‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.     

Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal

During the late nineteenth century, the British-born Australian physician Harriet Clisby became involved in the vibrant social reform circles of Boston, Massachusetts. Her ‘Sketches of Australia’, a journalistic series of travel writings, were published in the reform-oriented Woman’s Journal in 1873. This series provides insight into the discursive construction of Australian colonial society in a transnational context. Thematically, the ‘Sketches’ explored questions of geography, culture, class, labor, ethnicity, race, and gender, often embracing popular scientific discourses about race and universalist visions of women’s rights. While such perspectives were common among Anglophone social reformers of the era, Clisby also portrayed Australia as a multiracial nation of immigrants rather than as a collection of white settler colonies. By making colonial Australia accessible for a specifically American readership, the ‘Sketches’ also established a sense of a budding international relationship between Australia and the United States prior to the twentieth century.     

the new woman and ‘the dusky strand’: the place of feminism and women's literature in early Jamaican nationalism

This essay analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. Largely overlooked, this archival material is significant because it suggests a subtle yet significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late nineteenth and early twentieth century, but rather, it emerged in a broader phenomenon of respectable, middle class nationalism, encompassing the overlapping projects of Jamaican nationalism and Pan Africanism. Thus, it becomes clear that first wave feminism, including white women writers, played a key but brief role in the formation of the middle class nationalism that would later dominate Jamaica's transition to independence. During the first five years of publication of the Jamaica Times, women wrote a significant proportion of the short stories published. However, they became marginalized as black folk culture became the defining symbol of national authenticity. The marginalization of middle class women writers reflects a broader pattern. In adopting first wave feminism from Britain and the United States, Jamaican nationalists reproduced colonial race and class dynamics that established an unbridgeable divide between middle class women, who served as ‘ladies bountiful,’ and the usually darker-skinned compatriots to whom they ministered. This class division continued to limit feminist activism in Jamaica throughout the first and second waves.     

‘Quality’, Cinema and the ‘Superior Woman’ Persona: understanding women’s film criticism in post‐war Britain (1945–59)

Criticism was a particularly buoyant area of film culture in Britain during the post‐war period, a regular feature in newspapers, periodicals, magazines, and BBC radio programmes. What has not been widely recognised is the central role that women played as critics of film at this time, and where their interests differed from those of their male peers. This article recovers the contribution made by women film critics, arguing that middle‐class writers such as C. A. Lejeune and E. Arnot Robertson adopted a form of ‘distanced amusement’ with regard to themes of sentimentality and romance (associated with low‐brow female pleasures). This strategy permitted them to engage with the broader cultures of film‐watching, commenting on subjects such as female crying and character identification, and recognising cinema‐going as a pleasurable activity for women, subjects which male critics did not discuss. These findings expand knowledge about film criticism in the post‐war period and reconfigure received understandings of film culture to account for women’s gendered contribution to the critical field.     

‘A Jazzed and Patchwork Modern’: ‘future’ girls and modern masculinities in the early popular romances of Berta Ruck

As a best‐selling writer of popular romances during the first half of the twentieth century, Berta Ruck (1878–1978) has been characterised as a producer of ‘omelettes of frivolity and sweetness’ whose appeal was confined to adolescent girls and the servant classes. Closer attention to some of the early novels and to her own evaluation of her work, however, reveals her attempts to confront and articulate the impact of societal change upon a generation whose world was being irrevocably altered by the Great War and its aftermath. Her almost forensic attention to local detail and her treatment of contemporary questions of gender identity make her a compelling chronicler of the period and lend credibility to her claims of a broader readership than that generally associated with the genre.     

Shutting down ‘Big Brown’: reassessing the 1997 UPS strike and the fate of American labor

In the summer of 1997, organized labor won a major strike against United Parcel Service. Staying out for just over two weeks, more than 185,000 members of the International Brotherhood of Teamsters (IBT) crippled UPS's operations, securing pay increases and more full-time positions as a result. At the time, observers widely predicted that the strike would lead to a revival of organized labor's fortunes, especially as it showed that American unions could still win public support. Revisiting the strike more than a decade later, this article re-assesses its impact and explores why the predicted labor revival did not happen, as union density has continued to fall since 1997. It argues that observers exaggerated the strike's transformative impact, overlooking the structural barriers that have continued to cause organized labor to decline. The strike was a defensive victory that helped uphold the pay and conditions of the UPS workers themselves but unions in general have continued to be undermined by broad trends such as the growth of the service sector, the decline of manufacturing, and ongoing corporate hostility to organized labor. In addition, there were many unique features of the UPS strike, including the favourable economic climate at the time and public sympathy for UPS drivers, which have ensured that the strike has not provided a blueprint for most American workers. Finally, ongoing political divisions within the IBT also thwarted efforts to capitalize on the strike.     

