“I have never met the normal woman”: Stella Browne and the politics of womanhood

Abstract

F. W. Stella Browne (1880–1995) and her views on female sexuality have been much discussed of recent years. These discussions have tended to rely on a limited number of her copious (if often hard-to-find) writings, and have also failed to take into account where Stella, as an individual woman, was coming from. In the light of ongoing researches into her life and career, this article locates her writings in her life of activism in a wide variety of causes. It argues that her opinions about women's needs do not conform to a simplistic model of a ‘New’ feminism of difference, and that her relationship to the thought of contemporary male sexologists has been presented in a one-dimensional and misleading way. Her tripartite commitment to feminism, socialism, and individualism is illustrated, drawing on a wide range of her writings and statements between 1912 and 1937. In her crusade to celebrate and liberate the “variety and variability of women” Stella sought constantly to overthrow concepts of a monolithic female nature as well as to reject the Double Moral Standard: ‘normality’ to her was an instrument for the oppression of women. Consideration is also given to the wider influence of her ideas.     

Helena Normanton: legal crusader or myth Maker? ‘[S]urely the one thing history teaches us is that we cannot generalise,or even worse,categorise individual humans into saints and sinners,or heroes and villains’

ABSTRACT

Helena Normanton aspired to become a lawyer at a time when women were prohibited from entering the legal profession. This aspiration became a reality when, on 24 December 1919, she became the first woman to be admitted to an institution of the legal profession after the passing of the Sex Disqualification (Removal) Act 1919, thus enshrining her place in legal history. Her achievement was, without doubt, remarkable. She has become the ‘face’ of women’s entry to the legal profession, but what was her contribution to the opening the legal profession to women? How should history remember her? This article will examine her role in this history and compare it to her own narrative. Further it will consider how we reconcile her trailblazing challenge to the male exclusivity of the Bar with the difficulties her behaviour often presents to us. Helena Normanton: saint or sinner? And does it matter?     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

The stigmatized Italian visionary and the devout French physician: Palma Mattarelli d’Oria and docteur Imbert Gourbeyre*

ABSTRACT

The paper examines the case of an Italian local celebrity, Palma Mattarelli, born in 1825, and stigmatized at the significant age of 33. From that moment on, extraordinary phenomena multiplied around her: ecstasies, visions, ‘holy’ communion, apocalyptic prophecies. In the climate of renewed Catholic sensibility for extraordinary supernatural phenomena Palma’s fame soon extended abroad. The Docteur A. Imbert-Gourbeyre visited Palma in 1871, and dedicated the second volume of Les stigmatisées to her. Palma’s celebrity was undermined by the hostility of the local church authorities, and an inquisitorial examination of her which ended in 1872 with a negative judgement, ranging her cause in the frame of ‘afettata santità’. Imbert-Gourbeyre was advised not to republish his successful book on her. Yet, the extraordinary phenomena kept on recurring around her till her death in 1888.     

Effeminate Edmund Burke and the masculine voice of Mary Wollstonecraft

ABSTRACT

This article focuses on the gendered and nationalist rhetorical strategies Mary Wollstonecraft used in her work The Vindication of the Rights of Man which was written as an open letter of response to Edmund Burke's Reflections on the Revolution in France . While a number of scholars note Wollstonecraft’s adoption of a masculine voice in her systematic feminizing of Burke, this article also pays attention to the ways in which Wollstonecraft impugns Burke with the taints of being crypto-Catholic, Irish, and quasi-French. We notice how Wollstonecraft’s masculine voice is rational, combative, righteously passionate, middle-class, patriotically English and critically Protestant. We compare the fashioning of Wollstonecraft’s voice with contemporary political caricatures of John Bull and the cartoon depictions of Edmund Burke that appeared as Wollstonecraft was composing her VRM. Wollstonecraft’s VRM gained her considered attention and her critique of Burke’s character, (and what this article claims is her misreading of his aesthetic treatise), have been remarkably influential even to the present day. The characteristics of the distinct voice created in Wollstonecraft’s first Vindication are also evident in her second and more famous Vindication of the Rights of Woman. However, the rhetorical commitments entailed in Wollstonecraft’s public voice created challenges for her arguments in the second Vindication that demand careful attention.     

