Estonian Folklore as A Source of Baltic-German Poetry

Estonian folk tales form a common element in Estonian and Baltic-German (lyro)epic poetry. Baltic-German interest in Estonian folkloric heritage originated in the eighteenth century, when J. G. Herder first encouraged the collection of Estonian and Latvian folk songs. Systematic collection began in the 1830s, and peaked in the Estonian language area with the Estonian epic Kalevipoeg (1857–1861). Friedrich Reinhold Kreutzwald implemented this epic, but it was also influenced by many collectors and adaptors and was published in both German and Estonian. The myths of Friedrich Robert Faehlmann, presented in the Learned Estonian Society between 1840 and 1852, have had the biggest influence on the German-speaking audience. Literary adaptations of folk tales quickly found their way into journals, newspapers, poetry collections, and anthologies, often in the popular form of a ballad. This paper seeks to explore the role of Estonian folklore in Baltic-German lyroepic poetry.     

Acquisition of the Impersonal Voice by an Estonian Child

ABSTRACT

Multi-mediality has created the notion that online journalists need to be multi-skilled. This argument often ignores skill performance in the media production cycle. We used the parameters of media, technical, and issue multi-skilling as a framework to analyze multi-skilling practices in Estonian online newsrooms. We conducted in-depth interviews with Estonian online reporters and editors in 2012 and 2015, and compared whether there had been changes in skill perception and skill performance. The results reflect a discrepancy between expected perception and the performance of journalistic skills in online newsrooms. The shortened news production cycle and information processing for online news content requires relatively homogeneous skill performance, which differs from skill perception. Time pressures and the decision-making behind the allocation of resources place increasing pressure on the performance of skills in online journalism. The results indicate that practices in Estonian online journalism in many ways resemble the Baltic countries and some countries central and eastern Europe, but there seems to be differences with northern and western European online journalism practices. We identify a set of skills and competences that define journalistic practice in online journalism.     

Everyday Construction of Identity in the Estonian Refugee Community in Sweden

Social constructionist approaches underscore that identity is constantly negotiated. It emerges as values and attitudes are promoted and confronted in everyday actions, behavioral patterns and fleeting comments by participants in social events. This article analyzes membership categorization and pragmatic code-switching in the Swedish Estonian refugee community, demonstrating the fragile balance between ‘Estonian’ and ‘Swedish’. The speakers orient to Estonian Estonian as the target variety of language, while frequently using Swedish for sense-making. The analysis is based on audio and video recordings of Swedish Estonian club activities and research interviews.     

A Glimpse of Medieval Curonian Vernacular Architecture in Egils Saga SkallagrÍMssonar

Interviews were conducted with native Russian and Finnish speakers living in Estonia to examine their perspectives on language policy and usage. The aim was to paint a picture of how they perceived Estonian language policy, providing an insight into the cognitive frameworks within which they work, and into the social and historical factors shaping their discursive environments. For Finnish informants, official monolingualism was not normal, while de facto monolingualism seemed to be. For Russian speakers, the opposite seemed true: those interviewed accepted Estonian's official status but wanted to see more use of Russian ‘on the ground’. Their perspectives reflect their worldviews, which have been shaped by their personal, family, and community realities and experiences.     

Performative Translation Options Under The Soviet Regime

Translations must be read in their immediate social context in order to understand their performative meaning. The Soviet period in Estonia featured censored and self-censored public writing, whereas cultural discourse that doubted the hegemonic ideology could be conducted primarily through translation. This reality renders significant the selective differences between translators on both the metatextual and textual levels. The topic of this article is the translations of Enn Soosaar (1937–2010), a writer keenly aware of the value of his translations as weapons of communication trained on their environment.     

Melbourne (1835–1927): The Birth of a Music City

Music heritage in cities has become a significant area of interest in the twenty-first century because it is linked to profitable music tourism and a growing cultural economy. Melbourne, the Victorian state capital, is used as a case study; in March 2013, the city was unofficially crowned Australia’s music capital because it, at the time, had the most music venues and a vibrant music economy. However, this paper argues that this identification is somewhat ahistorical for two reasons. Firstly, it leaves out the colonial and gold rush prehistory of Melbourne’s music culture. Secondly, it omits the critical recognition of Melbourne’s (and Australia’s) first international music superstar exports, such as opera diva Dame Nellie Melba (nee Helen Porter Mitchell), who was named after her home town of Melbourne, and pianist prodigy and composer Percy (Aldridge) Grainger. Drawing on a textual analysis of government policies, economic reports, and the work of historians, musicologists and journalists, this paper synergises the history of Melbourne’s music culture from its colonial beginnings in 1835, until 1927, when the city was no longer Australia’s political capital. It identifies four early stages of Melbourne’s musical development, which laid the foundations for iconic music venues, Australia’s first opera company, music entrepreneurs, and the initial nurturing of the nation’s first music superstars in Melba and Grainger.     

