge University Press) Melbourne, 1996.

Elizabeth Grosz and Elspeth Probyn (eds),’ Sexy Bodies: The Strange Carnalities of Feminism (Routledge), London and New York, 1995.     

Kay Daniels as feminist historian

Abstract

While spending the better part of two academic years out of her home country, the USA, the author became increasingly perplexed by the current emphasis on poststructural theory in the writing of women's history. She says this because such theory may not only isolate this highly successful new subfield from the ongoing Second Women's Movement in the United States and from history teachers trying to integrate material on women into their classes, but most sadly, isolate American historians of women from their counterparts in Eastern European and Third World countries who are only beginning to write about their past.     

Book reviews

Understanding Gender in the Social Sciences and Women's Research Karin Widerberg and Arnhild Taksdal, eds, F?rståeker av kj?nn —i samfumsvitenskapenes fag og kvimeforskning (Understanding Gender in the Social Sciences and Women's Research). Oslo: Ad Notam Gyldendal, 1992.

A feminist literary study in romanticism Eva Borgström: "Om jag får be om öbst”: Kring kvinnliga författares kvimobilder i svensk romantik. ("If I may ask for ölost”: On the Images of Women Portrayed by Women Writers of the Swedish Romantic Age). 272 pp. Summary in English. Göteborg: Anamma förlag, 1991.     

ambivalent optimism: women's and gender studies in Australian universities

This article describes the place of Women's and Gender Studies programmes in Australian universities as a way of thinking about the place of feminism in the academy. It begins with a story of one such small programme at a time of stress and locates this story in an account of change in Australian universities over the last 20-plus years. The narrative traces a contradictory domain in which women, feminist scholarship and Women's and Gender Studies are enmeshed. The article draws on feminist literature about Australian universities to argue that while neo-liberal university environments are clearly places where masculinist values prevail, the flows of power around individual Women's and Gender Studies programmes cannot be simply predicted. Women's and Gender Studies programmes are thriving in some universities (on a small scale). As well as institutional imperatives Women's and Gender Studies programmes are engaged by specific intellectual challenges and some of these are sketched with reference to the Australian context. Asserting the need for dedicated research and teaching that focuses on gender, the article concludes that Women's and Gender Studies programmes in Australian universities are energetic places for this to occur. It proposes an ambivalent optimism to describe its assessment of these programmes and their viability as future places of work for feminist scholars.     

Reviews

The Absence of lzanagi By Kei Takei Performed at La MaMa E.T.C., New York June 22–25, 2000

Otome Bunraku performs two Japanese classics Japan Society, New York September 13–16, 2000

Towa—Part I—Kanojo (Eternity—Part I—She) By Kishida Rio Performed at Kinokuniya Southern Theatre, Tokyo August 31‐September 9, 2000

Toothless By Kazuko Hohki Performed at Battersea Arts Centre, London June‐July 2000

Hagi‐ke no San‐Shimai (Three Sisters of the Hagi Family) By Nagai Ai Performed at Theatre Tram, Setagaya Public Theatre, Tokyo November 4–19, 2000

Women's Gidayū and the Japanese Theatre Tradition. By A. Kimi Coaldrake. 1998. London and New York: Nissan Institute, Routledge Japanese Studies Series. Xxix+262. With nine‐track CD.

Takarazuka: Sexual Politics and Popular Culture in Modern Japan. By Jennifer Robertson. 1998. University of California Press, Japan. Xvi+278.

Angura: Posters of the Japanese Avant‐Garde. David G. Goodman. 1999. New York: Princeton Architectural Press. Viii+91.

About Face: Performing Race in Fashion and Theater. By Dorinne Kondo. 1997. New York and London: Routledge. xiii +277.     

Women's history: a study in continuity and change

In this response to Bridget Hill's viewpoint published inWomen's History Review, 2, pp. 5-22, Judith Bennett argues that her position is more subtle and more nuanced than Hill's critique would suggest. Bennett defends the historiographical importance of re-assessing the place of continuity in women's history; she emphasizes the legitimate place of generalization in women's history; and she argues that patriarchy is a critical subject of investigation for feminist historians.     

