Chōra/Chōros: Samuel R. Delany and the masculine semiotic in Through the Valley of the Nest of Spiders (2012)

Julia Kristeva’s idea of the semiotic chōra continues to haunt gender, literary, and political theory and practice. Reaching what some might consider its controversial climax in the early to middle 1990s – following its introduction in La revolution du langage poétique – the fate of the chōra was left mainly with Judith Butler’s deconstruction of Kristeva’s use of the term in Gender Trouble and Bodies that Matter. Respectively Butler argues: (a) ‘Kristeva restricts herself to an exclusively prohibitive conception of the paternal law, [and] is unable to account for the ways in which the paternal law generates certain desires in the form of natural drives’ and (b) ‘Kristeva insists upon [the] identification of the chora with the maternal body.’ The present article seeks to resurrect this debate with a critique of Kristeva’s as well as Butler’s position regarding the chōra; my argument is twofold: (i) Kristeva is guilty of being unable to account for the generative capacity of the paternal law and (ii) Kristeva’s use of the semiotic chōra does indeed resonate uncomfortably close to certain frequencies of essentialism in gender theory; however, both criticism can be overcome by adding chōros, the masculine form of chōra, to Kristeva’s theoretical lexicon. In order to sketch out the implications for gender, literary, and political theory and practice I turn to American author and critic Samuel R. Delany’s Through the Valley of the Nest of Spiders.     

‘This Spider Web of Woman's Life’: Private Space and Community Life in Peter Abelard

This essay explores such complex and ambiguous presentation of convent life in Helen Waddell's novel Peter Abelard (1933), considering Heloise's fear of women's communities as expression of concerns central to women's writing published in Britain during the 1920s and 1930s. Waddell uses Peter Abelard to intervene in these contemporary debates about private and public spaces. The dislike which her Heloise expresses for women's communities may, given the text's feminist ideology, seem surprising, but, as discussed, similar anxieties are voiced in texts by several of Waddell's contemporaries, and the novel is shaped by this tension between private, autonomous individual and shared public space. Peter Abelard is read in relation to selected journalism of Vera Brittain and Winifred Holtby (late 1920s), Virginia Woolf's A Room of One's Own (1928) and Dorothy Sayers' Gaudy Night (1935).     

Haunted by the Lady Novelist: Metafictional Anxieties about Women's Writing from Northanger Abbey to The Carrie Diaries

This paper argues that the development of the identity of the professional woman writer as a ‘lady novelist’ in the mid-eighteenth century has had a lasting and detrimental impact on the status of women's writing that lingers through to the present, particularly in the critical discourse surrounding chick lit. The first part of this paper discusses the figure of the lady novelist and traces her centrality to criticisms of women's writing from the eighteenth century through to the twenty-first. The second part of this paper then examines the haunting presence of the lady novelist in the metafictional works of seven representative women writers: Jane Austen's Northanger Abbey (1818), Elizabeth Barrett Browning's Aurora Leigh (1856), Louisa May Alcott's Little Women (1868), L. M. Montgomery's Anne of Green Gables (1908), Betty Smith's A Tree Grows in Brooklyn (1943), Fay Weldon's The Life and Loves of a She-Devil (1983), and Candace Bushnell's The Carrie Diaries (2010). By drawing a through-line that connects these texts, I argue for a renewed understanding of the ways in which Western women writers from the eighteenth century to the present are unified by a pervasive anxiety about being a ‘lady novelist’.     

Looking for Lela Simone: Singin’ in the Rain and microhistories of women’s sound work behind the scenes and below-the-line in Classical Hollywood Cinema

ABSTRACT

Despite her contribution to some of classical Hollywood’s most renowned musicals, the largely unknown Lela Simone exemplifies one of Hollywood’s ‘anonymous movie workers’ (Leo Rosten) working in the shadows of film history. As music co-ordinator for MGM’s Arthur Freed Unit (1944–1957), Simone’s exacting technical supervision of sound and music recording and post-production ensured films such as The Pirate (1948), On the Town (1949), An American in Paris (1951), Singin’ in the Rain (1952) and Gigi (1958) achieved perfect synchronisation and polished production values. Drawing on archival sources this article engages with the methodological and conceptual challenges of making visible the labour of women, like Simone, working below-the-line in technical roles. Taking Simone’s work on sound and music in the iconic ‘Singin’ in the Rain’ number as a case study, the article illustrates how a micro-historical focus can bring a previously invisible realm of women’s labour, and agency, into view.     

