African being and cultural project

This article examines aspects of African culture seen as projects from an existentialist perspective and seeks to make a robust contribution to African studies and in particular interdisciplinary African studies. It offers a focus on the interiorisation of African cultural project-as-text as an upsurge of being; interiorisation(s) of being projects of African being and consciousness. This study on African subjectivity situates the African cultural constituency within a specific existentialist schematic: the African for itself in the form of cultural project-as-text, a reflective black consciousness, the black ‘I’ or African being-with-others in the form of cultural projects-as-texts, a self-reflective conscious of black consciousness, the black ‘we’-subject, ‘us’, and lastly African being-for-ourselves Black existentialist philosophy is predicated on the liberation of all black people from oppression.     

TRANSLATING BANGSA MALAYSIA

This article seeks to interrogate the idea of “race,” nation, and multiculturalism in Malaysia from the perspective of cultural studies, in particular that of cultural translation and postcolonial theory. It employs the concept of cultural translation to examine the processes of cultural change and transfer both from the perspective of state policies and nationalistic discourses as well as the discourses and practices of the people. The central idea is to argue for a more flexible understanding of race identities in the move toward a conceptualizing of Malaysian-ness as a national and cultural identity that takes into account the social practices and experiences, imaginings, and expressions of the people. A reading of Yasmin Ahmad's film Sepet lends credence to the article's assertions about the emergence of trans-racial identities on the ground that contest the pedagogic stability of state-defined race identities. The article enters debates on the politics of race and identity in Malaysia through the controversial state-initiated concept of Bangsa Malaysia, which it here advances as an alternative model of multiculturalism and national belonging that effectively displaces the National Culture Policy as well as other hegemonic cultural formulations and political constructions.     

AFRICAN RENAISSANCE AND NEGOTIATION OF YORUBA IDENTITY IN THE DIASPORA: A CASE STUDY OF NIGERIAN STUDENTS IN CAPE TOWN

ABSTRACT

Drawing on poststructuralist discourse analysis and Hall's (1990) notion of diaspora cultural identities, this article explores the discontinuation and maintenance of Yoruba identity options by students at three Western Cape Province universities. Interviews and observations data are used to consider how different forms of representations and cultural practices associated with Yoruba in Nigeria lead to equally fragmented and hybrid lifestyles and identity options in the Diaspora due to the changed socio-cultural conditions. The argument shows the ruptures and fragmentation of Yoruba cultural elements as students try to fit into the South African socio-cultural contexts while trying to live ‘home’ life away from home. It also shows cultural appropriation by local South Africans who claim Nigerian [Yoruba] affiliation through wearing Yoruba attire and partaking in Nigerian [Yoruba] cuisine. The authors argue that identities are produced across national and ethnic boundaries not only through language choices, but also through dress, food and other semiotic resources, and that to promote the ideals of an African renaissance, there is need to recognise that Africa is a consequence of not just similarities, but more so of various critical points of profound difference and discontinuity. The article concludes that African renaissance entails embracing shared African cultural heritage and differences as the norm; and transnational competition, interdependency and interconnectedness are critical ingredients for the technological and socio- economic development of Africa.     

Traditionalization as a response to state-induced development in rural Tibetan areas of Qinghai,PRC

ABSTRACT

The current state-induced and top-down-implemented development and modernization of the predominantly rural areas of western China can be perceived as a clear demonstration of Chinese power in Tibetan areas, resulting in the repression of expressions of minority culture. This article argues that the local population’s various practices of traditionalization, as demonstrated through an emphasis on the maintenance or (re)invention of representative cultural forms can be understood as efforts to counteract the socio-economic and cultural assimilation measures or even as a form of political resistance. At the same time, in the context of the economic opportunities brought on by the rapid development, in tourism for example, traditionalization has become an important economic asset for both the state and local Tibetans. These (revived) traditions could enhance cultural awareness among visitors to minority areas and strengthen local people’s sense of cultural security and their self-understanding as Tibetans.     

Andalusiasation: Is Iran on the Trajectory of De-Islamisation?

Andalusiasation is a critical concept in the Islamic Republic's security discourse that implies the gradual de-Islamisation of cultural structures, which will eventually constitute an existential threat to the political domination of the Islamists. The state displays confidence about its hard power, yet it shows anxiety about the enemy's cultural invasion. This article examines the widening religio-cultural gap between the state and the grassroots and evaluates the increasing securitisation of the cultural sphere in Iran.     

Cultural mobilization in post-Soviet Kazakhstan: views from the state and from non-titular nationalities compared

This article examines the way the cultural revival in post-Soviet Kazakhstan is perceived by both the state and militants from non-titular nationalities. Based on ethnographic material, the author analyses state engineering of cultural diversity and the strategies elaborated by militants of Tatar cultural associations to manage the status quo, as well as the preservation of ‘cultural intimacy’. The study points to convergences between the state discourse about inter-ethnic concord and the practices of cultural national militants. It also shows that behind this apparent status quo, the cultural sphere has become the arena where the issue of the recognition of full-fledged citizenship and the legitimacy to reside in Kazakhstan is raised and disputed by non-Kazakh groups, albeit implicitly.     

