food

The shift to companionate marriage in South Asia and elsewhere is widely read as a move from ‘tradition’ to ‘modernity’ resulting in an expansion of individual agency, especially for women. This paper critically examines the narratives of urban middle-class women in Sri Lanka spanning three generations to illustrate that rather than indicating a radical shift in the way they negotiated between individual desires and social norms, the emphasis on ‘choice’ signals a shift in the narrative devices used in the presentation of the ‘self’. The paper illustrates how young women’s narratives about marriage appear to suggest ‘modernity’ as inevitable—that its processes are reconstituting the person who, less constrained by ‘tradition’ and collective expectations, is now experiencing greater freedom in the domain of marriage. However, it also shows how urban middle-class families in Sri Lanka have collectively invested in the narrative of choice through which ‘a choosing person’ is consciously created as a mark of the family’s modernity and progress. Rather than signalling freedom, these narratives about choice reveal how women are often burdened with the risks and responsibility of agency. The paper illustrates that the ‘choosing person’ is produced through narratives that emphasise agency as a responsibility that must be exercised with caution because women are expected by and obligated to their families to make the ‘right’ choices. Hence, a closer look at the individualised ‘choosing person’ reveals a less unitary, relational self with permeable boundaries embedded within and accountable to family and kinship.     

revolutionary marriage: on the politics of sexual stories in Naxalbari

Marriage practices, the dynamics of interpersonal relationships and the politics of sexuality are relatively under-researched themes in the study of Bengali communism. Historical scholarship on the revolutionary politics of the extreme left Naxalbari andolan of the late 1960s–1970s, the object of this piece of study, is no exception. The article engages with women and men's narratives on the practice of ‘revolutionary’ marriage in the movement through the prism of contemporary popular memory studies and narrative analysis. Drawing on field interviews with middle-class male and female activists, the article draws attention to the contestatory nature of marriage in the collective memory of the movement. Narrative contestations over marriage in the Naxalite movement underscore, I argue, a tension between a utopian ideal of transgressive interpersonal relations and dominant middle-class codes of sexual morality. At the same time, individual attempts to ‘compose’ (in storytelling) socially recognizable and acceptable subject positions are grounded upon the silencing and abjection of more risky memories. Given the discrepancies and contradictions within the narrative repertoire from which individuals construct their identities, these ‘marriage stories’ are a tremendous resource for investigating the politics of love, sexuality and subject-formation in middle-class Bengali society.     

Reconsidering the links between poverty,international labour migration,and agrarian change: critical insights from Nepal

The role of international labour migration in processes leading to the (re)production of rural poverty in the rural South continues to shape critical academic and policy debate. While many studies have established that migration provides an important pathway to rural prosperity, they insufficiently analyse the profound effects that migration and remittances have on agrarian and rural livelihoods. This article uses the case of rural Nepal, where over half of the households are involved in foreign labour migration, as a ‘window’ to understand the processes shaping how migration effects poverty. The paper analyses how migration generates outcomes across the domains of rural people's changing relationship to land and agriculture, their experience of migration, and rural labour markets to advance our arguments. First, it argues that migration leads to the commodification of land, generating changes in patterns of land uses and tenancy relations. With respect to rural people's engagement with agriculture, migration generates both processes of ‘deactivation’ and ‘repeasantization’. Second, foreign migration offers an exit from poverty for some while also creating processes of deeper impoverishment for others. Third, migration leads to structural changes in rural labour markets, reducing the supply of agrarian labour. Consequently, in contrast to the simplifying ‘narrative’ accounts of a migration pathway out of poverty, this paper concludes that the effects triggered by migration are highly contradictory, providing an exit from poverty when linked to diversification strategies, while engendering rising inequality and rural differentiation.     

