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1.
《Critical Horizons》2013,14(3):231-248
Abstract

A major problem threatens Deleuze’s project in The Logic of Sense. He makes an ontological distinction between events and substances, but he then collapses a crucial distinction between two kinds of events, namely, actions and mere occurrences. Indeed, whereas actions are commonly differentiated from mere occurrences with reference to their causal dependence on the intentions of their agents, Deleuze asserts a strict ontological distinction between the realm of causes (including psychological causes) and the realm of events, and holds that events of all types are incorporeal happenings which are inseparable from expressed sense. For Deleuze, what counts as one’s action thus does not depend on one’s intention, but rather on a process of “making sense” of that action. Nevertheless, Deleuze continues to speak of the need to “will” the event. In order to resolve this apparent contradiction, I will read a conception of “expressive agency” into The Logic of Sense.  相似文献   

2.
《Critical Horizons》2013,14(2):265-280
Abstract

The two competitive currents in French philosophy initiated by Jacques Derrida and Gilles Deleuze tackle the difference between empiricism and idealism in contrary motion. In Derrida, the move is toward a critique of representation. In Deleuze, it is toward recovery of the real. Nevertheless, this paper nominates their meeting in a kind of ‘radical empiricism’. Both Derrida and Deleuze engage with empiricism at certain points in their work, although many who go by that label would be surprised to hear it.  相似文献   

3.
In the present essay, I apply various concepts associated with the thought of Gilles Deleuze and Fe´lix Guattari to an inquiry concerning what I call the ‘ontology’ of musical creation and performance. Specifically, I utilize both the theory and approach of ‘schizoanalysis’, which so pervasively marks co-operative works such as Anti-Oedipus and A Thousand Plateaus. Deleuze and Guattari's schizoid becomes the model for my musician-performer. This ‘schizoid musician’ is the one who has the ability to apprehend that of a ‘musical space’, a central theme of the essay. Some additional clarification is needed as well. Although I surely offer this essay to the reader as a thoroughly honest, and hopefully provocative, attempt, it is also something of an indebted experiment. That is, the ‘after’ of my essay's title-as in ‘after Deleuze and Guattari’-has essentially two meanings. The first, and obvious meaning: I write after Deleuze and Guattari in that I inherit, to whatever extent, their thought. I grapple with their ideas. The second, and perhaps more unconventionally risky (because potentially easily misconstrued as representative of a kind of blind fidelity): I write after Deleuze and Guattari in the way that a painter paints ‘after’ another painter, in the way that a composer composes ‘after’ another composer, and so on. In one sense, the selective utilization of a sensibility associated with the schizophrenic condition provided the 'silent partner' and underlying guiding influence for Anti-Oedipus and A Thousand Plateaus. Thus, this essay is, in part, a modest attempt at yet another 'fold' (to use a term of Deleuze's) in a philosophical inquiry-some kind theoretical exemplar of ‘difference and repetition’ (or, difference in repetition). This indebtedness notwithstanding, the reader will notice the scholarly utilization of Deleuze and Guattari also in terms of a silent partner, a guiding influence, and less in terms of a source that is explicitly acknowledged or referenced. This was an intentional part of the experiment from the beginning. Of course, other thinkers, on the other hand, will come to occupy such a space in the essay.  相似文献   

4.
《Critical Horizons》2013,14(2):115-135
Abstract

This paper will examine the relation between philosophical thought and the various milieus in which such thought takes place using the late work of Gilles Deleuze and Félix Guattari. It will argue that Deleuze and Guattari's assessment of this relation involves a rearticulation of philosophy as an historiophilosophy. To claim that Deleuze and Guattari promote such a form of philosophy is contentious, as their work is often noted for implementing an ontological distinction between becoming and history, whereby the former is associated with the act of creation and the latter with retrospective representations of this creative process. Furthermore, when elaborating on the creative nature of philosophical thought, Deleuze and Guattari explicitly refer to philosophy as a geophilosophy that is in contrast to history. Nevertheless, this paper will demonstrate that far from abandoning the category of history, Deleuze and Guattari's analysis of the relations between philosophical thought and relative milieus suggests to us an historical ontology and methodology that is a critical part of philosophy's nature.  相似文献   

