Elizabeth von Arnim’s The Pastor’s Wife: A Reassessment

Abstract

The Pastor’s Wife (1914) may seem at first reading simply another depiction of a woman struggling for liberation in the decades following the work of Thomas Hardy and Henrik Ibsen, being the story of how Ingeborg Bullivant escapes from an English patriarchal home, only to find herself trapped in another one in Germany. The novel, however, marks a turning point in Elizabeth von Arnim’s career; it is a novel that looks back to previous themes while anticipating those to come. It demonstrates, with comedy and bitterness, themes of alienation and exile; satirizes German codes and class; and provides a lyrical Romantic vision of the natural world. It also presents the married woman as a prisoner in a way that anticipates Vera (1921). The novel can also stand alone as an underrated classic that plays an important part in the history of English literature. Published at the beginning of high modernism, it shows, unlike the work of some canonized writers of the time, a fusion of realism and modernism. This essay argues that the novel is a proto-feminist work that is radical in its portrayal of women’s experience and influenced by literary naturalism in its childbirth scenes, but pessimistic about possibilities for change. The essay shows how the novel is modernist in its depiction of the alienated experience of the city; uses nineteenth-century realism in its narrative structure and comedy; and yet is forward-looking in its use of endings. A book that begins as a comedy but ends as a tragedy, The Pastor’s Wife deserves equal recognition with the work of H. G. Wells and E. M. Forster, writers with whom von Arnim was connected and by whom she was influenced.     

Ma Rainey’s phonograph

This essay engages a series of performance routines by the blues artist Gertrude “Ma” Rainey, as a way of critiquing the epistemological tenets of sound reproduction technology. Between 1923 and 1925 Gertrude “Ma” Rainey carried out an elaborate quasi-burlesque performance routine in which she sang while hidden inside a giant phonograph; this routine precisely references and troubles the legacy of black sounds and bodies and their conflicted forms of capture andembodiment through sonic technologies. I think about how black sounds and bodies have been rendered as documentary objects within sonic and visual performance contexts and how this history is both referenced and complicated in Ma Rainey’s performances. I argue further that Rainey’s performance illustrates how sonic technologies always require, what I term black documentary embodiment, through the sonic and the visual. To this end I illustrate how reducing black art to an evidentiary object was central to the phonograph’s material and epistemological construction. In addition to analyzing Rainey’s performance I briefly engage the contemporaneous visual culture of the blues as a means to trace the legacy of black documentary embodiment within a longer visual-sonic tradition.     

Entering Religious Life,Claiming Subjectivity: Irish nuns, 1930s–1960s

Despite the number of Irish women who entered religious life, especially in the decades following independence, very little is known about their motivations for joining or experiences therein. Based on their oral histories, this article explores how Irish women religious articulated their attraction to religious life. Providing the reader with a contextual background in which to place the narratives, it highlights the significance of several factors affecting the women’s decision to enter and, in particular, illuminates the claims to subjectivity revealed in the women’s accounts. Through varied responses, the women collectively rejected any notion that they were forced into religious life, asserting the decision to enter as truly their own. Comparing the ways the women framed their vocation with their families’ response to it, the article draws on Pierre Bourdieu’s notion of symbolic capital to explore the ways in which women are positioned as ‘social objects’ but present themselves as ‘subjects’.     

Body and Self: learning to be modern in 1920s–1930s Britain

Observing the divergent tracks taken by historians of the ‘modern self’ and those of the ‘modern body’ the article focuses on health and fitness movements in Britain, c.1920s–1930s. Asking whether there is a place for the body in the history of women performing ‘the self’ in this context, the article suggests a way in which contemporaries found a way to have a ‘self’ in the body. Contemporary notions of the body emphasised its interdependence with ‘the mind’, health and happiness being functions of each other. In the language of health and beauty was a language of inner vitality and outer radiance, a modern formulation of the individual as a ‘self’ equipped to embrace the exciting but uncertain possibilities of the ‘modern world’. Popular print culture on ‘healthy living’, reports by the BMA and the National Fitness Council are considered along with more extensive discussion of the Women's League for Health and Beauty founded in 1930 by Mollie Bagot Stack and inherited by her daughter, Prunella, ‘Britain's Perfect Girl’, in 1935.     

