‘history’ is now: feminist theory and the production of historical feminisms1

Over the last decade, feminist practitioners across a variety of disciplines have been invoking history as an important grounding for both feminist politics and feminist theory. At the same time, however, insufficient account is taken of the extent to which standardized versions of ‘the feminist past’ are being invoked to represent a wide variety of feminist experiences and an equally heterogeneous set of historical circumstances and cultural contexts. It is suggested that if feminist reconceptualizations of history are to be taken seriously – if, in other words, history is the production of knowledges about the past and is itself contingent on the conditions of the present – feminist theorists must begin to reference both the imperial legacies of Anglo-European feminism and the multiplicity of feminist movements around the world. Only when feminists of all disciplinary persuasions begin to acknowledge the complex historical legacies of modern feminisms and situate their own critiques within them will feminist theory be properly grounded in, and responsive to, the exigencies of feminist history.     

Bolivia's soy complex: the development of ‘productive exclusion’

A significant transition is underway in Bolivia where both domestic and foreign capital are monopolizing commercial agriculture and leading a highly mechanized, capital-intensive production model which has considerably diminished the need for labour. This paper explores mechanisms and processes of ‘productive exclusion’ in the soy-producing zones of Santa Cruz in relation to the expansion, concentration and mechanization of the ‘soy complex’. We provide an analysis of how the agrarian structure has developed since soy was adopted – from ‘putting land into production’ to ‘expanding the agricultural frontier’ and ‘controlling the agro-industrial chain’. We explore how and the extent to which the penetration of new capital is leading to new processes of agrarian change which exclude the rural majority from accessing the means of production. While a process of ‘foreignization’ of land began to take shape in the early 1990s, new processes of capital accumulation are eroding the ability of small farmers to engage in productive activity, potentially leading to ‘surplus’ populations no longer needed for capital accumulation.     

Life into art and art into life: visualising the aesthetic woman or ‘high art maiden’ of the Victorian ‘renaissance’

There has been a great deal of research concerning the effect of aestheticism on men in the late nineteenth century, especially in terms of their sexuality, but its impact on women has been largely dismissed as unnecessary, as women were naturally ‘feminine’. This article examines whether ‘the self-absorption and heightened emotional life of Aestheticism’ (J.B. Bullen, 1998 [Oxford: Oxford University Press]) was tolerable in women or if it was leading to disease, decay and corruption. Aestheticism's insistence on individuality and self-discovery were to have important consequences for women, fuelling the desire for a life of their own rather than solely service to others.     

‘Purifying’ the public world: feminist vigilantes in late Victorian England

In late nineteenth-century England, a number of feminists confronted prostitution through the closing of brothels and the expulsion of prostitutes from places of entertainment. Feminist historians have either understood this behaviour as reflective of feminist' powerlessness within the largely non-feminist movement for social purity, or they have neglected the behaviour and concentrated on the aspects of these women' work that appear more positive to feminists today. Neither approach attempts to understand why women took this more repressive stance and thought of it as feminist. To understand the actions of these women, it is necessary to recognise that their vision of a ‘purified’ public and private world was often informed by religious beliefs and adherence to temperance. Concern with the morality of public space also related to women' desire for safety in public places. And their ‘repressive’ and statist actions related in part to feminist philanthropist' changing attitude toward local government.     

‘door bitches of club feminism’?: academia and feminist competency

After years of invisibility, the position of migrant women from Islamic countries now forms the core of the Dutch discourse on integration and emancipation. This article presents the downside of this visibility by showing that it is situated within a growing culturalist discourse. In addition to being culturalist, this discourse focuses on the shortcomings of migrants and is flavoured with a touch of new realism in its argument that it is a right to break the taboos of migrants. More visibility for migrant women will not help their empowerment if the basic assumptions of the dominant discourse are not challenged. Through presenting a case study, this article shows how this visibility can even strengthen the border between the Dutch as ‘emancipated self’ and Islamic migrants as the ‘unemancipated other’. In so doing it reinforces boundaries instead of alliances, isolation instead of empowerment, and suppression instead of emancipation.     