《日本文化基本法》的考察及其对中国的启示

日本立法实践表明,文化基本法重点发挥的是文化人权法与文化政策法的功能,厚植文化国力的根本在于全面提高＂人＂的文化艺术修养。中国文化政策存在稳定性不足、文化人权相对忽视及文化政绩化、功利化现象,亟待尽快制定文化基本法,就文化发展的基本理念、不同主体的权责义务及各项文化政策作出规定,以实现文化重要性教育,明确文化政策方向及保障文化人权,保证文化大发展大繁荣成为＂有源之水＂与＂有本之木＂。     

Cultural Policy and Cultural Politics in Revolutionary Cuba: Re-reading the Palabras a los intelectuales (Words to the Intellectuals)

This article re-reads Fidel Castro's speech to Cuban artists and intellectuals at the Biblioteca Nacional José Martí (National Library) in June 1961. Despite extensive discussion of its famous extract, the speech has rarely been examined in depth. This article thus analyses the entire speech, situating it within its co-text and its context and examining its multiple functions, offering as it does an insight into the social and educational implications of cultural revolution in Cuba and the inevitable tensions inherent in these. The article evaluates the negotiations in the text in the light of their relevance to contemporary cultural debates in Cuba.     

地域交易圈中的文化互通--评《中国与马来西亚文化交流史》

本文旨在对《中国与马来西亚文化交流史》一书中的若干重要的概念和问题进行评论,特别地,对于以地域交易圈作为文化交流的分析平台、文化交流的向度提出了自己的看法.     

Forging parliamentary space: revolutionary assemblies in New Granada and Spain, 1810–31

SUMMARY

This article analyses the making of space in modern parliamentarism from a transatlantic perspective. By considering the case studies of New Granada and Spain between 1810 and 1831, this article focuses on the differences in shaping parliamentary space during the revolutionary period in Europe and the Americas. This study considers the multiplicity of spaces in the construction of parliaments as modern institutions. It also discusses the influences of early modern estate parliaments in the construction of new institutional space in revolutionary times. In the process, several elements will be considered, such as the choice of the town where parliaments convene and the internal organization of the assembly hall. It is argued that, despite similar issues beyond the construction of a new institution, the influence of the king’s presence in Spain led to a different shape of internal parliamentary space compared to New Granada. Such an approach makes an original contribution to the debates on the transformation of sovereignty during this period and it therefore reshapes the interpretation of the revolutionary process from a cultural perspective.     

新发展阶段实施文化产业数字化战略探究

党的十九届五中全会提出了加快数字化发展的新要求。文化产业数字化有助于扩大内需,满足人民对美好生活的需求;有助于转变经济发展方式,扩大就业;有助于提高文化竞争力,增强文化软实力。转变观念,树立“互联网+”思维;充分发挥市场经济的作用,加强文化体制改革;加强科学规划,完善政策体系;制定并完善适应文化产业数字化发展的法律法规;重视对新型文化业态中的人才培养,为新发展阶段文化产业数字化战略实施的有效路径。     

The cultural baggage of Khorezmian identity: traditional forms of singing and dancing in Khorezm and in Tashkent

After Uzbekistan gained its independence from Soviet rule, important political and economic changes took place. The mobility of the population has since then increased drastically and created new spaces for the negotiation of social identities as well as new strategies for identity politics among the culturally and regionally diverse population of Uzbekistan. This article aims to contribute to the discussions on social identity and its ‘contents’ in the light of migration processes. The main argument centres on the importance of what Barth called the ‘cultural stuff’ of social identities when maintaining boundaries during identification processes. The analysis focuses specifically on certain singing and dancing practices of Khorezmians. It shows how these practices survive, but are also transformed in the context of Tashkent, the capital city of Uzbekistan, where people from different regions reside together and are engaged in performing and presenting their own group identity in reference to ‘others’.     

Art,Cold War Diplomacy and Commonwealth: Australian and Canadian Art at the Tate Gallery 1962–1964

This article analyses the formation, presentation and reception of two seminal exhibitions: Australian Painting: Colonial, Impressionist, Contemporary (1962–1963) and Canadian Painting 1939–1963 (1964). The presentation of these exhibitions at London’s Tate Gallery reflected the institution’s support for “old dominion” Commonwealth members. The exhibitions also highlight the differing visions of the Canadian and Australian governments concerning the relationship between art, diplomacy and politics during the Cold War. In Canada, Vincent Massey (Governor General 1952–1959) played a key role in ensuring that all forms of Canadian art were promoted internationally. Massey wanted to connect with the European and American avant-garde and to be part of a multiracial Commonwealth. This contrasted with the rather “old-fashioned” views of the Australian prime minister, Robert Menzies, and the Commonwealth Art Advisory Board. They supported a Commonwealth dominated by the “white dominions” and the initial exhibition plan for Australian Painting recalled previous British Empire art shows. The British response to the Canadian and Australian exhibitions is also discussed. British critics preferred the nationally identifiable “exotic” art found in Australian art to the transnational forms of international abstraction in Canadian art. Eventually, Australia “caught up” with Canadian cultural policy following the establishment of the Australia Council.     

