The Associations between Substance Use,Sexual Behavior,Deviant Behaviors and Adolescents’ Engagement in Sexting: Does Relationship Context Matter?

While prior research has identified multiple associations between engagement in sexting and risky behaviors, most existing studies do not take into account the contexts in which sexting occurs. The present study extends prior research by examining whether the associations between adolescents’ sexting behavior and engagement in substance use, sexual behaviors, and deviant behaviors differ depending on the relational context (within or outside of a romantic relationship) in which young people engage in sexting. Results from a survey of 1187 secondary school students (61.3% girls, n?=?728) between 16 and 22 years old (M?=?17.82 years; SD?=?0.88) revealed that sexting with a romantic partner is not a significant marker of engagement in risk behaviors. However, single youth who engage in sexting outside of a romantic relationship are more likely to report substance use, relative to their non-sexting counterparts. These findings underscore the need to use more nuanced measures to investigate sexting and for sexual education initiatives to integrate messages about substance use.     

The production of a woman in Andrei Tarkovsky's the sacrifice

In this essay, I explore the semiotics of the terno, the Philippine national dress, creatively interpreted by diasporic artists as a dense metaphor for the proper and improper Filipina. These artistic deployments of the terno lay bare unquestioned notions of Filipina femininity and nationalism to be fabrications of colonialism, militarization and globalization. The reconfigurations of the infamous “butterfly dress” by multimedia artist groups Barrionics and Mail Order Brides (M.O.B.) take center stage in my discussion. The genealogy of the terno I focus on in this article emphasizes alteration and transformation, to resist facile binaries of the nation as traditional and the diaspora as the site of modern and innovative modifications. My historicization of the terno underscores it as an emergent form in which to situate the uses of the terno in Filipino American performance projects within the history of the terno itself. Specifically, the essay focuses on the defamiliarization of feminine constructs that operate both in the nation and the diaspora, as well as to foreground the imbrications of colonial histories and our neocolonial present in the current global circulation of Filipina bodies. I highlight how these artists in the Filipino diaspora spectacularize the inchoateness of categories of gender, race and sexuality. Their performance works delink the dressee from the dress, the terno from the Filipina, the dress from the girl and the boy, the dress from the straight and from the queer, the dress from the diasporic and from the national. Within such figurations, the terno emerges as an overprivileged icon – of ideal womanhood and of the mother nation – whose iconicity is re-routed through bodies that do not belong.     

An Aristotelian paradox: Wollstonecraft and the implications of marriage as friendship

ABSTRACT

This essay argues that Mary Wollstonecraft interprets marriage in A Vindication of the Rights of Woman as a relationship reminiscent of Aristotelian higher friendship. This position presents an Aristotelian paradox: Wollstonecraft shows how marriage – an institution Aristotle explicitly viewed as a husband ruling a wife – can be the basis of the Aristotelian fulfilment political society structurally provides to the best men. Overall, Wollstonecraft suggests that marriage should be recognized as a concrete contract of friendship between two individuals as opposed to a male-female complementarity that ends in the propagation of the species through childbirth. Her work enables us to challenge ideas of marriage – from Aristotle to Rousseau to the new natural law tradition – that overlook how the structure of marriage dominates possibilities for partnerships. By thus dignifying marriage, Wollstonecraft both critiques eighteenth century marriage practices and broadens the scope of gender expression today.

Abbreviation: VRW - A Vindication of the Rights of Woman     

Harm,Consent and the Limits of Privacy

Within the context of U.K. law, the right to respect for private life, articulated in Article 8 of the European Convention on Human Rights, and acknowledged more opaquely in domestic legislation and case law, is one whose scope is unclear. Nowhere is this brought into sharper relief than in cases where conduct which manifests a person’s sexual identity, or concerns her intimate relations with others, is prima facie criminal. In this essay I attempt, through a discussion of cases in which injury is caused in the context of relationships experienced inter-subjectively as private, to explore the contexts in which the law is prepared to legitimate that inter-subjective experience, and where it is not. Using cases in which injury has been caused purposively (in S/M sex), and incidentally (through the reckless transmission of HIV during sexual intercourse), the essay argues that the law is prepared to respect the right to respect for private life only in so far as the private life concerned is one which reinforces traditional gender roles and relationship types; in short, a life that one would be prepared to live publicly.     

