‘The Woman was a Stranger’: childbirth and community in eighteenth-century England*

On 17 December 1766 James Field stood accused at the Old Bailey of the ‘wilful murder of a new born child, by casting it into a tub of water’. The case was exceptional in many ways—not only was the accused male but he and his family had removed themselves from the network of neighbourly interactions that characterised lower status life in this period. As a result, the court's deposition statements record ideas of belonging and community with unusual clarity. Using Field as a case study, this article explores the involvement of the local community in the experience of childbirth in the eighteenth century. It will argue that childbirth had an active role in the creation of neighbourhood, and momentarily captured shifting eighteenth-century understandings of community.     

The sacred may not be the same as the religious: Angela Carter's ‘Impressions: The Wrightsman Magdalene’ and ‘Black Venus’

John Everett Millais's painting The Bridesmaid (1851) depicts a young woman, on the evening of a wedding, attempting to conjure up a vision of her own future husband. This work has been linked to a number of others by Millais dealing with marriage, and has been seen as an articulation of 'matrimonial ideology'. Brown sets the picture in the context of the widespread, though clandestine, practice of fortune-telling, through which women in particular attempted to foreknow, and thus control, the central event of their lives. One of the most frequent questions asked of fortune-tellers was 'whom shall I marry?', the question the girl in the painting has herself asked. However, drawing on recent critical work on 'proposal composition' pictures, Bown argues that men, too, faced great uncertainty on the brink of marriage, and that artists repeatedly explored this uncertainty through attempts to represent a complex female subjectivity in their works. In The Bridesmaid Millais (who was thinking about marriage in the early 1850s) depicts a woman telling her fortune, but he also seeks to represent her as full of thoughts and feelings. The artist, and the viewer of the painting, then, engages in an act of divination in which he tries to discover the mysterious secrets of female subjectivity.     

‘The dumpling in my soup was lonely just like me’: food in the memories of Mennonite women refugees

This article analyzes food memories as expressed in the oral and written memory sources of Mennonite women refugees who migrated from the Soviet Union in the 1920s and 1940s to Canada and (less so) South America. The specific case study is informed by theoretical models brought to the study of memory by historian Luisa Passerini. In particular, her work on the psychological and emotional meaning inherent in memory is evident here, as Mennonite women associate food with past experience both traumatic and life saving. As such, Passerini's notion of memory's double character fits the pattern of food memory that aligns with polar times of deprivation and abundance.     

‘The perfect equality of all persons before the law’: the Personal Rights Association and the discourse of civil rights in Britain, 1871–1885

The Personal Rights Association was established in 1871 to watch, restrain and influence legislation ‘in matters affecting the personal rights and liberties of the people’. Though initially its remit was to scrutinise legislation for terms that would be prejudicial to women, this soon extended to criticism of increasing incursions into male freedom. The PRA's membership, which comprised both sexes, included a cohort of male parliamentarians and intellectuals who took their commitment to civil liberties into the heart of government. Classified by one critic as ‘fussy busy-bodies [and] fourth-rate politicians’, this article reveals a ‘feminisation’ of these elite men hardly considered in the rhetoric of the middle-class radical.     

Angela Carter's ‘The Sadeian Woman’ and Female Desire in England 1960–1975

In The Sadeian Woman (1979) Angela Carter suggested that the visions of free female sexuality created by the Marquis de Sade in his violent pornographic novels provided insight into existing female sexualities in her own—British—society. In this article the representation of female sexuality in novels set in contemporary British society, written by women, and published between 1960 and 1975, is examined in relation to Carter's exegesis of the good, virtuous Justine and the meretricious, sexually desirous Juliette, two contrasting characters from Sade's work. The limitations of the three other alternatives present in the novels are described; containment within long-term marriage, good-hearted promiscuity; and the rejection of emotional repression. Then Carter's own solution to women's sexual inequality is placed in the context of feminism in the late 1970s, and the role of the novels in contributing to change is acknowledged.     