“Object Lesson(s)”

This article reconstructs up an impromptu dance performed by Lavinia Baker, a survivor of mob violence and star of an anti-lynching performance revue, and reads it as the occasion for rethinking the performative dimensions of a seemingly familiar spectacle: lynching. As opposed to the familiar scene of the black corpse captured and circulated in photographs, the author argues that Lavinia's 1899 dance and the liveness of her performance – that is, its excess, disruptions, and improvisation – is instantiation of racial violence that strains against the putative framing of mob violence as a finite event that is amenable to documentation, capture, or narrativization. By pivoting a discussion of lynching on Lavinia Baker’s protean performance, this essay not only challenges the shape and structure of nineteenth-century anti-black terror, but also demands that we (re) turn to a deceptively simple question that animates Scenes of Subjection: what does racial violence look like?     

Woman to Woman: Australian Feminists’ Embrace of Radio Broadcasting, 1930s–1950s

This article demonstrates the crucial importance of the radio medium in the post-suffrage era as a space in which women could expand their sphere of influence and enact their responsibilities as citizens. It challenges previous scholarship which has argued that during the early decades of radio women were confined to the world of the everyday and the domestic. In the interwar years, Australian feminist organisations were quick to take advantage of the still-developing radio medium, which they used to publicise their activities to mass audiences. One such organisation was the United Associations (UA), founded in Sydney in 1929 by Jessie Street and Linda Littlejohn. Perth feminist Irene Greenwood was introduced to radio broadcasting as a member of the UA in the 1930s, and she later drew on these media skills and her extensive feminist networks to create her own innovative and interactive radio program in Western Australia, Woman to Woman (1948–1954). Correspondence between Greenwood and her audience shows that the program provided women from diverse backgrounds with the opportunity to engage publicly with significant political debates, to create a new imagined community of listeners, to communicate across geographical and class boundaries, and to become media producers themselves.     

The Feminist Citizen-Subject: It’s not About Choice,It’s About Changing It All

This article ties together two different sources related to the Trial of Pussy Riot in Russia in 2012. On the one hand, I consider legal documents, such as court proceedings, police reports, and the sentence. On the other, I analyse a life-history interview with one of the accused, thus giving her a voice that is not mediated by juridical institutions within criminal law procedure. This allows an analysis of two different subject positions produced by these texts: a conformist citizen and a feminist activist-citizen. I pay more attention to the latter. I conclude that in order to retain an activist position, the feminist subject has no option but to resist.     

European capitalism and the effects of agricultural commercialization on slave labor in Tunisia, 1780s–1880s

Abstract

The paper argues that while the significance of Tunisian state economic and political reforms during the eighteenth and early nineteenth centuries has reflected the changing patterns of the caravan slave trade in previous research, much of this research has not considered the role of slaves in the emergent Tunisian economy. Nowhere is this negligence more apparent than in the agricultural sector, which was predominantly responsible for strengthening economic growth from the late eighteenth century until its weakening as a result of encroaching European capitalism by the mid-nineteenth century. Drawing on Tunisian state population data known as the Majba Census and the extant economic literature, the paper addresses this gap by exploring the implications of the Tunisian state economic reforms on enslaved labor in the agricultural sector. Exploring this research gap will enable us to ascertain the extent to which enslaved labor contributed to Tunisia’s burgeoning agricultural sector in a manner that has dodged academics’ attention. After providing a historical context of European capital penetration and its implications on political and economic reforms from the Ottoman conquest through the Husaynid periods, the paper looks at how European capital infusion after the first quarter of the nineteenth century transformed the agricultural sector and examines the role of slave labor prior to the European capital infusion and commercialization of the agricultural sector. Using the Majba Census records’ regional distribution of blacks in the Regency the paper sheds light on the implications of the precarious economy engendered by agricultural commercialization under the aegis of European capitalism on the structure of enslaved labor.     

