共查询到20条相似文献,搜索用时 0 毫秒
1.
Harvey B. Feigenbaum 《Journal of Arts Management, Law & Society》2013,43(4):255-264
Using the theory of the commons and social obligation theory of inclusion, this article critically examines current art museum fundraising practices in the United States that rely too much on traditional White, wealthy patrons. This leads museums to emphasize the limited interests of traditional donors, neglecting the needs of and potential support from their broader communities. This results in the tragedy of the anticommons, where museums are underused by diverse publics. The article advocates for more inclusive relationship-based fundraising practices that build relationships with local community members and include their perspectives on fundraising practices through diversifying fundraising leadership, understanding diverse giving patterns, and utilizing innovative fundraising methods while remaining sensitive to cultural differences. 相似文献
2.
An urgent need exists for trained specialists to manage organizational policies and practices involving arts programs and activities in healthcare facilities. This article introduces the field of arts in health and argues for what is currently needed within the academic and professional field of arts management to advance this emerging arena of arts management theory and practice. The authors integrate key references from existing scholarship alongside additional survey data to offer recommendations for developing professional management of the arts in healthcare facilities like hospitals, hospices, and long-term care centers. The article provides an overview of the responsibilities of arts managers in healthcare institutions, as well as insight into the knowledge, competencies, and skills that arts managers require to effectively work in these settings. The article concludes with articulating a conceptual framework for a long-term research trajectory to inform further advancement of this distinct sub-field of arts management. 相似文献
3.
Lise Anne D. Slatten Brandi N. Guidry Hollier David P. Stevens Wesley Austin Paula Phillips Carson 《Journal of Arts Management, Law & Society》2013,43(5):213-230
ABSTRACTWeb-based accountability continues to be an important consideration for nonprofit organizations. This research examines the impact of certain variables on web-based accountability in the arts, culture, and humanities sector. A content analysis of eighty nonprofit organizations was performed and multiple statistical analyses were used. Findings indicated that regulatory measures, including the prosecution and a detection index, are the most significant variables for determining web-based accountability for this group of nonprofit organizations. 相似文献
4.
5.
Sue Anne Lafferty 《Journal of Arts Management, Law & Society》2013,43(3):185-205
This article discusses state support of artists in the United Kingdom, focusing on the Arts Council England. To understand the present—or the future—support of visual artists, one needs to understand the past. Accordingly, the article begins with a brief history of the Arts Council of Great Britain from 1946, discussing Thatcher's reforms after the 1979 election. Tony Blair's New Labour continued many of the same strategies instituted by the Conservatives. At the same time as fiscal constraints and "enterprise culture" were imposed, the mission of the Arts Council was broadened to include both geographical representation and a more populist agenda. A review of the contemporary arrangements for state support of artists in the United Kingdom shows that many of the tensions that exist within today's Arts Council were institutionalized in its early days. The article concludes with a comment on what the current situation may portend for the future. 相似文献
6.
7.
Katherine Preston Keeney 《Journal of Arts Management, Law & Society》2018,48(1):44-56
Although commonplace in academic settings, performing arts centers are multifaceted and remain unexplored. Framed by resource dependency theory, this research sheds light on the motivations of higher education institutions in a resource-scarce environment. Specifically, why do these institutions—with limited resources—prioritize the co-curricular arts? This study employs process research to understand the origination, funding sources, and purposes of performing arts centers at higher education institutions in Virginia. Evidence suggests that these institutions invest in the co-curricular arts to not only fulfill their public service missions, but also to capitalize on and acquire resources. 相似文献
8.
Bruce D. Thibodeau Charles-Clemens Rüling 《Journal of Arts Management, Law & Society》2013,43(3):156-177
Mainstream arts management and stakeholder research highlights the relationships between nonprofit organizations and community, yet empirical research on how those interactions result in outcomes is limited. This article looks at the stakeholder attribute “urgency” and the impact on and by the stakeholder group “community.” Building on a comparative case study of five cultural organizations and their capital intensive facility projects, our research finds that both new and existing organizations embrace a community-wide process whereby internal and external stakeholders are identified, relationships nurtured, social and emotional bonds strengthened, and shared urgency between community and organization is created towards specific outcomes. 相似文献
9.