‘i pray for the factory to continue earning money’: the familial factory regime of the ‘Sun’ food factory in Turkey

This paper explores the factory regime in the ‘Sun’ food processing factory in Turkey, drawing on participant observation in the factory, informal interviews with women workers and in-depth interviews with the managers of the factory’s ‘gherkin department’ in which I worked. This paper argues that the ‘Sun’ bottling and canning factory is best understood through my concept of the ‘familial factory regime’. By ‘familial factory regime’ I mean a factory regime in which the features of the extended patriarchal family are used to manage the labour force by obtaining women workers’ consent. Indeed, the paper suggests that there is a tendency for patriarchy to be reconstituted in the workplace through the presence of a familial factory regime.     

Sexual frigidity: the social construction of masculine privilege and feminine pathology

This study examines how mid-twentieth century physicians used the term ‘sexual frigidity’ to disempower women. Conceptualizing medical texts as accounts, I focus on how medical authors saw, described and explained sexual frigidity from the 1930s to the 1960s in both scientific writings and in those aimed at the general public as sex guides, marriage manuals and advice columns. The study concludes, that behind the pretext of treating a woman’s frigidity, psychiatrists and gynecologists, using the language and theoretical structures of psychoanalysis, constructed a narrative in which ‘normal’, non-frigid women always see their man through a lens of unlimited patience, tenderness and altruism. Their attitude is always welcoming, joyous, and worshipful. By contrast, women defined as sexually frigid see their man through a lens of bitterness and resentment, an attitude which reaches its apotheosis during the man’s attempts to engage them in intercourse. Through the frigidity narrative, mid-twentieth century physicians managed to pass judgment, not only on women’s sexuality, but on their autonomy, their character, and the success or failure of their marriage: they are to blame when their husband leaves them for another woman; they are to blame when their husband is impotent; and they only have themselves to blame if they are unable to function in a sexually ‘healthy’ way. The discourse that seemed preoccupied with a woman’s genitals, with their feelings and contractions, was also interested in a woman’s heart, her intentions and activities, with particular emphasis on how she performed as her husband’s housekeeper and companion. There was scarcely an attitude, feeling, or interpersonal activity known to women from which mid-twentieth century physicians did not impute some connection to frigidity.     

MEMORIAL ACCOUNTS

Under the conditions of narrative construction, young queer men's coming out stories present memorial accounts of ‘always-having-been’ queer; a queer childhood. The ways in which coming out stories operate have developed significantly over the past decade, particularly resulting from the use of online, digital technologies where such narratives proliferate. This article presents some initial theorisation of the role of young men's coming out narrative in the constitution of performative queer identity with a focus on the construction of memory. The article presents an overview of the history of coming out and the ways in which this history has influenced the conventions and genre of the coming out narrative online. It addresses some of the ways in which such memorial accounts are performative acts themselves, seeking to stabilise queer masculine identity, and ends with a discussion as to whether or not online sites such as YouTube continue or disrupt such stabilising narratives.     

‘Memory Speaks from Today’: analyzing oral histories of female members of the MIR in Chile through the work of Luisa Passerini

This article engages the work of Luisa Passerini in order to analyze the oral histories of women who belonged to the Movimiento de Izquierda Revolucionaria (MIR) in Chile during the 1960s and 1970s. It argues that a theoretical framework that considers the interplay between memory, testimony, and gender as well as a transnational historical perspective can help explain how feminism and ‘new left’ groups emerged from the revolutionary 1968 context. Of primary concern is the manner in which certain gendered aspects of the MIR women's experiences—particularly the brutal sexualized political violence they endured at the hands of the state—have been historically silenced and also how, more recently, women's testimonials have helped to break that silence. Finally, the article proposes that feminism, both as a mode of critical thinking and as a social movement, will allow us to more fully ‘hear’ the testimonies of these women and to understand how their memories are ‘speaking from today.’     

