Dimensions of the economic vote: Valence,positional and patrimony voting in Portugal's 2011 elections

This article contrasts three dimensions of economic voting, namely valence, positional and patrimony voting. Whereas the first two dimensions have been frequently explored, the patrimony variable has scarcely been tested as an explanatory variable of voting behaviour. It measures the electors' assets (both risky and non-risky), and seeks to capture the elector's wealth at election time. Using the 2011 post-election survey carried out in Portugal following the June elections, the data show that comparing of the three dimensions, valence is the most important. It was found that patrimony variables, although not significant in a comprehensive vote model, are important explanatory factors of party identification, itself a key variable of vote choice in Portugal.     

Withdrawing (from) waste,and the end of law: reflections on DeLillo’s prophecies in Mao II (1991) and Underworld (1997)

ABSTRACT

An often heard phrase these days is “There is something about this chaotic 21st century of ours ...”. This “something”, it is argued here, lies at the heart of a new form of life which has become predominant in recent decades in globalizing culture: the life of aspiring, radicalizing sovereigns. This “something”, then, could the called the end of Law. In an age of aspiring and radicalizing sovereigns the Law, indeed law in all its forms and shapes, has become not just an irrelevance, but a nuisance and embarrassment as well. One of the manifestations of this irreverent sovereign attitude is the growing inability to accept waste, that is, an inability to live with all that generates waste (i.e. Law), and an inability to live with all that is waste. Waste, i.e. the accumulation of spent potential, is not what the aspiring, radicalizing sovereign wants. The sovereign's desires are all about conserving all potential. Although this new form of life has become manifest only very recently, it had been predicted by the novelist Don DeLillo in his novels Mao II and Underworld. The themes and images in both these novels are the focus of this contribution.