‘We who strive for the foundation of a principle’: feminism and suffrage in the biography of Bessie Parkes Belloc

ABSTRACT

Bessie Rayner Parkes (later Belloc, 1829–1925) was a central figure in British women’s rights activism during the 1850s and 1860s. She was founding editor of the feminist English Woman’s Journal and one of the organisers of the pioneering 1866 petition for women’s suffrage. She lived long enough to witness some women gaining the vote in 1918, by which time her children, Marie Belloc Lowndes and Hilaire Belloc, were themselves public figures who had taken up opposing positions on women’s suffrage. This article takes as its starting point 1866, a pivotal moment in nineteenth-century agitation for women’s suffrage and in Parkes Belloc’s individual biography, before moving to a longer view of her feminist life before and after this date. It demonstrates the value of a biographical approach to exploring the diversity of perspectives and experiences of women within first-wave feminism and the suffrage movement.     

‘A crisis in woman's history’: Frances power cobbe's duties of women and the practice of everyday feminism

The article explores the ways in which Cobbe's Duties of Women grapples with new challenges facing the late nineteenth-century feminist movement, with an emphasis on the particular force of Cobbe's text that results from her unique role as a mainstream journalist of mid-Victorian feminism to non-feminist-identified audiences. It argues that Duties of Women participates in the ongoing negotiation of the representation of suffrage, both within feminist communities and in the ways that feminism is represented and understood by a non-feminist public. Specifically, the author argues that Cobbe's lecture series and book are generically linked to the conduct book. They offer advice for the appropriate daily practice of emancipated womanhood at a time when significant changes in feminist practice, such as the increasing emphasis on suffrage, threatened, in Cobbe's view, the larger public perception of that movement.     

‘A Woman’s Place …’: Male Representations of University Women in the Student Press of the University of Liverpool, 1944–1979

Deciphering the manner in which women have been, and continue to be, represented in society is an integral element of a feminist critique. This article explores male representations of university women as presented in the student press of the University of Liverpool between 1944 and 1979. It is suggested that university women were represented as ‘other’ and stereotyped in a negative manner in the years 1944 to 1959. Furthermore, they were presented as unattractive, unwelcome, and in most cases at university to find a husband. The years 1960 to 1979 signified a shift with regard to the representation of university women; however, continuity with the earlier period was retained in the visual imagery of female students and the way in which ‘careers’ were presented as distinctly male. University women remained part of the ‘male gaze’ and were, ultimately judged on the basis of their sexual attractiveness to the derision of their intellectual abilities.     

‘Situated Knowledges’ and New Materialism(s): Rethinking a Politics of Location

Abstract

Playing a pivotal role in foregrounding a feminist politics of difference, a politics of location embodies what can be termed second-wave concerns that continue to inform contemporary feminist modes of inquiry and research. However, the attention to material specificity that locatability performs has emphasized the identity of the speaking subject at the same time as it has acknowledged materiality's entangled engagements as suggestive of the complicated production of any identity. In her 1988 essay ‘Situated Knowledges’, Donna Haraway both raises and responds to the challenge of a feminist politics of location in a way that anticipates a convoluted politics of the subject, in particular where she is not satisfied to relinquish universality and objectivity, or the ‘non-local’, in her provocative thinking through of situated knowledge production. The partial perspective she uncovers insists that the capacity for identity is addressed as a political gesture, with a reminder that any appeal to perspective is a non-innocent participation in what it helps to produce. In taking up Haraway's essay, the author engages with the problematic nature of a politics of location that is confounded by the direction of its critical interventions, and in such a way anticipates and performs new (feminist) materialist concerns. Questioning the nature of non-locatability and its political imperatives, the author suggests an ‘annunciative politics’ through which to consider some of the implications of Haraway's figuring of the partial perspective, to ask after feminism's political impetus with the tensions raised in Haraway's argument kept alive.     

