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1.
This paper is concerned with the different forms of pleasure and identification activated in the consumption of dominant and subcultural print media. It centres on an analysis of the lesbian visual pleasures generated through the reading of fashion editorial in the new lesbian and gay lifestyle magazines. This consideration of the lesbian gaze is contrasted to the lesbian visual pleasures obtained from an against the grain reading of mainstream women's fashion magazines. The development of the lesbian and gay lifestyle magazines, in the context of the pink pound, produces a situation in which an eroticized lesbian visual pleasure is the overt remit of the magazine, rather than a clandestine pleasure obtained through a transgressive reading of dominant cultural imagery. In contrast to the polysemic free-play of fashion fantasy by which readers produce lesbian pleasure in the consumption of mainstream magazines, responses to the fashion content in the lesbian magazine Diva suggest that in a subcultural context readers deploy a realist mode of reading that demands a monosemic positive images iconography. The article uses the concept of subcultural competency to consider the different ways lesbians read mainstream and subcultural print media and suggests that the conflict over Diva's fashion spreads may be linked to changing patterns of identification and the use of dress for recognizability.  相似文献   

2.
This article explores commonalities between parental claims for lesbian co-mothers and other contexts in which intention is a key aspect to family formation for (mostly) heterosexual families: in particular, surrogacy and pre-birth disputes over embryos. Through a series of case studies drawn from recent reproductive controversies, the paper uses the lens of empathy to argue for social or non-genetic modes of parenthood connecting lesbian mothers and other ‘reproductive outsiders’.
Jenni MillbankEmail:
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3.
Abstract

In the 1970s magazines, journals and periodicals constituted an alternative public sphere for second wave feminism. These publications provide an index—and at times the only documentation—of the activities of the women’s art movement as well as its many iterations and divisions. This article addresses this imbalance, arguing that Heresies: A Feminist Publication on Art and Politics (1977–1992) was exemplar of the radical political challenge feminism posed to the art world and culture more broadly. Launched in 1977 by the Heresies mother collective, which included Joan Braderman, Mary Beth Edelson, Lucy R. Lippard, Harmony Hammond and May Stevens among others, the magazine had thematic issues edited by different collectives and was comprised of material from an open call. Content ranged from poetry, to academic essays, to artworks both original and reproduced. This article considers the collaborative process of producing the magazine, which attempted to be inclusive, but in fact came to mirror the divisions—as well as political investments—of the broader women’s movement, alongside the dissensus the publication provoked and attempted to confront.  相似文献   

4.
In this article, we examine the impact of acculturation strategies on minority stress and mental health in lesbian, gay, or bisexual (LGB) youth in Flanders, Belgium. Building on previous identity minority studies and on the social stress model, we investigate how LGB youth acculturate within both the LGB subculture and mainstream society and how this correlates with their mental health. Our sample is taken from an online survey and represents 561 LGB youth aged 14 through 21. The four traditional acculturation strategies are represented in this population (integration, separation, marginalization, assimilation). Bisexual boys are mostly absent from separation and integration strategies; gay and lesbian youth in middle adolescence are significantly more represented in the separation strategy compared to their late adolescence counterparts. Further, our findings suggest the relevance of identification with the LGB community, especially for internalized negative attitudes toward homosexuality. LGB youth who identify with the LGB community score significantly lower on this internalized homonegativity.  相似文献   

5.
Abstract

This paper follows the affective impact of a story on rape culture in a school magazine in a US high school. Immediately following its publication, the school administrative enacted a policy of prior review on all future publications. The event made waves in US national news and online media and was denounced as an act of censorship and infringement on students’ freedom of expression. In concert with other students and faculty at the school, the author of the piece engaged in various forms of protest and on- and off-line activism. This piece tracks the multiple political affects and effects activated by the article through a notion of affectivisms. This case study further explores notions of ‘positive’ school climate and the increasingly imbricated textures of schooling experiences with online media.  相似文献   

6.
ABSTRACT

This article discusses established and more recent methodological and theoretical strategies in histories of women’s education. The established approaches to histories of women’s education with which the article begins include networks, sites, technologies of the self and Bourdieusian notions of reproduction. To explore recent approaches that foreground processes and practices, the article then focuses on accounts that trace how gender has been made visible and audible in and through education, and how affect may become durable and thread across a scene, a site or an institution. This is followed by discussion of posthumanist strategies that orient the researcher to how human beings come into relation with one another and with non-human life with consequences for notions of temporality and context. The article ends by calling for dialogue to open up pathways framing the geopolitics of histories of women’s education.  相似文献   

7.
ABSTRACT

Looking at the oil strikes during the Iranian revolution (1978–79), this article challenges dominant narratives of the relationship between oil and politics and the processes that shaped the outcome of the revolution. The main arguments of the article are developed in a critical dialogue with Timothy Mitchell’s Carbon Democracy. Firstly, the article argues that the scale of the oil strikes and their central role in the creation of organs of revolutionary power call into question the generalization about the material characteristics of oil that supposedly prevented mobilization. Secondly, the article argues that the fact that oil workers were able to organize mass strikes, but failed to create an independent organization, calls for an explanatory approach that combines material factors with the role of consciousness, ideology and organization. This leads to a rereading of the Iranian revolution that highlights the essential role of the oil strikes in the emergence of dual power in early 1979, and the contingency of their outcome.  相似文献   