Beyond ‘Revenge Porn’: The Continuum of Image-Based Sexual Abuse

In the last few years, many countries have introduced laws combating the phenomenon colloquially known as ‘revenge porn’. While new laws criminalising this practice represent a positive step forwards, the legislative response has been piecemeal and typically focuses only on the practices of vengeful ex-partners. Drawing on Liz Kelly’s (Surviving sexual violence. Polity Press, Cambridge, 1988) pioneering work, we suggest that ‘revenge porn’ should be understood as just one form of a range of gendered, sexualised forms of abuse which have common characteristics, forming what we are conceptualising as the ‘continuum of image-based sexual abuse’. Further, we argue that image-based sexual abuse is on a continuum with other forms of sexual violence. We suggest that this twin approach may enable a more comprehensive legislative and policy response that, in turn, will better reflect the harms to victim-survivors and lead to more appropriate and effective educative and preventative strategies.     

woman’s reappearance: rethinking the archive in contemporary art—feminist perspectives

Recent debates in the field of contemporary art have underlined the political importance of creative reworkings of the past, especially for those subjects that have been traditionally marginalised. A feminist perspective has been nevertheless quite absent from such debates. This article addresses feminist uses of archival documents in the visual arts through the analysis of three works produced in the past two decades: The Fae Richard’s Photo Archive (1997) by Zoe Leonard and Cheryl Dunye, Some Chance Operations (1998) by Renée Green and Queen of the Artists’ Studios (2004–2007) by Andrea Geyer. These works share an interest for women’s histories and representations by composing a series of documents (both factual and fictive) into complex narratives where history and subjectivity intersect.     

‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.     

The ‘Unscottishness’ of Female Rule: an early modern theory

History has played a central role in the construction of nations in the early modern period when national historiography replaced chronicles as the main historical genre. The treatment of female national characters by historians is therefore key to our understanding of the gendering of the nation in its infancy. This article contends that Scotland is a good case in point to explain why some nations were born ‘womenless’, for not only did Scottish historians of the period exclude women from national heroism, but one historian, Buchanan, went as far as theorising a Scottish exception that deliberately excluded Scottish women from the throne.     

The Quest for the Lost Story: feminist reading of Julia Margaret Cameron's ‘Mountain Nymph Sweet Liberty’

This article suggests a feminist reading of the photograph ‘Mountain Nymph Sweet Liberty’ created by the early Victorian photographer, Julia Margaret Cameron. Examining this photograph in its historical context, it analyzes the unique encounter between Cameron, an upper-middle-class Anglo-Indian photographer, and her female model-subject, who came from the English lower classes. Whereas Cameron's biography is well researched and her artistic endeavors are fully acknowledged, the information on the photographed model, Annie Keene, is scarce. This article aims to reconstruct the model's life story. To fill the holes in the archival record, fiction is used to tell a detailed story of the unique professional meeting between Cameron and her sitter. The following is a feminist project intended to recover female subjectivities, whose relationships have been erased by art and history.     

‘An Unexpected Recruit to Feminism’: Jessie Boucherett’s ‘Feminist Life’ and the importance of being wealthy

In 1859 Jessie Boucherett, the daughter of a Lincolnshire landowner possessed of an independent income, was inspired by press discussions of the need to find alternative occupations for women to make contact with the women who were already spreading this message through the English Woman’s Journal. With their rather grudging support she founded a society, which still exists, to further this aim, the Society for Promoting the Employment of Women (now the Society for Promoting the Training of Women). Using the records of this Society, now housed at Girton College, Cambridge, this article looks at the way commitment to this cause allowed a woman from a wealthy, high Tory, landed background to turn herself in six years into the feminist who put up the initial money for the women’s suffrage campaign, and went on to be a leading figure in campaigns to reform the married women’s property laws and against legislation restricting women’s work. It examines in particular the use she made of her personal wealth to direct the strategies of the activist groups to which she belonged.     

