‘Flat and fabulous’: women’s breast reconstruction refusals post-mastectomy and the negotiation of normative femininity

The ‘pinkification’ of breast cancer culture in recent years conflates women’s empowerment with the celebration of hyperfemininity. Consistent with this trend, reconstructive surgery post-mastectomy is increasingly normalised: restoring the breasts is to restore ‘lost’ femininity. Contextualised within the pressures of this normalisation, our article explores how women who decide against breast reconstruction negotiate their non-normative ‘flat’ bodies. We examine women’s posts in a breast cancer forum about their refusals of breast reconstruction. Using thematic and feminist post-structuralist analyses, we suggest that although health and body acceptance discourses enable resistance to embodied femininity norms, pressures to conform permeate practices related to appearance. Clothes and prosthetic breasts enabled forum participants to pass as ‘healthy’, ‘whole’, and ‘recovered’. The study’s findings emphasise the limitations to agency and resistance that emanate from the ways constraining gender discourses infiltrate every aspect of a woman’s life. In line with a critical awareness approach to breast cancer education, we discuss the possibilities of resistance afforded by the safe spaces of online communities.     

Picture perfect: nostalgic femininity and temporal disruptions in the Aqualillies’ water ballets

This article examines nostalgic femininity in the aquatic performances of present-day synchronized swimming performance troupe, the Aqualillies. In spite of their fervent emulation of the iconic images of Golden Age Hollywood's splashiest star, Esther Williams, the Aqualillies’ performances refuse to be only a kitschy nod to the past through the addition of marketable symbols of modern femininity, such as the bikini, to their otherwise nostalgic representation. Through a concurrent multiplicity of temporally diverse femininities, they challenge the neoliberal rhetoric of choice that can arise in reperformance. This article invokes Svetlana Boym's theory of reflective nostalgia ­– an emotional connection to the past that does not foreclose critical reflection – to argue that the Aqualillies’ water ballets use performative temporal vacillation to expose the physical and psychical labor in the picture-perfect images of femininity in order to subvert the image's dominance and to defy capital's linear organization of time.     

‘You do manage it so well that I cannot do better’: the working life of Elizabeth Jeake of Rye (1667–1736)

This article contributes to the debate around early modern women’s work. It concerns not waged labour but rather the unpaid contributions made by women to both home and the business undertaken by their husband. It focuses on Elizabeth Jeake, the wife of Samuel Jeake, a merchant from the Sussex port of Rye. Through the letters exchanged between the family, it explores Elizabeth’s skilled work in support of her husband. This included giving instructions to contractors, gathering and disseminating business and investment information, negotiations with Samuel’s business partners and acquaintances, managing property and tenants, negotiating credit relationships and purchasing and selling commodities.     

Soap,pin‐up and burlesque: Commercialization and femininity in Danish television

The article takes a close look at the performance and mise‐en‐scène of some new young Danish television hostesses in relation to commercialization and deregulation of television. It is observed that the female hosts not only incarnate visual pleasure as sexual objects and emotive images, but also personify extravagance and visualize abstract ideas. Thus female hosts are of vital importance in deregulated television, which is based on form and style and the ability to catch the eye. It is further observed that the hostesses perform in a detached and ironic mode. Their various pastiches on female stereotypes and their ambiguous playing with surface identify the new hostesses with the postmodern masquerade of the media. Postmodern television provides a space where some female performers can transcend the norms and turn the conventional image of women inside out.     

Ephemeral ‘communities’: spatiality and politics in rangeland interventions in Mongolia

In recent years, the number of community-based natural resource management projects for rangeland conservation and development has grown rapidly in Mongolia. Such projects seek to develop social capital through the formation of herder groups and pasture user groups, in order to enable the coordination of complex, collective tasks needed for sustainability. Through analysis of social networks, interviews and ethnographic data from two places where such projects have been implemented, Bayanjargalan, Dundgovi, and Tariat, Arkhangai, the paper demonstrates that the spatiality of pastoral social relations is much more extensive than assumed by these projects. Furthermore, rather than being neutral technical interventions, such projects are embedded in and proliferate politics. They often bolster the informal power of wealthy herders who gain more access to pasture, while at the same time leading to tensions between different levels of government and becoming objects of struggle between Mongolia’s two dominant political parties. For all of these reasons, these efforts have tended not to build trust, and the ‘communities’ they create, in the form of herder groups and pasture user groups, have tended to be ephemeral.     

