Warmth and Unity with All Women? Historicizing Racism in the Australian Women's Movement

In this paper I discuss the four Women and Labour conferences which were held in Australian capital cities over the seven years between 1978 and 1984. I explore the ways in which the history of Australian feminist activism during this period could be written, questioning in particular the claim that the Women and Labour conferences have been central to the history of Australian feminism. I discuss the ways in which a historical sense could be established, using writings about the conferences as historical ‘evidence’, that race and ethnic divisions between women had not been important to the ‘women's movement’ until 1984. In other words, I challenge the construction of this conference as a turning point - not only in the feminist politicization of immigrant and Aboriginal women, but also in the politicization of all feminists about race and ethnic divisions. More broadly, I am interested in how a history would be written if it aimed to get to the ‘truth’ about racism and about the feminist activism of immigrant women. How would the apparent lack of written ‘evidence’ - at least until 1984 - of immigrant women's feminist activism, and of the awareness of Australian feminists about issues of racism, be written into this history? In addition, I suggest that it is important to the writing of feminist history in Australia that published documentation has been mostly produced by anglo women, and is thus partial and mediated by the lived, embodied experiences of anglo women. Finally, my intention is to interrogate commonly understood narratives about Australian feminist history, to challenge their seamlessness, and to suggest the importance of recognizing the tension within feminist discourses between difference as benign diversity and difference as disruption.     

Dialoguing with the Divided Self as the Outline of a Becoming-Woman in Music

For more than 30 years, I have been researching contemporary women's classical music and have concluded that in the current time, it is difficult to believe in the utopian world for women in music that had once been imagined in the decade of the 1990s. According to Roffe, however, in Deleuzian thought utopia is not really about hope or an ideal society, but about who we are, and what we are capable of, here and now. In this paper, through a dialogue with the divided self, or what Deleuze refers to as the ‘dividual’, I will generate some thoughts about the kinds of actions that a dividual is able to produce at different stages of her work as a musician and an activist feminist. Specifically, the paper will aim to develop a new conception of subjectivity in order to sow the seeds for new ways of thinking about women in music. It will ask two questions: who acts, and who is the subject of that action?; and, how do new ways of thinking transform real world situations? The first question leads to the theme in Deleuze and Guattari's work of ‘a people to come’ or ‘becoming-woman’, the latter a concept that disrupts the male form of subjectivity, challenging the emphasis on ‘man’ as the standard by which all beings and things are measured. The paper will map the question leads to a demonstration of how the self, conceived as a dividual, is able to make an intervention into the nature of subjectivity while at the same time gesturing towards the ways in which the practices of musicology and feminist studies might be transformed.     

questions of presence

This article considers some of the ways in which ‘the black woman’ as both representation and embodied, sentient being is rendered visible and invisible, and to link these to the multiple and competing ways in which she is ‘present’. The issues are engaged through three distinct but overlapping conceptualisations of ‘presence’. ‘Presence’ as conceived (and highly contested) in performance studies; ‘presence’ as conceived and worked with in psychoanalysis; and ‘presence’ as decolonising political praxis among Indigenous communities. I use these conceptualisations of presence to consider the various ways in which the black woman as figure and as embodied/sentient subject has been made present/absent in different discursive registers. I also explore what is foreclosed and how this is itself linked to legacies of colonial ‘worlding’. I end with consideration of alternative modes of black women’s presence and how this offers a resource for new modes of sociality.     

The Girl and Simone de Beauvoir’s The Second Sex: Feminine Becomings

This article traces the girl in The Second Sex [(1949). Paris: Éditions Gallimard] as a necessary figure for understanding what it means to become woman. I argue that Simone de Beauvoir’s overall significance and philosophical contribution is intimately connected to what she discovered by asking about this moment of feminine becoming. My central contention is that we cannot understand how one ‘becomes’ woman without first/also undertaking the task of understanding the situation of the girl. Drawing on the new translation of The Second Sex by Constance Borde and Sheila Malovany-Chevallier [(2010). London: Vintage], I offer a close reading of the chapter entitled ‘The Girl’ with attention to embodiment and temporality. In so doing, I seek to expand and refine our understanding of Beauvoir’s philosophical project in The Second Sex; a project which launched a fundamental challenge to the meaning of being and gave rise to the possibility of a feminist philosophy.     

gendered Islam and modernity in the nation-space: women's modernism in the Jamaat-e-Islami of Pakistan