Historical tradition and community mobilisation: narratives of Red Clydeside in memories of the anti-poll tax movement in Scotland, 1988–1990

Contemporary scholarship has shifted focus from a ‘labour history’ focused on industrial movements to a more comprehensive ‘working-class history’, encompassing the broader social parameters of protest with community and industrial struggles unified in material interest and consciousness. This article locates the poll tax non-payment campaign of 1988–1990 on Clydeside, a major expression of working-class mobilisation which contributed to the demise of Margaret Thatcher’s premiership, within this international historiography. The analysis is based on oral history interviews with twelve activists who represented all the major political trends from the non-payment campaign. The anti-poll tax movement was embedded in traditions of community mobilisation shaped by a moral economy of housing and amenities, which had roots in the First World War era ‘Red Clydeside’ struggles, and developed through the post-Second World War predominance of public sector housing. The analysis demonstrates how activists constructed narratives of their own resistance in the anti-poll tax movement within a powerful cultural circuit, where the collective memory of past mobilisations and the consciousness associated with the moral economy of housing and amenities informed contemporary perspectives and political activity. The campaign was not politically monocultural. Differences between political groups involved in the non-payment campaign are analysed showing that the need of composure (of memories) led to contrasting interpretations of Red Clydeside. These were influenced by geographical distinctions between traditional working-class areas with strong tenants’ organisations and the peripheral estates where such organisation was weaker. The impact of deindustrialisation and the welfare policies of the Thatcher government created a popular resentment in these areas. This strengthened moral economy opposition to the poll tax, whilst the traditions of community mobilisation provided effective means of harnessing this through non-payment and direct action against sheriff officers.     

Narratives of progress: cooking and gender equality among Swedish men

Feminist food studies have repeatedly identified a dichotomy of ‘masculine’ self-oriented cooking as leisure and ‘feminine’ other and care-oriented foodwork (meal planning, grocery shopping, cooking and cleaning up after meals). However, recent research suggests that there is a great deal of variety and contradiction in men’s accounts of their cooking practices. For example, men may find cooking a tedious and stressful responsibility and foodwork a fatherly duty. This article draws on interviews with 31 Swedish men from 22 to 88 years of age, and explores stories about cooking and foodwork as part of their everyday lives and their life transitions and how these relate to broader notions of food and gender equality. The data illuminating the men’s stories can be synthesised into two narratives of progress: a narrative of progress in gender equality in Sweden, where men’s participation in household labour has become taken for granted, and a narrative of culinary progress among Swedish men in general and among some of the interviewed men themselves. We agree with previous scholars who have argued for a reconsideration of the simplistic picture of men’s cooking as only being for the self and for leisure. We further show how the men express foodwork as a self-evident responsibility, regardless of whether the men find it fun or not, and that a desirable masculinity is represented by a man whose cooking skills have progressed beyond the survival level and who is more gender equal than what are perceived to be less-progressive men from previous generations and foreign cultural backgrounds.     

Double Melancholy: The (Class) Politics of Loss in Jeanette Winterson’s Why Be Happy When You Could Be Normal?

In his essay ‘The “Uncanny”’, Sigmund Freud claims that ‘the double was originally an insurance against the extinction of the self’. The author suggests that literary writing, particularly memoir, can perform a kind of doubling, enacting this ‘self-preservation’ through ‘self-observation’. In her memoir Why Be Happy When You Can Be Normal?, Jeannette Winterson seeks to convey a ‘doubleness at the heart of things’. The author argues that this ‘doubleness’ functions on two levels, both of narrative and of politics—Winterson’s preoccupation with her subjectivity is informed by politics and her politics are structured around her subjectivity. In order to think through the text’s focus on what the author deems maternal melancholy and ambivalence, the author considers how political melancholy works through and against Winterson’s desires for self-creation. Attending to the themes of writing, loss, adoption and depression throughout, the author sustains a class analysis that is motivated by a queer feminist approach. The author argues that the text works to recall the poor/working-class body into the narrative of the bourgeois subject in order to legitimate the present self—the double—both as exceptional and as different from the other.     

Workers,state, and development in Brazil: powers of labour,chains of value

This paper examines the significance of landscape and memory in peasant–state relations in Eritrea since independence in the early 1990s. During this period, people were being resettled around cultivable land in the western lowlands as a means of recuperating land and society after prolonged warfare. Projects of statemaking in Eritrea, involving both refugee resettlement and agrarian development, have drawn from a national narrative of lost fertility and deforestation caused by generations of colonial extraction and violence. This paper explores how shared memories of environmental change, an ecological nostalgia, become a means through which people from diverse ethno-linguistic, religious, and regional backgrounds come together to imagine a collective future based in creating livelihood from farm land. However, as people reclaim remembered landscapes and face the challenges of rebuilding communities and livelihoods during a time of tense political and economic change, their ideas of a shared future diverge from state-led projects of nation-building. This article argues that ecological nostalgia legitimises state interventions into rural livelihoods but also provides a means for people to speak and critique the state under conditions of increasing fear and silencing.     

