Laughing Medusa: Feminist Intellectuals at the Millennium

The role of the intellectual is traditionally gendered masculine, and women are excluded from consideration. Contemporary discussions of the 'death of the intellectual' noticeably make no reference to feminist intellectuals. On the other hand, women in academia have been reluctant to adopt the role of public intellectual as conventionally defined. There is an anxiety about the contemporary place of the intellectual, and about the necessity for the distinction made by some feminists between theory and practice, the intellectual and the activist, and where this might lead. In exploring the role of feminist intellectuals over the last two centuries, three paradigms of the feminist intellectual are proposed for consideration: Cassandra (the prophetess cursed with disbelief), for example Florence Nightingale; the feminist Messiah (the exceptional female saviour who would sacrifice herself to change women's lives), for whom the exemplar is Margaret Fuller; and the Dark Lady (the token woman in a community of men), such as de Beauvoir, Mary McCarthy and Susan Sontag. Indeed, Camille Paglia's rivalry with Sontag lends itself to being interpreted as evidence of her current desire to occupy this 'dark lady' role. In conclusion, after discussing contemporary, late twentieth-century feminism (Natasha Walter, Elizabeth Wurtzel, gurrl power, 'women behaving badly'), the role of Margaret Thatcher in changing perceptions of women's capacity for political power is proposed for celebration. Finally, there is Cixous's image of the feminist intellectual as the laughing Medusa, who turns men to stone, but turns laughter on herself.     

The Writing s on the Wall: Symbolic Orders in The Yellow Wallpaper

When responding to the problem of the feminine condition, most women writers start with the premises that women are superior, inferior or equal to men—and in any case, the man is the Other. The works of Nicole Vedrès imprime this fundamental otherness on which the feminist dispute traditionally fed. The structures of several of her novels suggest an underlying archaic and tribal pattern which coincides in many places with traits of matriarchal societies. They tend to de‐emphasize the individual character in favor of the unity of the clan. The figure of the husband acquires a secondary and transitory aspect. Within this framework, the women are freed from the usual ethical and sociological taboos of the patriarchal system with which we are familiar, while preserving their dignity and their identity. Finally, the true hero of these stories is the clan's executive agent, a self‐effacing and protective male whose function is to ensure the survival of feminine values. In as much as his relationships with the women of the village are nonsexual and of a brotherly nature, his role resembles that of the maternal uncle in matriarchal models. He does not present the alien and aggressive potential of the usual male hero, thus making possible a world in which men and women are close without being antagonistic.     

对男女平等的再认识——兼论男女是否应当同龄退休

提倡男女平等,是社会进步的表现,体现了时代的文明。但男女平等不能简单地理解为男女一模一样。真正的男女平等应该体现在针对女性的不同特点给于与男性不同的待遇,正如《婚姻法》规定最低结婚年龄男女有别,《劳动法》禁止安排女职工从事矿山井下、森林伐木等重体力劳动一样。就退休年龄而言,无论男女延长退休年龄都是发展趋势,在现阶段,可以试行弹性退休制,尊重个人的选择。     

Feminism,masculinity and male rape: bringing male rape ‘out of the closet’

Feminist research has played a pivotal role in uncovering the extent and nature of male violence against women and suggests that the main motivations for rape are the need for power, control and domination. This paper argues that, although feminist explanations of rape are robust and comprehensive, male victims of rape have largely been excluded from this field of research. While feminism has enabled the victimisation of women to be recognised, further understanding of the victimisation of men is required. Some feminist writers (such as hooks, 2000) have argued that men's emancipation is an essential part of feminism since men are equally harmed by gender role expectations and sexism. This paper makes a contribution to current knowledge through evaluating the social constructions, stigma and phenomenological realities associated with male rape (by both men and women), arguing that there has been neglect in this area that functions to support, maintain and reinforce patriarchal power relations and hegemonic masculinities.     

Women's power in heterosexual sex

The ‘male sexual drive’ discourse sees men as sexually insatiable and male sexuality as naturally an uncontrollable drive. Feminist analysis denies its ‘naturalness’ and its constitution as a ‘drive’, seeing it instead in terms of the power conferred on men in patriarchy. However, seeing the penis/male power as monolithic still ends up casting women as victims. Instead this paper looks at actual heterosexual relationships and examines ‘power’ as a more complex process of negotiation. Heterosexual women often fail to recognize that men need relationships; and that women have sources of power in relationships with them; and the paper argues that this occurs through gender-differentiated positions in discourses such as the ‘have/hold’ discourse as well as the ‘male sexual drive’ discourse.     

