论“编辑学者化”及其实现途径

论“编辑学者化”及其实现途径赵健杰＂编辑学者化＂是近年来在编辑出版系统中广泛兴起的一种新观念。因其契合当前高校文科学报编辑工作的实际，因而为广大学报编辑所认同。很多学报编辑部已将＂编辑学者化＂作为加强编辑人员自身建设的重要内容，纳入了编辑部的总体发展...     

编辑主体意识的规定及其意义 --兼论编辑的"精品"意识

将编辑学作为一门科学研究,必须使研究系统化,改变以往就事论事式的局部研究.编辑学理论建构应当从编辑主客体之间的关系,以及与此相关的各个主体际之间的关系出发,进行深入的研究,其中编辑主体意识应当成为编辑学研究的主要角度之一.编辑主体意识是一种内涵丰富的自我意识,它规定了编辑主体在编辑实践中的行为选择,是一种具有利益取向的意识,具有自主性和奉献性等特点.编辑主体意识在形态上,可以划分为多种形式,其中编辑主体的"精品"意识是其中最重要的意识,具有实践性、主导性、直接性和目的性等特点,是决定刊物质量、促进刊物发展的重要意识.     

论高校文科学报编辑的业务素质

编辑的业务素质是一个老生常谈的问题。笔者写这个题目其原因有三:一是社会上包括编辑队伍中的一些人不重视这个问题。他们认为“编辑无学”、“编辑无业”,只要能裁裁剪剪、东贴西补就行了。二是目前高校文科学报普遍地存在着质量不高的问题。这固然有多方面的因素,但编辑人员的素质不高也是一个重要因素。三是近年来由于编辑队伍不断发展壮大,青年编辑占了很大的比例。他们虽然有大专以上的学历,但是并不熟悉编辑学的基础理论和基本知识,迫切需要在提高自身素质方面狠下功夫。因此,要办好学报,提高学报的质量,必须认真地研究编辑的业务素质问题。     

加强编辑队伍建设构建学习型编辑部

在全国高校文科学报研究会的大力支持下,全国高职成高学报研究会于2004年成立,至今已经走过15年的历程.15年来,研究会秉承"以会员为本"的办会理念,坚持为广大会员单位服务,积极开展学术研讨活动,推动了研究会科研水平的提高,取得可喜的研究成果,不仅发表一批编辑学学术精品文章,在学报系统产生一定影响,而且正式出版了三部编辑学著作,培养和锻炼了编辑队伍.     

编辑活动的三项基本文化功能

自编辑学创建以来,对于编辑功能由于各自角度的不同,认识存有很大差异。正是这不同的认识深化了编辑学的研究。编辑活动的社会功能具有系统性,若站在人类文化发展的角度来审视、解析编辑的活动,可将其归纳为文化建构、文化传播和文化控制三项基本功能。     

推进群众性"经济技术创新工程"必须做好六项工作

推进群众性"经济技术创新工程"要作为贯彻落实"三个代表"重要思想的内在要求和具体行动,要把提高职工素质作为根本,要坚持创新、创优,要以市场为导向,着力提高企业市场竞争力,要建立必要的规章制度,要选好典型,彰扬先进,充分调动广大职工的积极性.     

试论理论期刊编辑的社会活动问题

试论理论期刊编辑的社会活动问题黄绍国在编辑学研究中，一些学者提出编辑不仅要成为编辑家，还要成为社会活动家。这是颇有见地的。对于理论期刊的编辑来说，广泛参加社会活动，多方结交朋友，提高组织能力和社交能力，尤其重要。本文试图就这一问题作些初步探讨，以就教...     

加入WTO与宝安区推进青年"三业"工程的新思路

加入WTO对宝安区青年"三业"工程(即学业、就业、创业)提出新的要求.它要求团宝安区委以创新的思维推进青年"三业"工程:一是以学习"三个代表"为动力,激发青年创造与成才的热情;二是以加入WTO为机遇,增强青年竞争与发展的能力;三是以公民道德建设为重点,提高青少年的综合素质;四是以制度化建设为基础,形成关心、支持、激励青少年健康成长的社会环境.     

按照"三个代表"要求 提高党员干部素质

党员干部要按照"三个代表"的要求,加强党性锻炼,努力做到以学为重、以德服人、以勤从政、以廉为"官"、以严律己,全面提高自身素质.     

论知识经济时代的编辑主体创新

知识经济的到来,必将对编辑主体的素质提出更高的要求。编辑主体的思想观念、理论知识与技术手段等方面必须适应知识经济的挑战。编辑主体必须不断创新,以创新求生存,以创新求发展。     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

Beyond the scarcity scare: reframing the discourse of hunger with an eco-mind

Solutions to world hunger continue to be impeded by a frame – a set of assumptions – that keeps much of humanity focusing narrowly on quantitative growth. The result is greater food production and greater hunger. Yet, across the world another way of seeing, one grounded in the relational insights of ecology, is transforming food systems in ways that both enhance flora and fauna and strengthen human relationships, enabling farmers to gain a greater voice in food production and fairer access to the food produced.     

The Impersonal Strategy: Re-visiting Virginia Woolf's Position in The Common Reader Essays

The concept of impersonality as a writer's strategy has been exposed to misinterpretations that either fail to exhaust its full meaning and deposit an unequal amount of attention on all components of the term or, in the worst case, tend to distort its true elements. In relation to Virginia Woolf's criticism, in particular, it is a critical commonplace that the author employed an impersonal position in order not to fully materialise her feminist vision, but to shy away from explicitly expressing her feminist convictions and openly supporting women's rights. Indicative of this is the criticism that suggests disapproval of Woolf's reluctance to side with her own gender and declare the power of female personality.

The aim here is to challenge such critical views, separate the discussion of impersonality from its association with that of androgyny, and re-visit the issue of Woolf's employment of the impersonal strategy. I examine two of Woolf's essays on nineteenth-century women writers included in her first volume of The Common Reader and offer an analysis from both a gender-oriented and a genderless angle. Woolf's strong affinity with female conditions of oppression, her modernist convictions, her need to compromise with the male-dominated context of the time and her concurrent urge to co-operate with the common reader of an unspecified sex for the sake of artistic creation reveal more complex reasons behind her intentions than those examined by critics so far.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

试析社会主义劳动者的价值问题

劳动者的价值能否得以实现,它是社会主义经济发展中一个极为重要的问题。确立正确的劳动者价值观念,充分调动劳动者的积极性和创造性,提高劳动者的主体地位,就能把劳动者吸引到社会主义现代化事业中来。劳动者的价值包括个人的社会价值与个人的自我价值。只有确立劳动者的地位,实现社会的公正、公平,才能实现劳动者社会价值与自我价值的统一。     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.     

Dancing across difference: Experience and identity in the classroom

This article uses Liquid Sky to consider the possibilities of feminist reorientations outside of formal and political orthodoxies and suggests that such disengagements from the dominant are alienated from the utopian rather than re-imagined as transgressive modes of utopian resistance. These disengagements are theorized as a postpunk feminist dystopia: that is, a de-emancipatory system of gendered and aesthetic practices that spatio-sonically shapes queer female sexuality as extrinsic to social and sexual ideals. This dystopia specifically frames the lesbian subject as a bodily terrain of self-estrangement, and names the film's network of alienated corporeal, subcultural, and sonic space. Feminist dystopia ultimately describes female empowerment's precarious position in a sexual and sonic landscape of non-normativity and offers a way to visualize oppositional practices that do not readily correspond to liberation.