‘they’re talkin’ bout a revolution’: feminism,anarchism and the politics of social change in the global justice movement

Despite the proliferation of works on the ‘global justice movement’ (GJM) in recent years, surprisingly little has been written on the intersections between feminist and anarchist strands within this ‘movement of movements’. In an effort to rectify this gap in the literature, this article seeks to explore in what ways and to what extent anarchist and feminist renditions of revolution, within the context of the GJM, are conceptually compatible and thereby potentially politically reinforcing. In order to ascertain the degree of convergence between these two radical projects, in the first part of the article I examine what each camp is fighting for and against and whether their struggles for social justice are ideologically consonant. In the second part, I turn my attention to the types of practices being enacted and defended by these two activist constituencies and ask how they see their respective revolutions being brought about. What notions of social change are at work here and are their political practices, and the different temporalities sustaining them, reconcilable? After arguing in the first two parts of this article that anarchism and feminism are more compatible than is often acknowledged and that the considerable synergies between feminist notions of social justice and social change and anarchist conceptions of revolution merit far more attention than they currently receive, I end the piece by reflecting on some of the points of tension that still militate against merging their respective political imaginaries. I do so in an attempt to identify what I see as the conditions of possibility for a more integrated, mutually collaborative feminist anarchist revolutionary politics.     

Fighting for the ‘Privileges of Citizenship’: the Young Women's Christian Association (YWCA), feminism and the women's movement, 1928–1945

In 1928 the YWCA welcomed the introduction of the universal suffrage by declaring that women in Britain were now entitled to the full political privileges of citizenship. This article will explore the way in which the YWCA, previously omitted from histories of the British women's movement, sought to educate and inform its members about the rights and duties of democratic citizenship. The involvement of the YWCA in citizenship education and its role in campaigning for the citizenship rights of women will be assessed, with a particular focus on workers’ rights and the appointment of women police. Despite its reluctance to be identified as overtly feminist, the YWCA was determined to ensure that women had access to social and economic rights within a democratic society. The article therefore argues that a new definition of the women's movement is required in order to uncover the full extent of female engagement in politics and public debate in the aftermath of the suffrage.     

‘Flat and fabulous’: women’s breast reconstruction refusals post-mastectomy and the negotiation of normative femininity

The ‘pinkification’ of breast cancer culture in recent years conflates women’s empowerment with the celebration of hyperfemininity. Consistent with this trend, reconstructive surgery post-mastectomy is increasingly normalised: restoring the breasts is to restore ‘lost’ femininity. Contextualised within the pressures of this normalisation, our article explores how women who decide against breast reconstruction negotiate their non-normative ‘flat’ bodies. We examine women’s posts in a breast cancer forum about their refusals of breast reconstruction. Using thematic and feminist post-structuralist analyses, we suggest that although health and body acceptance discourses enable resistance to embodied femininity norms, pressures to conform permeate practices related to appearance. Clothes and prosthetic breasts enabled forum participants to pass as ‘healthy’, ‘whole’, and ‘recovered’. The study’s findings emphasise the limitations to agency and resistance that emanate from the ways constraining gender discourses infiltrate every aspect of a woman’s life. In line with a critical awareness approach to breast cancer education, we discuss the possibilities of resistance afforded by the safe spaces of online communities.     

‘An Unexpected Recruit to Feminism’: Jessie Boucherett’s ‘Feminist Life’ and the importance of being wealthy

In 1859 Jessie Boucherett, the daughter of a Lincolnshire landowner possessed of an independent income, was inspired by press discussions of the need to find alternative occupations for women to make contact with the women who were already spreading this message through the English Woman’s Journal. With their rather grudging support she founded a society, which still exists, to further this aim, the Society for Promoting the Employment of Women (now the Society for Promoting the Training of Women). Using the records of this Society, now housed at Girton College, Cambridge, this article looks at the way commitment to this cause allowed a woman from a wealthy, high Tory, landed background to turn herself in six years into the feminist who put up the initial money for the women’s suffrage campaign, and went on to be a leading figure in campaigns to reform the married women’s property laws and against legislation restricting women’s work. It examines in particular the use she made of her personal wealth to direct the strategies of the activist groups to which she belonged.     