Managing the ‘main force’: The communist party and the peasantry in the Philippines

Despite the success of the Communist Party of the Philppines in winning rural support, its work has consistently been characterised by an instrumentalist approach to the peasantry. The article begins with an examination of the foundations of the party's attitude toward the peasantry and its roots in Marxist‐Leninist theory and practice. It goes on to consider evidence of the party's instrumental approach in practice, examining the impact on legal peasant organisations and the experience of socio‐economic projects in the countryside. Attention next turns to an analysis of the party's attitude toward ‘united front work’ and its impact on coalition building among the peasantry. Finally, the author considers the implications of the current split and debates in the ranks of the CPP for the peasantry and for the future of radical politics in the country.     

The ‘Civilizing Mission’: The Regulation and Control of Mourning in Colonial India

The control of women's public form of mourning in India was undertaken in the colonial era by male social reformers. The article argues that this was both a part of the process which enabled the consolidation of colonial rule – since laments were repositories for the social memory of the dead which could lead to vendettas – and that this fed into the construction of a specific domestic ideology. The latter was predicated on the privatization and interiorization of grief, whereby women were enjoined to bear themselves with rectitude. The taming of the transgressive form of mourning, whereby women who had earlier exhibited their grievances in a spectacular form through lament, took to more quietist (devotional) forms, has reconfigured the relationship to death and mourning. However, this has been a partial phenomenon, limited to the upper-caste, middle-class milieu. Where women continue to hold a dependent position within community, nation-state and international economy, the article suggests that, in contexts of modern conflicts and warfare, where death runs ‘wild’, the exhibitionist and ‘wild’ forms of showing grief and anger continue to be demonstrated by women as an appropriate public response.     

Visualising the ‘real’ and the ‘fake’: emotion work and the representation of orgasm in pornography and everyday sexual interactions

Visual representations of orgasm – whether in the flesh or mediated through a screen – are produced in a context of intense uncertainty about whether what is being seen represents an authentically experienced bodily event. Despite detailed scientific scrutiny and close attention to bodily signs, the authenticity of women's orgasm remains a site of cultural anxiety and contested gender politics. This uncertainty is exacerbated by the construction of female orgasm as inherently invisible or un-see-able, and ‘faking’ orgasm as a prevalent social practice. Drawing on existing literature from psychology, sociology and porn studies, this theoretical paper explores the problem of visually representing orgasm in the context of these uncertainties, and examines how the distinction between the ‘real’ and the ‘fake’ is structured by discourses of authenticity. Pornography and everyday sexual interactions provide ideal contexts for exploring the practices of producing and consuming visual representations of embodied experience because both necessitate a see-able orgasm which consumers/lovers can read as ‘real’. This paper demonstrates that considerable interpretative work is necessary to read the female body as authentically orgasmic in the context of cultural uncertainty, and that distinctions between the ‘real’ and the ‘fake’ are continually reworked. Drawing on the contrast between ‘surface’ and ‘deep’ acting (Hochschild, 1983), I argue that the distinction between the ‘real’ and the ‘fake’ cannot be established by recourse to unmediated bodily experience, and instead, researchers should consider how and when this distinction has traction in the world and the implications of this for gendered power relations, subjectivities and practices.     

‘Nature takes no notice of morality’: singleness and married love in interwar Britain1

This article draws attention to the dominance of marriage during the twentieth century and the strain this institution was, and still is, under. This is achieved by focusing upon the single as a problematic category in the context of interwar Britain through an examination of the writings of Marie Carmichael Stopes, one of the leading experts on marriage, and her single correspondents. There are clear contradictions in Stopes's writings, which she was unable to acknowledge, between sex as a normal healthy appetite which it could be dangerous to suppress and the denial of a sex life to the single. These are shown to have had the potential to destabilise marriage as the only site of legitimate reproduction and sexual relations. Examining the differences between her advice to single men and women also exposes the gender divide in relation to the concept of sublimation and the difficulties inherent in the concept of substitute mother as a stable and coherent identity for the single woman. The article concludes by making links between the position of single men and women in the early twentieth century and today.     