Battle of Femininity: romantic heroines and modern sexuality in the interwar middlebrow women's novel

Focusing on Rosamond Lehmann's The Weather in the Streets, Rose Macaulay's Dangerous Ages and E. H. Young's William, this article examines the representation of young romantic heroines in the context of emergent discourses on women's sexuality, marriage and motherhood. It is argued that these heroines, ambivalent and tentative in their quest for sexual modernity, represent the middlebrow's moral stance that reflects the paradoxical attitude of the interwar era towards modern women. A juxtaposition of these texts reveals a battle of varying versions of femininity, while a fine balance is mediated between the progressive and conservative ends of the middlebrow spectrum of values.     

Recent Publications

An Independent Woman: The Life of Lou Henry Hoover, by Anne Besier Allen. Westport, CT: Greenwood P, 2000.

Recovering the Black Female Body: Self‐Representations by African American Women, edited by Michael Bennett and Vanessa D. Dickerson. New Brunswick: Rutgers UP, 2001.

Feminisms and Women's Movements in Contemporary Europe, edited by Anna Bull, Hanna Diamond, and Rosalind March. New York: St. Martin's P, 2000.

Female Communities, 1600–1800: Literary Visions and Cultural Realities, edited by Rebecca D'Monte and Nicole Pohl. New York: St. Martin's P, 2000.

Gender and Material Culture in Historical Perspective, edited by Moira Donald and Linda Hurcombe. London: Macmillan, and New York: St. Martin's P, 2000.

Asian American Studies: Identity, Images, Issues Past and Present, edited by Esther Mikyung Ghymn. New York: Peter Lang Publishing, 2000.

Out of the Past: Adventures in Film Noir, by Barry Gifford. Jackson, MI: UP of Mississippi, 2001.

My Dangerous Desires: A Queer Girl Dreaming Her Way Home, by Amber L. Hollibaugh. Durham, NC: Duke UP, 2000.

Body Matters: Feminism, Textuality, Corporeality, edited by Avril Horner and Angela Keane. Manchester and New York: Manchester UP, 2000.

The Recess, by Sophia Lee. Lexington, Kentucky: The UP of Kentucky, 2000.

Women Performing Music: The Emergence of American Women as Instrumentalists and Conductors, by Beth Abelson Macleod. Jefferson, NC: McFarland &; Company, 2000.

Unveiling Traditions: Postcolonial Islam in a Polycentric World, by Anouar Majid. Durham: Duke UP, 2000.

The Loony‐Bin Trip, by Kate Millett. Urbana and Chicago: U of Illinois P, 2000.

Thousand of Roads: A Memoir of a Young Woman's Life in the Ukranian Undergroud During and After World War II, by Maria Savchyn Pyskir, translated by Ania Savage. Jefferson, NC, and London: McFarland &; Company, 2001.

A Woman's Way: The Forgotten History of Women Spiritual Directors, by Patricia Ranft. New York: Palgrave, 2000.

Records of Girlhood: An Anthology of Nineteenth‐Century Women's Childhoods, edited by Valerie Sanders. England and United States: Ashgate Publishing Company, 2000.

Battered Women and Feminist Lawmaking, by Elizabeth Schneider. New Haven: Yale UP, 2000.

Food, Consumption, and the Body in Contemporary Women's Fiction, by Sarah Sceats. Cambridge: Cambridge UP, 2000.

Chaucer's Pardoner and Gender Theory: Bodies of Discourse, by Robert S. Sturges. New York: St. Martin's P, 2000.