Beyond the Centre: women in nineteenth-century Iceland and the grand narratives of European women’s and gender history

In recent years, women’s and gender historians have paid attention to the dissonance between the grand narratives of European women’s history and the history and experiences of marginal regions and countries. This article discusses the challenge of writing women’s history from the margins—Iceland—into the framework of the grand narratives of European women’s and gender history. It is argued that this framework grounded in theories of progress and modernisation is too narrow, offering little space for different or marginal voices from rural societies. Using the case study of the ‘ordinary’ woman Sigríður Pálsdóttir (1809–1871), the article argues that more voices from the margins and different histories, broaden our understanding of the multi-vocal and multi-levelled history of women in Europe.     

‘Quite the opposite of a feminist’: Phyllis McGinley,Betty Friedan and discourses of gender in mid-century American culture

This article examines the relationship between feminist and anti-feminist discourses in the period between World War II and the publication of Betty Friedan's The Feminine Mystique (1963). It takes as its primary focus the work of Pulitzer Prize-winning ‘housewife poet’ and self-proclaimed anti-feminist, Phyllis McGinley. McGinley was a successful poet who has disappeared from the record since the publication in 1964 of Sixpence in her Shoe—her best-selling retort to The Feminine Mystique. Her example is important because it gives voice to the much-maligned suburban housewife and offers a spirited alternative to Friedan's reading of white, middle-class domesticity as always and inevitably oppressive. The article offers a close reading of McGinley's work and situates it in relation to its historical and cultural contexts (specifically the highly charged domain of suburban domesticity) and to its wider readership. It compares her anti-feminism with that of other anti-feminist writers of the period, thereby illuminating the tensions and contradictions in contemporary debates.     

A bit of a dirty word: ‘feminism’ and female teachers identifying as feminist

Following the identification of a gap in the literature around reasons for contemporary women’s self-identification as ‘feminist’, this paper discusses an empirical study of an intergenerational group of contemporary Australian female teachers collaboratively designing English curriculum around girls’ media. The paper explores the group’s shared conversations around feminism, over a series of meetings, as we (teachers and researcher) plan curriculum and negotiate broader subject positions possible for girls and women. These contexts include the competing discourses of feminism and postfeminism and how these mediate texts chosen for study, our pedagogical approaches, and the ways we experience our own lives. In this study, we struggle to find a shared language, across generations, with which to work collaboratively in a community of practice committed to the critical study of media, but involving different individual orientations to ‘feminism’. This is a space in which impediments to the feminist study of girls’ media quickly emerge. The paper also serves as a reminder that feminist scholarship takes place in schools, as well as in the academy, and that the gender studies work teachers do in schools is potentially whole population work, worthy of keen attention in the gender studies academic mainstream.     

inhabiting or occupying the web?: virtual communities and feminist cyberactivism in online Spanish feminist theory and praxis

This article examines the relationships between gender and technology in Spanish feminist praxis online and argues that different perspectives on online feminist community-building offer distinct responses to cyberactivism, which is considered central to sustaining efforts for social change. To ascertain whether Spanish virtual communities and cyberactivism have the potential to address the challenges posed by the relations between gender and technology, we analyse feminist scholar Remedios Zafra's theoretical proposals, and the different ways in which this theory intersects with the cyberactivism put forth by two feminist web portals, Ciudad de Mujeres and Mujeres en Red. We will discuss to what degree particular Spanish feminist theory and practice online adapts to or challenges utopianism regarding the liberating potential of technology. We will also examine how, in the face of critical arguments about such liberatory possibilities, two options present themselves for women's effective use of technology: inhabiting or occupying the web through the construction of feminist communities online.