The prison letters of Alice Ker and Mary Ellen Taylor: suffragettes and mothers

ABSTRACT

This article considers the prison letters of Dr Alice Ker and the relatively unknown Mary Ellen Taylor which are held in the Women’s Library at LSE Library. These women were suffragettes and mothers who were both arrested on 4 March 1912, in separate incidents, but as part of the Women’s Social and Political Union’s window-smashing campaign. The letters allow us to consider what these women must have been feeling and reveal what factors they felt were important to write about at that time. Of even more significance is that they provide an insight into these women as people. The article also considers the effect that suffrage campaigning had on family life and family relationships and whether the letters convey any sense that campaigning caused tensions or concerns within families.     

Ideology and feminism: Why the suffragettes were ‘wild women’

Opposition to women's suffrage from the 1860s to 1914 was structural and ideological. The dominant ideology concerning women's position was articulated more clearly as the feminist movement mobilized. Ideological opposition to feminism in general and the women's suffrage movement in particular operated on the basis of ideas of ‘natural’ womanhood against which feminist activity was frequently viewed as deviance. Female suffrage speakers were caricatured as ‘unwomanly’, and subjected to a subtle process of ‘role stripping’. Militant activity by the suffragette movement after 1905 invoked a wider range of social control agents, but the particular ideological opposition to feminism continued to be important.     

living a body myth,performing a body reality: reclaiming the corporeality and sexuality of the Indian female dancer

This paper investigates the dilemma that has been projected upon Indian female dancers' bodies by contemporary Indian audiences when female desire occupies the centrality of a performance and projects the female body as sexual, articulate and independent of the discipline and propriety of classicism. Locating this dilemma in the nationalist construction of Indian womanhood and femininity as ‘chaste’, this paper adopts Victor Turner's notions of liminal and liminoid phenomenon and Brechtian defamiliarization technique as a feminist strategy to construct a framework within which the contemporary Indian dancer can reclaim her sexuality in performance. To investigate the complex nationalist trope of chaste Indian womanhood, and to analyse the subversion of this trope by placing agency on the female body as sexual, I locate my argument in the discussion of The Silk Route: Memory of a Journey by Kinaetma Theatre, UK, which was performed in Kolkata in August 2004.     

sexual regimes and migration controls: reproducing the Irish nation-state in transnational contexts

This article examines the ways that state sexual regimes intersect with migration controls to re-make exclusionary nation-states and geopolitical hierarchies among women. I focus on two important Irish Supreme Court rulings: the X case (1992) and the O case (2002), respectively. X was a raped, pregnant, 14-year-old who sought an abortion in Britain. While the Supreme Court ultimately permitted her to procure an abortion, women's right to travel across international borders without government inquiry into their reproductive status came into question. The O case concerned a Nigerian asylum seeker who invoked the fact that she was pregnant in an effort to avoid deportation. The Supreme Court, however, affirmed that she could be deported, despite the Irish Constitution's pledge to protect the ‘right to life of the unborn.’ Considered together, these cases reveal how overlapping sexual/migration control regimes both reinscribe hierarchies among women based on geopolitical location, and rebound the exclusionary nation-state despite growing transnationalism.     

politicizing biographies: the forming of transnational subjectivities as insiders outside

We take our own life stories as points of departure to look at some of the ways in which women were politicized in Argentina and West Germany (our respective countries of origin), focusing on similarities as well as differences in our politicization processes. We aim at putting present discussions about global political movements into a historical perspective. We want also to illuminate the centrality of political identities in the construction of specific (gendered) subjectivities. Our focus lies on theorizing the ways through which privileged (gendered) identities critically re-read their own position and transform their own understanding of themselves and the world through the field of the political. Methodologically, we want to contribute to ways of re-thinking Feminist methodologies by experimenting with a form of analysis in which we are alternately the subject and the object of our research process. The aim of this intervention is to transgress the binary oppositions between researcher/researched and challenge traditional understanding of social science where researchers provide analysis and informants have ‘experience’. One of our conclusions is that the 68 movement provided subject positions for living alternative normalities as an ‘insider-outside’, that is, for those who belonged to normalized groups in their respective societies, but for different reasons (of which we analyse some concerning our formation as ‘women’) could not identify with the dominant normalities offered to them. At the same time, the dominant male instrumentality of the movement estranged (some) women and allowed them (or forced them into) a kind of distanced engagement that, perhaps paradoxically, provided a basis for sustaining their political subjectivities through transformative experiences of defeat.     

Indian peasant uprisings: Myth and reality

A.R. Desai (ed.), Peasant Struggles in India, Delhi: Oxford University Press, 1979. Pp.xxv + 772; Rs. 140.

Sunil Sen, Peasant Movements in India: Mid‐Nineteenth and Twentieth Centuries, Calcutta: K.P. Bagchi, 1982. Pp.275; Rs.75.

D.N. Dhanagare, Peasant Movements in India: 1920–1950, Oxford: Oxford University Press, 1983. Pp.xii + 254; £12.

This review of some important recent works on peasant movements in India examines four major questions concerning (a) the social locus of rebellions, (b) the role of capitalism and imperialism, (c) the part played by existing state power, and (d) the role of parties or organisations. It is argued that while there is no unchanging social base the disproportionately high degree of tribal participation in armed rebellion may provide some clue to the relative lack of similar participation among the mainstream peasantry, that capitalist imperialism is a multi faceted phenomenon impinging on the peasantry in many ways, that existing state power plays a major part in rebellions, and that a party or organisation is a necessary precondition for any trans‐local or trans‐tribal movement. It concludes by suggesting that varieties of mobilisation within the framework of parliamentary politics should be studied in order to assess the really significant role of the peasantry in the political evolution of post‐independence India.     

neither here nor there: the reproductive sphere in transnational feminist cinema

This article examines representations of motherhood in three transnational feminist films: Anayansi Prado's Maid in America (2004), Sabiha Sumar's Silent Waters (2002) and Marjane Satrapi's Persepolis (2007). While these films differ at the levels of genre and style as well as in terms of their production contexts, they each feature several scenes that engage the tension between distance and proximity, separation and unity – an always unresolved tension integral to the reproductive sphere. Each film also provides at least one close-up shot of a mother's hands preparing food for her charge. Tracing Mary Ann Doane's explication of the close-up shot's engagement with the capitalist logic of the microcosm and macrocosm, I will show how the aforementioned films resignify what Doane identifies as the close-up's compensation for the loss of unity in modernity. The recurring image of a mother's labouring hands interrogates the false unity of the capitalist macrocosm, while also complicating the purportedly separate microcosm in which modern subject can touch and hold a given commodity. These films show that transnational mothers are simultaneously held within the immobile space of reproduction – owned and exploited by the larger structures that depend on their labour – while also actively recreating the cultures that render them invisible.