‘Infidelity to an Impossible Task’: postmodernism,feminism and Lyn Hejinian's ‘My Life’

This paper locates the work and critical reception of the experimental poet Lyn Hejinian within the emerging debates of ‘third-wave’ feminist critique. It centrally argues that Hejinian's writing at once illuminates and undermines the apparent tensions between a feminist and an anti-foundationalist critical position. It specifically focuses on Hejinian's use of autobiography, as at once gesturing to the limitations of the theoretically naive self-knowing subject, steeped in the discredited assumptions of modernity, and the continuing cultural validity of and desire for narrative, identification, self-expression and referentiality. The paper argues that Hejinian's writing makes sense of this equivocation, not through its use of feminized tropes assumed to subvert the linear assumptions of the genre and render the reader ‘active’, but through an attention to the ironical complexities of her own cultural positioning. Hejinian's writing demonstrates how the representation of the postmodern feminist subject involves an attention to authoriality, to the possibilities of textual experimentation and to the cultural sites that legitimize the production of meaning for these things. Hejinian demonstrates not simply that feminism can reconcile a need for agency with a critique of agency, and that such an act needs to consider its collective implications, but that these kinds of claims actually require an engagement with the varied contexts that continue to make feminist's attention to literature meaningful.     

theatres of difference: the politics of ‘redistribution’ and ‘recognition’ in the plays of contemporary Black and Asian women playwrights in Britain

Since the 1990s, there has been an extended debate among feminists and left-wing thinkers concerned with notions of justice and equality about the relationship between ‘redistribution’ and ‘recognition’ in contemporary politics. In this article, I examine the ways in which the issues of redistribution of resources and recognition are articulated in plays by contemporary Black and Asian women playwrights such as Rukhsana Ahmad, Tanika Gupta, Winsome Pinnock, and Zindika. I shall suggest that their theatre work, and experience of working in the theatre, produce a dynamic and interdependent model of the relation between redistribution and recognition that ultimately suggests the need for recognition as the continuing primary concern of Black and Asian communities in Britain. This is evident in the plays' contents, the theatrical forms employed by Black and Asian women playwrights (often naturalistic and issue-based), and the funding and theatre policies with which they engage. These, as I shall argue, produce tensions between the collective identities which they hail, for instance, through the appellation ‘Black playwright’, and the individual identities the playwrights seek to assert, requiring negotiations between the empowering as well as constraining demands of collective identities and the post-‘cultural diversity’ aspirations of long-term theatre politics.     

working-class whiteness from within and without: an auto-ethnographic response to Avtar Brah's ‘the scent of memory’

Inspired by and responding to Avtar Brah's ‘The Scent of Memory’, this piece attempts to reinscribe race into an auto-ethnographic narrative where previously whiteness was unmarked. It explores the dynamics of gender, race and class through the author's personal history as a white English woman and class migrant, and through discussion of the broader political and historical context of that trajectory. The discussion includes analysis of the impact of British Conservative politician Enoch Powell's infamous ‘rivers of blood’ speech in 1968 on the author's white English working-class culture of origin in Wolverhampton, where Powell was a Member of Parliament. The article considers the speech's continuing ramifications in the twenty-first century and in more middle-class contexts, as evidenced by the recent evocation of the speech by historian David Starkey in discussion of the ‘riots’ of August 2011 in British cities. The personal history is reconstructed through a series of memory scenes that trace and retrace the author's experience and understanding of race and its intersections with class and gender; this is attempted in full cognisance of the constructed nature of memory, and of the performance of identity that autobiography entails. The piece draws on the work of the class migrant white French writer Annie Ernaux, with whom the author has been in dialogue since 1997.     