Consuming Anxieties: Consumer Protest, Gender, and British Slavery, 1713–1833, by Charlotte Sussman. Stanford, California: Stanford UP, 2000.     

Academic Lionesses

Vivid Dreams

Michèle Roberts, Flesh and Blood, London: Virago, 1994, £14.99 (paper 1995, £6.99).

Living and Losing

Stevie Davies, Closing the Book, London: The Women's Press, 1994, £12.99, £6.99 pbk.

Secondhand Roles: What's So New about Fetishism ?

Lorraine Gamman and Merja Makinen, Female Fetishism: A New Look, London: Lawrence and Wishart, 1994.

De‐mystifying Mysticism

Karma Lochrie, Margery Kempe and Translations of the Flesh, Philadelphia: University of Pennsylvania Press, 1991.

Sarah Beckwith, Christ's Body. Identity, Culture and Society in Late Medieval Writings, London: Routledge, 1993.     

Effeminate Edmund Burke and the masculine voice of Mary Wollstonecraft

ABSTRACT

This article focuses on the gendered and nationalist rhetorical strategies Mary Wollstonecraft used in her work The Vindication of the Rights of Man which was written as an open letter of response to Edmund Burke's Reflections on the Revolution in France . While a number of scholars note Wollstonecraft’s adoption of a masculine voice in her systematic feminizing of Burke, this article also pays attention to the ways in which Wollstonecraft impugns Burke with the taints of being crypto-Catholic, Irish, and quasi-French. We notice how Wollstonecraft’s masculine voice is rational, combative, righteously passionate, middle-class, patriotically English and critically Protestant. We compare the fashioning of Wollstonecraft’s voice with contemporary political caricatures of John Bull and the cartoon depictions of Edmund Burke that appeared as Wollstonecraft was composing her VRM. Wollstonecraft’s VRM gained her considered attention and her critique of Burke’s character, (and what this article claims is her misreading of his aesthetic treatise), have been remarkably influential even to the present day. The characteristics of the distinct voice created in Wollstonecraft’s first Vindication are also evident in her second and more famous Vindication of the Rights of Woman. However, the rhetorical commitments entailed in Wollstonecraft’s public voice created challenges for her arguments in the second Vindication that demand careful attention.     

Reviews

Ways of Seeing Red

Mary Joannou, ’Ladies, Please Don't Smash These Windows’: Women's Writing, Feminist Consciousness and Social Change 1918–38, Oxford: Berg, 1995, £14.95.

Gen Doy, Seeing and Consciousness: Studies in Women, Class and Representation, Oxford: Berg, 1995, £14.95.

A Fragile Space

Gill Perry, Women Artists and the Parisian Avant‐Garde: Modernism and ‘Feminine’ Art, 1900 to the late 1920s, Manchester: Manchester University Press, 1995, £45, £16.99 (pbk.).

Poetic Dissent

William McCarthy and Elizabeth Kraft (eds.), The Poems of Anna Letetia Barbauld, Athens, GA: University of Georgia Press, 1994.

Fictional and Actual Nobodies

Catherine Gallagher, Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace 1670–1820, Oxford: Clarendon Press, 1995, £25.

Edward Copeland, Women Writing about Money: Women's Fiction in England 1790–1820, Cambridge: Cambridge University Press, 1995, £35.     

‘Call Us Ms.’: Viva and arguments for Kenyan women's respectable citizenship 1975–80

Drawing on Viva, the first women's magazine published in East Africa, this article articulates the ways educated Kenyan women actively inserted themselves into public debates and constructions of the new nation. It argues that Viva authors and editors employed rhetorics of nationalism and development to advocate for Kenyan women's right to equal citizenship. They wanted participation in the possibilities, power, and self-reliance that postcolonial nationalism promised its citizens and mobilized images of a productive, modern woman to make their case. Viva's producers appropriated the momentum of 1970s development rhetoric and international women's liberation to show that Kenyan women were already fulfilling mandates to develop themselves and their fellow Kenyans through education, wage labor, consumer habits, and moral respectability. Viva reveals the ambitions, strategies, and desires of Kenya's educated women, not only for themselves but also for their nation and their rural ‘sisters’.     