5.
《Critical Horizons》2013,14(2):157-175
Abstract

This paper points to significant similarities between the political orientations of Deleuze and Derrida. Derrida's appeal to a pure form of existing concepts (absolute hospitality, pure forgiveness, and so on) parallels Deleuze and Guattari's distinction between relative and absolute ‘deterritorialisation’. In each case, the absolute form of the concept is a condition of the possibility of change.  相似文献   

6.
In the Cinema books, Deleuze integrated his ‘counter‐history’ of philosophy and arrived at a philosophy of art. For him, the artist is a ‘creator of truth’ because truth is not to be achieved, formed, or reproduced; it has to be created’ (Cinema 2 1985: 146). Stressing the pre‐eminent importance of the ‘creation of the New’, Deleuze calls on us to reread and rethink with him the works of Bergson, whom he views as indispensable to the ‘pure semiotics’ of cinema.  相似文献   

7.
John Marks 《社会征候学》2013,23(2):233-246

This paper deals primarily with Deleuze's work on literature? but also looks briefly at related ideas in the books on cinema. Deleuze has often concentrated on what he calls ‘American‘ literature, particularly in Critique and clinlque. The first part of the paper seeks to outline some of the main elements of this particular literary field for Deleuze. The paper then goes on to show how the general rejection of metaphor that informs Deleuze's work on literature can be more precisely defined as a theory of free indirect discourse. The concept of free indirect discourse is? as Frangois Zourabichvili has shown, at the heart of Deleuze's work? aesthetic or otherwise. For example, the idea of the percept functions as an aesthetic application of free indirect discourse, and Cinema 1 and Cinema 2 suggest that this form of enunciation represents a new aesthetic cogito to which cinema is ideally suited.  相似文献   

8.
《Patterns of Prejudice》2012,46(4):384-406
ABSTRACT

Newth’s paper contributes to a greater understanding of the connection between regionalism and radical-right ideology by examining the roots of the Italian Lega Nord’s regionalist, populist and nativist discourse with a new framework of populist regionalism. By analysing the discourse of two waves of regionalist activism in Lombardy and Piedmont, represented respectively by movements for regional autonomy (MRAs) and the Lega Nord (Northern League), Newth underlines a significant connection between populist regionalism and the radical right, represented by the process of Othering directed against both internal and external migrants. At the same time, examination of narratives used during these two waves of activism reveals differences—at times nuanced, at times more explicit—between their respective populist and nativist identities.  相似文献   

9.
What is the objective of ideology critique today? A unique answer to this question can be found in the work of Bernard Stiegler: the object of ideology critique is stupidity. Stiegler’s work will be situated with regard to the study of ideology and post-structuralism, reframed as respective versions of a dichotomy between critical and neutral theories, to show how Stiegler’s conception of ideology encompasses both. How he thinks ideology ‘after’ post-structuralism will be explored through his reading of Deleuze and Guattari. First, by seeing how Stiegler capitalizes upon the theoretical developments of Deleuze and Guattari to rethink the notion of ideology. Second, by seeing how this understanding of ideology is folded back on their work in order to discern how post-structuralism can be critiqued by a theory of ideology that utilizes its views. From the perspective of his reading of desire in Deleuze, Guattari and Freud, Stiegler shows how ideology destroys the desire to rethink ideas, and enforces stupidity. Third, after Stiegler’s theoretical labour, we arrive at a notion of ideology dichotomized between the critical and the stupid, tasking critique with the invention of new forms of desire, and the struggle against stupidity.  相似文献   

