Gender and ethnicity in the Soviet Muslim peripheries: a feminist postcolonial geography of women’s work in the Tajik SSR (1950–1991)

ABSTRACT

This article explores the articulation and experience of Soviet gendered ideology regarding work in the Tajik SSR, one of the Muslim Soviet peripheries, during the post-war period ending with Perestroika. Central Asian women’s work was used for economic purposes, as well as being a key driver for fulfilling the ideological objective of emancipating Central Asian women from religion and tradition. Through a feminist postcolonial geography approach, attentive to questions of discourse and material lived experiences, this article explores the ways in which gender and ethnicity were co-produced by Soviet ideology. Analysis of scientific publications produced by Tajikistani female researchers, and of women’s magazines from the 1950s, is contrasted with ethnographic data on workers from various collective farms and semi-urban places, including ‘work heroines’ (peshqadam). Our findings illustrate the hybrid nature of the Soviet regime, advancing theoretical debates on the use of postcolonial theory in Soviet Central Asia.     

Traditionalization,or the making of a reputation: women,weddings and expenditure in Tajikistan

ABSTRACT

This article aims to show how traditionalization is enforced by women in Tajikistan in the realm of marriage, focusing on the economic dimension of life cycle rituals: ritual expenditure and gift-giving. It shows that from women’s points of view, performing ceremonial competition may itself be a resource to recover their reputation, for example when a matrimonial rupture has harmed it. Focusing on single mothers, it demonstrates how practices of traditionalization performed by women can be directed at addressing gender constraints and stereotypes, such as the normative relation between marriage and femininity, and how they may also secure women’s separate sphere of competence and relative financial autonomy.     

An institutional assessment of the public interest and accountability committee (PIAC) in Ghana’s oil and gas sector

ABSTRACT

Ghana’s Petroleum Revenue Management Act 815 (amended to Act 893 in 2015) established the Public Interest and Accountability Committee (PIAC) in 2011 with the mandate to ensure accountability and transparency in the management and usage of oil and gas revenue. This paper critically examines the activities and operations of the PIAC from 2011 vis-à-vis its legally reposed mandate. It points to severe deficit in accountability but improvements in transparency in the management of oil and gas revenues in spite of the existence and operations of the PIAC. After eight years of operation, the PIAC continues to suffer monumental challenges that undermine its effectiveness in serving as an accountability and transparency initiative in Ghana’s oil and gas sector. The paper makes some recommendation based on the empirical challenges of the PIAC identified to strengthen the PIAC to deliver effectively on its mandate.     

北伐期间日本的“满蒙观”与“九·一八”事变

北伐时期日本面对东北亦将被统一于中国中央政府之下的局势,出现了"满蒙放弃论"、"满蒙相对论"与"满蒙领有论"3种不同的政策主张。"满蒙放弃论"由于承认中国的民族主义觉醒、重视中国全局的经济利益而放弃了帝国主义,在近代日本对华政策史上留下了理智克己的一笔,但其力量有限未能成为主流。"满蒙相对论"虽也承认中国的民族主义觉醒并重视"经济扩张"手段,但却不能放弃帝国主义,最终沦为武力侵略者。"满蒙领有论"则奉行武力主义与强权主义,成为日本发动"九·一八"事变的直接策划者。     

Recreating the past in the ornamentation of stately homes and the leisure activities conducted within them: the Duchess of Parcent as a case study for the Spanish aristocracy in the early twentieth century

This paper attempts to vindicate the part played by certain Spanish aristocratic women in the management, conservation, and transmission of their artistic patrimony in the decades around the turn of the twentieth century by creating art collections and displaying them in their own homes. The works were exhibited in rooms that were decorated and furnished to suggest historical ambiences in which French trends rubbed shoulders with styles that had been developed in Spain throughout its history, turning their homes into devices that recreated past times. Similarly, retrospective views of Spanish art were the focus of leisure and entertainment activities driven by ladies from the upper echelons of society through the performance of tableaux vivants. The focus of this study will be Trinidad Scholtz Hermensdorff, Duchess of Parcent.     

Development as a Source of Conflict: The Sahukars,Displaced People and the Maoists in Koraput

The dominant debate in India on the role of development in reducing conflicts still remains open. Despite development measures by both state and non-state actors, conflicts continue to emerge frequently in the country. In Koraput district of Odisha state, development models implemented by the state and by non-state actors have accentuated conflicts. The Sahukar-model of development has caused land alienation among marginalised communities leading to conflicts between the landowners and the landless. Large-scale displacements caused by mega development projects have intensified the confrontation between the displaced and the state. The Communist Party of India-Maoist (‘Maoists’ in short) claims to have an alternative development model, which rejects the state-led development plan. The alternative model imposed by the Maoists—reclaiming land from the rich and adopting ‘Community Farming’—has further exacerbated the conflicts among various communities. Though the nature of conflict and its contenders keep changing, the conflicts as such refuse to die down in Koraput.