Feminist scholarship on women in religious and right-wing social and political movements has moved from a reductive focus on causal or motivational factors to more sophisticated analyses explicating processes of agency and subject formation. With the aim of expanding and deepening this conceptual space, I will discuss some of my interactions with a group of women in the Jamaat-e-Islami in Pakistan, as we attempted to explore the complex meanings of ‘the modern’ that informed the self-understanding of my interviewees. My work corroborates some of the contemporary scholarship on what is referred to as Political Islam in arguing that Islamist movements in Muslim societies are also the catalysts of modernization, rather than simply its interlocutors. This article argues that these processes of social and political organizing entail particular interrogations and the reconstituting of identities in ways that blur the line between ‘the religious’ and ‘the secular’. On the one hand, we need to understand Jamaat women's self-construction as religious or pious women; on the other hand, we must grasp the specificity of their claims to act as modern subjects situated in the time of political and cultural modernity.     

unreal women: sex,gender, identity and the lived experience of vulvar pain

In this paper, I take up the lives of women with persistent vulvar pain for what they can reveal about the enmeshment of gender, (hetero)sexuality and bodily practices. Women with vulvodynia are unable to perform the central heterogendering act of penetrative intercourse with a male partner. They describe this inability as rendering them effectively ‘genderless’, described as being ‘not a real woman’ or a ‘fake woman’. I analyse their perceptions of gender and bodily performance in relation to feminist theorizing about gender and sexuality, and I argue for the centrality of the lived body to the epistemology of feminist efforts to theorize gender. This paper is based on in-person interviews with 20 women and web-based open-ended interactions with 70 women with vulvodynia.     

Controlling land they call their own: access and women's empowerment in Northern Tanzania

Formal rights to land are often promoted as an essential part of empowering women, particularly in the Global South. We look at two grassroots non-governmental organizations (NGOs) working on land rights and empowerment with Maasai communities in Northern Tanzania. Women involved with both NGOS attest to the power of land ownership for personal empowerment and transformations in gender relations. Yet very few have obtained land ownership titles. Drawing from Ribot and Peluso's theory of access, we argue that more than ownership rights to land, access – to land, knowledge, social relations and political processes – is leading to empowerment for these women, as well as helping to keep land within communities. We illustrate how the following are key to both empowerment processes and protecting community and women's land: (1) access to knowledge about legal rights, such as the right to own land; (2) access to customary forms of authority; and (3) access to a joint social identity – as women, as ‘indigenous people’ and as ‘Maasai'. Through this shared identity and access to knowledge and authority, women are strengthening their access to social relations (amongst themselves, with powerful political players and NGOs), and gaining strength through collective action to protect land rights.     

blogging solo: new media, ‘old’ politics

This article focuses on the blogosphere as an oppositional field where the meanings around contemporary Western women's singlehood are contested, negotiated and rewritten. In contrast to dominant narratives in which single women are pathologised, in the blogs by, for, and about single women analysed here, writers aim to refigure women's singleness as well as providing resources, support and a textual community where others can intervene and contribute to the re-valuation of single women. These blogs also function as alternative forms of knowledge, seeking to (re)legitimise women's singleness and to trouble their aberrance and social liminality. Rather than only considering the form in isolation from its content, this article analyses the discourses deployed by bloggers and within blogs and how women bloggers publicly perform their very singleness as part of a personal and political strategy of re-signification. In this way, while cautious not to overestimate the democratic potentialities of the so-called blogosphere, it underscores the important cultural – and indeed political – work being undertaken by single women therein. Moreover, by demonstrating how these blogs use discursive tactics commonly associated with feminism's second-wave – women's consciousness-raising; identity politics; deploying and reiterating the famous feminist dictum: ‘the personal is political’; naming discrimination; and empathy and community-building – it argues that they are using so-called ‘new’ media for what is now problematically believed to be ‘old’ (feminist) politics.     