Soft budgets and elastic debt: farm liabilities in the agrarian political economy of post-Soviet Tajikistan

ABSTRACT

Since Tajikistan’s independence, market reforms and pressure from international donors have brought changes to the state’s role in the economy. The official narrative holds that the post-socialist state reduced its control over agriculture, but there are still various mechanisms through which it exerts control over farming. In this paper, I examine Tajikistan’s post-socialist agrarian change through the prism of farm debt. Farm debt used to be an accounting nuisance in Soviet agriculture as a result of so-called soft-budget constraints. In the political economy of post-socialist transformation, farm cotton debt has been transformed into indebted land. I classify this debt ‘elastic’ for its ambiguous nature. It ties farmers to land and makes farmers’ independence illusory. With an in-depth analysis based on original ethnographic insights, I aim to provide a theoretical contribution to the way in which debt is conceptualised and politicised in post-Soviet Tajikistan.     

Defining Female Subjectivities in Italy: motherhood and abortion in the individual and collective memories of the 1970s women's movement in Bologna

In Italy, women have long been stereotypically marked as either objects of sexual desire or as producers of new life. This changed radically in the 1970s, when second-wave feminism redefined gender relations and experimented with new paths of life not determined by matrimony and maternity. The legalisation of abortion, during the second half of the decade, is now hailed as one of the primary achievements of the women's movement. A theme closely connected to abortion such as motherhood, on the other hand, seems to have been excluded from the public memory of 1970s feminism. Drawing on the outcomes of an oral history project, this article unearths the dominant discourses and individual and collective silences within the public memory of the 1970s women's movement in the Italian city of Bologna, and explores the processes of creating ‘composure’ among women as they remember their experiences of motherhood and abortion.     

Multicultural fashion… stirrings of another sense of aesthetics and memory

This paper looks at the place of items long associated with the bodies of South Asian women in mainstream fashion. First, there will be a profiling of some of the scenes where bindhies, mendhies and related scents and sounds are donned and adored by white bodies. By participating in conversations with South Asian women in Britain in the second part of the article, the author is able to discuss some of the stirrings raised by the recent legitimization of these items by multicultural capitalism, leading towards an exploration of a different sense of aesthetics, memory and desire. The ambivalent attraction of limited recognition offered by the anthropological urge to ‘know’ the ethnic ‘other’ is noted. A consideration of the rage induced by the power of whiteness to play with ‘ethnic’ items which had not so long ago been reviled when they were worn by South Asian women points to the historical amnesia that underlies much multicultural celebration. The allure of images packaged as oriental for South Asian women themselves, although often from a different set of sensibilities and memories, stresses the importance of historical reconstruction.     

Women's studies and the women's movement in Britain: origins and evolution, 1970–2000

The article is based on research carried out in 1998-99 which involved interviewing United Kingdom based women who had been responsible for introducing degree courses in women's studies into British universities and polytechnics. The interviews are records of the memories of those women as they look back on a political moment when they were engaged in collective attempts to transform the academic curriculum. Personal memories are placed alongside accounts and debates which appeared in printed sources, such as books and newsletters from the British Women's liberation movement from 1970 onwards. The article also reflects on the process in which past events and personal memoirs move from stories to histories, enter the archive, and begin to acquire the status of history.     

A Nurse and a Soldier: Gender,Class and National Identity in the First World War Adventures of Grace McDougall and Flora Sandes

In this article the author explores the ways Grace McDougall, Commandant of the First Aid Nursing Yeomanry (FANY), and Flora Sandes, Captain and combatant in the Serbian Army, negotiated gender, class and national identity and enhanced women’s claim to personal and collective power during their work at the Front during the First World War. The author analyses Sandes and McDougall’s writings and their accounts of personal heroism and focuses on two aspects: first, their participation in the physical dangers of war and the creation of audacious stories of physical bravery that aligned them with male combatants; and second, their performance of ingenuity, intellect and action that gave them power, status and credibility, and consolidated their leadership and authority. In their different ways, both women modelled resistance to female subordination and made the case for women’s participation in war.