'Intemperate and Unchaste': Jean Rhys and Caribbean Creole Identity

In this article, Carr examines Jean Rhys's ambivalent feelings about her West Indian origins. She looks at the problems both she and others have had in deciding whether her work can be truly considered to belong to the category of Caribbean literature. The difficulty lies not just in her expatriate existence or European themes, but goes back to her position as a white Caribbean Creole woman, the descendant of slave-owners. Carr looks at the traditional representations of the Creole woman, and suggest that the characteristics assigned to Bertha Mason in Jane Eyre , 'intemperate and unchaste', persisted to Jean Rhys's day, and that all her fiction, even when not explicitly Caribbean, can be seen to write back to such representations. When Rhys arrived in England, she was immediately identified as Other because of her Caribbean accent, something that marked her out as disturbingly associated with non-white West Indians; in England, she was no longer really white, although back in the Caribbean her whiteness made her unacceptable to so many of her fellow Dominicans. Much of the power of her fiction comes from her knowledge of the violent scars left in the Caribbean by the colonial past, and her own experience of the prejudices and oppressions of a hierarchical metropolitan society. In particular, if it had not been for her stigmatization as the always racially dubious West Indian when she reached England, her insight into the injustices of metropolitan and colonial society might never have been so acute.     

Dreams by Day and Night: Kant,Freud and Ella Freeman Sharpe

Abstract: The poet and novelist Mathilde Blind (1841–96) is known to have been influenced by evolutionary theory, particularly in her epic poem The Ascent of Man (1889). However, critics have not yet noted the extent to which her depictions of the courtship plot in her less overtly evolutionary writings are indebted to Darwin's representations of animal mating rituals. Although Darwin's commentary on patterns of relationships in the animal world often reinforced stereotypes of masculine aggression and feminine coyness, feminist writers, including Blind, shifted the focus onto creatures, such as birds and spiders, whose mating behaviour disrupts these stereotypes. This article examines four pieces in which Blind re-imagines the courtship plot by applying imagery of other species to human relationships: her poems ‘The Song of the Willi’ (1871), The Heather on Fire (1886) and ‘The Teamster’ (1889), and her novel Tarantella (1885). By rewriting the courtship plot in this way, Blind contests the idea that middle-class gender relations are sanctioned by the natural world and highlights the variety of possible gender roles found in other species.     

A ‘fully bloomed’ existence for women: Miyamoto [Chūjō] Yuriko in the Soviet Union, 1927–1930

As a young woman, the Japanese writer Miyamoto Yuriko travelled to the Soviet Union in late 1927 and was transformed by the experience. In the world’s first and only socialist state, she perceived the possibility of equal relationships between men and women that were both emotionally and intellectually satisfying. In Soviet Russia, a woman could be ‘fully bloomed’: an equal citizen and worker as well as a wife and mother. Through an examination of her two self-narratives based on her time abroad - her diary and the retrospective, autobiographical novel Dōhyō (Signposts) - I will demonstrate how for Yuriko, the political and personal were inseparable. Her whole-hearted endorsement of the USSR and the equality it seemed to offer women was part of the individual journey begun with her love marriage, her divorce, and her relationship with Yuasa Yoshiko, whom she left for Miyamoto Kenji, a committed communist, after her return to Japan.     

racialisation,relationality and riots: intersections and interpellations

This paper takes up Avtar Brah's (1999) invitation to write back to the issues she raises in her mapping of the production of gendered, classed and racialised subjectivities in west London. It addresses two topics that, together, illuminate racialised and gendered interpellation and psychosocial processes. The paper is divided into two main sections. The first draws on empirical research on the transition to motherhood conducted in east London to consider one mother's experience of giving birth in the local maternity hospital. The maternity ward constituted a site where racialised difference became salient, leading her to construct her maternal identity by asserting her difference from Bangladeshi mothers and so self-racialising, as well as ‘othering’ Bangladeshi mothers. The paper analyses the ways in which her biography may help to explain why her experience of the maternity hospital interpellates her into racialised positioning. The second section focuses on media responses to the riots in various English cities in August 2011. It examines the ways in which some media punditry racialised the riots and inclusion in the British postcolonial nation. The paper analyses three sets of commentaries and illuminates the ways in which they racialise the debate in essentialising ways, reproducing themes that were identified in the 1980s as ‘new racism’ and apportioning blame for the riots to ‘black gangster culture’. While these media pronouncements focus on racialisation, they are intersectional in implicitly also invoking gender and social class. The paper argues that the understanding of the mother's self-racialisation is deepened by a consideration of the racialised discourses that can be evoked (and are contested) in periods of social unrest. The paper thus draws on part of the methodology of ‘The Scent of Memory’ in layering media readings and biographical narratives to analyse the contemporary psychosocial space of racialisation.     