Shaping the online fat acceptance movement: talking about body image and beauty standards

Over the past decade, in Canada and the United States, blogs have become a popular and important space for fat women and their allies to create and further develop discursive strategies to contest the gendered anti-fat discourses perpetuated by the media, governments and the field of medicine and institutions of public health (e.g., Elliot, C. (2007). Journal of Canadian Studies, 41, 134–149. Gimlin, D. (2002). Body work: Beauty and self-image in American culture. Berkeley: University of California Press; Herdon, A. M. (2006). Social Semiotics, 15, 127–141. Rice, C. (2007). Women's Studies International Forum, 30, 158–174. Currently, popular discourses pertaining to fat people, particularly women, tend to range from larger bodies implicating a ‘moral deficit’ to a ‘risky behaviour’ to ‘political discrimination’ where elements from each discourse shape how fat women's bodies are read within the broader culture (Fikkan, J. L., & Rothblum, E. D. (2011). Sex Roles, 66, 575–592. Kwan, S. (2009). Sociological Inquiry, 79, 25–50. These messages in positioning the thin body as the ideal body are embedded in neoliberal discourses around citizenship that, in emphasizing personal responsibility, encourage (sometimes) punishing regimens of strict diets and exercise, and perpetuate an image of responsible citizenship as an extension of modern interpretations (Herdon, 2006). Using content and thematic analysis, we systematically analyze how four female self-identified fat acceptance (FA) bloggers discuss beauty standards and body image as a means to challenge these discourses. Findings suggest bloggers import elements from LBGTQ movements to extend dominant discursive strategies, model alternative forms of fat embodiment, and address the economic marginalization of fat women in industry. Moreover, through discussions on beauty and body image, bloggers use online spaces to contest anti-fat discourses and to develop discursive strategies that move beyond the binary of fat as a lifestyle choice, and body size as biologically or genetically determined that dominate the fat acceptance movement.     

Notes on the Perfect

This article argues that at a point in time when feminism (in a variety of its forms) has re-entered political culture and civil society, there is, as though to hold this threat of new feminism at bay, an amplification of control of women, mostly by corporeal means, so as to ensure the maintenance of existing power relations. However the importance of ensuring male dominance is carefully disguised through the dispositif which takes the form of feminine self-regulation. The ‘perfect’ emerges as a horizon of expectation, through which young women are persuaded to seek self-definition. Feminism, at the same time, is made compatible with an individualising project and is also made to fit with the idea of competition. With competition as a key component of contemporary neoliberalism, (pace Foucault) the article construes the violent underpinnings of the perfect, arguing that it acts to stifle the possibility of an expansive feminist movement. It recaptures dissenting voices by legitimating and giving space in popular culture to a relatively manicured and celebrity-driven idea of imperfection or ‘failure’.     

Women as Active Citizens: Glasgow and Edinburgh c.1918–1939

This article examines evidence of active political engagement by women in Edinburgh and Glasgow in the inter-war years of the twentieth century. While discussing the wider context of women's political activities in this period, in terms of party politics and the range of women's organisations in existence, it focuses in particular on Women Citizens’ Associations, Societies for Equal Citizenship and Co-operative Women's Guild branches. Comparing interventions by such women's organisations in the two cities around the selected themes of political representation, housing, ‘moral and social hygiene’, and contraception, the article demonstrates that women's organisations participated in public debates and campaigns to advance what they perceived as women's interests. Temporary alliances around issues such as the regulation of prostitution and provision of contraceptive advice brought together a range of women's organisations, but class differences in perspectives became increasingly apparent in this period, particularly in Glasgow. The issues addressed by women's organisations covered the spectrum of ‘equal rights’ and ‘welfare feminism’, although they did not necessarily identify as feminist. Common to all organisations, however, was a commitment to active citizenship, with women becoming a recognised part of local political networks in this period, although they remained poorly represented in parliament.     

crisis,austerity and gendered governance: a feminist perspective

Feminist scholars have been highly attentive to the ways that crises have become an everyday technique of global governance. They are particularly sensitive to the mechanisms through which ‘crisis management’ entrenches the power of particular economic orders and constrains the possibilities, and space, for contestation and critique. This paper seeks to contribute to but also to extend existing feminist research on financial crisis by arguing that, over the course of what has commonly been labelled the ‘global financial crisis’, the emergence of ‘crisis governance feminism’ has enabled existing structures and mechanisms of gendered privilege, such as the global financial industry, to suppress calls for their overhaul and to re-entrench their power in the global political economy. Adopting a discursive approach to gender and governance that situates gender centrally in understanding governance discourses and their reproduction of common sense (about what people do, how they labour, where they invest and so on), this paper argues that the governance of crisis in the contemporary era, in particular the various actors, institutions, policies and ideas that have sought to describe and ‘contain’ the global financial crisis, are gendered. Gender has become, in the contemporary global political economy, a technique of governance, and with deleterious effects. Despite inciting more discussion of ‘gender’ in economic systems than ever before (particularly in terms of discussions of ‘economic competitiveness’), this paper argues that the ‘global financial crisis’ has precipitated and continues to reproduce techniques of governance that trivialise feminist concerns while further embedding a masculinised, white and elitist culture of global financial privilege.     