Here’s looking at her: an intersectional analysis of women,power and feminism in film

While feminist film scholars have considered what makes a film feminist, we explore this question from a feminist sociological perspective with an emphasis on power and women in film. We take an intersectional approach to explore gender, race, ethnicity and social class in films about women. We draw from Amy Allen’s conception of power as the interrelated triad of domination (power-over), empowerment/resistance (power-to), and solidarity (power-with). We then apply Sutherland’s elaboration on those forms of power in terms of how they are depicted in film. Results reveal that most feminist films revolve around stories about power-to; women finding the courage to individually confront and challenge existing norms. Power-to films are predominantly tales of white, middle class women. Women of color are most likely to be featured in power-over films. Very few can be considered power-with films that demonstrate solidarity among women. We conclude that more women and men with feminist values behind the camera is a necessary, but not sufficient, requirement to change cultural representations of women and power in film.     

‘Suddenly you've become somebody else’: A study of pregnancy and the creative woman

This pilot study is a woman-centered exploration of the effects of pregnancy on a woman artist's work, asking what changes in the work occur during pregnancy or as a result of pregnancy.Conventionally, conditions for artistic creation and for reproduction have been thought to be mutually exclusive, the one requiring self-centeredness and the other, selflessness. The women in this study reported instead that their work was augmented by this change and its product, motherhood. Subject matter and imagery, use of time, attitude about the world and the self were seen in retrospect—if not always at the time—to have benefitted. Having enough time to spend on one project or the other was the most significant conflict reported.Recent theories about and explorations of women's lives and ideas, particularly regarding preparation for motherhood, support what the subjects of this study reported about the multi- layered complexity of the experience. Beauvoir, Rich, Ruddick and Gilligan provide the theoretical background: patriarchal culture's use of biology marks women off as being significantly different from men; while this bodily distinction has been used to limit women, it need not be and may instead be a source of power and growth; maternal thinking has its own previously unacknowledged structures; and women's development, particularly in the valued category of morality, has a different basis than men's, in responsibility rather than in rights.Instead of dividing art from life, motherhood, if not pregnancy specifically, allowed, demanded, or called up a vision of enlargement and unity in social, spiritual, and universal terms, a transcendent philosophy that is not an escape but an embrace.     

Gender constructions and gender relations in cotton and chain-making in England: a contested and varied terrain

Abstract

While scholars have emphasised the positioning of women as wives and mothers in working-class culture in late nineteenth-century England, their position in the workforce remained significant, even in such disparate industries as cotton and chain-making. In the former, while excluded from spinning, women's employment in powerloom weaving brought them into the heart of the production process, encouraging their participation in workplace struggles and ultimately influencing a transformation in the working-class family in terms of fertility control. In chain-making, while some male workers attempted to position women in the domestic sphere, others were dependent on their labour. Cultural constructions of gender were thus undermined, as the struggle for the minimum wage superseded attempts to remove women from the workforce. In neither industry was equality between men and women realised, while antagonism on the basis of gender persisted. Yet women's identification with their work remained evident while mutuality across gender lines was also apparent, as women themselves played an active role in the shaping of gender relations. Conceptions of gender, as they intersected with particular labour market structures, thus came under duress. Consequently, a more complex picture of gender in working-class life emerges than an analysis which privileges cultural constructions would allow.     

Women's self concept and belief: A feminist approach to empowerment symbolism

Because most cultures use the metaphor of Male Godhead to legitimate male control of earthly objects, their women are led to internalise a self-image in which their natural purpose is read as the primary and ultimate bearers and carers of life. This cosmological task is defined as inferior, thus masking the fact that women develop an identity in which their self-evaluation includes the needs and contentment of others. Prevented from operating the same ethical values as their men, their minds and bodies mediate the pain caused to them and others by the limited moral responsibility required of men whose goals must be competitive and instrumental. The effort to articulate symbols to convey the female experience of personal identity as communal identity has involved the international women's movements to provide images unifying materials and spiritual purposes, and simultaneously to force men to see this as superior intersubjective praxis. Empowering women by asserting their interpersonal self-image as the norm is prerequisite for rationalising economic legal and scientific thinking.     