‘What can I do next?’: Cosmetic Surgery,Femininities and Affect

This article is based on a study of young people's understandings and experiences of body work (or body modification) in relation to gender and health. Drawing on feminist and Deleuzian–Spinozan approaches to the body, the article explores the embodied sensations, or affects, associated with the body's physical modification through cosmetic surgery as one practice of body work. This approach pursues a non-dualist analysis of the body and contributes to new understandings of body-modification practices such as cosmetic surgery as processes influenced, and informed, by affect. Through examples of differing experiences and trajectories relating to the practice of cosmetic surgery, which has long been a contentious issue in feminism, the article makes evident what a feminist Deleuzian approach means in practice and what it can contribute to analyses of the body in/and society. This approach can assist in exploring the complex ways in which gendered embodiments assemble, and in understanding the dynamics and processes informing differing bodily possibilities related to gender.     

‘I get together with my friends and try to change it’. Young feminist students resist ‘laddism’, ‘rape culture’ and ‘everyday sexism’

Abstract

Contemporary alarm about ‘laddism’ reveals what feminist research and activism has long-recognised; universities, like other social institutions, can be dangerous places for women. Research in the US and, more recently, the UK reveals alarming rates of violence, against women, the cultural and institutional norms which support violence and gaps in institutional responses. In the midst of this contemporary alarm about the university as a hotbed of laddism, there is a risk that the university – a site of potential empowerment and liberation for women (and men) – becomes re-positioned as a danger zone. The limited focus on danger and safety belies the potential of universities to enhance human freedoms through intellectual endeavour. We argue this progressive potential should remain centre-stage, as should university-based resistance to everyday sexism and laddism. This paper analyses accounts of young women feminists (n = 33) in UK and US universities. It explores their use of feminism and features of the university environment to resist and challenge oppressive cultures and practices. It argues that, despite encroaching neoliberalism and enduring sexism, universities continue to provide environments for engagements with feminism, enabling young women students to use feminism to resist and challenge sexism and to envision their feminist futures.     

Contesting ‘sex’ and ‘gender’ difference in emotions through music use in the UK

This article builds on social psychological critiques of ‘hardwired’ gender difference in emotions, looking at the topic through the emotional use of music. Starting from the premise that gender differences in emotion are socially and discursively constructed rather than innate, it moves on to challenge existing work in which masculinity and femininity are treated as singular, oppositional concepts, that are ‘normally’ attached to ideas of existing sex differences. Drawing on data, generated from a UK-based online survey of 914 respondents (male = 361; female = 553), this article highlights that whilst gender plays a significant part in shaping the emotional experience of music, this is often mediated heavily by age and personal experience. It suggests that music is a practical means of moving beyond ideas of differences in gender or sex differences in emotional display, towards ideas of diversity, especially given that existing face-to-face research has often found men to be ‘unable’ to communicate emotional experience in particular ways. Both inductive quantitative trends and open-ended fragments from people's emotional experiences of music are included in order to demonstrate how emotions and gender intersect discursively.     

history as narration: resistance and subaltern subjectivity in Micaela Bastidas’ ‘confession’

This paper focusses on the negotiations in which many subaltern peoples engage within contexts of unequal power relations in colonial settings like eighteenth-century Peru. The trial and ‘confession’ of Micaela Bastidas, an indigenous mestiza and wife of the Inca rebel Túpac Amaru II, allows for an analysis of the complexity of her subjectivity and agency, both as products of colonial impositions and Andean notions of gender complementarity and power. As a woman, wife of a noble curaca and member of a conquered indigenous population, she defied rigidly bipolar colonial ethnic and gender norms. Skilfully engaging in ‘rituals of subordination’ through the manipulation of discriminatory colonial expectations, Micaela refused to share what was expected of her, subverting colonial gender and power hierarchies, albeit momentarily.     

Visualising the ‘real’ and the ‘fake’: emotion work and the representation of orgasm in pornography and everyday sexual interactions