The Spectacle of Woman as Creator: representation of women composers in the French,German and English feminist press 1880–1930

The period 1880–1930 saw women composers achieve unprecedented prominence as composers of large-scale works. This success coincided with the first wave of feminist movements in England, France and Germany. This article views the junctions where these two groups of women met through the vehicle of the feminist press, documenting the tensions and misunderstandings that occurred between emerging women composers attempting to be taken seriously as creative entities and feminists seeking to improve the political, social and professional lot of women. The pervasive aesthetic of male musical genius remained unquestioned by many feminists in spite of examples of female creative brilliance.     

The ‘work as bad’ thesis in economics: origins,evolution, and challenges

This paper argues that in all major of epochs of economic thought – mercantilist, classical, and neoclassical – work has been portrayed as an unloved necessity. Politically, the treatment of work as a necessary evil has created undue pessimism about the prospects for progress in the quality of work and has helped to justify repressive policies to compel the working population to work hard. The ‘work as bad’ thesis, however, has been challenged by several writers, including Marx and the American institutional economists Commons and Veblen. These authors showed how the costs of work were socially determined and highlighted the possibility for intrinsically rewarding work under a transformed system of work. It is argued that in spite of some efforts to extend the analysis of work in mainstream economics such analysis is still lacking in comparison with similar analysis developed outside the mainstream paradigm. The paper outlines some of the strengths of an alternative economics of work based on insights drawn from non-mainstream economics.     

Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal

During the late nineteenth century, the British-born Australian physician Harriet Clisby became involved in the vibrant social reform circles of Boston, Massachusetts. Her ‘Sketches of Australia’, a journalistic series of travel writings, were published in the reform-oriented Woman’s Journal in 1873. This series provides insight into the discursive construction of Australian colonial society in a transnational context. Thematically, the ‘Sketches’ explored questions of geography, culture, class, labor, ethnicity, race, and gender, often embracing popular scientific discourses about race and universalist visions of women’s rights. While such perspectives were common among Anglophone social reformers of the era, Clisby also portrayed Australia as a multiracial nation of immigrants rather than as a collection of white settler colonies. By making colonial Australia accessible for a specifically American readership, the ‘Sketches’ also established a sense of a budding international relationship between Australia and the United States prior to the twentieth century.     

‘Stepping back and moving in’: the role of the state in the contemporary food regime

In recent years, a number of middle-income countries and influential multilateral institutions have instigated actions that frame food system governance around social protection and rights. These state-centered mobilizations raise fundamental questions about how to portray the global politics of food. Since the late 1980s, analysts have largely concurred that US hegemony in the global politics of food has given way to diverse and volatile neo-liberalist and corporate-led food system governance. However, what should we make of a situation where state and supra-state actors are flexing their powers to reshape food systems in line with rights-based models? Should this be understood as reflexes which aim to preserve national order, at a time of intensified food and nutrition insecurities? Or, does it lay the foundations of a re-governed system which curbs and molds a corporate-led politics of food within frameworks of justice? This contribution responds to these questions by tracing the evolution of social protection and rights-based approaches to the politics of food at the multilateral level and in two influential jurisdictions (India and South Africa). We argue that these initiatives underline a robust and continuing role of state power in global food politics, albeit in a novel fashion compared to previous entanglements.     