Integración,mestizaje y nacionalismo en el México revolucionario. Forjando Patria de Manuel Gamio: la diversidad subordinada al afán de unidad

This paper analyzes the integration program in Manuel Gamio's Forjando Patria as a national project arising in the historical context of revolutionary Mexico, where cultural diversity is conditional on the idea of unity. Firstly, we trace the relationship of the integration program with its history, the concepts of “mestizaje” and “mestizo” of the late nineteenth and early twentieth century. Secondly, we analyze the influence of some European models of nationality and socio-cultural change on Gamio's integrationism, in the context of socio-ethnic heterogeneity in Mexico during 1916. Finally, we highlight the links between the concepts of cultural diversity become visible, nation and nationalism in this author's work.     

This land is my land: the Ethio-Sudan boundary and the need to rectify arbitrary colonial boundaries

Ethiopia and Sudan share a common boundary of over 1600 km which was drawn through a series of treaties between Ethiopia and the colonial powers of Britain and Italy. To date, this boundary has not been clearly demarcated. In 2007, the Ethiopian People's Revolutionary Democratic Front, the current ruling government, entered into a secret agreement with the Sudan to make adjustments on the border. This paper identifies the major factors that have frustrated efforts to address the Ethio-Sudan boundary problem and also proposes solutions on how Ethiopia and Sudan could resolve their differences. The analysis reveals that political, social and cultural factors; the decision to adopt the western concept of the boundary; and the failure to recognise the historic and cultural constructs have contributed to the frustration of negotiations on the border. The paper proposes that Ethiopia and Sudan embrace the African Union Border Program, which encourages mutual cooperation, regional integration and the building of communities with strong economic and cultural ties.     

Young Estonia and The Early Twentieth-Century Cultural Utopias

This article examines aesthetic and social ideals in the early texts (1904–1908) of one of the first integral Estonian cultural movements – Noor-Eesti (Young Estonia). The aspirations of Young Estonia can be mapped by means of two principles of culture-making: a utopian one that seeks to change society as a whole, and a monadic one that focuses on the individual. The ideal of the Young Estonia movement is characterized by harmony and entirety – a kind of unity of social classes and cultural spheres, as well as the text and its parts; hence the connections between the arts and society (i.e., the belief that through the development of the cultural sphere, the whole of society develops as well).     

Transculturation: Contrapuntal Notes to Critical Orthodoxy1

Transculturation is a frequent point of reference in Latin American cultural studies, but overuse is tending to create a new critical orthodoxy, and inattention to precise definition may be compromising effectiveness. This article assesses current deployments of the term and, through a close reading of the theoretical section of Ortiz’s Contrapunteo cubano, seeks to establish an understanding of what is involved in the cultural and human experience of transculturation. It concludes by examining recent critiques of the term and suggests a sceptical view of the potential for and limits on transculturation in the global context of Latin American cultures.     

Beer and Skittles? Workers and Culture in Early Twentieth‐Century Germany

This paper begins by examining the cultural practices of the large workers' leisure organisations associated with German Social Democracy and asks whether these merely reproduced 'high' or 'bourgeois' culture or whether they contributed to a distinct cultural identity for their members. It concludes that, although much of the culture of these organisations was borrowed, it was not necessarily understood in the same way by workers as by middle-class Germans. Moreover these organisations remained separate from those of the German bourgeoisie and possessed distinctive core values, in particular that of solidarity. This difference was reinforced by the housing conditions of German workers, which obviated the possibility of a privatised and domestic leisure. However, this 'labour movement culture' had to compete both with other organised working-class cultures (of Catholics, Poles and workers in company clubs), with a 'culture of poverty' on the part of those in irregular employment and on low incomes, and with an increasingly commercial leisure industry. This 'labour movement' culture was also predominantly male.     

Growing Up with Maya Angelou and Sindiwe Magona

This article compares and contrasts Angelou's “I Know Why the Caged Bird Sings,” and Magona's “To My Children's Children,” in order to examine the emerging sense of female selfhood within the larger political and cultural structures of the United States and South Africa during the 1940s and 1950s.     

When national symbols divide: the case of pan-Catalanism and the Països Catalans

Shared symbols are an essential element in nationalist mobilisation. National symbols provide perhaps the strongest, clearest statement of national identity and are socially constructed. The effectiveness of these symbols will determine the success or failure of a political and cultural project. The effectiveness of cultural and political symbols can be seen through examination of the project of pan-Catalanism, the Països Catalans (the Catalan-speaking countries). This political project is rather unusual in the nationalist literature in being unable to advance beyond an embryonic stage. While cultural affinity can be determined within the Catalan-speaking territories, a wider claim to pan-Catalan political identity has foundered. This article argues that the absence of a shared attachment to national symbols in Catalonia, Valencia, the Balearics and other Catalan-speaking areas, provides the principal explanation why successful nation building has not been achieved.