Longitudinal Linkages among Parents’ Educational Expectations,Youth’s Educational Expectations,and Competence in Mexican-origin Families

The contribution that parental educational expectations for youth and youth’s perceptions of academic competence can have on youth’s own educational expectations across early to late adolescence is not well-understood. In a sample of Mexican-origin families, the current study examined longitudinal (from early to late adolescence) associations among mothers, fathers, and youth’s educational expectations, how youth’s educational expectations were associated with perceived academic competence, and the potential mediating role of youth’s perceived academic competence. Data from two-parent families which included one focal child (7th grade: N=?469; youth: M_age?=?12.31, 50% female) at three waves (7th, 9th, and 11th grade) were utilized. Structural equation modeling and multi-group analysis were implemented to assess the study’s goals. Results revealed significant associations among parents’ 7th grade educational expectations and youth’s 9th and 11th grade educational expectations. The findings also revealed three significant associations among youth’s perceived academic competence and educational expectations between 7th and 11th grade. Specifically, youth’s 7th grade perceived academic competence predicted youth’s 9th grade educational expectations, youth’s 7th grade educational expectations predicted youth’s 9th grade perceived academic competence, and youth’s 9th grade perceived academic competence predicted youth’s 11th grade educational expectations. Multigroup analysis did not reveal gender differences for the associations tested. The findings highlight the long-term significance of parents’ educational expectations on youth’s educational expectations and underscore youth’s academic competence, an individual level factor, as critical to consider for understanding educational expectations across adolescence for Mexican-origin youth.

     

Reviews

Imaginary Company

Jennifer Scanlon, Inarticulate Longings: The ‘Ladies’ Home Journal’, Gender, and the Promises of Consumer Culture, London: Routledge, 1995, £40, £12.99 (pbk.).

Penny Tinkler, Constructing Girlhood: Popular Magazines for Girls Growing Up in England, 1920–1950, London: Taylor &; Francis, 1995, £38, £12.95 (pbk.).

Reading for Wifehood

Kate Flint, The Woman Reader, 1837–1914, Oxford: Clarendon Press, 1993, £25.

Literary Companions

Betty Rizzo, Companions without Vows: Relationships among Eighteenth‐Century British Women, Athens, GA and London: University of Georgia Press, 1994, $55.00.

Women's History Repeats Itself

Rene Denfeld, The New Victorians: A Young Woman's Challenge to the Old Feminist Order, London: Simon &; Schuster, 1995, £16.99.     

Women in the world of work: Past,present, and future

Women have not been usually credited with much Utopian writing, but in fact a number of women writers have projected societies which seek to improve the condition of their sex. This paper examines three eighteenth century English women writers's ideas of feminist utopias: Mary Astell's A Serious Proposal, Sarah Robinson Scott's Millenium Hall, and Clara Reeve's Plans of Education. It discusses their ideas on the rationale and organization of communities of women and how these communities could extend their benefits to society as a whole. It will also discuss the limitations of the thinking of these women for the reform of society especially in regard to woman's place.     

Susannah Izzard and Nicola Barden,eds. Rethinking Gender and Therapy: The Changing Identities of Women.. Philadelphia: Open UP, 2001

Alice Walker, by Maria Lauret (New York: St. Martin's P, 2000).

Power, Race, and Gender in Academe: Strangers in the Tower?, edited by Shirley Geok‐Lin Lim and María Herrera‐Sobek (New York: The Modern Language Association of America, 2000).

Migrant Daughter: Coming of Age as a Mexican American Woman, by Frances Esquibel Tywoniak (Berkeley: U of California P, 2000).

Just Anger: Representing Women's Anger in Early Modern England, by Gwynne Kennedy (Carbondale: Southern Illinois UP, 2000).

Spirited Lives: How Nuns Shaped Catholic Culture and American Life, 1836–1920, by Carol K. Coburn and Martha Smith (Chapel Hill: U of North Carolina P, 1999).