10.
Abstract

In this introduction, we underline the theoretical connection between responsibility, luck, and equality upon which luck egalitarianism rests, and we consider the social and political relevance of the approach. We then situate Kasper Lippert-Rasmussen’s version of the view as proposed in his book, Luck Egalitarianism, in the egalitarian landscape. Lastly, we introduce the six papers that make up this symposium: some are critiques from within or outside luck egalitarianism, while others engage with the theory by expanding the scope of luck egalitarianism.  相似文献   

11.
Abstract

The international relations (IR) discipline is known as an ‘American Social Science’ dominated by scholars and theories from the US core. This paper compares IR in two noncore settings, China and Europe. It shows that there is a growing institutional and intellectual integration into global Anglophone, mostly American, IR in both Europe and China. Both Chinese and European IR communities have established top Anglophone journals like the European Journal of International Relations and the Chinese Journal of International Politics to spearhead their integration into mainstream Anglophone IR and carve out a space for regional thinking. Yet, the analysis of their publication and citation patterns shows that IR outside the American core communicates through a hub-and-spokes system where there is always a connection to the American core but rarely very strong linkages to other peripheral regions. The two journals studied thus function as outlets for ‘local’ and American scholars, rely on ‘local’ and American sources, and there is very little integration and exchange between Chinese and European IR. Chinese and European IR would benefit from such a dialogue, especially regarding ‘schools’ of IR at the margins of an ‘American social science’.  相似文献   

12.
Book reviews     
Gilles Deleuze and the Question of Philosophy PHILIP GOODCHILD London: Associated University Presses, 1996

Baudelaire and Schizoanalysis: The Sociopoetics of Modernism EUGENE HOLLAND Cambridge, Cambridge University Press, 1993

Australian Television and International Mediascapes STUART CUNNINGHAM & ELIZABETH JACKA Melbourne: Cambridge University Press, 1996

Sociolingwistics and Language History: Studies based on the Corpus of Early English Correspondence TERTTU NEVALAINEN & HELENA RAUMOLIN‐BRUNBERG (Eds) Language and Computers: Studies in Practical Linguistics No 15, Amsterdam/Atlanta., GA: Rodopi, 1996

Fear of the Dark. ‘Race’, Gender and Sexuality in the Cinema LOLA YOUNG London and New York: Routledge, 1996

Deleuze: A Critical Reader PAUL PATTON (Ed.) Oxford: Blackwell, 1996

A Guattari Reader GARY GENOSKO (Ed.) Oxford: Blackwell, 1996

Counterworks. Managing the Diversity of Knowledge R. FARDON (Ed.) London: Routledge, 1995  相似文献   

13.
Abstract

Corruption and trust are two important determinants of the quality of public sectors. Empirical studies in different literatures suggest that corruption and trust have effects on factors such as economic growth, the quality of democratic institutions, life quality, the size and effectiveness of the public sector and much more. The purpose of this special issue – one that goes to the heart of the comparative policy ethos which is central to the journal's mission – is to draw on a number of country examples to shed light on the state of the literature on the connection between corruption and trust. The aim is to show that these two concepts are highly relevant to each other, and that their interconnections are important to understand the public sector consequences of corruption and trust. By focusing on these concepts, we hope that this special issue can pave the road for further comparative research.  相似文献   

14.
《社会征候学》2013,23(3):253-263

Feminist theory and practice, and in particular Julia Kristeva's theory of the semiotic in language and Bracha Lichtenberg Ettinger's explication of the matrixial, provide a basis from which to extend the ideas of Deleuze and Guattari concerning domains of signification that operate beyond the Oedipal structure. In the first part of this paper, I will discuss some relationships that may be traced between the ideas of these theorists and processes in creative practice that have the potential to constitute an alternative stratum of subjectivity not wholly dependent on Oedipalisation. This will be followed by a brief analysis of two paintings by West Australian artist Linda Banazis incorporating what I have termed the ‘X Function', an additional and transversal system to those outlined in Michael O'Toole's (1994) model of semiotic analysis of visual texts. The X Function provides a means of mapping nomadic or non-Oedipal currents, those ‘non-discursive' or resistant dimensions of texts which deny fixity or closure of interpretation.  相似文献   