Linda Essig 《Journal of Arts Management, Law & Society》2013,43(4):227-246
This article provides a framework for the conceptualization of arts entrepreneurship in the US by first examining a range of perspectives on the boundaries of the “arts and culture sector” in the US and then exploring in some depth four theories of entrepreneurship and how such theories may be realized within the arts and culture sector. Theories of firm formation are considered both generally and as potentially applied to the arts and culture sector, with examples of firm formation drawn both from existing literature and the author's direct observation of entrepreneurial activity. Finally, the essay connects these theories in a means and ends framework to provide a context for understanding arts entrepreneurial activity, especially in the US arts and culture sector. The theory that emerges from the examples provided to illustrate the framework is a simple one: artists form firms or otherwise undertake entrepreneurial action toward the end of creating art sustainably and they do so by discovering or creating new connections between their means and that desirable end. 相似文献
10.
11.
论公众共用物的法律保护 总被引:2,自引:0,他引:2
公众共用物系指不特定多数人的可以非排他性使用的共用物,例如大气、水流、海洋、森林和荒地等环境和自然资源。公众共用物既不属于我国法律规定的私有物,也不属于我国法律上规定的国家所有即全民所有财产。公众共用物是公众自由活动、相互交往以及与自然交往的地域、空间和舞台,是满足人们物质需求和精神需求的食粮,是激发和促进人的思想、理想、情操、美感和艺术的渊源,是人之所以为人、人之所以为生态人社会人、人之所以得以全面发展的物质基础和基本条件,是人类、社会、经济和生态得以可持续发展的物质源泉和基本资源。目前我国公众共用物因受到来自各方面和各种形式的污染、破坏、损害、侵犯而面临着退化、萎缩的危机,急需加强法律保护。公众共用物使用权是指不特定多数人非排他性使用公众共用物的资格、自由和力量。作为公众中一员的每一个人都有公众共用物使用权。对公众共用物的保护和法律调整,不能仅仅依靠单一的政府那只\"看得见的手\"或\"市场那只看不见的手\"或\"另一只看不见的手\",而应该根据具体情况综合利用政府那只\"看得见的手\"、\"市场那只看不见的手\"和\"另一只看不见的手\"这三只手;不能仅仅依靠单一的政府调整、市场调整和社会调整,而应该从实际出发综合采用政府调整、市场调整和社会调整这三种调整机制;不能仅仅依靠单一的中央集权、自由竞争、公有制和私有化手段,而应该根据现实需要适度地进行集权、分权、自治和实行公有、私有、共用措施。我国的法律应该充分发挥公众、政府和市场各自的优势和特点,逐步建立有关公众共用物的综合调整机制、善治机制,避免\"公地悲剧\"、\"反公地悲剧\"和埃利诺.奥斯特罗姆所谓的\"双重陷阱\",通过建立健全公众共用物的法律调整机制,保障公众共用物的健康和可持续存在,保持和维护私用财产、公务财产和共用物的合理比例、综合平衡和协调发展。提出建立健全如下公众共用物的法律规范和法律制度:非排他性使用公众共用物的法律措施和法律制度;保护、改善和治理现有公众共用物的法律措施和法律制度;防止不当减少现有公众共用物数量和规模,保障基本公众共用物供给的法律措施和法律制度;增加公众共用物的法律措施和法律制度;有关公众共用物的法律责任制度和救济制度;有关公众共用物的管理体制以及规划、统计、信息公开等管理制度。这些法律规范和法律制度将确保公众共用物与私人财产、政府财产的比例适当和协调发展,满足公众对公众共用物的需要。 相似文献
12.
