‘The film gone male’: women and the transition to sound in the British film industry 1929–1932

ABSTRACT

Taking its cue from Dorothy Richardson’s essay, ‘The Film Gone Male’ written for the critical, Left-wing British film publication Close Up in 1932, this article looks at women working in the British film industry during the transition from silent to sound cinema between 1929 and 1932. It considers the effects of new sound technology on women’s roles in front of and behind the camera from production to reception and critique. It also questions whether sound technology further marginalised women as producers of cinema and interrogates whether synchronised sound masculinised film as Richardson asserted.     

‘Flat and fabulous’: women’s breast reconstruction refusals post-mastectomy and the negotiation of normative femininity

The ‘pinkification’ of breast cancer culture in recent years conflates women’s empowerment with the celebration of hyperfemininity. Consistent with this trend, reconstructive surgery post-mastectomy is increasingly normalised: restoring the breasts is to restore ‘lost’ femininity. Contextualised within the pressures of this normalisation, our article explores how women who decide against breast reconstruction negotiate their non-normative ‘flat’ bodies. We examine women’s posts in a breast cancer forum about their refusals of breast reconstruction. Using thematic and feminist post-structuralist analyses, we suggest that although health and body acceptance discourses enable resistance to embodied femininity norms, pressures to conform permeate practices related to appearance. Clothes and prosthetic breasts enabled forum participants to pass as ‘healthy’, ‘whole’, and ‘recovered’. The study’s findings emphasise the limitations to agency and resistance that emanate from the ways constraining gender discourses infiltrate every aspect of a woman’s life. In line with a critical awareness approach to breast cancer education, we discuss the possibilities of resistance afforded by the safe spaces of online communities.     

Gender Differences in Posttraumatic Stress and Related Symptoms Among Inner-City Minority Youth Exposed to Community Violence

This study examined gender differences in levels of violence exposure, and in levels of posttraumatic stress (PTS) and related symptomatology in a sample of inner-city predominantly African American youth. Because such youth are at risk for exposure to chronic community violence, they are likely to experience considerable distress and clinical or subclinical levels of posttraumatic stress and related symptoms. Previous research has found that although boys are exposed to violence more frequently than are girls, girls are more likely to express posttraumatic stress and related symptoms as a result of violence exposure. Thus, we examined gender as a moderator of the relation between violence exposure and symptoms. A stronger positive association of anxiety and depression symptoms with extent of community violence exposure for girls than boys was found. It was also found that while girls do not appear to differ in their responses to witnessing violence versus being a victim of violence, boys appear to be more distressed by being a victim of violence than by witnessing violence.     

African immigrant women’s experience in western host societies: a scoping review

There is a dearth of literature on new African immigrant populations in Canada, especially women from Sub-Saharan Africa. Much of the sparse literature focuses on men’s experiences. We analyzed the sparse literature on African immigrant women in western host countries with a focus on previous and emerging trends in the discourse, gaps in literature, important areas for consideration in future research as well as potentially viable theoretically and methodological directions that scholars could follow. We also briefly shared the results of a set of focus group discussions with African women in Canada that followed our scoping review. The findings of our scoping review of literature, largely reinforced in the focus group discussions, underscore the need for more studies on Sub-Saharan African immigrant women’s experiences within and outside the family. Active community engagement as well as the mobilization of women's agency and cultural knowledge, resonate as crucial factors that enhance the transition and integration of Africans into Western host societies.     

Feminism,masculinity and male rape: bringing male rape ‘out of the closet’

Feminist research has played a pivotal role in uncovering the extent and nature of male violence against women and suggests that the main motivations for rape are the need for power, control and domination. This paper argues that, although feminist explanations of rape are robust and comprehensive, male victims of rape have largely been excluded from this field of research. While feminism has enabled the victimisation of women to be recognised, further understanding of the victimisation of men is required. Some feminist writers (such as hooks, 2000) have argued that men's emancipation is an essential part of feminism since men are equally harmed by gender role expectations and sexism. This paper makes a contribution to current knowledge through evaluating the social constructions, stigma and phenomenological realities associated with male rape (by both men and women), arguing that there has been neglect in this area that functions to support, maintain and reinforce patriarchal power relations and hegemonic masculinities.     

‘Because they're a couple she should do what he says’: Young People's justifications of violence: heterosexuality,gender and adulthood

This article is based upon research that explored how 89 eleven- and twelve-year-olds understood and explained men's violence against women. The research found that young people examined the motivations of individual male perpetrators though the context of heterosexuality. For the young people, adulthood appeared to generate a more rigid framework of heterosexuality, where the gender differences begin to exemplify inequality upon which justifications can be based. Young people's justifications can be collated into the themes of: heteronormativity, the endorsement of marriage, restrictive gender roles and blaming women for the violence. Violence is justified because inequality is not questioned – it is endorsed and taken for granted as being part of an adult heterosexual relationship. This has implications for young people's own existing and anticipated relationships.     

The identity of ‘the other’ for sexual violence victims: is there anything new in sexual violence prosecutions before the International Criminal Court?

Despite the spectacular development in the field of international criminal law, critical feminism stresses the narrow scope of the sex and gender crimes in the Rome Statute establishing the first permanent International Criminal Court. The current international criminal law discourse, as expressed by recent case law, is geared towards the protection of certain groups targeted on account of their distinctiveness within the framework of a conflict situation, and gender is not recognized as one of these group identities. The question whether international criminal law on sexual violence applies only to inter-group conflicts brings to the fore an uneasy likelihood of exclusion of some recently emergent situations where identities of the conflicting parties transcend a particular ethnicity or nationality, and where victims of sexual violence belong to the same group as their perpetrators. The article argues that, rather than the Rome Statute or newly introduced rules and regulations, a significant obstacle in developing gender justice is the narrow interpretation of sexual violence to inter-group hostilities.     

Digging for England in Elizabeth’s German Garden: Imperial Romance and National Femininities in the Early Works of Elizabeth von Arnim

Abstract

The author treats von Arnim’s Elizabeth and Her German Garden and The Solitary Summer as types of imperial romance, showing the ways in which von Arnim quite literally domesticates the genre by adapting discourses of eugenics and racial contest to fit an Englishwoman’s experiences of home-making and gardening in late nineteenth-century Pomerania. Racial fitness is replaced by aesthetic fitness as von Arnim sets up a contest between English and German femininities within the home and garden.