15.
Abstract

The Arab World has witnessed massive popular uprisings that seek to overturn years of authoritarianism and supposedly bring about democratic change and social justice. These uprisings evoke both optimism and pessimism about religion, violence, and their connection to cities. As people in various parts of the Arab world embark on their quest for self-government, there is no telling where this great experiment will lead. Based on current indications, religion will play a decisive role in shaping the futures of these nations, and particularly their cities. These directions seem to be charted by the religious parties that have come to power, and through a series of subtle and gradual policies that are setting the foundations for future theocratic states. The aim of this article is to explore the urban processes by which religious ideologies transform into fundamentalist urban movements, and how their actions are starting to reshape the cities of the Arab World.  相似文献   

16.
The intention in this article is to explore, explicate, and, ultimately, critique Jurgen Habermas' communication theory. Drawing on the pragmatics of Deleuze and Guattari we will propose that Habermas' defence of the importance and priority of communicative action is problematic to the extent that it implicitly involves the issuing of an imperative order that cannot be accounted for within the normative framework that he envisages. In other words, we will be suggesting—with the help of Deleuze and Guattari—that Habermas, undoubtedly against his best intentions, precipitates, what we will call, a strategic levelling of communicative action.  相似文献   

17.
《Critical Horizons》2013,14(1):60-76
Abstract

The attempt to connect philosophy and social hope has been one of the key distinguishing features of critical theory as a tradition of enquiry. This connection has been questioned forcefully from the perspective of a post-philosophical pragmatism, as articulated by Rorty. In this article I consider two strategies that have been adopted by critical theorists in seeking to reject Rorty's suggestion that we should abandon the attempt to ground social hope in philosophical reason. We consider argumentative strategies of the philosophical anthropologist and of the rational proceduralist. Once the exchanges between Rorty and these two strands of critical theory have been reconstructed and assessed, an alternative perspective emerges. It is argued that philosophical reasoning best helps to sustain social hope in a rapidly changing world when we consider it in terms of the practice of democratic criticism.  相似文献   

18.
Collateral times     
Abstract

Today’s financial system essentially relies on the pledge of collateral. A closer look at this uniquely cross-disciplinary instrument not only reveals a remarkable absence in the modern disciplines but also a close relationship with money. This connection is brought into theoretical perspective by analysing the role of pledge in three historical configurations. In ancient Greece, symbola and horoi stones emerge as two distinct devices to secure contract that become entwined in seventeenth–eighteenth century pledge-theories of money as witness and object of exchange. Together these throw new light on the contemporary form of shadow money as a distinct marriage of security and safety.  相似文献   

19.
Abstract

Political philosophers are divided on the question of whether society should guide individuals in their projects and goals in light of the competing, yet overlapping, values of moral independence and human well-being. The lively neutralism-perfectionism debate appears to be significantly muted, however, when it comes to children who, all parties assume, should be guided by adults in their plans of life. Thus, in their stimulating new book, Family Values: the Ethics of Parent-Child Relationships, liberals Harry Brighouse and Adam Swift affirm the role of the family in directing and enabling children’s flourishing. My paper challenges this distinction between parents and children in the liberal position to argue that the idea that it is appropriate to direct children to enable them to flourish, entails in fact, a commitment to policies that promote and enable the flourishing of all.  相似文献   

20.
Image Politics     
《Critical Horizons》2013,14(3):341-354
Abstract

This essay focuses on the ongoing references made to the ban on graven images for the foundation of political aesthetics. In this tradition the image itself plays a significant role in the creation of a dichotomy in which the image becomes either “icon” or false appearance. The image in this tradition is a powerful agent and gains as such performative power. From the Bible to Kant and German idealism to Adorno and Deleuze, the prohibition of the image signals its power and turns it into a strong magnet in political aesthetics, may it be affirmative or negative.  相似文献   

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