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Behind the Back:     
《Child & Youth Services》2013,34(2):179-200
No abstract available for this article.  相似文献   

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《Child & Youth Services》2013,34(1):129-149
The life style of homeless children in two South American cities is reported in this chapter. The chapter describes a society within a society complete with mores, sanctions and values. The author's use of the term "street children" forces the reader to consider the dramatic and distruptive effect of poverty on children. The conclusions suggest a national policy review if the United State is to avoid a similar situation.  相似文献   

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《Child & Youth Services》2013,34(2):141-150
No abstract available for this article.  相似文献   

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Framed within a relational developmental systems model, the 4-H Study of positive youth development (PYD) explored the bases and implications of thriving across much of the second decade of life. This special issue pertains to information derived from the recently completed eight waves of the 4-H Study of PYD, and presents findings about the relations between individual and contextual variables that are involved in the thriving process. This introduction briefly reviews the historical background and the theoretical frame for the 4-H Study and describes its general methodology. We provide an overview of the articles in this special issue and discuss the ways in which the articles elucidate different facets of the thriving process. In addition, we discuss the implications of this research for future scholarship and for applications aimed at improving the life chances of diverse adolescents.  相似文献   

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Abstract

Two recently discovered letters have finally established what has long been conjectured, that the English radicals Mary Wollstonecraft and Catharine Macaulay corresponded with each other. The occasion for the correspondence was the publication of responses by both women to Edmund Burke's Reflection on the Revolution in France. The article explores the nature of their responses and analyses the main differences between them. It concludes that the two women were remarkably close in their ideas on democracy, equality and women's rights ideas ultimately circumscribed by eighteenth-century radicals' notions of property and class  相似文献   

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This article explores the dynamics of Richard Move's drag performance of the late Martha Graham. Drag dance is remarkably self-aware as historiography, and it employs a rhetoric of bodies becoming other bodies: channeling, paying homage, re-embodying, reliving, being possessed. This article argues that drag dance has a historical project for dance history; specifically, that drag bodies can become a new medium through which aesthetic/kinetic histories are transmitted. In the case of Richard Move, the exaggeration and excess of the ageing Martha Graham become modalities that align with the ‘wrongness’ of his body. This is drag dance as a strategy of re-embodiment after the original body has been lost, and Richard Move presents his performance as a ‘haunting,’ much like the feeling Martha Graham describes as the result of a dancer's “first death,” when she watches someone else dance a role she had originated. Ballets like Graham's Lamentation and Cave of the Heart give Move the opportunity to portray Graham's struggle to continue to dance after this “first death,” using drag as a strategy to show up the eerie perfection of voice against the hollowness of the ageing dancer's body. Combining vaudeville and séance, moving from the restless gay “underworld” of the Meatpacking District to the right to presume himself the heir to the mother of modern dance, Richard Move first embodies and then moves beyond Susan Sontag's camp “etc etc” of Graham's self-performance.  相似文献   

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