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以孔孟的代表的儒家思想体系以主张入世为特征,而以老庄的代表的道家思想体系以主张出世为特征,这是两种对立的处世哲学。我国古代知识分子思想倾向的确立与变化,遵循着达则孔孟、穷则老庄的规律,不同朝代不同人物的诗文可以为证。掌握这一规律具有重要意义。  相似文献   

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公司制是现代企业制度的一种有效组织形式。公司法人治理结构是公司制的核心。职工董事、监事进入公司治理结构 ,是推进国有企业改革和发展 ,贯彻落实党的“全心全意依靠工人阶级”方针的重大举措 ,是建立现代企业制度 ,对国有企业实行公司制改革 ,完善和规范法人治理结构的必然要求。在理论上和实践上探索职工董事、监事进入国有独资公司和国有控股公司的法人治理结构问题具有重要的现实意义  相似文献   

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This article draws on feminism and post-structuralism to theorize a narrative framework for developing and critiquing therapeutic practices with women who have experienced child sexual abuse. I argue that both objectivism and relativism provide poor guides for conducting therapy and that it is only through situating our knowledges precisely that more liberatory therapy practices may be developed. This approach, termed ‘visible therapy’, is used to directly and explicitly challenge normative constructions of women, child sexual abuse and therapy. I argue that it is necessary to explicate the embedded assumptions produced through practices of abuse, and which serve to construct children's experiences of that abuse, in order to ward against their reproduction within therapy relationships. I demonstrate that it is through situating and explicating the operations of power that the authenticity of experience and identity may be questioned and women's ongoing positioning as guilty victims may be challenged. Thus, I am concerned not with who women ‘really are’ but with how they come to know and be known through practices of both abuse and therapy. This, then, is about making the tactics of abuse and therapy visible. Problems are not located within individuals, but rather within the narratives which situate both past and current relationships but which, through reiteration, obscure their own social production. I conclude that it is only when categorical identity is no longer assumed that progressive therapy practices with women who have been sexually abused can be developed and maintained.  相似文献   

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Review of the film Suffragette (2015), written by Abi Morgan and directed by Sarah Gavron, considering its use of fiction to explore women’s history, comparing it to other dramatic treatments of the suffrage campaign, its historical accuracy and its portrayal of the legal and social position of women, and wives, during the early twentieth century.  相似文献   

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