Adorno and the Problems of a Critical Construction of the Historical Present

Abstract

This paper argues that Adorno's metaphysics can be rescued from the constellation of his messianic materialism. The recovery of metaphysics in this context also means that it is rescued as the basis of possible critique. Rescue here entails that the ideas of truth, freedom, justice and democracy should be seen as transcending whatever is empirically given, while remaining immanently operative within society. These ideas can still be drawn on for a critique of the present, thus renewing the original project of critical theory.     

From Critique to Reconstruction: On Axel Honneth's Theory of Recognition and its Critical Potential

Abstract

This paper aims to analyse Axel Honneth's theory of recognition by focusing on two distinct methodological approaches present in it, namely, critique and reconstruction. The critical moment in Honneth's theory of recognition is articulated around two concepts: world-disclosing critique, which is based on the attempt to suggest new and provocative points of view on social reality through the usage of rhetorical devices; and misrecognition, as the empirical starting-point for the theoretical model. These two notions, which can be traced back to Adorno and the so called "first generation" of the Frankfurt School, are interpreted as the mainlines of the diagnostic moment in Honneth's critical theory, as they provide an effective analytical insight into the reality of social suffering. Furthermore, they represent the basic fundament upon which the second level, reconstruction, is articulated. By bringing to light the core aspects of social interaction, they provide the initial clues for the development of the normative framework of recognition, the formal idea of a "good life". The final part of the paper argues that such an interpretation of Honneth's theory of recognition helps to overcome some of its most problematic aspects and thus to deepen its critical potential.     

Primitiveness and the flight from modernity: sociology and the avant-garde in inter-war France

This paper examines the links between the French school of sociology and anthropology and the surrealist avant-garde in inter-war Paris by unearthing their common reliance on a cross-cultural critique of European modernity. Accordingly, the paper focuses on how both currents – and notably the Collège de sociologie – used representations of a mythical ‘primitive’ condition to produce an outside of modern society and an alternative socio-cultural universe from which Europe's pathologies could be diagnosed. This self-critique through a comparative lens aimed to radically situate, relativize and decentre the phenomena of rationalization, disenchantment and anomie characterizing modernity, which could be shown to be neither natural, eternal, universal nor inevitable, but rather the socio-historical products of developments in a particular culture during a specific period of its history.     

Critical Theory of Society or Self-Critical Society

Abstract

This paper presents a critical comparative reading of Ulrich Beck and Herbert Marcuse. Beck's thesis on ‘selfcritical society’ and the concept of ‘sub-politics’ are evaluated within the framework of Marcusian critical theory. We argue for the continued relevance of Marcuse for the project of emancipatory politics. We recognise that a focus upon the imminent and spontaneous possibilities for radical social change within the ‘sub-political’ is a useful provocation to the high abstractionism of much critical theory, but suggest that such possibilities are better captured in a Marcusian theoretical frame than they are in Beck's account.     

Who’s afraid of a world state? A global sovereign and the statist-cosmopolitan debate

Wary of quick statist dismissal of their proposals, cosmopolitans have been careful not to associate themselves with a world state. I argue that this caution is mistaken: cosmopolitans should see the vision of a world state as strategically valuable in exposing weaknesses in statist accounts, particularly of the Rawlsian variety. This strategic value follows if the only cogent arguments against a world state belong to non-ideal theory which assumes non-compliance, rather than to ideal theory with its core assumption of full compliance. If our only convincing reasons to reject a world state are non-ideal, then any liberal theory revolving around separate states must itself be considered a non-ideal theory. As a non-ideal theory, a statist law of peoples cannot be presented as an end-state, but is rather a transitional stage. Yet once seen as a transitional theory, the statist “realistic utopia” can no longer dodge the cosmopolitan charge that it is neither sufficiently realistic nor sufficiently utopian.     

Habermas and the Holy Grail of reason: The Philosophical Discourse of Modernity between theatre and theory

A critical discourse analysis of The Philosophical Discourse of Modernity demonstrates that Habermas's discourse on modernity is theoretische Fiktion (a term Freud used to describe a given theory for which no evidence can be found and no arguments validated). Theatrical narrative strategies from drama are identified that not only organise the logic of the text, but also position readers. The choice of mise en scene—the Oedipal cross‐roads where older and younger protagonists meet in conflict—is seen to position readers as mere spectators. The choice of the narrative trope of the romance of lost opportunity (the road open but not taken) is not merely illustrative, but necessary for the claim that Habermas has redeemed the enlightenment project.