A new faith and a new name? Crusades,conversion, and baptismal names in medieval Baltics

The baptism of the natives in Estonia and Latvia in the thirteenth century did not result in compulsory name change. The native population accepted the “Christian” names by the mid-sixteenth century as a result of general cultural adaption of elements of the “German” culture of socially higher classes, but this process does not directly reflect the process of acceptance of the Christian religion. The few examples of receiving a new name in the crusading period indicate the re-arrangement of political relations, which were related to creating patronage ties and god-parenthood relations.     

Soviet musicology and the ‘nationalities question’: the case of latvia

Nation branding, as a phenomenon, is attracting increasing scholarly attention. However, much of the existing literature has been written by those involved in the public relations industry themselves. There have been some studies which have been written from a critical viewpoint; however, the tensions of branding a nation have often been neglected. This paper aims to explore the inherent tensions between nation branding and nation building. To what extent is nation branding a tool or a practice? What images of the nation do branders seek to promote, and who is this image for? Is nation branding merely a more palatable version of nationalism? In particular this paper focuses on the debates surrounding the launch of Brand Estonia in 2001/2. Brand Estonia, with the slogan Welcome to Estonia: Positively Transforming, was launched to coincide with Estonia staging the Eurovision Song Contest in 2002. It is a unique and interesting case study given the level of controversy that the initiative generated amongst the Estonian public. Estonia was the first Former Soviet Republic to launch a nation branding project and, perhaps more controversially, it was managed by a British-based company, Interbrand. However, little scholarly attention has been paid to public-level discourses concerning Brand Estonia. The empirical findings discussed in this article highlight some of the more salient narratives on national identity that Brand Estonia engendered and therefore aims to fill this gap.     

A.H. Tammsaare’s Truth and Justice as a Postcolonial Bildungsroman

A.H. Tammsaare’s pentalogy Truth and Justice is considered a central text in Estonian culture, perceived virtually as a second national epic. The article analyzes it from the perspective of comparative genre studies. It is discussed as an idiosyncratic example of Bildungsroman, a genre narrativizing modernizing change focusing on the lives of everyday individuals, thus symbolically domesticating and humanizing the global developments of modernization. The emplotment of Tammsaare’s novel is comparatively discussed against the background of the Western European Bildungsroman on the one hand and of non-European postcolonial Bildungsroman on the other. The analysis enables to gain new insight into the reception and cultural working-through of the belated rapid modernization in Estonia. It also helps to explain the canonical position of Tammsaare’s novel in Estonian literature: The novel is a poetic tour de force that forges a both intra- and internationally acceptable model of modern Estonia.     

Description of the peasants’ sexual behavior in August Wilhelm Hupel’s Topographical Messages in the context of the history of the Estonian family

The aim of this article is to introduce the work of August Wilhem Hupel, a Baltic German author of the 18th century. The article focuses on the sections in his most voluminous work Topographische Nachrichten von Lief- und Ehstland (1774–1782) that describe Estonian peasants’ sexuality. Hupel’s writings belong to the sources of the history of the Estonian family, a field that has been rediscovered at the beginning of the 21st century. Thanks to the work of Marika Mägi and Nils Blomkvist, a new paradigm for research in this field has been opened up. This article adheres to that paradigm.     

“Don’t Frack with Our Karoo”: Water,Landscape, and Congregational Song in Kroonvale,South Africa

There is a new environmental threat to the South African Karoo region in the form of hydraulic fracturing (or “fracking”) for natural gas reserves buried deep underground. In this article, I use the issue of fracking in the Karoo to investigate the power of this landscape over its people and focus particularly on the question of how the cultural traditions of the Karoo would be affected. In contrast, W.J.T. Mitchell argues that landscape exerts a relatively weak power over its residents. My work serves as a critique of theories that see landscape as exerting only marginal influence over people. I argue that not only does landscape exert a palpable power over its inhabitants, but also that landscape affects the musical traditions of these residents and, ultimately, the configuration of the Karoo soundscape. To investigate this, I draw on my research of music in three churches with coloured people’s membership in the town of Graaff-Reinet and examine this tradition in the context of its surrounding landscape.     

Public Discourse of (De)legitimation: The Case of South Estonian Language

This paper focuses on two different argumentative strategies for dealing with a regional variety of Estonian, one of which may discourage the use of South Estonian in favor of Estonian, while another legitimates the lesser-used regional variety. These argumentative strategies are studied by critical discourse analysis (CDA) of six articles in Estonian language newspapers and magazines published in 2004–2005. The use of South Estonian is discouraged by presenting real or imagined threats that it will undermine Estonian. This discourse also parallels the Estonian-Russian majority-minority discourse of recent years by employing zero-sum arguments of the Estonian language losing to Russian as a consequence of the recognition of South Estonian. Language ideologies, which also construct some varieties worthier than others, re-enforce an essentialist representation of separate languages. This representation will work toward suppressing linguistic variation.