When Art Does not Represent Life: Nogami Yaeko and the Marriage Question

Nogami Yaeko's (1885–1985) early works “Meian” (1906) and Machiko (1930) critique marriage customs by portraying New Women who challenge the status quo. Yet Nogami is not directly connected with marriage debates or the New Women. To explain this paradox, this article examines these two works, comparing their New Woman heroines with Nogami herself. I argue that it was precisely because Nogami's art did not represent her life that she was able to express her opinions on marriage without attracting the notoriety and unfavorable publicity experienced by those who lived and wrote as New Women.     

Successful female aging for beginners: Carolyn Heilbrun/Amanda Cross and perspectives of gendered aging in The Players Come Again

Although Carolyn Gold Heilbrun (1926–2003) is best known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction which evidence an intense reflection upon female aging as well as her long-standing commitment to feminism. Works such as Reinventing Womanhood (1979), The Representation of Women in Fiction (1983), Writing a Woman's Life (1988), and The Last Gift of Time: Life Beyond Sixty (1997) explore the ways in which women in general and the author in particular experience the changes that maturity involves as an enriching process rather than as a path into decay and loss. This paper contends that these might perhaps shed a new light into her fiction as Amanda Cross, which includes The Players Come Again (1990). Taking her essays in feminism and literary criticism as a basis, my aim was to reveal the extent to which Heilbrun's commercial mystery novels represented a springboard to the theories she put forward in her essays, which vindicated the difficulties as well as the joys involved in a gendered experience of aging.     

Olive Banks (1923–2006): an appreciation

This Appreciation of Olive Banks (1923–2006) draws upon her memoir published in Women’s History Review, Vol. 8, No. 3, 1999, pp. 401–410, and upon the author’s recollections of and correspondence with her. Born into a solidly working‐class family, Olive Banks overcame the disadvantages of her social class background and gender to become an internationally recognised Professor of Sociology, well known for her contribution to the developing field of the sociology of education and especially for her pioneering work on the history of feminism. Her contribution to women’s history was important at a time when the discipline was developing as an academic field of study in higher education in the 1980s in the USA and Britain.     

The Day I Will Never Forget: an interview with Kim Longinotto

The documentary filmmaker Kim Longinotto talks to Catherine Fowler about her latest film The Day I Will Never Forget (2003) about female genital mutilation (FGM) in Africa. Longinotto’s films have consistently interrogated our understanding of womens’ place in the world, and her latest film is no exception. She discusses how she found her subjects: Fardohsa, a midwife who has been campaigning against FGM, a group of girls who have (successfully) taken their parents to court in order to prevent FGM being practised, and Fouzia, a girl of nine who reads a poem that she wrote the day after she was circumcised, asking her mother to explain why she put her daughter through such a painful experience. Longinotto also discusses the ethical issues raised by her filming of a circumcision of two sisters, and the wider issues that her film engages: the powerless position of women in African societies, the confusion of religion and culture in discussions of FGM, and the impact of saying ‘no’ to this practice.     

Netta syrett's lesbian heroine

This article discusses Judgment Withheld (1934) in which Netta Syrett makes it clear that the most likeable character, Mimi Landsfeld, is a lesbian. This was unusual, other writers being too afraid of prosecution to depict lesbianism sympathetically, particularly after Radclyffe Hall's The Well of Loneliness was banned in 1928. The article also shows how Syrett combined her established reputation as a writer of popular fiction with offering her middlebrow readers varied and controversial portrayals of sexual relationships, including homosexuality. The article concludes with comments on Syrett's personal life, thereby placing her novels in context.     

‘This accursed child’: the early years of Marie Madeleine Jodin (1741-90) actress,philosophe and feminist

The childhood and early youth of Marie Madeleine Jodin (1741- 90) who later achieved some notoriety as an actress, correspondent of Denis Diderot and feminist, throws light on the lives of an artisan family in mideighteenth-century France and on the experience of one delinquent daughter. This study examines Marie Madeleine Jodin's life in relation to different categories of discrimination which she experienced; as a Protestant child, as a libertine daughter and as an actress. Her experience illustrates the workings of systems of authority employed in the eighteenth century to control young women as it impinged on an individual. It is argued that the violent familial and institutional conflicts of Jodin's early life were later reflected in her feminist treatise, Vues législatives pour les femmes (1790), which called for the establishment of a Women's jurisdiction over women. In particular her proposal to eliminate public prostitution and her attacks on the police des moeurs (morals police) have their origin in the bitter experience of her incarceration in a prison for prostitutes in her late teens. The collusion of authority (la police des moeurs) with les filles publiques came to symbolise for her the corruptions of the ancien régime     