Texting girls: images,sounds, and words in neoliberal cultures of femininity

This introductory essay provides an overview of the arguments and premises of this special issue, Texting Girls: Images, Sounds, and Words in Neoliberal Cultures of Femininity. Situated within the recent historical conjuncture in which “girls” (and all that is suggested by the term) have an unprecedented cultural visibility, the essay argues that the figure of the girl is coerced into performing forms of symbolic work within neoliberalism that displaces and contains the corrosive effects of capitalism unbound. Drawing from recent work in Girl Studies and Feminist Theory, the introduction demonstrates that this work relies upon a long-standing conflation of girls and commodification, which supports “girlphobic” constructions in both pro-capitalist stances and anti-capitalist critiques.     

A Comparison of the Sexual Behaviors and Attitudes of Adolescent Girls with Older Vs. Similar-Aged Boyfriends

Sexual behaviors and attitudes of female adolescents were studied as a function of age of boyfriend. Boyfriend's age was dichotomized: similar-aged was defined as within 2 years of the girls' age; older aged was 3 or more years older than the girl. A school-based, ethnically diverse sample of 9th-grade girls (N = 146) who had been in a serious romantic relationship was surveyed on 5 dimensions of sexual attitudes, 2 classes of sexual motives, 7 normative sexual behaviors, and 3 types of risky sexual practices. Results showed that in terms of behavior, girls with older boyfriends were more likely than girls with similar-aged boyfriends to engage in all forms of sexual intimacy, to have sex under the influence of alcohol or drugs, and to experience sexual coercion. In terms of sexual attitudes, girls with older boyfriends were more likely to endorse beliefs that guys are sexually driven, that sex just happens and is spontaneous, and that sex is related to maturity. These results are discussed in terms of a potential power differential that emerges when girls date older boys.     

Interrogating the Look of the Gaze: Theorizing a Latina Cine-subjectivity

Abstract: This article concerns sexual object choice, transgender subjectivities and emancipatory heterosexuality as imaged in three films: The House of the Spirits (1993), I Like It Like That (1994) and Mi Vida Loca (1994). The author argues, through her examination of the three films, for cinematic ways to refocus and interrogate the look and gender of the gaze, thereby envisioning what the author theorizes as a Latina cinematic subjectivity. The idea of a Latina cinematic subject is presented in order to articulate how at particular moments in the films an autonomous Latina subjectivity is created through narrative and mise-en-scène. It is at these narrative and aesthetic moments that the characters look back at the objectifying gaze, thereby creating a cinematic sexual subjectivity for the characters and a model of agency for the culturally resistant spectator who is doing the looking. The House of the Spirits points to the contradiction of sexual object choice and female desire; I Like It Like That reveals the performative and fluid possibilities of gender, as well as the hybridity of black and Latino cultures; and Mi Vida Loca reflects the struggle for agency in Chicana heterosexual relationships and in their material lives. The author argues that the three portrayals begin important cultural work in the rethinking of sexualities, as they unthink the rigidity of monosexuality, destabilize normative conceptions of gender and reinvigorate agency and egalitarianism in heterosexual relations.     

Tough-Girl Femininity,Sisterhood and Respectability: Minority Girls’ Perceptions of Sexual Harassment in an Urban Secondary School

ABSTRACT

This study aims to explore how adolescent girls with minority backgrounds experience different forms of sexual harassment in school. The study draws on semi-structured interviews conducted in a lower secondary school located in one of Sweden’s most socially disadvantaged urban areas. The results reveal that the girls repeatedly experienced misogynist comments such as “whore” and “slut” and were subjected to moral judgements connected to their manner of dressing and behaving. The girls’ narratives were also framed as tough-girl femininity, which is related to how they had to show a tough façade against acts of harassment as well as to other students at the school. When the name-calling became personal, the girls stuck together against the harassing boys and fought back verbally. The study contributes important knowledge about how adolescent girls perceive sexual harassment at school; this knowledge is important in efforts to create a safer school environment for all students.     

Depressive Symptoms and Sexual Experiences Among Early Adolescent Girls: Interpersonal Avoidance as Moderator

Building on the growing body of research that supports the relationship between depressive symptoms and sexual activities in adolescence, we examined how individual differences in interpersonal avoidance and anxiety might moderate this association. Data were collected from 71 early adolescent girls (M age 13.45 years; SD = 0.68; 89% Caucasian) concurrently and 1 year later. Results indicated that greater depressive symptoms predicted a greater frequency of sexual intercourse both concurrently and 1-year later, particularly among more interpersonally avoidant girls. However, greater depressive symptoms predicted a greater frequency of non-intercourse activities 1-year later among less avoidant girls. Implications for understanding how individual differences in interpersonal style may serve as risk or protective factors in dysphoric girls’ sexual experiences are discussed.     

