Feminist biography and feminist history

Abstract

This article seeks to explore the relationship between biography and the many new developments evident in feminist history. Taking as its particular focus the history of nineteenth- and twentieth-century English feminism, it looks at the divergence between an approach to biography which assumes it to be concerned with the lives of exceptional individuals and an interest in the history of feminism which has ceased to regard it as being the story of heroic victories on the way to women's emancipation. The growing interest in the lives, experiences and activities of past feminists who were not the leaders of major national campaigns suggests a new approach in general to the biographies of feminists – exploring how they lived and understood the broader situation of women     

Back to the factory: the continuing salience of industrial workplace history

ABSTRACT

Factories remain significant sites of employment, crucial to capitalism. In the twentieth century, scholars registered achievements in documenting their history, but since the late 1980s, and for a generation, the field lost impetus within labour history although insights continued to accumulate through work in adjacent disciplines. The factory has not featured on the agenda of ‘transnational’ and ‘global’ labour history, but we suggest that it can and should contribute to that broader global project, reinvigorating labour history, not least by contributing a dimension close to workers’ everyday experience.     

Women and radio: sounding out new paths in women's history

ABSTRACT

Since its early introduction in the domestic sphere in the 1920s, radio has been used as a medium for the expression of women's voices, needs and concerns. In this introduction we would like to mobilise an understanding of radio as a vital source for doing women's history. Women's radio programming, women broadcasters, and women listeners provide a lens through which a number of histories can be analysed. This introduction provides an overview of the historical relationship between women and radio. It is further dedicated to research that explores the overlapping spaces of radio and women's history, and in particular, points to how radio-related source material can provide new points of departure for women's history.     

Structures of feeling: contemporary research in women’s film and broadcasting history

ABSTRACT

This special issue is the second volume originating from the ‘Doing Women’s Film and Television Histories III’ international conference held at the Phoenix Cinema, Leicester, England, in May 2016. It connects with concerns and questions of women’s production histories related to the constructed nature of history and how we write a ‘history from below’ to foreground the hidden, marginalised or forgotten histories of our women ancestors. This collection captures something of the dominant ‘structures of feeling’ of women’s film and broadcasting history scholarship in the contemporary period ranging from considerations of women working in both above and below-the-line roles in film, television and radio, to those whose labour fell outside of mainstream cinema production, as in the instance of the amateur film in the UK between the 1930s and 1980. Together, these case studies span from 1926 to the contemporary period, providing particular flashpoints of women’s history across the UK, North America, Italy and Australia.     

Over the centuries: a history of Wollstonecraft reception

ABSTRACT

Both Wollstonecraft’s fame and infamy are attributable to her lived experience as the woman author of the only radical republican feminist text published in the pamphlet war of the 1790s. Yet, her radical republican politics were divorced from her gender politics in the early reception. This paper argues that this separation was subsequently sustained in part by interpretive practices that rest on the suppression of the original split. It shows that over the nineteenth and twentieth centuries, both outside and within academia, the dominant interpretive tendency of neglecting Wollstonecraft’s radical republican politics has deradicalized both her historical political thought and her iconic image. This conventional reception has both enabled and limited the resources made available through Wollstonecraft to feminists throughout history.     

“He would know,but i just have a feeling”: gender and oral history1

Abstract

While feminist historians have long used oral history, and continue to revise the ways oral sources can be employed, historians of masculinities have been slow to embrace new approaches to oral history. Using interviews conducted with women and men for a community study, this article suggests that a gendered, relational reading of oral history is instructive, not just in showing how different men and women's experiences have been, but also how their memories have been shaped by prevailing ideas of gender-appropriate behaviour and values. This raises the issue of the form as well as the content of oral history being gendered.     

Agriculture in world history

What does food sovereignty look like?

Raj Patel

Hannah Arendt observed that the first right, above all others, is the right to have rights. In many ways, Via Campesina's call for food sovereignty is precisely about invoking a right to have rights over food. But it's unclear quite how to cash out these ideas. This Grassroots Voices section examines some of the difficulties involved in parlaying the right to have rights about food systems into practical solutions.     

Helena Normanton: legal crusader or myth Maker? ‘[S]urely the one thing history teaches us is that we cannot generalise,or even worse,categorise individual humans into saints and sinners,or heroes and villains’

ABSTRACT

Helena Normanton aspired to become a lawyer at a time when women were prohibited from entering the legal profession. This aspiration became a reality when, on 24 December 1919, she became the first woman to be admitted to an institution of the legal profession after the passing of the Sex Disqualification (Removal) Act 1919, thus enshrining her place in legal history. Her achievement was, without doubt, remarkable. She has become the ‘face’ of women’s entry to the legal profession, but what was her contribution to the opening the legal profession to women? How should history remember her? This article will examine her role in this history and compare it to her own narrative. Further it will consider how we reconcile her trailblazing challenge to the male exclusivity of the Bar with the difficulties her behaviour often presents to us. Helena Normanton: saint or sinner? And does it matter?     