8.
ABSTRACT

The food regime approach occupies a privileged place in the sociology of agriculture and food. However, it is criticized for its structural, universalist and homogenizing bias. From a dialogue between institutionalism and pragmatism, this contribution discusses an alternative framework constructed from the ‘social order’ concept, which defines the existence of different arrangements of practices related to socio-technical and institutional apparatuses. Both the critique of the ‘regime’ narrative and the new proposition are associated to a reinterpretation of Brazil’s agricultural trajectory. Contrasting with the overemphasized export-oriented plantation/agribusiness image that prevails in the majority of analysis about Brazilian insertion in globalized agri-food regime, this paper explores the heterogeneity of production and consumption practices, arguing for the coexistence of multiple and contradictory ordering processes.  相似文献   

9.
ABSTRACT

This article uses Jessie Kenney's unpublished and fragmentary autobiography The Flame and the Flood to show how suffragettes reacted to, and tried to re-write, the emerging historical narratives on militant suffrage. As June Purvis and Sandra Stanley Holton have shown, Sylvia Pankhurst's The Suffragette Movement became the dominant frame through which the suffragette movement was understood. Yet Krista Cowman's revealing study of Mary Gawthorpe also demonstrates that many suffragettes were distressed at the way this narrative became cemented in popular and academic understandings of the movement. Developing this understanding by showing how suffragettes resisted Pankhurst's account to offer an alternative account of suffrage history, this article offers new insights into suffrage life-writing in the later twentieth century. It conceptualises The Flame and the Flood not as a monologue focused on Kenney's own experience, but as a dialogue with existing cultural narratives, and demonstrates the interaction between collective and individual identity in suffrage autobiography.  相似文献   

10.
ABSTRACT

This article retraces the history of a FIAT factory located in a greenfield site in the South of Italy through representations of industrial work that have evolved over time. Relying on ethnographic research that I conducted in the towns of Melfi and Potenza, I describe how different forms of understanding the work done there oppose, affect and modify each other. The factory’s history from the early 1990s to recent years is divided into three main phases. The first section shows that external and self-produced representations of work were widely opposed in the first decade following the opening of the factory. The second section focuses on a strike that broke out in 2004, and its consequences in terms of collective memory. Finally, the third section demonstrates how some images shared by workers and local community have evolved from negative to positive, in a context of economic crisis. For each of the phases of the history of the factory, this article highlights local, national and global factors that determine the frames of reference within which perceptions of work are built.  相似文献   

11.
In Go Fish, Rose Troche and Guinevere Turner's seminal lesbian film from 1994, one of the protagonists complains that the woman who her friends want to set her up with has cupboards of herbal tea and no sex appeal. In the course of the film, the women end up together, but the joke/not-joke about lesbians and their fondness for herbal tea remains. What can we make of this conjunction? What does the linkage of tea and lesbianism connote and how does tea function within representational economies of lesbianism? On the one hand, tea functions as prelude to eroticism and codes for the opacity of lesbian sex. On the other hand, it also works to consolidate stereotypes about lesbianism. In this essay, the author explores the factors that make this almost joke possible – the gendering of tea as feminine, stereotypes about lesbian feminism – and examine ways in which it has been deployed as a form of lesbian shorthand. In working to understand why tea has evoked this stereotype, a sense of American counter-cultures, Orientalism, and historical memory come together to paint second-wave lesbian feminism as out of touch, politically inactive, and intimidated by sex. But what alternatives might tea open towards? Focusing on tea, then, gives us access to economies of desire and pleasure that both build on perceptions of radical feminism and expands upon it by establishing a vernacular of fluids, taste, and tactility.  相似文献   

12.
Drawing on Viva, the first women's magazine published in East Africa, this article articulates the ways educated Kenyan women actively inserted themselves into public debates and constructions of the new nation. It argues that Viva authors and editors employed rhetorics of nationalism and development to advocate for Kenyan women's right to equal citizenship. They wanted participation in the possibilities, power, and self-reliance that postcolonial nationalism promised its citizens and mobilized images of a productive, modern woman to make their case. Viva's producers appropriated the momentum of 1970s development rhetoric and international women's liberation to show that Kenyan women were already fulfilling mandates to develop themselves and their fellow Kenyans through education, wage labor, consumer habits, and moral respectability. Viva reveals the ambitions, strategies, and desires of Kenya's educated women, not only for themselves but also for their nation and their rural ‘sisters’.  相似文献   