The paper critiques Habermas's theorising on discourse ethics because it distinguishes categories of discourse into scientific/analytical, moral/interpretive and aesthetic/expressive, which operate in three different spheres of value. In particular, it challenges the notion of an “inner logics” for what, in Habermas's stable of discourses, he labels the scientific/analytical. Readers of The Philosophical Discourse of Modernity, the paper demonstrates, are not so much pulled along by the force of the better argument, but seduced by that unbridled beast: the aesthetic/expressive.     

Antipodean Enlightenment

Abstract

In his monumental collection Culture, Science, Society: The Constitution of Cultural Modernity, György Markus lays down the conceptual framework for the theorisation of modern high culture across the cultural spheres and articulates an account of cultural pragmatics or cultural relations – author, text and public – in the domains of science, arts and the humanities. He explores in great detail the conceptual keystones in the evolution of the cultural self-understanding of modernity from the enlightenment until today. Markus’s work resonates with a deep understanding of the historico-cultural terrain being covered and the conceptual issues at play.     

Modern post-colonial approaches to citizenship: Kwame Nkrumah’s political thought on Pan-Africanism

This project of critical citizenship studies and comparative political theory utilizes a framework of multiple modernities in order to deeply explore the ontological foundations and complexities of a non-Western conception of citizenship and nationhood: political pan-Africanism. It does so through a study of the political thought of Kwame Nkrumah, a deeply influential political theorist and actor, in the context of the Gold Coast’s struggle for independence and in the initial years of Ghanaian post-colonialism. How did Nkrumah conceive of Pan-Africanist citizenship and nationhood in political and ontological terms? How does this relate to both modern conceptions of citizenship as tied to the nation-state and traditional Ghanaian conceptions of citizenship and belonging? After considering these questions, this paper explores how Nkrumah’s vision of Pan-Africanism was influenced by, yet contradicted central tenets of, Western political thought and modernity. It explores the theoretical and practical tensions inherent between this non-Western conception of the nation and the dominance of aspects of ‘Western’ modernity. Exploring these questions through the lens of Nkrumah’s political thought offers an Afrocentric study in an effort to strengthen African historical agency and to deparochialize citizenship studies and political theory.     

劳动价值论:经济学语境中的现代性话语

对现代性进行理论探讨是现代西方思想运动的基本主题之一。亚当.斯密确立的劳动价值论,既从经济学层面对现代性的合法性进行了辩护,又从"历史深处"凸显了现代性的界限。马克思通过劳动价值论批判,把现代性视为自我否定、自我扬弃的过程,从而在经济学语境中完成了对"现代性"的实践批判和超越。     

试论国际关系批判理论——以林克莱特的学术思想为个案研究

法兰克福学派的思想观念被运用到国际关系研究之中,推动了以旨在追求人类最终解放的国际关系批判理论的发展。林克莱特继承了经典马克思主义传统和法兰克福学派的研究旨趣,深入探讨了国际关系理论的现实主义、理性主义和革命主义三种研究传统,提出了国际关系批判理论的研究方向。他还身体力行地探讨了政治共同体的转变以及现代公民观念等问题,从而引导了国际关系理论批判的转向。     

Pandora's Box: Reflections on a Myth

Abstract

The article seeks to consider the relationship between hope and utopianism by looking at the ancient Greek myth of Pandora's Box, with its enigmatic figure of hope. It begins by considering Hesiod's influential formulation of the myth, before examining a range of modern interpretations in which diverse conceptions of hope are to be found. Using the work of Spinoza, Hume and Day an alternative conception of hope is proposed that conjoins hope with fear. This is followed by an exploration of the utopian, using this time another figure associated with the myth, Prometheus. An attempt is then made to differentiate the frequently conflated concepts of hope and the utopian. Finally, in the spirit of recent post-secularism, the two concepts are brought to bear on the nature of religion.     

公共管理运动中的理性主义批判

公共管理运动是20世纪70年代后发展起来并产生广泛影响的政府治理理论和运动。它为政府改革和公共行政学研究提供了新的思路。然而,由于其理论和实践标准是建立在理性主义基础之上,因此公共管理运动存在着许多值得反思和批判的缺陷：对人性的认识的偏颇;对市场机制的过分崇拜以及不恰当的顾客比喻等。这些缺陷使得公共管理运动只能成为公共行政学研究的一个视角,而不能成为其替代模式。     

结构主义和后结构主义化的批判理论--让·鲍德里亚的消费社会理论

鲍德里亚虽主要以一套仿象、内爆、超现实的理论闻名于世,但其真正基础却是他在成为明星学者之前提出的一套社会理论。鲍氏社会理论实为一种结构主义和后结构主义化的另类批判理论。它属于批判理论,因为它像法兰克福学派的批判理论一样,立足于以彻底否定的态度分析当代西方社会;它不同于法兰克福学派的地方在于它先后采用结构主义和后结构主义作为基本分析武器。在马克思主义阶段,鲍氏用结构主义把现代社会界定为符号化社会,即由等级性差异系统支配的社会。在后马克思主义阶段,鲍氏用后结构主义进一步把现代社会分为确定性阶段和不确定性阶段,强调资本主义最新阶段的特点是“能指的解放”、“能指的游戏”。     