Thomas M. Smith 《Journal of Arts Management, Law & Society》2013,43(2):98-113
Affirmative action and diversity can serve as a powerful framework for helping arts management educators address the challenge of diversity in the arts. This article encourages arts management educators to use affirmative action and diversity to proactively recruit diverse students into academic degree programs. 相似文献
13.
Bård Kleppe 《Journal of Arts Management, Law & Society》2018,48(3):191-205
Arts management has commonly been analyzed as a microcosm of the art field, in which struggles between artistic, economic, administrative, and societal considerations are constantly being fought. Using the field theory of Bourdieu, scholars have attempted to uncover levels of functional differentiation within arts organizations, and interpreted differentiation between artistic considerations and economic and administrative considerations as a core element in defining the artistic autonomy of such organizations. In this article, I present an alternative approach to the interpretation of artistic autonomy in arts management. Through the stories of three artistic directors and the way in which they run their theatres, I aim to show the theory of justification (developed by Boltanski and Thévenot) and shed new light on the interpretation of arts management, as well as on the understanding of artistic autonomy more generally. 相似文献
14.
15.
16.
Beth Juncker 《Journal of Arts Management, Law & Society》2013,43(5):231-242
ABSTRACTEver since the earliest forms of mass media, the dichotomy of mass culture/high culture has been a topic of debate. The concept of cultural democracy has developed as a way to acknowledge a variety of cultural activities. Despite attempts to develop a broader understanding of culture, cultural policy still seems to reproduce the dichotomies, and to value one over the other. In this article, we would argue for an expanded understanding of cultural democracy, which may serve as a starting point for a turn of perspective of arts advocacy and cultural policy—the perspective we call an expressive cultural democracy. 相似文献
17.
海上货物运输纠纷中的损害事实指货方由于承运人的违约行为而遭到的损失 ,从实际发生的角度来看 ,损失包括货物物质上的损失以及经济损失。所以明确经济损失的可赔偿性以便以统一的尺度确定承运人的赔偿责任已成为当务之急。 相似文献
18.
记名提单作为提单的一种,在海上货物运输环节具有至关重要的功能和作用。从记名提单托运人货物控制权-9收货人提货权这一新视角切入,在中国海上货物运输法律框架下,解读相关法律要素,还原记名提单应有的法定特征及功能,得出记名提单承运人需凭正本记名提单放货的结论。 相似文献
19.
前互联网时代的既有数据确权立法无法有效映射信息时代对于数据权利的实质性诉求,现有学术研究亦对新型数据权属的阐释和论证力有不逮,数据确权已成为数字化转型亟待解决的基础性理论研究问题。数据权属体系的构建,应遵循数据产生及其市场运作的底层逻辑,以实现数据产业健康可持续发展、维护数据权益相关方利益平衡为目标,将数据权属赋权于在数据生成与利用中处于核心驱动地位方为准则,避免数据权利内容及界限过于模糊、笼统,以此缓解激励数据生产与降低个体隐私权侵害风险之间的内在张力,形成个人用户、平台企业、政府国家之间对于数据权属的内容和边界的合理界分,构建社会公众、网络平台、政府国家数据治理共建共治共享的格局。 相似文献
20.
抵押物转让中的利益衡量与制度设计 总被引:6,自引:0,他引:6
抵押人在抵押期间不丧失对抵押物的处分权,可以自由转让抵押物。但抵押物的转让需要顾及到抵押权人利益的保障,传统立法通过赋予抵押权人追及效力来实现于此。但这可能会损害受让人的利益,导致利益和风险分配的不平衡。抵押物转让制度的设计应当充分权衡抵押人、抵押权人以及受让人三者的利益冲突,并结合物尽其用这一物权法基本价值目标,做出妥善安排。由于抵押权是价值权,以价金物上代位为主导、追及效力为补充的抵押物转让制度是一个很好的尝试。 相似文献