Women’s perspectives on the value of a father’s initiative in shifting gendered practices within families

This paper explores the qualitative perspectives of women about a community embedded fathers’ initiative in Northern England. Projects to improve the well-being of men and their children are less common within the landscape of parent and child support, with mothers more often being the target recipients. Asking women about their perceptions of an initiative for fathers then offers original insights from women who are positioned as ‘related outsiders’, in that they were ‘outside’ the project but ‘inside’ the family and community. Findings suggest that women are able to see the positive impact of such a project, identifying that it offers a shared space for men and children, time for mothers without their children and can help with shifting roles and attitudes around childcare and emotional labour in the home. The initiative was also seen by the women as offering men more healthy means of coping, including men moving away from traditional hegemonic practices, which in turn shifted some women’s long held gendered beliefs about men as fathers. This research then offers a relational gendered backstory to a father’s initiative, demonstrating how such initiatives can potentially ‘undo’ gender and the positive implications this could have for families.     

same old story? children and young people’s continued normalisation of men’s violence against women

Globally, nationally and locally men’s violence against women is an endemic social problem and an enduring human rights issue within all societies and cultures. Challenging attitudes that condone violence both at the individual and community level is a key priority in its prevention. This paper brings together findings from two separate studies based on children’s and young people’s understandings of men’s violence against women. Both studies were located in Glasgow, Scotland, and used qualitative methods to explore children’s and young people’s views of men’s violence against women. The two studies, conducted nearly ten years apart, involved children aged 11 and 12 and young people aged 15 to 18. Despite the differences in age and the interval between them, there are remarkable similarities identified within both studies centring around children and young people’s normalisation of men’s violence against women. This paper presents a discussion of three of the key themes identified from these studies: the construction of men’s violence; gender roles and the naturalisation of difference; and the normalisation of men’s violence. In both studies the techniques of normalisation were employed by the participants to minimise both the seriousness of the violence and the significance of it to the victims. The findings clearly illustrate the widespread justification of gendered violence by both boys and girls. Thus, while the development and implementation of domestic violence/abuse education programmes need to take into account gender differences, targeting only boys’ attitudes fails to acknowledge an important component in reducing domestic violence/abuse: the internalisation of patriarchal norms by girls and women.     

silent voices: mothers who kill their children and the women’s liberation movement in 1970s Japan

In the early 1970s Japan witnessed the emergence of a new women’s liberation movement that put forward an unprecedented gendered critique of Japanese post-war society. Known as ūman ribu (woman lib) or simply ribu (lib), this movement appeared at a historical time when the numerical increase in cases of mothers who killed their own children prompted the news media to describe maternal filicide as a dramatic social phenomenon. This article explores ribu’s engagement with the increased public visibility of mothers who kill. It contends that the solidarity and support the movement demonstrated for these criminalised mothers radically challenged idealised notions of motherhood, maternal love and the sanctity of the mother–child bond, and deeply questioned the post-war nuclear family as the cornerstone of society. The article investigates the revolutionary potential of ribu’s preoccupation with murderous mothers by framing it in the context of the movement’s call for consciousness transformation and for the pursuance of a more genuine relationality, and it gestures towards an understanding of what might be at stake in reading maternal filicide through the interpretative grid of a revolutionary agenda.     

Irish Women’s Networks on the West Coast of New Zealand’s South Island, 1864–1922

This article explores the ethnic incorporation of Irish women on the West Coast of New Zealand’s South Island from 1864, when the gold rushes began, until the formation of the Irish Free State in 1922. The central argument is that these newcomers did not choose ethnic solidarity as a means to pursue their goals and, for most, an ethnic or religious category sufficed in an environment where local communities, churches, trade unions, kinship ties and non‐ethnic political parties had far more social relevance. The small‐scale structure of West Coast localities, the relative economic homogeneity of its inhabitants and the absence of entrenched anti‐Irish elites militated against the rise of sectarian animosities and the maturation of intensified ethnic consciousness. As a consequence, Irish women did not construct and sustain informal social networks based on ‘principles of ethnic categorisation’ in which they distributed resources and channelled interaction among group members.     

‘Where There’s a Will There’s a Woman’: Exploring the Gendered Nature of Will-Making

This paper explores the gendered nature of the formal will-making process. Longer female life expectancy means that women often make the final decision regarding the disposal of relational assets. Inheritance is thus identified as a rare opportunity for them to enjoy power and control over family wealth. There are, however, questions as to whether that enjoyment may be inhibited by the presence of men. Drawing on a series of interviews conducted with professional legal practitioners this paper discusses how, when couples seek will-making advice together, that process is largely dominated and driven by women. It argues that this situation is primarily attributable to a combination of the multi-faceted nature of will-making and, crucially, women’s position and role within the family. Having identified the possibilities available to women to exercise power and authority over men in this context, the paper concludes with a brief consideration of the potential implications for both practitioners and policy-makers.