‘After years in the wilderness’: The discourse of land claims in the New South Africa

This article examines land restitution in the new South Africa, and the intersecting roles of land‐claiming communities, forcibly resettled from their land during the apartheid years, and the NGOs and — since 1994 — Government Commissioners who have helped them to reclaim the land. Ideas and practices concerning land, community and development that emerge from the interaction between these different players are mutually constitutive but sometimes also mutually incomprehensible. A populist rhetoric, evident both ir: discussions with former land owners, and in much of NGO publications such as Land Update, depicts land as something communally owned which must be communally defended. This sense of uniformly experienced injustice and shared resistance against outside intervention obscures the fact that claims on land derive from a series of sharply differentiated historical experiences and articulate widely divergent interests, such as those — in the case of the farm Doornkop for example — between former owners and their former tenants. The restitution of land to these former owners, while of great importance to them as a source of identity and as a redress of past injustices, is not necessarily the key to solving ‘poverty, injustice and misery’ as claimed for the process of land reform in South Africa as a whole.     

‘A Woman’s Place …’: Male Representations of University Women in the Student Press of the University of Liverpool, 1944–1979

Deciphering the manner in which women have been, and continue to be, represented in society is an integral element of a feminist critique. This article explores male representations of university women as presented in the student press of the University of Liverpool between 1944 and 1979. It is suggested that university women were represented as ‘other’ and stereotyped in a negative manner in the years 1944 to 1959. Furthermore, they were presented as unattractive, unwelcome, and in most cases at university to find a husband. The years 1960 to 1979 signified a shift with regard to the representation of university women; however, continuity with the earlier period was retained in the visual imagery of female students and the way in which ‘careers’ were presented as distinctly male. University women remained part of the ‘male gaze’ and were, ultimately judged on the basis of their sexual attractiveness to the derision of their intellectual abilities.     

The ‘Invisible Institution’ and Black Youth Crime: The Church as an Agency of Local Social Control

We examine the degree to which an individual's religious involvement significantly mediates and buffers the effects of neighborhood disorder on youth crime. To test this hypothesis, we analyzed the fifth wave of data from the National Youth Survey, focusing on black respondents given the historical as well as contemporary significance of the African-American church for black Americans. Results from estimating a series of regression models indicated that (1) the effects of neighborhood disorder on crime among black youth are partly mediated by an individual's religious involvement (measured by the frequency of attending religious services) and (2) involvement of African-American youth in religious institutions significantly buffers or interacts with the effects of neighborhood disorder on crime and, in particular, serious crime. Theoretical and methodological implications of the present findings are briefly discussed.     

‘The earrings:’ friendship across ethnic and gendered boundaries in the American West

How were relationships negotiated across ethnic, racial, and gendered boundaries in the American West in the 1920s and 1930s? Were friendships possible? What limits shaped them? In 1927, four Kiowa students enrolled at Oklahoma University as students of Swedish-born Professor of Fine Arts Oscar B. Jacobson. This article investigates the relationship between Jeanette Berry, wife of one of the Kiowa artists, and Sophie Brousse, Jacobson’s French wife. It focuses on an incident when Berry presented Brousse with a gift of earrings. Placing this gift within a discussion of friendships between strangers illuminates the lines of culture, meaning, and power that separated these women. This relationship had individual ramifications but also formed part of their respective attempts to establish positions and maintain culture within Oklahoma where both American Indians and immigrants faced changing and volatile conditions. Their encounter highlights issues of class as well as ethnicity and culture.     

‘The Spornosexual’: the affective contradictions of male body-work in neoliberal digital culture

Since 2008 there has been an empirically observable rise in young British men sharing images of their worked-out bodies on social media platforms. This article draws on interviews with men who engage in this popular cultural practice to suggest that it is an embodied and mediated response to the precarious structures of feeling produced by neoliberal austerity. It begins by arguing that as young men’s traditional breadwinning capacities are being eroded in a post-financial crisis austerity economy, increasing numbers of them are turning to sharing images of their worked out bodies as a way of feeling valuable. Moreover, by speaking to men who engage in this practice, it becomes possible to map the affective contradictions of inhabiting the precarious spaces of austerity culture. The article concludes by suggesting that within these affective contradictions lies the potential of resistance to neoliberalism’s ongoing territorialisation of everyday life.