Visual representations of orgasm – whether in the flesh or mediated through a screen – are produced in a context of intense uncertainty about whether what is being seen represents an authentically experienced bodily event. Despite detailed scientific scrutiny and close attention to bodily signs, the authenticity of women's orgasm remains a site of cultural anxiety and contested gender politics. This uncertainty is exacerbated by the construction of female orgasm as inherently invisible or un-see-able, and ‘faking’ orgasm as a prevalent social practice. Drawing on existing literature from psychology, sociology and porn studies, this theoretical paper explores the problem of visually representing orgasm in the context of these uncertainties, and examines how the distinction between the ‘real’ and the ‘fake’ is structured by discourses of authenticity. Pornography and everyday sexual interactions provide ideal contexts for exploring the practices of producing and consuming visual representations of embodied experience because both necessitate a see-able orgasm which consumers/lovers can read as ‘real’. This paper demonstrates that considerable interpretative work is necessary to read the female body as authentically orgasmic in the context of cultural uncertainty, and that distinctions between the ‘real’ and the ‘fake’ are continually reworked. Drawing on the contrast between ‘surface’ and ‘deep’ acting (Hochschild, 1983), I argue that the distinction between the ‘real’ and the ‘fake’ cannot be established by recourse to unmediated bodily experience, and instead, researchers should consider how and when this distinction has traction in the world and the implications of this for gendered power relations, subjectivities and practices.     

‘Control Grabbing’ and small-scale agricultural intensification: emerging patterns of state-facilitated ‘agricultural investment’ in Rwanda

The Rwandan government's ongoing reconfiguration of the agricultural sector seeks to facilitate increased penetration of smallholder farming systems by domestic and international capital, which may include some land acquisition (‘land grabbing’) as well as contract farming arrangements. Such contracts are arranged by the state, which sometimes uses coercive mechanisms and interventionist strategies to encourage agricultural investment. The Rwandan government has adapted neo-liberal tools, such as ‘performance management contracts’, which make local public administrators accountable for agricultural development targets (often explicitly linked to corporate interests). Activities of international development agencies are becoming intertwined with those of the state and foreign capital, so that a variety of actors and objectives are starting to collaboratively change the relations between land and labour. The global ‘land grab’ is only one aspect of broader patterns of reconfiguration of control over land, labour and markets in the Global South. This paper demonstrates the ways in which the state is orienting public resources towards private interests in Rwanda, through processes that have elsewhere been termed ‘control grabbing’ [Borras et al. 2012 Borras, S.M., et al. 2012. Land grabbing and global capitalist accumulation: key features in Latin America. Canadian Journal of Development Studies/Revue canadienne d'études du développement, 33(4), 402–416. doi: 10.1080/02255189.2012.745394[Taylor &; Francis Online], [Web of Science ®] , [Google Scholar], 402–416].     

The Brazilian quilombo: ‘race’, community and land in space and time

More than a century after the abolition of slavery in Brazil, the term ‘quilombo’ continues to evolve new meanings, not all of them associated with its common definition as a runaway slave community. In this article, I discuss the significance of quilombo in its diverse social, political and historical contexts, demonstrating how changes in the uses and meanings of the term reveal broader trans-historical, juridical, political and metaphorical processes. I argue that quilombola communities should not be conceptualized as a racial category, but rather as a system of social organization and a right. Specifically, I show how the term quilombola is currently a way actors identify with Afro-descendants in order to achieve political recognition. I also describe how contemporary practices involving quilombos reveal historical tensions over land conflicts between historically marginalized rural black communities, private interests and governmental authority. I draw on evidence from field research in southern Brazil to illustrate my understanding of how quilombos work.     

Pushing Dualisms and Differences: From ‘Equality versus Difference’ to ‘Nonmimetic Sharing’ and ‘Staying with the Trouble’

Abstract

Critically revisiting the ‘equality versus difference’ dualism that is inscribed in the feminist canon of the last decades is an important task for feminist ethico-political discussions today. The theoretico-political tension between claims of equality and difference still troubles feminist discussions and thus needs to be addressed by contemporary research. Yet, moving beyond the persisting antagonism cannot be done by either moving outside the problematic relation or by choosing one term over the other. It is, as Joan W. Scott noted, impossible to choose between equality and difference, so that other ways of tackling the problem are needed. This article suggests a new line of flight for feminist politics in respect to this founding paradox from a feminist new materialist/posthuman(ist) perspective. Via an affirmative reading of Irigaray's cosmopolitical concern of Sharing the World (2008) and a critical investigation into the structuring ‘anthropological limit’ (Derrida) of her sexual difference thinking, the author pushes the dualistic framework of equality versus difference towards a thought of ‘nonmimetic sharing’ and ‘staying with the trouble’. In her argument, she turns to the differential worldings of Grosz's ‘differing’, Barad's ‘quantum’ and Haraway's ‘terran’ in order to open up ethico-political alternatives to engage difference(s) differently. The article ultimately argues that by affirming all multifaceted (im)material worlding entanglements, significant new insights can be gained for both theorizing differentiality as ethico-onto-epistemological ‘becoming-with’ and for practising this world of/as difference(s) in a more ‘response-able’ manner.