States of Conflict: bender, Violence and Resistance, edited by Susie Jacobs, Ruth Jacobson and Jennifer Marchbank (London and New York: Zed Books, 2000).

The Hysteric's Guide to the Future Female Subject, by Juliet Flower MacCannell (Minneapolis: U of Minnesota P, 2000).

The Sounds of Feminist Theory, by Ruth Salvaggio (Albany: State U of New York P, 1999).

Literary Feminisms, by Ruth Robbins (New York: St. Martin's P, 2000).

Women and Faith: Catholic Religious Life in Italy from Late Antiquity to the Present, edited by Lucetta Scaraffia and Gabriella Zarri (Cambridge: Harvard UP, 1999).

Disarming the Nation: Women's Writing and the American Civil War, by Elizabeth Young (Chicago: U of Chicago P, 1999).

Dancing in the Street: Motown and the Cultural Politics of Detroit, by Suzanne Smith (Cambridge: Harvard UP, 1999).

Swinging Single: Representing Sexuality in the 1960s, edited by Hilary Radner and Moya Luckett (Minneapolis and London: U of Minneapolis P, 1999).

Maneuvers: The International Politics of Militarizing Women's Lives, by Cynthia Enloe (Berkeley: U of California P, 2000).     

Anna Kavan’s Ice and Alan Burns’ Europe After the Rain: Repetition with a Difference

Abstract

While Anna Kavan’s work has been largely ignored by critics, the responses of those who have noticed her have been dominated by two assertions. First, many of those wishing to assert her importance and power have seen her work as sui generis, the result of her isolation from the surrounding literary culture. Second, numerous feminist critics have seen her work as reproducing the worst effects of patriarchal domination. This article, through a reading of Kavan’s final novel, Ice (1967), challenges both of these assessments of Kavan. It suggests that, if we notice and try to account for the similarities between Ice and a novel published two years earlier, Alan Burns’ Europe After the Rain (1965), Kavan’s novel can be read as challenging patriarchal domination through a bold and innovative reworking of the reader’s ‘suspension of disbelief’.     

Empire in Question: Reading,Writing, and Teaching British Imperialism,Antoinette Burton

Hawthorne and Women: Engendering and Expanding the Hawthorne Tradition, by John L. Idol, Jr. and Melinda M. Ponder. Amherst: U of Massachusetts P, 1999.

Regions of Identity: The Construction of America in Women's Fiction, 1885–1914, by Kate McCullough. Stanford: Stanford UP, 1999.

Golden Cables of Sympathy: The Transatlantic Sources of Nineteenth‐Century Feminism, by Margaret H. McFadden. Lexington: The UP of Kentucky, 1999.

Unruly Tongue: Identity and Voice in American Women's Writing, 1850–1930, by Martha J. Cutter. Jackson: UP of Mississippi, 1999.

Toni Morrison: A Critical Companion, by Missy Dehn Kubitschek. Westport, CT: Greenwood Press, 1998.

Contentions Traditions: The Debate On Sati in Colonial India, by Lata Mani. Berkeley: U of California P, 1998.

The Victorian Spinster and Colonial Emigration: Contested Subjects, by Rita S. Kranidis. New York: St. Martin's P, 1999.

Strange Secret Peoples: Fairies and Victorian Consciousness, by Carole G. Silver. New York and Oxford: Oxford UP, 1999.

Performing Gender and Comedy: Theories, Texts and Contexts, edited by Shannon Hengen. Studies in Humor and Gender. 4. Amsterdam: Gordon and Breach, 1998.

Transforming Shakespeare: Contemporary Women's Re‐Visions in Literature and Performance, edited by Marianne Novy. New York: St. Martin's P, 1999.

Singlewomen in the European Past, 1250–1800, edited by Judith M. Bennett and Amy M. Froide. Philadelphia: U of Pennsylvania P, 1999.     