Fictionalizing Hospitality in Ahdaf Soueif's Short Story ‘Knowing’

Drawing on Derrida's double conceptualization of the ‘la question de l’étranger’, which he utilizes to unpack the notion of hospitality, this paper explores the question of foreignness in Ahdaf Soueif's short story ‘Knowing’, from her collection I Think of You: Stories (2007). Jacques Derrida uses the interrogative mode to examine the diasporic situation by looking at ‘the question of the foreigner’, which ‘is a question of the foreigner, addressed to the foreigner’. To Derrida, the diasporic condition is determined by the type of hospitality offered or withheld by visiting and hosting countries. Likewise, Soueif questions the notion of hospitality as she introduces homes and locales that seem uncongenial to foreign dwellers. In ‘Knowing’, Soueif portrays the foreigner's position as being marked by the presence or absence of hospitality. In this context, the Derridean conditioned hospitality could become invasive as it colours diaspora with its own peculiar brush. As she fictionalizes hospitality, Soueif blurs the line between home and host as well as that between guest and stranger. In the short story, she introduces the insidious effects of the new receiving culture as her fictional girl is not a guest since the host country withholds the Derridean unconditional hospitality; neither is she a stranger as foreignness dictates a sense of cultural dislocation, which is that of not ‘knowing’.     

Pantomime Dames

The British Broadcasting Corporation's television show Snog, Marry, Avoid (SMA) states its mission is, ‘to reveal a nation of stunning natural beauties who are currently hiding behind layers and layers of slap’ [BBC. 2008. Snog, Marry, Avoid Season One. United Kingdom: Remarkable Television]. This article considers SMA as a useful text for deconstructing contemporary norms of femininity. I utilise queer and affect theory perspectives from Berlant [2011. Cruel Optimism. Durham, NC: Duke University Press], Halberstam [1998. Female Masculinity. Durham, NC: Duke University Press, 2012; Gaga Feminism: Sex, Gender, and the End of Normal. Boston, MA: Beacon Press] and Puar [2007. Terrorist Assemblages: Homonationalism in Queer Times. Durham, NC: Duke University Press] to reveal the queer dimensions of the excessive femininity represented in the show. Berlant's work illuminates attachments to particular stylings, to understand where ‘cruel optimism’ operates. Further, I apply the idea of ‘queening’ as an inverse reference to Halberstam's ‘kinging' [Halberstam, J. 1998. Female Masculinity. Durham, NC: Duke University Press, 259]. Lastly, Puar's ideas are used to analyse the affective dimensions of excessive feminine embodiment in order to consider how this involves a queering of the body. This article departs from recent feminist scholarship on the rise of raunch culture and post-feminism. Rather than focusing on the participants of SMA as symptoms of a problematic hypersexual culture, I argue for seeing these contemporary young women's excessive femininity as queer, that is, as troubling the boundaries of gender ‘normality’.     

‘Sable venus’, ‘she devil’ or ‘drudge’? British slavery and the ‘fabulous fiction’ of black women's identities,c. 1650–1838

Abstract

In this article, the author addresses the problem of how much historians can understand about the identities of individuals living in a different epoch in time, in relation to what has been termed the ‘fabulous fiction’ of black women's identities in slavery and freedom. A central argument is that stereotypes of black women were highly gendered and clustered around contradictory representations, particularly the ‘Sable Venus’, ‘She Devil’ and passive ‘drudge’. Thus, the persistence of an African-centred ‘woman's culture’ and strategies of resistance, collaboration and survival are vital to understanding black women's self-defined (as opposed to white attributed) identities. The first section examines the relationship between gender, race and culture in the mediation of African and slave women's identities. This is followed by a critical deconstruction of the ‘Sable Venus’ and interrelated black and white gendered identities in colonial slave society. The final section analyses the importance of the ‘She Devil’ in representing the resistant slave woman who defied the ‘fabulous fiction’ of white stereotyping of black women. A wide time span is adopted in order to analyse how black women's relationship to the gendered power structures underpinning colonial slavery shifted over time, as did ‘white visions’ of their identities. Unifying themes are the central location black women had in the development of colonial relations between black and white and the implications of contact at the harsh interface of African and European cultures for black women's gendered identities.     