the ambivalence of colonial desire in Marguerite Duras's <Emphasis Type="Italic">The Lover</Emphasis>

This paper analyses the notions of desire and metissage that circulate in The Lover, Marguerite Duras's autobiographical novel about an illicit and scandalous sexual relationship between an adolescent French girl and a wealthy Chinese man set in 1920s French colonial Siagon. Rather than celebrate The Lover as a tale of a young French girl's resistance to colonial sexual mores and regulations, this paper seeks to excavate how that resistance both affirms and challenges the racializing and racist dynamics of colonial society. In particular, I explore the intertwining discourses of colonial sexuality, gender, race, and Orientalism that both produced and constrained the specific forms of desire and subjectivities available to and taken up by European women in French Indochina, and that circumscribe the story that Duras is able to tell about the French girl's love affair in The Lover. I suggest that Duras's portrayal of the French girl as a sexually autonomous female subject – one whose erotic relations are not bound by the dictates of colonial patriarchy – is made possible only by the ambivalent structure of the girl's desire, by her simultaneous attraction to and repulsion of the racialized others of the French colonies.     

‘Feel what I feel’: making da(r)ta with teen girls for creative activisms on how sexual violence matters

Abstract

Inspired by feminist new materialist and posthuman activist philosophy, this paper speculates on what happens when data entangles with arts-based methodologies in a school-based participatory activist project with six teen girls (age 15) on gender-based and sexual violence. Mapping the journey of how data become da(r)ta and how da(r)ta become d/artaphacts, the paper follows how the Runway of Disrespect, the Shame Chain, the Ruler-Skirt and the Tagged Heart ripple through peer cultures, school assemblies and national policy landscapes. Each journey provides a small glimpse into how bodies, space, objects, affects and discourse ‘intra-act’ in dynamic assemblages to produce d/artaphacts crafted from and carrying experience. The paper concludes to consider the ethical-political affordances of how participatory arts-based methodologies and the im/personal vitality of objects might support young people to safely and creatively communicate and potentially transform oppressive sexual cultures and practices.     

Too Hot to Handle: The Cultural Politics of <Emphasis Type="Italic">Fire</Emphasis>

This essay explores the ways in which the definition of Indian culture has become a site of contest, and how this contest played out in the controversy that erupted over the release and screening of Deepa Mehta's diasporic film, Fire, in India. I locate this controversy within the broader controversies that are taking place over culture, particularly when issues of sex and sexuality are involved. The continuous targeting of representations of sex and sexuality, betrays an underlying fear that sex is something that is threatening to Indian cultural values, to the Indian way of life, to the very existence of the Indian nation. I discuss the responses to the release of the film by the forces of the Hindu Right as well as feminist and lesbian groups and critique the uncomplicated understandings of culture that informed these positions. Contingent upon these responses rests the story in Fire and the way in which the lesbian subject, a sexual subaltern, is constructed in the cultural space represented in the film. I challenge the positions that suggest that the women are represented as victims in the film, and draw attention to the cultural, sexual and familial ruptures brought about by the main protagonists through their desire for one another. I explore the complicated understandings of agency and desire that are represented through the assertion of this relationship.     

The Day I Will Never Forget: an interview with Kim Longinotto

The documentary filmmaker Kim Longinotto talks to Catherine Fowler about her latest film The Day I Will Never Forget (2003) about female genital mutilation (FGM) in Africa. Longinotto’s films have consistently interrogated our understanding of womens’ place in the world, and her latest film is no exception. She discusses how she found her subjects: Fardohsa, a midwife who has been campaigning against FGM, a group of girls who have (successfully) taken their parents to court in order to prevent FGM being practised, and Fouzia, a girl of nine who reads a poem that she wrote the day after she was circumcised, asking her mother to explain why she put her daughter through such a painful experience. Longinotto also discusses the ethical issues raised by her filming of a circumcision of two sisters, and the wider issues that her film engages: the powerless position of women in African societies, the confusion of religion and culture in discussions of FGM, and the impact of saying ‘no’ to this practice.     