Dorset,Kincardine and peasant crisis: A comment on David Craig

David Craig's paper ‘Novels of Peasant Crisis’ is to be warmly welcomed. But Craig provides no adequate analysis of the peasant crises underlying the novels which he considers. This paper considers one of Craig's novels; Lewis Grassic Gibbon's Sunset Song. Craig's explanation of this book in terms of depopulation and the destruction of the Kincardine peasantry from outside is seen to be inadequate. Sunset Song is about the crumbling of a peasant mode of production through the working out of internal contradictions within that mode of production. As an introduction to this discussion of Sunset Song Craig's dismissal of the utility of Thomas Hardy's work for the analysis of rural class relations is argued to be distinctly premature.     

‘Think of the Children!’ Desire and Innocence in British Queer Fiction of the Early Twentieth Century

Nearly all relationships have power imbalances, none more so than age-dissimilar ones. Women writers of the early twentieth century addressed the issues of sexual innocence and ignorance in literary same-sex relationships with differing levels of perception and tangents of criticism. This article examines how innocence is portrayed, deployed and perceived in Clemence Dane’s Regiment of Women (1917), Rosamond Lehmann’s Dusty Answer (1927), Radclyffe Hall’s The Well of Loneliness (1928) and Mary Renault’s The Charioteer (1953) and how the idea of queerness complicates the issue of childhood innocence. It explores to what extent characters cast as innocent become vehicles for their female authors to express sexually and socially transgressive desires at a time when feminism was publicly and scientifically linked to lesbianism.     

Late Victorian Poets

Who's a Pervert?

Jonathan Dollimore, Sexual Dissidence: Augustine to Wilde, Freud to Foucault, Oxford University Press, £35.00 &; £9.95. Louise J. Kaplan, Female Perversions, Pandora, £17.00.

Border Zone Travellers

John B. Allcock and Antonia Young (eds), Black Lambs and Grey Falcons: Women Travellers in the Balkans, Bradford University Press, £11.00.

Canonising H.D.

Claire Buck, H.D. and Freud: Bisexuality and a Feminine Discourse, Harvester, £35.

Susan Stanford Friedman, Penelope's Web: Gender, Modernity, H.D.’s Fiction, Cambridge University Press, £37.50.

Susan Stanford Friedman and Rachel Blau DuPlessis (eds), Signets: Reading H.D., University of Wisconsin Press, £14.00

Lawrence Among the Women

Carol Siegel, Lawrence Among the Women: Wavering Boundaries in Women's Literary Traditions, University Press of Virginia, £19.95 or $29.95.     

Europe's Northern Periphery and the Future of Women in the Travel Narratives of Ethel Tweedie

Among the writers who defined the European northern periphery for British readers towards the end of the nineteenth century, Ethel Brilliana (Mrs Alec) Tweedie was a significant figure. In addition to numerous articles about various aspects of Fenno-Scandinavian culture, she published three book-length narratives based on her northern journeys, A Girl's Ride in Iceland (1889), A Winter Jaunt to Norway (1894), and Through Finland in Carts (1897). Though almost forgotten today, these books were widely read at the time, and Tweedie came to be regarded as an authority on the north. What makes Tweedie's Nordic travel narratives unique and of interest today is their conflation of discourses of northernness and female emancipation.

This article outlines two different and apparently contradictory representations of the European north in Tweedie's travel narratives of the 1890s. On the one hand, they primitivize Fenno-Scandinavia by emphasizing the arctic climate and the area's distance both culturally and geographically from metropolitan European centres. On the other hand, Tweedie's Nordic travel narratives give the peripheral countries of Fenno-Scandinavia a symbolic centrality in the development of Europe. In some respects, particularly women's participation in social life, the northern nations are represented as models of progress. My focus is on Tweedie's final and most ambitious Nordic travel narrative, Through Finland in Carts, which equates northernness with modernity and the future of women. Compared to this exemplary north it is Britain that lags behind, and the contrast implies a fundamental critique of British culture at the fin de siècle. Finally, I trace the personal circumstances informing Tweedie's interest in Finnish women and discuss why they are deliberately concealed in the text itself.