Changing Narratives of Race and Environment in the Nineteenth‐Century and Early‐Twentieth‐Century Brazilian Amazon

The Amazon has been the object of numerous reflections upon the relationship between the natural environment and the categories of human society. This article analyses Brazilian writers who considered the relations between space and race over the course of the nineteenth century and early twentieth century. It focuses on João Henrique de Mattos, José Veríssimo and Euclides da Cunha, placing them in relation to each other and within local, national and international discourses on race, nature and development. Its aim is to examine how a racialised geographical understanding of the Amazon changed over the course of the nineteenth century and was tied to Brazilian nation‐building.     

Measuring Skulls: Race and Science in Vicente Riva Palacio's México a través de los siglos

This article discusses the use of the term 'race' as a corpus of racial theories sustained by scientific knowledge of biological human evolution in late nineteenth-century Mexico. It also explores how scientific and political discourses have constructed equivalent notions of race and national subjects, and how racial thought is imbedded in nation-building processes within the context of knowledge and social differentials in Mexico's national history. This is carried out through an examination of the second chapter of the second volume of Mexico a través de los siglos (Mexico Throughout the Centuries), by Mexican historian Vicente Riva Palacio (1832–1896), seen through the perspective of cultural history.     

'Dirty Indians', Radical Indígenas, and the Political Economy of Social Difference in Modern Ecuador1

Abstract — This article examines alternative conceptions of social difference in Otavalo, Ecuador. On the one hand, in the northern Andes, the language of ethnicity has become a potent force, connected to an indigenous political movement and the profits of handicraft dealing. On the other, 'race' and an 'hygienic racism' preoccupied with pernicious stereotypes about 'dirty Indians' continue to define the social and political landscape. Contrasting these notions of social difference, I show how the indigenous movement in Ecuador receives less support from native peasants who see the world in polarised 'racial' terms.     

History, Violence and Self‐Glorification in Afro‐Mexican corridos from Costa Chica de Guerrero

'The poetry, the culture itself, exists not in a dictionary but in the tradition of the spoken word. It is based as much on sound as it is on song. That is to say, the noise that it makes is part of the meaning, and if you ignore the noise (or what you would think of as noise, shall I say), then you lose part of the meaning.'( Braithwaite, 1984 )
'Y no importa si es el calipso de Trinidad, o "dancehall" de Jamaica, o el choteo cubano o el chuchumbé mexicano, la expresión popular afro de toda la región ha tendido a aprovecharse del "relajamiento" como arma en socavar la estructura social dominante y a reconstruir un individuo más liberado.'¹( Pereira, 1995 )     

Memory,Melancholia and Political Transition in Amuleto and Nocturno de Chile by Roberto Bolaño

This article explores the significance of melancholy in two novels by Roberto Bolaño: Amuleto (1999) and Nocturno de Chile (2000). These aim to give narrative form to memories surrounding the violent dismantling of the political left that occurred in the 1960s and 1970s in Latin America. Yet in their melancholic articulation, they do so in a way that both haunts narratives of political transition and questions the consensus regarding literature's obsolescence. In so doing they advocate a mode of reading that confers futurity on past remnants and ruins, and that thwarts the transformation of political defeat into a trophy of the victor's triumph.     

'Adorned with the Mix of Faith and Profanity that Intoxicates the People': The Festival of the Senhor do Bonfim in Salvador, Bahia, Brazil, 1930–19541

This essay looks at a formative period in the history of the festival of the Senhor do Bonfim, one of Salvador's most important religious festivals. The essay focuses on the public ritual washing of the Church of Bonfim and the tensions between the Catholic Church, who periodically banned the washing from the larger festival, and a variety of historical actors including politicians, journalists, authors and working-class Salvadorans whose efforts eventually contributed to the lifting of the prohibition once and for all in 1953. The author suggests that the defence of the washing both reflected and contributed to a larger hegemonic process taking place in Salvador after 1930, as actors within Salvador's dominant class accepted and even praised Afro-Bahian cultural practices, including them as integral parts of a larger Bahian identity.     

Childhood,Movement and Play: An Analysis of Child Agency and Heterotopia in Linha de Passe (2008) and Los colores de la montaña (2010)

This paper draws on contemporary theoretical debates surrounding the significance of cinematic children in order to examine two recent Latin American films. The Foucauldian concept of ‘heterotopia’ is used to explore the abilities of child protagonists to produce spaces with which they interact both imaginatively and in the films' diegetic realities. Despite distinct urban and rural settings, these productions' staging of playful heterospaces and heterotemporalities permit brief moments of relief within otherwise harsh environments. Such spaces enable child characters to demonstrate an ‘agency’ that is denied their elders, whilst somewhat evading the symbolic ‘futurity’ with which children are often burdened.