Anthologomania

Drusilla Modjeska (ed.), Inner Cities: Australian Women's Memory of Place (Penguin) Ringwood, 1989; Susan Hawthorne and Jenny Pausacker (eds), Moments of Desire: Sex and Sensuality by Australian Feminist Writers (Penguin), Ringwood, 1989; Gillian Whitlock (ed.), Eight Voices of the Eighties (The University of Queensland Press) St. Lucia, 1989; Guilia Guiffré (ed.), A Writing Life (Allen and Unwin) Sydney, 1990.     

On teaching women's studies in Hungary

The author taught Women's Studies courses for 2 years in Hungary. In the beginning she thought it would be a simple matter, but as she and her students explored the differences in experience in Hungary and the United States, she realized that there were profound epistemological differences. She explores some of those differences here. Evidence presented is taken from student writings and discussions and from oral history interviews.     

Women's Liberation was a Movement,Not an Organisation

This article argues that understanding any relationship between the Women's Liberation Movement and the state depends upon a recognition of the variety and change through time encompassed by each. It considers, first, some of the key concerns of the Women's Liberation Movement in the years of its initial eruption, then three instances when individual participants in the Women's Liberation Movement engaged with government, and concludes, finally, that the driving force in each instance was ultimately the utopian dream of a level of transformation unimaginable in conjunction with any government that we know.     

Spreading the Word: feminist print cultures and the Women's Liberation Movement

ABSTRACT

This article investigates the significance of print cultures to the Women's Liberation Movement. It highlights feminist interventions into a male-dominated publishing industry through women's writing, publishing and political commitment, with shifts towards feminist publishing cultures, both emboldened by the WLM and empowered by separatist networks. The construction and publication of feminist magazines was a significant aspect of feminist print cultures and activism. This article discusses the different publishing hinterlands of three important feminist magazines: Shrew, Spare Rib and Womens Voice. Arguing that whilst their concerns were overlapping, their distinctive approaches represented the diversity of print activism of the WLM.     

Marketing edwardian feminism: Dora Marsden,votes for women and the freewoman

Although Dora Marsden had resigned from the Women's Social and Political Union (WSPU) and repudiated the principles of the women's suffrage movement by the time she founded The Freewoman in 1911, she recognised the marketing potential of her suffragette persona. Thus, despite envisioning her journal as a post-suffragist ‘little magazine’, she used her status as a famed WSPU organiser prior to The Freewoman's publication to garner suffragette subscribers and advertisements for women's goods and services. After The Freewoman's debut, Marsden lost most of her original advertisers and subscribers, many of whom accused the editor of having misled them as to the nature of her journal. The author argues that Marsden's rejection of the journalistic model provided by the mainstream suffrage press and willingness to allow The Freewoman to slide into bankruptcy signalled a strategic bid for the ‘cultural capital’ that accrues to writers who forego mass readerships in order to gain avant-garde reputations     

Writing suffragette history: the contending autobiographical narratives of the pankhursts

On 10 October 1903 Emmeline Pankhurst founded the Women's Social and Political Union (WSPU), an organisation that was to become the most notorious of the groupings campaigning for the parliamentary vote for women in Edwardian England. Their militant campaign was led by Emmeline and her eldest daughter, Christabel, the WSPU's Chief Organiser, the two younger Pankhurst daughters, Sylvia and Adela, also becaming active in the movement. While all four women wrote accounts of the campaign, the focus here is on the published autobiographical narratives of the three elder Pankhurst women – Emmeline's My Own Story (1914), Sylvia's The Suffragette Movement (1931) and Christabel's Unshackled (1959). In particular, the ways in which these women presented themselves and each other, and how they related the story of their private family relationships as mother, daughters and siblings, is explored