Are Women Taking over Power and Labour from Men? Gender Relations in Pre- and Post-colonial Greenland

Abstract

In pre-colonial Greenland, the breadwinner was traditionally the hunter. The ability to hunt and their role as breadwinners gave the men structural power and prestige. In order better to understand contemporary gender relations in Greenland, this paper examines “structural power” where men, traditionally due to being the breadwinners, were the powerful ones in the household. It is argued that, even though more women have become breadwinners today, the structural power of men still persists but might be undergoing changes.     

Ḣarim and Ḣijab: Seclusive and exclusive aspects of traditional Muslim dwelling and dress

Architectural constructs of the family dwelling and styles of women's outer garments for public wear are intricately intertwined with the sociocultural framework within which both women and men function. Although conventionally regarded as restrictions on women's free movement in society, it is also apparent that in the Muslim world dwelling and dress may be, and indeed are, used to advantage by women as a means of retaining privacy from male intrusion and for exerting power in a society ostensibly controlled by men.     

Subsistence production and extended reproduction. A contribution to the discussion about modes of production

The present paper deals with what is considered to be the basic contradiction within the capitalist mode of production: the separation of subsistence production from social production. In the following some theses concerning how this separation works for accumulation and the way it is reproduced together with capital are presented. The central argument is that the separation is fundamentally necessary for accumulation. Within our present capitalist world economy housewives on the one hand and peasants (both men and women) on the other are the main subsistence producers. In different concrete forms both reproduce labour power for capital but are not compensated by capital. The way in which these two groups are integrated into the capitalist mode of production is through their marginalization, i.e. they form the consolidated mass of the industrial reserve army. As such they are continuously reproduced together with the process of extended reproduction of capital. They are two basic forms of capitalist relations of production.     

Anti-sexist men: A case of cloak-and-dagger chauvinism

The paper looks at the sexual behaviour of anti-sexist men as this is presented in writing, in discussion, and in personal experience of them. It shows that changes in the sexual behaviour of anti-sexist men have been those that serve their own interests. Some anti-sexist male writing about sex describes how some of them cannot get an erection without objectifying the women they're in bed with; and they don't tell these women about the misogynistic fantasies they have in order to objectify them. Drawing on this, on discussions with anti-sexist men and on personal experience, it seems that ‘impotence’ is a common reaction to stroppy feminists and sexually active women. The paper concludes that male anti-sexism is more a ‘cloak-and-dagger form of chauvinism’ than a genuine attempt to lose their power over women.     

Who wants to be a woman? young women's reflections on transitions to adulthood

The focus of this article is on how Finnish young women construct their transitions to adulthood and how they imagine their futures as women. Tensions in this process are analysed: many young women want to accelerate their shifts towards independent adult status. At the same time, some of them attempt to postpone the point of being locked into the lives of adult women. They look forward to acquiring the legal status of an adult citizen and to moving to homes of their own. But they want to stay young, which means time for relationships, studying, work and travel, and definitely not children at an early age. Being an adult woman does not seem to be a very tempting position for some young women; being a girl is considered by them to open more possibilities. Those young women who are keener to embrace female adulthood are also discussed, focusing on ways in which they envisage their futures, and what contradictions they experience. These tensions are explored drawing from the research project ‘Tracing Transitions — Follow-Up Study of Post-16 Students’. In the study, 40 young women and 23 young men aged around 18 years were interviewed individually, in paris or in groups of three. The project is grounded on ethnographic research in which the same young people were followed when they started secondary school at the age of 13 years.     

Margaret Thatcher is my sister: Counselling on divisions between women

This paper looks at the ways in which women are divided from themselves and each other as women: at the internalised oppression which results from THE oppression of patriarchy, at the systematic mistreatment of women as a group by men as a group reinforced by the social structures of male power. It also looks at the ways in which women are divided from each other as a result of other oppressive systems such as class and/or race or religion or physical ability or age.The paper then describes how the particular theory and practice of Re-evaluation Counselling can be used to ‘deconstruct’ or ‘discharge’ the internalised oppression of patriarchy and other oppressive systems, making the principles of Women's Liberation and sisterhood a practical possibility for ‘everywoman’ and all women—including Margaret Thatcher. Throughout, the word ‘patriarchy’ is used to mean the system of male power usually regarded as synonymous with sexism.The paper includes a basic summary of Re-evaluation Counselling theory and practice.     