13.
In this article I offer a map of recent UK and US lesbian feminist literary theory which highlights the shifting and often paradoxical interpretations of lesbian sexuality as both real and as metaphorical. I focus on two key texts which offer overviews and analysis of the field from different sides of the Atlantic, which are both accessible, in the sense of being written from the perspective of ‘ordinary’ lesbians, rather than structuring lesbian feminist literary criticism around traditional critical concepts, and which also, unusually, offer some (small) comment on bisexuality. These two works are Bonnie Zimmerman's Safe Sea of Women (1992), and Palmer's Contemporary Lesbian Writing (1993). I argue that lesbian/feminist literary theory offers particular constructions of sexuality which, while challenging many of the assumptions of heterosexual feminist literary theory, largely ignores the bisexual content of much lesbian fiction, and consequently glosses over some of the tricky areas of gender and sexuality difference. Through this ‘les/bi’ reading I hope to encourage the figure of the bisexual woman to question both constructions and deconstructions of lesbian sexuality.  相似文献   

14.
Abstract

The ways in which the French author and philosopher Simone de Beauvoir (1908–1986) has been portrayed in Norwegian print media have undergone significant changes since she was first introduced to the Norwegian reading public in the 1940s. But how—and why—did her image evolve? This article explores the interplay between the words and phrases used to depict de Beauvoir in Norwegian print media and her seminal essay Le deuxième sexe (1949) and different translations in Norway. By analysing how de Beauvoir is depicted, I aim to produce a better understanding of her multiple and changing images in Norway, and to show how they may be related to the different translations of her best-known work and to her changing status. The transformation of de Beauvoir—from being considered outdated and dependent on Sartre during the 1940s and 1950s, to being highly valued and recognized as an author and memorialist, significant philosopher, and popular feminist icon at the turn of the millennium—is partly a result of the different translations of her major work. At the same time, it could be claimed that her changing image prepared the ground for the translations.  相似文献   

15.
This article endeavours to open up a dialogue between succession law and the field of gender, sexuality and the law. It presents a detailed analysis of five cases concerning inheritance disputes relating to lesbians or gay men. The sexuality of the parties in the cases is ‘doctrinally irrelevant’ but the analysis demonstrates the significance of sexuality in the resolution of the legal disputes. In doing so it identifies how legal discourse remains a critical site for the production of societal norms and in particular how lesbian and gay perspectives reveal the gendered assumptions underlying a number of key succession law doctrines. It emphasises the importance of taking difference seriously and the limits to formal legal equality.  相似文献   

16.
In this article, I explore arguments commonly used to support the claim that lesbians and gay men should not be parents. Thematic analysis of recent media representations of lesbian and gay parenting and six focus groups with university students highlighted the repeated use of a number of arguments to oppose lesbian and gay parenting. I critically discuss the six most prevalent in this article. These are: (1) “The bible tells me that lesbian and gay parenting is a sin”; (2) “Lesbian and gay parenting is unnatural”; (3) “Lesbian and gay parents are selfish because they ignore ‘the best interests of the child’”; (4) “Children in lesbian and gay families lack appropriate role models”; (5) Children in lesbian and gay families grow up lesbian and gay; and (6) “Children in lesbian and gay families get bullied.” I examine these themes in relation to other debates about lesbian and gay and women's rights, and highlight the ways in which they reinforce a heterosexual norm.  相似文献   

17.
This article is concerned with the ways in which literary spaces can become sexualized by the transfer of objects between women, as well as by the ways in which bodies themselves touch. It discusses how lesbian desire changes both spatial and temporal structures, via a consideration of the use of pearl imagery. In particular, it analyses the link between sexual, class and bodily construction in two texts: Daphne du Maurier's novel Rebecca (1938) and Carol Ann Duffy's poem ‘Warming Her Pearls’ (1987). These texts encode contrasting ideas about the lesbian body, ideas that are discursively textured by the periods in which they were written and by the relative ideological resistance of their writers. While du Maurier's novel establishes a concept of spatial and temporal enclosure, Duffy's poem creates an unconfined and unstable lesbian body-text. Within this, the pearl can be seen as a subversive device, destructuring and stretching the parameters of lesbian desire.  相似文献   

18.
This article discusses Judgment Withheld (1934) in which Netta Syrett makes it clear that the most likeable character, Mimi Landsfeld, is a lesbian. This was unusual, other writers being too afraid of prosecution to depict lesbianism sympathetically, particularly after Radclyffe Hall's The Well of Loneliness was banned in 1928. The article also shows how Syrett combined her established reputation as a writer of popular fiction with offering her middlebrow readers varied and controversial portrayals of sexual relationships, including homosexuality. The article concludes with comments on Syrett's personal life, thereby placing her novels in context.  相似文献   

19.
ABSTRACT

If feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context.  相似文献   

20.
This article examines the content of Women's Cricket magazine, which was published between 1930 and 1967 by the Women's Cricket Association. It is suggested that sportswomen have always actively resisted and attempted to combat the negative discourses surrounding their participation in physical activities; the magazine is used as a case study of this. It is argued that the editors attempted to challenge the stereotypes of women's cricket available in the mainstream press by publishing a newspaper of their own which provided accurate, serious coverage of their sport, and by distributing this to the mainstream press. The question of how far they were successful in altering negative discourses about female participation in the sport is also assessed.  相似文献   

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