From a mimetic to a holographic paradigm in fiction: Toward a definition of feminist writing

This paper outlines a theory of fiction by examining the shift from the basically mimetic nineteenth century to be essentially non‐mimetic twentieth century. It further argues that the contemporary novel, as herein interpreted, constitutes a bona fide expression of feminist writing.

The paper contends thatthe transformation undergone by the novel as it moved from the nineteenth century to the twentieth century bears witness to the wide ranging transformation affecting the western world today. A number of inter‐related shifts have occurred ostensibly leading the western mind into a radically new world view, or new paradigm. Indeed, our culture is steadily moving from the absolutes of traditional physics to the relativity of the new physics and quantum theory; from a “logocentric”¹ to a “deconstructive”² universe; from a fragmentary (basically static and non‐creative) to a holistic (essentially dynamic and creative) realm; from representation to holography. Inasmuch as “representation” relates to “mimesis”, this paper ultimately redefines its aim by proposing to explore a shift from a mimetic to a holographic paradigm in fiction.

The notion of the holograph is therefore essential to the paper. As herein interpreted, holography not only challenges representation, but it also devalues the linear view of time (which is central to western culture) by focusing on the “now” and thereby delving into the depths of reality — the realm of the underlying, creative forces which the western world is presently releasing. It is precisely the release of long‐repressed forces that is drastically transforming western culture. This sheds new light on the problematics of western alienation which can now be reassessed in terms of “alienation from the creative source”.

In the final analysis, the paper contends that the emerging forces are essentially feminine. This posits an ultimate, all‐encompassing shift which may be said to be leading us from a male‐oriented to a holistically‐oriented culture: a culture that celebrates the essential oneness and fundamental dynamics of Life. Since the twentieth century novel has superbly explored and expressed the emergence of these forces, the paper regards it as the epitome of feminist writing. This writing is to be viewed as practice in the sense that it expresses the very process of change it has helped foster and in which it participates: the process of integration of the creative depths of being.     

Women's studies courses: Pragmatic and political issues concerning their establishment and design

When attempting to establish women's studies courses within institutions of higher education, women face a traditional power structure designed to obstruct movements for change. Four factors relevant to a power analysis of this situation are status, concrete resources, expertise and self-confidence. These factors are defined and examined in relation to the fight to establish women's studies courses. Within this background the issue of men as ‘patrons’ as teachers and as students, and the fact of women's anger are examined. Many arguments forwarded by conservative patriarchal institutions are discussed. The paper emerges from the experiences of the author in three universities. It is aimed at clarifying some of the traps set for women so that other women can eliminate any fears that their experiences are idiosyncratic or ‘their fault’ rather than part of a formalized power game.     

affective politics,debility and hearing voices: towards a feminist politics of ordinary suffering

This paper is an intervention within feminist and queer debates that have re-posed so-called negative states of being as offering productive possibilities for political practice and social transformation. What is sometimes called the politics of negative affect or analyses of political feeling has sought to de-pathologise shame, melancholy, failure, depression, anxieties and other forms of ‘feeling bad’, to open up new ways of thinking about agency, change and transformation. Ann Cvetkovich’s recent memoir explores depression as a public feeling and argues that ‘feeling bad might, in fact, be the ground for transformation’. As she suggests, the question, ‘how do I feel’ could usefully be reframed as ‘how does capitalism feel’? This performative staging of political forms of psychosocial reflexivity opens up new strategies for survival, new visions of the future, and importantly de-medicalises feeling beyond an individual expression of psychopathology. The grounds for affective politics might be found within new feminist futures that are attentive to the relations between emotion, affect, feelings and politics. This paper will be situated within these debates and the challenge of thinking about the productive possibilities of negative states of being. However, rather than focus on depression, I will turn my attention to experiences such as psychosis and temporal dissociation, based on my long-standing research with the Hearing Voices Network. In the context of discussions of disability and capability I will discuss the value of concepts such as debility, and ‘living in prognosis’, and respond to the call to think through what such states might offer for feminist and queer practice.     

‘A whisper in the assembly of nations’ United States' participation in the International Movement for Women's Rights from the League of Nations to the United Nations

This work examines North American feminist activities in the international arena from the end of the First World War to the early days of the United Nations. Led by Alice Paul and the National Woman's Party of the United States, feminists attempted to obtain greater equality for women by having nations agree to an Equal Rights Treaty and an equal Nationality Treaty. But they ran into opposition from more moderate social reform women's organizations. Believing protective legislation for women in industry to be more important than legal equality, and antagonistic to the Equal Rights Amendment to the United States' Constitution, reformers objected to the international feminists on ideological grounds. They also disapproved of the radicals' militant tactics and active publicity seeking, thereby extending the quarrel to the realm of personality differences. Thus the divisiveness caused by the ERA in the United States disrupted the international women's movement as well. Working through Pan American Congresses and the League of Nations, and continuing into the United Nations, feminists devoted more than a quarter of a century to fighting for equal rights world-wide. While their actual achievements were not notable, in the end their equalitarian ideas proved to have more enduring value than reform theories.     