‘In the case of a woman’ or ‘the headache’: married women’s nationality and Canada’s Citizenship Act at home and Europe, 1946–50

In addition to making Canadian nationality independent of British subjecthood, the 1946 Canadian Citizenship Act made women’s nationality independent of marriage, but did not repatriate women who married aliens before 1 January 1947, when the act became law. This article examines the lobby to repatriate the women, most of them married to European allied soldiers and living in Canada or Europe, and wider contexts involved. Scrutinizing the citizenship claims made by and for ‘ordinary’ but racially privileged white women in a dominion that was both a receiving nation on the cusp of renewed immigration and a neo-colonial state vis-a-vis Indigenous peoples, it acknowledges the woman’s heartfelt sentiments and assesses the lobby against the continuing disabilities imposed on status-Indian women who ‘married out.’ The delayed reform of 1950, which fell short of automatic repatriation, and the absence of feminists from a lobby related to a long-identified feminist issue, are also addressed, as are topics in need of further research.     

‘Illegal Migrants’, Gender and Vulnerability: The Case of the EU’s Returns Directive

Feminist legal efforts to make sense of the external migration policies of the European Union (EU) have focused almost exclusively on the EU’s initiatives against trafficking in women. This article examines one of the more neglected areas of EU immigration policy—the return of ‘illegal immigrants’. It analyses the so-called 2008 Returns Directive in the light of the multidimensional inequalities experienced by migrant women, which affect their migration status and expose some of them to the threat of removal. Owing to insecurities over external migration, the Directive constructs even the most vulnerable migrants as a threat to be controlled and is likely to result in detrimental consequences for many migrants, and in particular already vulnerable women who are likely to be further disadvantaged by it.     

‘But most of all mi love me browning’: The Emergence in Eighteenth and Nineteenth-Century Jamaica of the Mulatto Woman as the Desired

One of the most common threads in the Caribbean tapestry races which have populated the region over the last five centuries largely through forced or voluntary migration, is that there have emerged mixtures of the different racial groups. A large proportion of Caribbean women and men are referred to euphemistically as ‘mixed race’. The terms used to describe people of mixed race vary by territory and have been incrementally added to or changed over time. The original nomenclatures such as sambo, musteephino, mulatto, creole, etc. have been replaced at present to include terms like brown skin, mulatto, clear skin, light skin, red-nigger, dougla and browning. The title of the article comes from a contemporary dancehall song in Jamaica in which the black singer, Buju Banton, unwittingly echoes an unspoken yet shared notion of female desirability in the Caribbean: a preference for ‘brown’ as opposed to black women or unmixed women. In the ongoing constructions of femininity in the region, class and skin colour have intersected with race to produce hierarchies and stereotypes of femininity based on racial mixing. Drawing on some of the historical data available, particularly that of the pioneering research in this area produced by Lucille Mathurin in 1974, this article interrogates some aspects of miscegenation in the Jamaican past, to configure these with gender, race and class relations in the present. The article does not attempt to arrive at conclusive findings but to contribute to the ongoing process in the region, and elsewhere, of differentiating the category ‘woman’ in historiography and sociology.     

feminism and futurity: revisiting Marge Piercy’s <Emphasis Type="Italic">Woman on the Edge of Time</Emphasis>

This article considers the question of feminist futurity through Marge Piercy’s Woman on the Edge of Time (1976). While dominant readings of this novel have focused on its relationship to the feminist utopian genre and feminist theory from the 1970s, this essay aims to critically reframe the novel through contemporary feminist theorising on time and futurity. Drawing on recent feminist and queer theory that suggests that the future might most productively be figured through more nuanced and renewed engagements with the past, I argue that readings of Piercy’s novel that frame it only through its contemporary moment obscure the novel’s critique of singular, linear models of time. The novel represents the future through the themes of loss, mourning and haunting, which I argue resist a model of time that moves linearly from past to future and instead bring the past and future into complex relation with each other. In this regard, Piercy’s novel is read as representing a form of feminist futurity that engages with progress in time as necessarily uneven, discontinuous and fractured, speaking to contemporary demands for a feminist futurity that might require more nuanced accounts of the past.