The presence of absence: Beyond the “great goddess” in Ana Mendieta's Silueta Series

Ann Liv Young's The Bagwell in Me, which premiered at The Kitchen in NYC, 2008, continues this experimental dance-theater artist's characteristically brutal, anatomizing exposure of the performers’ bodies through both sexual and violent narratives. This analysis examines how Young's construction of a certain type of subject on the stage challenges the subjectivities of her audience members, provoking moments of potential eruption. By setting up the possibility of abjection through the ambivalent dynamic of attraction and repulsion, and bombarding the audience with tropes that engender a push toward Georges Bataille's concept of “radical formlessness,” I argue, Ann Liv Young's performance places notions of the stable subject – composed of a “whole” body that is coherently organized and intelligibly coded in terms of sex, gender, sexuality and race – into question. Not only will this analysis explore how viewing oral sex as choreography speaks to Bataille's discussion of radical formlessness through decontextualization and the maddening effects of staring at the sun, but it will also interrogate how the same strategy of radical formlessness could have entirely different performative effects regarding the threat of bodily coherence and taxonomy within the narrative of historical racial violence.     

Parenting,Communication about Sexuality,and the Development of Adolescent Womens’ Sexual Agency: A Longitudinal Assessment

Sexual agency (i.e., the ability to make decisions and assertions related to one’s own sexuality) is associated with sexual health enhancing outcomes. Given that young women are expected to act passively, rather than with agency when it comes to sexual encounters, the present study aimed to explore whether parental support, knowledge, and communication about sexuality during late adolescence contribute to an enhancement of sexual agency in a sample of young women in the long-term. Using a longitudinal design (panel study), 320 female participants who participated in three data collection waves (T1, T2, and T5) were included in the analyses (M_age?=?16.2 years, SD?=?0.50 at baseline). Mediated by the frequency of parents’ communication about sexuality with their daughters, both dimensions of parental support (emotional engagement and support of autonomy) positively predicted adolescent women’s sexual agency two years later. In contrast, parental knowledge of their children’s whereabouts was unrelated to communication and female sexual agency. Specific dimensions of parenting seem to play a crucial role in empowering adolescent girls to act agentic through communicating, emotional support, and encouraging autonomy, which in turn may contribute to healthy sexual behavior in young adulthood.     

Study in blue: trauma,affect, event

As contemporary student activists in the United States embrace a vocabulary of trauma and microaggressions, some critics on the left consider this a depoliticizing move symptomatic of the university’s growing thralldom to neoliberalism. The author argues that such criticism neglects how talk of trauma and microaggressions attempts to affectively manage structural violence’s failure to manifest in the form of discrete, identifiable, and extraordinary events. To illustrate this, she turns to the poetry of Claudia Rankine and the performance art of Emma Sulkowicz as aesthetic treatments of racial microaggression and sexual trauma, respectively. Rankine’s and Sulkowicz’s works belong to an emergent genre the author calls the coincidence report, in which subjects with no proof of structural violence except for their own feelings must cope with what happens when an event doesn’t. Ultimately, both artists sideline attempts to reconstruct the event in favor of redistributing specific affects throughout their respective publics. In both cases, these affects are blue – that is, depressive (Rankine) and obscene (Sulkowicz). Subjects in the blue find themselves ambivalently attached to living politically in the shadow of an event even as they detach from the fantasy that political life is less disappointing, depressing, or deflating than it actually is.     

"Transcending gynocentric space”: Spatial metaphorics in feminist theory and criticism

Many studies assert that there are new gender constructions among young Scandinavian girls, who seem to be more individualized than earlier generations. In this article questions are raised as to what effect these girls’ newly won status as subjects might have on their construction of bodily gender, especially the part referred to as generative femininity. A “loss” of the generative body is argued to be a general tendency in postmodern discourse, as well as a dilemma in the individual girl's striving for being both individual and gender. This dilemma and its tentative solution is illustrated through the analysis of an 18‐year‐old Norwegian girl, who was the subject of an in‐depth interview in a three‐generational study of gender in change.     

Onlining queer acts: Digital research ethics and caring for risky archives

This essay considers how the current compulsion to digital reproduction – the urge to digitize, network, and online previously not-online materials – offers researchers of and within queer circuits the opportunity to defamiliarize and denaturalize our participation in academic systems of exploitation and to reorient our work towards decolonizing research economies, habits, protocols, and relationships. It takes the Cabaret Commons, the authors’ speculative digital archive of and for trans- feminist and queer (TFQ) grassroots performance scenes in Canada, Mexico, and the United States, as its point of departure. The authors frame TFQ performance and party scenes as negotiated intimacies, cultivating ethics of vulnerability and risk, which operate within and as networked intimate publics. Reading across decolonial, queer, feminist, and trans- ethics and methods, this essay revisits the value of ephemerality, of strategic evaporation, non-storage, and forgetting in online research contexts.