Nothing to spare : by Jan Carter, 237 pages. Penguin Books, Australia. Price, Aus. $6.95

When attempting to establish women's studies courses within institutions of higher education, women face a traditional power structure designed to obstruct movements for change. Four factors relevant to a power analysis of this situation are status, concrete resources, expertise and self-confidence. These factors are defined and examined in relation to the fight to establish women's studies courses. Within this background the issue of men as ‘patrons’ as teachers and as students, and the fact of women's anger are examined. Many arguments forwarded by conservative patriarchal institutions are discussed. The paper emerges from the experiences of the author in three universities. It is aimed at clarifying some of the traps set for women so that other women can eliminate any fears that their experiences are idiosyncratic or ‘their fault’ rather than part of a formalized power game.     

A dog in the fight

Holly Hughes’ “A Dog in the Fight” is a queer and feminist literary performance that models a feminist politics of performance that stands as alternative to performances of power that come from the officially anointed space of politics. In this piece, Hughes meditates on the queer relationship between US Presidents and their faithful companions, their dogs. Refusing to jump through the “ceiling” to get into the White House, Hughes offers critique of power from her own couch, recounting her hopes and disappointments in the young Obama administration, while forcing a hated former leader (George W. Bush) from the White House into her performance space as she offers up both a critique of his politics and admits to an uncomfortable affiliation with his love of dogs. What emerges from this performance is a critical call to continue an engagement with struggles for social justice from the fecund and powerful places that exist outside of the authorized institutions of politics, no matter what women and men take up positions within these institutions.     

regimes of visibility: representing violence against women in the French <Emphasis Type="Italic">banlieue</Emphasis>

In 2008, Dutch anti-Islam Member of Parliament Geert Wilders produced a short video called Fitna to visualize his argument that Islam is a dangerous religion. Thousands of men and women across the globe uploaded their own videos to YouTube to criticize or support the film. In this article, we look at these alternative videos from a feminist perspective, contrasting the gender portrayal and narratives in Fitna with those in the alternative videos. We contend that Fitna expressed an extremist Orientalist discourse, in which women are presented as the current and future victims of the oppression of Muslim men and Islam. In contrast, the YouTube videos give voice to women themselves who come from across the globe, are relatively young and often active Muslims. Second, they express different view points in generically new ways, criticizing and ridiculing Wilders or producing serious and committed explanations of their own understanding of Islam. Third, although relatively few women appeared in the videos, those that did speak for themselves, not only take on Wilders, but also claim their right to speak within Islam. We propose to understand these videos as acts of citizenships through which women constitute themselves as global citizens, in some cases by engaging in ‘deliberation’ as it is understood in feminist political theory, in other cases by taking a ‘voice’ that can be responded to.     

‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.     

The conscientization of women: A rite of self- initiation with the flavour of a religious conversion process

In traditional societies, young men and women are initiated separately into the adult world and, for various reasons, the male rite has typically been much more dramatic and elaborate. In western industrialized society, the formal education system became the initiation rite, par excellence, by which boys passed from childhood and the world of women into the public, adult world of men. By gaining access, albeit belatedly, to this male initiation rite, many women have thus gained access to the public, adult world but have found that they have had to give up being women. Other women have remained with the traditional female initiation rites of marriage and motherhood and have discovered that society does not really consider them to be adults. Another group of women have tried both routes to adulthood and have been unable to integrate their identities as women and adults.When these women get together in consciousness-raising groups they find themselves undergoing a rite of self-initiation made necessary by the fact that neither the traditional female rites of marriage and motherhood nor the masculine rites of formal education are adequate for women who wish to be considered both female and adult. Women in CR groups develop a strong sense of themselves as adult women and then are faced with the crucial question of how to relate to a patriarchal society which does not accept or affirm this new identity. There is a parallel in the process of religious conversion which, if probed, can help feminists to reflect on what are the most effective ways for a minority group to influence the mainstream of society without losing its identity and original values in the process.