The Hyper-Hermeneutic Gesture of a Subtle Revolution

Abstract

I argue that Shakespeare's Timon of Athens exemplifies the concept of mourning play that Walter Benjamin had in mind when he wrote The Origin of German Tragic Drama. While others have interpreted the play in various ways, no one has attempted to understand Timon in a Benjaminesque manner that seeks to show the emergence of baroque tragedy as a new aesthetic form at odds with, and liberated from, classical tragedy's mythical foundation and instead premised on historical time and progress. In my discussion, I question the view that Timon possesses inheritable or transmissible human social bonds that can be the subject of annihilation as is the case in Shakespeare's other tragedies. Rather, Benjamin sees in allegory, as illustrated by Timon of Athens, the social condition of modernity replete with suffering, chaos, and violence, but devoid of real human bonds; indeed, it is without human meaning.     

Fighting with phantoms: a contribution to the debate on antisemitism in Europe

ABSTRACT

The point of departure of this paper is the polarization of ways of thinking about antisemitism in Europe, between those who see its recent resurgence and those that affirm its empirical marginalization and normative delegitimation. The historical question raised by this polarization of discourses is this: what has happened to the antisemitism that once haunted Europe? Both the current camps—‘alarmists’ and ‘deniers’, as they are sometimes known, or, perhaps more accurately, new antisemitism theorists and their critics—have the strength to challenge celebratory views of European civilization. One camp sees the return to Europe of an old antisemitism in a new and mediated guise. The other sees the return to Europe of a rhetoric of antisemitism that is not only anachronistic but also delusory and deceptive. Overshadowing this debate is the memory of the Holocaust and the continuing presence of the Israel–Palestine conflict. The aim of this paper is to get inside these discourses and deconstruct the dualism that generates homogenizing and stigmatizing typifications on either side. The spirit of Hannah Arendt hovers over this work and the question of the meaning of her legacy runs through the text.     

Examining Honneth’s Positive Theory of Recognition

ABSTRACT

In this article I examine Axel Honneth’s positive theory of recognition. While commentators agree that Honneth’s theory qualifies as a positive theory of recognition, I believe that the deeper reason for why this is an apt characterisation is not yet fully understood. I argue that, instead of considering only what it is to recognise another person and what it means for a person to be recognised, we need to focus our attention on how Honneth pictures the practice of recognition as a whole, which according to him works to make societies into places of greater freedom. This conception of recognition as a freedom-enhancing practice is supposed to provide a solution to a key problem of Frankfurt School critical theory, namely of how to determine the emancipatory practice in which critical theory is rooted, which becomes apparent as soon as one turns to the context in which Honneth originally develops his theory of recognition. At the end of the article, I offer a few reasons for doubting the overly positive picture of the practice of recognition that Honneth provides us with.     

From Fordism to Post-Fordism: Beyond or Back to Alienation?

Abstract

The evidence today is practically uncontested: about thirty years ago we left Fordism behind and entered a new phase of capitalism. That the structures of the post-Fordist social order call for new modes of social critique is also a prevalent idea. The category of alienation continues, however, to be discredited. Nevertheless it is not clear that the categories of democracy (as apparatuses of non-domination), justice and the good life are capable of bringing about the political effects that may be expected today from the concept of alienation. For these reasons, not only the historical diagnostic that appears to have authorized jettisoning the problematic of alienation but also the model of critique used to replace it demand critical scrutiny.     

A Critical Theory of Social Suffering

Abstract

This paper begins by defending the twofold relevance, political and theoretical, of the notion of social suffering. Social suffering is a notion politics cannot do without today, as it seems indispensable to describe all the aspects of contemporary injustice. As such, it has been taken up in a number of significant research programmes in different social sciences (sociology, anthropology, social psychology). The notion however poses significant conceptual problems as it challenges disciplinary boundaries traditionally set up to demarcate individual and social phenomena. I argue that philosophy has a role to play in the attempt to integrate the diverging perspectives stemming from the social sciences. I attempt to show that, as it engages with the social sciences to account for the conceptual and normative issues thrown open by the question of social suffering, philosophy in fact retrieves the very idea of critical theory, as a conjugated critique of social reality and of its knowledge. I conclude by showing how the question of social suffering then becomes a useful criterion to distinguish between the different existing approaches in critical theory.