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Ratna Kapur’s recent book entitled Erotic Justice proposes a new politics of postcolonialism whereby the sexual subaltern disrupts the normative principles of the universal, liberal, legal domain. Kapur traces legal strategies regarding censorship, sex-work, homosexuality, sexual harassment, trafficking and migration which travel a treacherous path, countering allegations of ‘unIndian’ and Western practice with cultural histories of ‘authentic’ sexual legitimacies, towards a new politics of desire. Kapur frames her analysis through postcolonial feminist theory as providing a tool for feminist struggle, yet distinct from and disruptive of a liberal project of global sisterhood. This review deeply values the role of the sexual subaltern which disrupts the tenets of a linear, progressive liberalism. Drawing upon Indian feminist and Western feminist perspectives, the review considers how the distinct position of the postcolonial sexual subaltern subject informs the generic role of law as a tool constructing relations of domination regarding gender, sexuality, caste, property and religion. Kapur observes that both the West and the Hindu Right have engaged with liberal legal principles. This engagement, I argue, exposes and informs law as a historical and contemporary tool of gendered legal colonialism, for sisters to disrupt across the Western and Eastern terrains.Review of Ratna Kapur’s Erotic Justice, Law and the New Politics of Postcolonialism, London: Glasshouse Press, 2005, 219 pp., £26, ISBN 1-90438-524-9  相似文献   

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Adoption was legalised in Australia in the 1920s, but not widely embraced before the Second World War. During the 1950s, a series of court cases in which birth mothers challenged the validity of the adoption of their children, threatened the viability of this new social policy. This paper argues that the 1960s tightening of secrecy provisions should be understood in the context of these challenges which reopened debates around the status of adoptive motherhood. By listening for the voice of relinquishing mothers, it challenges the view they were complicit in the process which deprived them of claims to maternal status.  相似文献   

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Anne Boyd (b. 1946) is recognised in the public domain as one of Australia's distinguished composers. Her work belongs in the Western art music tradition and emerges out of her entanglements with the Australian landscape and the music of South-East Asia. This article considers what some of these entanglements have produced and, in so doing, shifts the emphasis from questions of reflection and representation—in which Boyd's music might be understood to reflect in a representationalist mode those aspects of her identity that are bound with the Australian landscape—to exploring in a performative manner how her music offers glimpses into different aspects of the creative process in action. I consider Boyd's selected musical works and critique various biographical writings on Boyd, drawing on the work of Deleuze which I entangle with Barad's concept of intra-action. My aim is to offer a different model for thinking about the network of mutual engagements that are coimplicated in the music's becoming. I view Boyd's music as a becoming-woman, an animate flow and a dynamic process of intra-activity.  相似文献   

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