Stalin's Genocides

In this essay I explore the ways in which the internal Albanian politics of memory in Kosovo rely on a longer, lived history of militant self-organisation than the Kosovo Liberation Army (KLA) war period alone. On the basis of recent ethnographic research, I argue that the memory of prewar militant activism is symbolically codified, ritually formalized, and put on the public stage in Kosovo today. Not only has this process effectively rehabilitated and consolidated the personal, social, and political status of specific former activists, it also has produced a hegemonic morality against which the actions of those in power are judged internally. On the one hand, this process reproduces shared cultural references which idealise ethno-national solidarity, unity and pride and which have served militant mobilisation already before the 1990s. On the other, it provides the arguments through which rival representatives of the former militant underground groups (known as Ilegalja) compete both socially and politically still today. Although this process demarcates some lines of social and political friction within society, it also suggests that international efforts to introduce an identity which breaks with Kosovo's past and some of its associated values, face a local system of signification that is historically even deeper entrenched than is usually assumed.     

Remembering and forgetting: the state policy of memorializing Stalin's repression in post-Soviet Kazakhstan

The general perception of Western analysts and observers is that the nation-states created as a result of the breakup of the Soviet Union all treat the memory of the dark, repressive aspects of the Stalinist regime in public spaces as a symbolic element in the creation of a new post-Soviet identity [Denison, Michael. 2009. “The Art of the Impossible: Political Symbolism, and the Creation of National Identity and Collective Memory in Post-Soviet Turkmenistan.” Europe-Asia Studies 61 (7): 1167–1187]. We argue that the government of Kazakhstan employs non-nationalistic discourse in its treatment of Stalinist victims’ commemoration in a variety of forms, through the creation of modern memorial complexes at the sites of horrific Soviet activity (mass burial places, labor camps, and detention centers), purpose-built museum exhibitions, and the commemorative speeches of its president and other officials. Kazakhstan's strategy in commemorating its Soviet past is designed to highlight the inclusiveness of repression on all peoples living in its territory at that time, not just Kazakhs, thereby assisting in bringing together its multinational and multiethnic society. Thus, the official stance treats this discourse as an important symbolic source of shaping the collective memory of the nation, based on “a general civil identity without prioritizing one ethnic group over another – a national unity, founded on the recognition of a common system of values and principles for all citizens” [Shakirova, Svetlana. 2012. “Letters to Nazarbaev: Kazakhstan's Intellectuals Debate National Identity.” February 7. Accessed July 28, 2015. http://postsovietpost.stanford.edu/discussion/letters-nazarbaev-kazakhstans-intellectuals-debate-national-identity].     

Stalin's Great Terror and the Asian Nexus

Stalin's Great Terror of 1937–1938 did not stop at the Soviet borders: under Moscow's explicit instructions, it extended to Asia, particularly to the People's Republic of Mongolia and to Xinjiang or Chinese Turkestan. More people proportionately suffered from the Terror in Mongolia than in the Soviet Union. Stalin's terror operations in the Asiatic lands were implicitly directed against Japan, the main competitor for influence in the region.     

斯大林档案的密存与被销毁(上)

1989年,苏联开始对党和国家以前的秘密档案进行解密,苏联解体后解密工作进一步加快.正因为依靠新的档案材料撰写的论文、专著可以加深对那个时代的理解,或得出与以往不同的看法,所以专家、学者们历来对有关苏联历史的档案表现出浓厚的兴趣.     

斯大林档案的密存与被销毁(下)

研究斯大林活动的俄罗斯学者们普遍认为,斯大林拥有独立于内务人民委员部之外的自己的秘密情报网,其秘密情报员有权查阅任何一家档案馆的材料,并采用其他手段收集重要人物的"专案材料",这些"专案材料"构成了斯大林的机密私人档案.     

Literary reviews

Autobiographies of the townships. Gone with the Twilight: a story of Sophiatown. Don Mattera London: Zed Press. 1987. 151pp. £19.95hb/£5.95pb

Kaffir Boy: growing out of apartheid. Mark Mathabane London: Pan. 1987. 354pp. £3.50pb

Subtle dissent: Malawi's poetry of protest. Nightwatcher, Nightsong. Frank M Chipasula Peterborough, UK: Paul Green. 1986. 25pp. £1.50pb

Napolo Poems. Steve Chimombo Zomba, Malawi: Manchichi Publishers. 1987. 55pp n/p

Selective blindness. Women in African Literature Today, Vol. 15. Edited by Eldred Jones, Eustace Palmer and Marjorie Jones London: James Currey/Trenton, New Jersey: Africa World Press. 1987. 162pp. £7.50/$8.95pb

Ngambika: studies of women in African literature. Edited by Carole Boyce Davies and Anne Adams Graves Trenton, New Jersey: Africa World Press. 1986. 298pp. $35.00hb/$11.95pb

Form and content. Reading the African Novel. Simon Gikandi London: James Currey. 1987. 172pp. £8.95pb

West African Poetry: a critical history. Robert Fraser Cambridge: Cambridge University Press. 1986. 351pp. £35hb/£12.50pb

Textual adventure. Around the Day in Eighty Worlds. Julio Cortázar Translated from the Spanish by Thomas Christensen San Francisco: North Point Press. 1986. 293pp. J22.50hb

A Change of Light and other stories. Julio Cortazar Translated from the Spanish by Gregory Rabassa London: Arena. 1987. 275pp. £3.50pb

Master of the fantastic. The Dream of Heroes. Adolfo Bioy Casares Translated from the Spanish by Diana Thorold London: Quartet Books. 1987. 212pp. £9.95hb

Popular heroes. I Dreamt the Snow was Burning. Antonio Skarmeta Translated from the Spanish by Malcolm Coad London/New York: Readers International. 1985. 220pp. 57.95/£4.95pb

Burning Patience. Antonio Skarmeta Translated from the Spanish by Katherine Silver London/Methuen. 1988. 126pp. £9.95hb

Struggling towards a voice. Angel. Merle Collins London: The Women's Press. 1987. 294pp. £12.95hb/£4.95pb

Nowhere to hide. The Arkansas Testament. Derek Walcott London: Faber & Faber. 1988. 117pp. £3.95pb

Unity of the spirit. Modern Arabic Poetry: an anthology. Edited by Salma Khadra Jayyusi New York: Columbia University Press. 1987. 498pp. Hb n/p

Defiant creativity. Let It Be Told: essays by Black women writers in Britain. Edited by Lauretta Ngcobo London: Pluto Press. 1987. 146pp. £12.95hb London: Virago Press. 1988. 176pp. £4.50pb

Charting the Journey: writings by Black and Third World women. Edited by Shabnam Grewal, Jackie Kay, Liliane Landor, Gail Lewis and Pratibha. Parmar London: Sheba Feminist Publishers. 1988. 322pp. £7.95/$10.95pb