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In the 1930s Japan developed a death cult which had a profound effect on the conduct of the Japanese armed forces in the Pacific War, 1941–1945. As a result of government directed propaganda campaign after the overthrow of the Shogunate in 1868, the ruling military cliques restored an Imperial system of government which placed Emperor Meiji as the Godhead central to the constitution and spiritual life of the Japanese nation. A bastardised Bushido cult emerged. It combined with a Social-Darwinist belief in Japan's manifest destiny to dominate Asia. The result was a murderous brutality that became synonymous with Japanese treatment of prisoners of war and conquered civilians. Japan's death cult was equally driven by a belief in self-sacrifice characterised by suicidal Banzai charges and kamikaze attacks. The result was kill ratios of Japanese troops in the Pacific War that were unique in the history of warfare. Even Japanese civilians were expected to sacrifice their lives in equal measure in the defence of the homeland. It was for this reason that American war planners came to the shocking estimate that as many as 900,000 Allied troops could die in the conquest of mainland Japan – Operation DOWNFALL. Contrary to the view of numbers of revisionist historians in the post-war period, who have variously argued that the atom bombs were used to prevent Soviet entry into the war against Japan, Francis Pike, author of Hirohito's War, The Pacific War, 1941 – 1945 [Bloomsbury 2015] reaffirms that the nuclear weapon was used for one purpose alone – to bring the war to a speedy end and to save the lives of American troops.  相似文献   

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Tamara Jacka 《亚洲研究》2013,45(4):499-530
In the last three decades in China, few and declining numbers of women have participated in the main grassroots institutions of rural government, the village committee and the village branch of the Chinese Communist Party. This article examines a project aimed at addressing this problem, initiated in 2003 in Heyang county, Shaanxi, by one of China's largest and most influential women's nongovernmental organizations, West Women, together with the state-affiliated Women's Federation. The article discusses the goals, strategies, and short-term results of the Heyang Project. It then discusses the longer-term potential of the Heyang model for achieving greater gender equity and women's empowerment in rural China. Previous studies have critiqued Chinese approaches to the goal of increasing women's participation in village government, but have not questioned the desirability or need for the goal itself. In this article, the author takes the critique one step further, to provoke questions about the very desirability of increasing women's participation in village government. She concludes that when viewed in light of other recent trends, notably large-scale rural out-migration and tax reforms, increasing women's participation in village government may not have as desirable or significant an impact on gender relations as has previously been assumed.  相似文献   

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IN WAITING     
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IN SPRING     
Henry Sloss 《耶鲁评论》2003,91(1):105-105
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Bert Suykens 《亚洲研究》2013,45(3):381-402
This article examines two conflicting narratives concerning the relationship between tribals and forests in India—narratives that have been counterpoised in India at least since colonial times. The first narrative sees tribals as the natural protectors of the forest; the second argues that tribal practices are detrimental to forest conservation. The author investigates how these two representations of Indian tribals have shaped and are still shaping legal and societal relations between tribals and forests. The author shows how these narratives are deeply embedded in Indian forest legislation and how local officials, rights activists, and tribals themselves all make selective use of the two narratives to gain or deny access to forest resources.  相似文献   

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POETRY IN REVIEW     
STEPHEN BURT 《耶鲁评论》2007,95(1):177-188
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POETRY IN REVIEW     
BRIAN HENRY 《耶鲁评论》2005,93(1):166-174
Peripheral Light: Selected and New Poems , by John Kinsella, Selected and with an introduction by Harold Bloom  相似文献   

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FILM IN REVIEW     
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