Connecting Women's Histories: the local and the global

ABSTRACT

The articles in this Special Issue are drawn from some of the contributions to a conference held at Sheffield Hallam University, UK, from 29 August to 1 September 2013 titled ‘Women's Histories: the local and the global’. The articles reflect on diverse aspects of the entangled histories of women across the world, mainly, but not exclusively, during the twentieth century. They explore the range of ways in which women's history, international history, transnational history and imperial and global histories are interwoven.     

Kay Daniels as feminist historian

Abstract

While spending the better part of two academic years out of her home country, the USA, the author became increasingly perplexed by the current emphasis on poststructural theory in the writing of women's history. She says this because such theory may not only isolate this highly successful new subfield from the ongoing Second Women's Movement in the United States and from history teachers trying to integrate material on women into their classes, but most sadly, isolate American historians of women from their counterparts in Eastern European and Third World countries who are only beginning to write about their past.     

Rules of thumb: British history and ‘imperial culture’ in nineteenth and twentieth-century Britain1

Abstract

This paper examines the traditions of both British imperial and British domestic historiography and calls for a re-mapping of both so that the so-called separate spheres of ‘home’ and ‘away’ may be brought back into the same fields of debate. Its central claim is that imperial ideology and its effects were not phenomena ‘out there’. Empire was not a singular place; nor did ‘home’ exist in isolation from it. In spite of the polarization, which has been characteristic of their historiographies, their relationship was dialectic rather than dichotomous. These insights, while derived in part from new trends inside British history itself, owe both their theoretical rigor and their self-avowedly political concerns to post-colonial and feminist historiographical work, which together insist on the desacralization of ‘Britain’ proper.     

Telling the past – doing the truth: Toni Morrison's beloved

Abstract

This essay challenges the concept of historical truth by arguing that history is only true within its own parameters.One of the main interests of history is to organize (evaluate) events that were important in shaping the world as it presents itself today. What history neglects to describe are the forces and interests that structure that hierarchical system that history applies when writing its text, i.e.history. Taking Toni Morrison's Beloved as an example of writing the past that sets itself apart from writing history, the essays follows a narrative that is doing the truth by giving voice to the repressed fears of a white and black world that do(es) not dare investigate the parameters of existence.     

Histories of now: listening to women in British film

ABSTRACT

The research project ‘Calling the Shots: Women and contemporary film culture in the UK, 2000–2015’ investigates contemporary women's film history through two primary routes: the statistical analyses of the numbers of women in six key above-the-line professions (director, writer, producer, executive producer, cinematographer and editor), and interviews with 50 women in those same roles (by August 2018 we had interviewed 58). This paper focuses specifically on the permutations of the interview process for constructing women's film history in the contemporary period. Taking into consideration the theoretical, methodological and political issues at stake in recording oral histories of working women filmmakers, we contemplate the consequences of collecting and writing history that is still in medias res.     

No Longer Curiously Rare but Only Just within Bounds: women in Scottish history

This article examines the development of women's history in Scotland since the first conference of the International Federation for Research in Women's History (1989). The title is taken from a 1997 article in Scottish Affairs (issue 18), in which Esther Breitenbach asked whether the ‘curiously rare’ women in Scottish history was a case of the ‘suppression of the female in the construction of national identity’. Thus, this study focuses on key themes in the modern period of that history, notably education, the military, politics, labour, religion and literature. It concludes that while the place of women in Scottish history has indeed been asserted since 1989, and different questions are now being asked of the source material, women are still only slowly being integrated into mainstream studies.     

Witchcraft and history

Witchcraft in Early Modern Europe: studies in culture and belief JONATHAN BARRY, MARIANNE HESTER & GARETH ROBERTS (Eds), 1996 Cambridge: Cambridge University Press. xiv + 368 pp., ISBN 0-521-55224-9 hardback £40.00, ISBN 0-521-63875-5 paperback £15.00     

Women's history: a study in continuity and change

In this response to Bridget Hill's viewpoint published inWomen's History Review, 2, pp. 5-22, Judith Bennett argues that her position is more subtle and more nuanced than Hill's critique would suggest. Bennett defends the historiographical importance of re-assessing the place of continuity in women's history; she emphasizes the legitimate place of generalization in women's history; and she argues that patriarchy is a critical subject of investigation for feminist historians.