THE WHITE MAN'S BURDEN

Abstract In this article I reveal how texts produced by Aboriginal women scholars signify a racialised and gendered body that functions discursively, as an immediacy of racism in the form of white patriarchal epistemic violence (Lloyd 1991, 74). I demonstrate how this dominant racialised and gendered form of violence is an assertion of power that involves or arises from racialised knowledge by examining Dirk Moses' analysis of ‘Indigeneity’ via the Northern Territory Intervention (Spivak 1988).     

A picture in black and white: modernism,postmodernism and the scene of ‘race’

‘Writing, in its noblest function’, says He´le`ne Cixous, ‘is the attempt to unerase, to unearth, to find the primitive picture again, ours, the one that frightens us.’ Cixous' hopes for the possibilities of writing are the starting point for a very new and startling piece of Australian writing, Kathleen Mary Fallon's ‘how violence made a real mother-of-a-mother of me’, writing that possibly gets closer to the ‘heart of the matter’ of contemporary Australian black-and-white relations than any other white-signed literary text. What might Fallon's writing attempt to ‘unerase’, to ‘unearth’? What is the primitive picture, according to Fallon, that so frightens us? Here, I want to explore the questions Fallon's writing asks, and to explore more generally what ‘writing’ and ‘reading’ might mean in the contemporary Australian context, and I do this in terms that might seem at first to be surprisingly anachronistic. I read this very contemporary, some would say postmodern, example of Australian writing in terms of a paradigm that is described by the field of critical studies of literary modernism. This is a paradigm that emphasises what feminist critic Marianne DeKoven calls the ‘irreducible ambiguity’ of some texts, their ‘radical undecidability’, their ‘impossible dialectic’. I am seeking to recuperate this paradigm and the critical impulses that it generates for a project whose objectives are far from those of literary modernism with their alleged origins in a white European and, for some, a masculinist aesthetic of the late teens and 1920s. I am interested in revisiting modernism, not only as a kind of writing practice but as a critical practice, and therefore as a reading practice, one that has possibilities for reading ‘black’ and ‘white’ in Australia now: for reading what might be called the ‘impossible dialectic’ of relations between whites and Indigenes. How might we read Australian writing now, in particular its efforts to ‘unerase’, to ‘unearth’, that picture that, I argue, frightens ‘us’, as white Australians: the picture in black and white, the original scene, the scene of invasion and dispossession, the scene in which the words ‘terra nullius’ were first uttered, the scene that continues to structure our perceptions of the Indigenous ‘other’ and of our white selves into the present?     

country matters: sexing the reconciled Republic of Australia

This essay analyses how Australian postcolonial discourses, influenced by both Republicanism and Reconciliation, deploy the trope of woman to signify political change in both feminist and cultural debates about belonging, national legitimacy and sovereignty. I point out that white feminist rejection of the Queen in favour of embracing indigeneity is itself complicit with a history of ‘incorporating’ and assimilating indigeneity – a complicity that is sublimated in favour of a triumphant rejection of Imperial white womanhood. The essay looks at a contemporary Australian novel, media depictions of Paul Keating's ‘embrace’ of Queen Elizabeth II (as a kind of captivity narrative), critical whiteness studies’ ‘rejection’ of the Queen and the misrecognition of Australia's distinct characteristics as a ‘settler culture’ (that incorporates indigeneity) within Australian feminist debates and claims of ‘transgression’ that are made for interracial relationships in Australia.     

Money after Blockchain: Gold,Decentralised Politics and the New Libertarianism

ABSTRACT

Blockchain technologies are central to what has been described as a new ‘smart social contract’. With blockchain, individual cryptographic identity becomes the basis for new forms of money and for a whole suite of restructured social, political and financial transactions. But what do these developments signal for feminist engagements with the money economy? The transparency and pseudonymity that the blockchain provides has been welcomed as a ‘feminist weapon’. But the decentralised technology also legitimises many longstanding assumptions of libertarianism, especially competitive individualism, naturalised social inequality and the stability of value associated with the gold standard. Drawing on popular culture texts, Goldfinger and The Mandibles, this article considers this history, examining the gendered, racialised and sexualised discursive practices that attend representations of gold along with the ‘metallism’ surrounding blockchain-based cryptocurrencies in the contemporary conjuncture. By claiming to represent non-negotiable certainty derived from technology/nature rather than social convention, the fantasy of fundamental value returns, together with related associations of essentialism and authenticity, but anchored in this new context in the technocratic authoritarianism of FinTech. This is part of the background for the ‘new libertarianism’ whose ascendency now overshadows the neoliberalism that has been the focus of critical attention for some decades.