The Changing Images of Simone de Beauvoir in Norway

Abstract

The ways in which the French author and philosopher Simone de Beauvoir (1908–1986) has been portrayed in Norwegian print media have undergone significant changes since she was first introduced to the Norwegian reading public in the 1940s. But how—and why—did her image evolve? This article explores the interplay between the words and phrases used to depict de Beauvoir in Norwegian print media and her seminal essay Le deuxième sexe (1949) and different translations in Norway. By analysing how de Beauvoir is depicted, I aim to produce a better understanding of her multiple and changing images in Norway, and to show how they may be related to the different translations of her best-known work and to her changing status. The transformation of de Beauvoir—from being considered outdated and dependent on Sartre during the 1940s and 1950s, to being highly valued and recognized as an author and memorialist, significant philosopher, and popular feminist icon at the turn of the millennium—is partly a result of the different translations of her major work. At the same time, it could be claimed that her changing image prepared the ground for the translations.     

remembering home: nation and identity in the recent writing of Doris Lessing

In the UK, the writing of Doris Lessing has frequently been associated with left-wing politics and the second-wave feminist movement. Critics have concentrated primarily on issues of class and gender and have focused their attention on novels published in the 1950s and 1960s. This essay suggests that Lessing's work is over-ripe for reassessment in relation to ideas from post-colonial theory. Her writing repeatedly addresses questions about national identity and its imbrications with ‘race’. These ideas intersect in complex ways with her more familiar analysis of gender and class. This essay discusses Lessing's recent novel The Sweetest Dream (2001), which was widely read as an attack on the political idealism of the 1960s. It relates the novel to her collection of essays, African Laughter (1992), her recent essay on the situation in Zimbabwe, ‘The Jewel of Africa’ (2003) and the second volume of her autobiography, Walking in the Shade (1997). Zimbabwe (previously Southern Rhodesia) is of crucial importance in these works. The article explores how Lessing makes use of notions of city, home and memory that can be instructively compared with some of Toni Morrison's ideas in her novel Beloved (1987) and the essays ‘Home’ (1998) and ‘The Site of Memory’ (1990). Lessing revises the notion of ‘home’ so that it becomes capable of both recognizing racial and national differences and moving outside them. She also interprets memory as productive for the individual and the nation only when it becomes, as Morrison would say, ‘rememory’: when it can acknowledge the importance of imagination in dealing with trauma and thus suggest the fluctuating, mobile status of identity. The article demonstrates that similar ideas about home and memory are present in her fiction, essay and autobiography, indicating that her intention is to explore generic classification and blur the boundaries between different methods of writing personal and political history. Lessing's work strongly suggests the possibility that apparently ‘fictional’ writings may be more fruitful than ostensibly factual ones in allowing individuals and nations to make sense of their immediate pasts.     

Matrilocality and female power: Single mothers in extended households

Based on a qualitative study of non-marital pregnancy and childbearing in the Republic of Ireland, this article reports on the gendered power position of unmarried women who return to their parental homes following their babies' births. It is argued that in matrilocal households, centralised male power associated with the traditional nuclear family is diffused to some extent. Empirical evidence to support this notion is to be found in analysing the position of the putative father as ‘guest’ in the home of his partner and child (the martrilocal household) and also in exploring the relationship between the participant and her own father within that household. In relation to her own father, it was found that reproducing an offspring provided the women with some bargaining leverage vis-à-vis her own father within the family home. These reshaped relationships represent, to some extent at least, the undercutting of centralised male authority within the household.     

Sor Juana Inés de la Cruz: ‘Let your women keep silence in the churches…’

Sor Juana Inés de la Cruz chose to take the veil not only because she had no wish to marry but because in her time the convent was the only environment which sanctioned a woman's desire for a life of study and meditation. However, her brilliant mind ventured far beyond the parameters permitted by her church, for she devoted a large part of her literary activities to secular topics, dared to criticize the male Catholic establishment and questioned the Church's inconsistent—and to her, oppressive—treatment of women. In her autobiographical letter ‘The Reply to Sister Philotea’ (1691) she took her most radical feminist stance and artfully manipulated both Scripture and patristic texts to support her personal ends: the right of women to an education and to an intellectual life.