Women's self concept and belief: A feminist approach to empowerment symbolism

Because most cultures use the metaphor of Male Godhead to legitimate male control of earthly objects, their women are led to internalise a self-image in which their natural purpose is read as the primary and ultimate bearers and carers of life. This cosmological task is defined as inferior, thus masking the fact that women develop an identity in which their self-evaluation includes the needs and contentment of others. Prevented from operating the same ethical values as their men, their minds and bodies mediate the pain caused to them and others by the limited moral responsibility required of men whose goals must be competitive and instrumental. The effort to articulate symbols to convey the female experience of personal identity as communal identity has involved the international women's movements to provide images unifying materials and spiritual purposes, and simultaneously to force men to see this as superior intersubjective praxis. Empowering women by asserting their interpersonal self-image as the norm is prerequisite for rationalising economic legal and scientific thinking.     

Management education: A case for women's studies?

At a recent weekend seminar-workshop convened by the Personal Development Division of the Anglian Regional Management Centre, Essex. U.K., British pioneers, practitioners and academics with experience of management training for women conferred on the state of the art and laid plans for further developments. In this article Virginia Novarra, Visiting Fellow at the Centre with special reference to women's training needs, sets the debate in the context of the women's studies movement.     

Victorian feminism and Gissing's the odd women: ‘why are women redundant?’

Gissing's The Odd Women (1893) has variously been considered as feminist and also as anti-feminist. Here it will be argued that irrespective of the ideological stance of the novel, it may be seen as a close and realistic rendition of certain feminist issues. This can be observed via an examination of some important statements by Victorian feminists such as Barbara Bodichon and Jessie Boucherett on the subject of ‘superfluous’ women and work. They were concerned, firstly, with the articulation of the problem and its opposition to the ornamental view of women, and, secondly, with practical solutions and their implementation. It is into this second area that Gissing's novel may be seen to fit, providing a close fictional analogy with the activities of the Langham Place Circle.     

The making of Nordic "women-friendlyness" and the language of emancipatory politics: A feminist genealogy

What made it possible to develop thinking about Nordic "women-friendlyness"* during the 1980s? What does Nordic "women-friendlyness" have to offer feminist theory today? This study examines and interprets the foundations of Nordic "women-friendlyness" using a feminist genealogical discursive analysis designed as a set of interrelated and overlapping stories. The aim of the study is to analyse the official textual academic formulations of Nordic "women-friendlyness", as well as to interpret the cultural, historical and institutional contexts of Nordic "women-friendlyness" that lie behind these formulations and how these constitute its present formulation.     

Feminism and feminist movements in the middle east,a preliminary exploration: Turkey,Egypt, Algeria,People's Democratic Republic of Yemen

Feminism, including in particular such notions as women's right to equality and their right to control their own lives, is, with respect to the Middle East's current civilization at any rate, an idea that did not arise indigenously, but that came to the Middle Eastern societies from ‘outside’. To predict and direct the future of that idea, and therefore the future of women in the Middle East—if this is indeed at all possible—an understanding of the development of feminism in the Middle East is crucial, including its transformations transplanted to a Middle Eastern, predominantly Islamic environment, and its different interpretations in the locally different cultures of the Middle East. It swiftly becomes apparent, in considering the history of feminism in the Middle East, that two forces in particular within Middle Eastern societies modify—hampering or aiding—the progress of feminism. First there are attitudes within the particular society, and the culture's and the sub-culture's formulations, formal and informal, regarding women. Second and perhaps as important, are the society's attitudes and relationship to feminism's civilization of origin, the Western world. Since the late nineteenth century, when feminist ideas first began to gain currency in the Middle East, a Middle Eastern society's formal stand on the position of women has often been perhaps the most sensitive index of the society's attitude to the West—its openness to, or its rejection of Western civilization. Thus Turkey's attitude of openness to Western civilization at the beginning of this century (with which this study begins) was epitomized by the abolition of the veil. More recently, the veiling of women in Iran has constituted perhaps the chief index and deliberately chosen symbol of Iran's rejection of Western civilization. The present article is the first of a series in which I will be exploring aspects of feminism in the Middle East.     

The history of women in science: A women's studies course

Women have always done scientific work but have rarely received the recognition they deserved. As a result most of us learn, from elementary school on through university, that science is and always has been the province of men. Women are seldom mentioned in history of science courses and their contributions are often attributed to male scientists. This paper describes a lower division course in the history of women in science, offered jointly through the Women's Studies Program and the Biology Department at Portland State University. It includes a discussion of the topics and issues covered in the course and the types of questions raised about women scientists. Examples are given to illustrate historic trends and some of our experiences in the classroom are described. A representative bibliography provides an introduction to various aspects of the subject.     

The politics of publishing: Selection and rejection of women's words in print

The commercial publishing industry is controlled by men and under the guise of rational and objective decision-making, it manages to produce and disseminate material that it claims to be ‘universal’ and representative of all humanity. In fact, through gatekeeping, the publishing industry selects and promotes the ideas and knowledge that effectively maintain and support the dominant male view of the world. This constitutes a rarely acknowledged ‘political’ dimension in the production of knowledge and in the publishing industry. Alternative views, such as those presented by feminists, are contained at a level where they inevitably remain marginal and without the legitimacy that the sheer volume of production and expensive promotion accord to masculist ideals and practices. Feminist publishing cannot compete in terms of scale or influence and feminist writers and feminists in publishing have to contend with the issue of marginality — both ideological and pragmatic — in a male-dominated area. ‘Book publishing, like all industries, is controlled by rich, white heterosexual men’. (West, 1978:6)